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Color name
RGB 198 128 160

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 128 160 it is the complementary color RGB 57 127 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 128 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 128 160 shade: RGB 203 128 155, RGB 220 146 174, RGB 237 164 193, RGB 254 182 212 and RGB 255 200 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 128 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 181 110 141, RGB 164 92 122, RGB 147 74 103 and RGB 130 56 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 198 128 141 and RGB 198 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 198 128 179, RGB 198 128 197, RGB 179 128 198 and RGB 160 128 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 128 160 shade matches the following richer shades: RGB 198 128 160, RGB 212 113 158, RGB 227 98 157 and RGB 242 83 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 183 143 161, RGB 168 158 162, RGB 153 172 164 and RGB 138 187 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 128 160 shade: RGB 198 128 198, RGB 198 128 179, RGB 198 128 160, RGB 198 128 142 and RGB 198 132 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 128 160 shade: RGB 168 75 117, RGB 185 99 138, RGB 198 128 160, RGB 210 156 181 and RGB 223 185 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 198 179 128 and RGB 128 188 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 160 198 128 and RGB 128 160 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 198 179 128, RGB 128 198 165 and RGB 128 146 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 128 160 