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Color name
RGB 197 94 63

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 94 63 it is the complementary color RGB 58 161 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 94 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 94 63 shade: RGB 202 94 58, RGB 219 112 77, RGB 236 130 96, RGB 253 148 115 and RGB 255 166 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 94 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 94 63 shade: RGB 197 94 63, RGB 180 76 44, RGB 163 58 25, RGB 146 40 6 and RGB 129 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 94 63 shade: RGB 197 93 62 and RGB 197 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 94 63 shade: RGB 197 93 62, RGB 197 130 62, RGB 197 166 62, RGB 192 197 62 and RGB 155 197 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 94 63 shade matches the following richer shades: RGB 197 93 62, RGB 217 82 42 and RGB 237 72 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 94 63 shade: RGB 197 93 62, RGB 177 104 82, RGB 157 115 103, RGB 136 126 123 and RGB 116 137 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 94 63 shade: RGB 197 62 105, RGB 197 62 69, RGB 197 91 62, RGB 197 127 62 and RGB 197 163 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 94 63 shade: RGB 136 63 40, RGB 168 77 50, RGB 197 93 62, RGB 207 120 94 and RGB 216 147 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 94 63 shade: RGB 197 94 63, RGB 141 197 62 and RGB 62 87 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 94 63 shade: RGB 197 94 63, RGB 62 197 91 and RGB 91 62 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 94 63 shade: RGB 197 94 63, RGB 141 197 62, RGB 62 168 197 and RGB 118 62 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 94 63 shade: RGB 197 94 63, RGB 100 197 62, RGB 62 168 197 and RGB 159 62 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 68 / 23

HEX #C55E3F

RGB 197 94 63

HSL 13.88, 0.54%, 0.51%

LAB 52.1, 38.86, 36.78

 

Complementary color

CMYK 70 / 16 / 0 / 25

HEX #3AA1C0

RGB 58 161 192

HSL 193.88, 0.54%, 0.49%

LAB 61.82, -19.39, -24.55

 

CMYK 0 / 53 / 71 / 21

HEX #CA5E3A

RGB 202 94 58

HSL 15, 0.58%, 0.51%

LAB 52.8, 40.51, 40.48

 

CMYK 0 / 49 / 65 / 14

HEX #DB704D

RGB 219 112 77

HSL 14.79, 0.66%, 0.58%

LAB 59.14, 39.02, 38.28

 

CMYK 0 / 45 / 59 / 7

HEX #EC8260

RGB 236 130 96

HSL 14.57, 0.79%, 0.65%

LAB 65.47, 37.63, 36.27

 

CMYK 0 / 42 / 55 / 1

HEX #FD9473

RGB 253 148 115

HSL 14.35, 0.97%, 0.72%

LAB 71.76, 36.34, 34.45

 

CMYK 0 / 35 / 47 / 0

HEX #FFA686

RGB 255 166 134

HSL 15.87, 1%, 0.76%

LAB 76.22, 29.43, 30.13

 

CMYK 0 / 52 / 68 / 23

HEX #C55E3F

RGB 197 94 63

HSL 13.88, 0.54%, 0.51%

LAB 52.1, 38.86, 36.78

 

CMYK 0 / 58 / 76 / 29

HEX #B44C2C

RGB 180 76 44

HSL 14.12, 0.61%, 0.44%

LAB 45.71, 40.37, 39.16

 

CMYK 0 / 64 / 85 / 36

HEX #A33A19

RGB 163 58 25

HSL 14.35, 0.73%, 0.37%

LAB 39.38, 41.85, 41.55

 

CMYK 0 / 73 / 96 / 43

HEX #922806

RGB 146 40 6

HSL 14.57, 0.92%, 0.3%

LAB 33.23, 43.08, 43.26

 

CMYK 0 / 83 / 100 / 49

HEX #811600

RGB 129 22 0

HSL 10.23, 1%, 0.25%

LAB 27.41, 43.62, 39.83

 

CMYK 0 / 53 / 69 / 23

HEX #C55D3E

RGB 197 93 62

HSL 13.78, 0.54%, 0.51%

LAB 51.89, 39.31, 37.08

 

CMYK 0 / 69 / 69 / 23

HEX #C53E3E

RGB 197 62 62

HSL 0, 0.54%, 0.51%

LAB 46.53, 53.45, 30.74

 

CMYK 0 / 53 / 69 / 23

HEX #C55D3E

RGB 197 93 62

HSL 13.78, 0.54%, 0.51%

LAB 51.89, 39.31, 37.08

 

CMYK 0 / 34 / 69 / 23

HEX #C5823E

RGB 197 130 62

HSL 30.22, 0.54%, 0.51%

LAB 60.05, 19.57, 46.27

 

CMYK 0 / 16 / 69 / 23

HEX #C5A63E

RGB 197 166 62

HSL 46.22, 0.54%, 0.51%

LAB 69.11, -0.01, 55.89

 

CMYK 3 / 0 / 69 / 23

HEX #C0C53E

RGB 192 197 62

HSL 62.22, 0.54%, 0.51%

LAB 76.97, -18.18, 63.74

 

CMYK 21 / 0 / 69 / 23

HEX #9BC53E

RGB 155 197 62

HSL 78.67, 0.54%, 0.51%

LAB 74.35, -33.27, 60.24

 

CMYK 0 / 53 / 69 / 23

HEX #C55D3E

RGB 197 93 62

HSL 13.78, 0.54%, 0.51%

LAB 51.89, 39.31, 37.08

 

CMYK 0 / 62 / 81 / 15

HEX #D9522A

RGB 217 82 42

HSL 13.71, 0.7%, 0.51%

LAB 52.9, 51.04, 49.41

 

CMYK 0 / 70 / 91 / 7

HEX #ED4816

RGB 237 72 22

HSL 13.95, 0.86%, 0.51%

LAB 54.76, 61.36, 60.47

 

CMYK 0 / 53 / 69 / 23

HEX #C55D3E

RGB 197 93 62

HSL 13.78, 0.54%, 0.51%

LAB 51.89, 39.31, 37.08

 

CMYK 0 / 41 / 54 / 31

HEX #B16852

RGB 177 104 82

HSL 13.89, 0.38%, 0.51%

LAB 51.68, 26.96, 24.91

 

CMYK 0 / 27 / 34 / 38

HEX #9D7367

RGB 157 115 103

HSL 13.33, 0.22%, 0.51%

LAB 52.3, 14.85, 13.13

 

CMYK 0 / 7 / 10 / 47

HEX #887E7B

RGB 136 126 123

HSL 13.85, 0.05%, 0.51%

LAB 53.58, 3.24, 2.99

 

CMYK 19 / 4 / 0 / 44

HEX #74898F

RGB 116 137 143

HSL 193.33, 0.11%, 0.51%

LAB 55.67, -6.15, -5.73

 

CMYK 0 / 69 / 47 / 23

HEX #C53E69

RGB 197 62 105

HSL 340.89, 0.54%, 0.51%

LAB 47.41, 56.56, 5.86

 

CMYK 0 / 69 / 65 / 23

HEX #C53E45

RGB 197 62 69

HSL 356.89, 0.54%, 0.51%

LAB 46.64, 53.84, 26.72

 

CMYK 0 / 54 / 69 / 23

HEX #C55B3E

RGB 197 91 62

HSL 12.89, 0.54%, 0.51%

LAB 51.5, 40.31, 36.62

 

CMYK 0 / 36 / 69 / 23

HEX #C57F3E

RGB 197 127 62

HSL 28.89, 0.54%, 0.51%

LAB 59.34, 21.22, 45.48

 

CMYK 0 / 17 / 69 / 23

HEX #C5A33E

RGB 197 163 62

HSL 44.89, 0.54%, 0.51%

LAB 68.32, 1.59, 55.08

 

CMYK 0 / 54 / 71 / 47

HEX #883F28

RGB 136 63 40

HSL 14.38, 0.55%, 0.35%

LAB 35.87, 29.41, 28.47

 

CMYK 0 / 54 / 70 / 34

HEX #A84D32

RGB 168 77 50

HSL 13.73, 0.54%, 0.43%

LAB 44.04, 35.51, 33.49

 

CMYK 0 / 53 / 69 / 23

HEX #C55D3E

RGB 197 93 62

HSL 13.78, 0.54%, 0.51%

LAB 51.89, 39.31, 37.08

 

CMYK 0 / 42 / 55 / 19

HEX #CF785E

RGB 207 120 94

HSL 13.81, 0.54%, 0.59%

LAB 59.44, 31.39, 28.93

 

CMYK 0 / 32 / 42 / 15

HEX #D8937E

RGB 216 147 126

HSL 14, 0.54%, 0.67%

LAB 67.26, 23.53, 21.68

 

CMYK 0 / 52 / 68 / 23

HEX #C55E3F

RGB 197 94 63

HSL 13.88, 0.54%, 0.51%

LAB 52.1, 38.86, 36.78

 

CMYK 28 / 0 / 69 / 23

HEX #8DC53E

RGB 141 197 62

HSL 84.89, 0.54%, 0.51%

LAB 73.51, -38.63, 59.11

 

CMYK 69 / 56 / 0 / 23

HEX #3E57C5

RGB 62 87 197

HSL 228.89, 0.54%, 0.51%

LAB 41.01, 27.27, -60.31

 

CMYK 0 / 52 / 68 / 23

HEX #C55E3F

RGB 197 94 63

HSL 13.88, 0.54%, 0.51%

LAB 52.1, 38.86, 36.78

 

CMYK 69 / 0 / 54 / 23

HEX #3EC55B

RGB 62 197 91

HSL 132.89, 0.54%, 0.51%

LAB 70.67, -58.25, 42.39

 

CMYK 54 / 69 / 0 / 23

HEX #5B3EC5

RGB 91 62 197

HSL 252.89, 0.54%, 0.51%

LAB 37.3, 47, -66.26

 

CMYK 0 / 52 / 68 / 23

HEX #C55E3F

RGB 197 94 63

HSL 13.88, 0.54%, 0.51%

LAB 52.1, 38.86, 36.78

 

CMYK 28 / 0 / 69 / 23

HEX #8DC53E

RGB 141 197 62

HSL 84.89, 0.54%, 0.51%

LAB 73.51, -38.63, 59.11

 

CMYK 69 / 15 / 0 / 23

HEX #3EA8C5

RGB 62 168 197

HSL 192.89, 0.54%, 0.51%

LAB 64.21, -20.88, -23.68

 

CMYK 40 / 69 / 0 / 23

HEX #763EC5

RGB 118 62 197

HSL 264.89, 0.54%, 0.51%

LAB 40.13, 51.81, -61.53

 

CMYK 0 / 52 / 68 / 23

HEX #C55E3F

RGB 197 94 63

HSL 13.88, 0.54%, 0.51%

LAB 52.1, 38.86, 36.78

 

CMYK 49 / 0 / 69 / 23

HEX #64C53E

RGB 100 197 62

HSL 103.11, 0.54%, 0.51%

LAB 71.55, -52.41, 56.46

 

CMYK 69 / 15 / 0 / 23

HEX #3EA8C5

RGB 62 168 197

HSL 192.89, 0.54%, 0.51%

LAB 64.21, -20.88, -23.68

 

CMYK 19 / 69 / 0 / 23

HEX #9F3EC5

RGB 159 62 197

HSL 283.11, 0.54%, 0.51%

LAB 45.42, 60.22, -52.71

 

Description

Color code: RGB 197 94 63 | qconv.com Color code: RGB 197 94 63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 94 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 94 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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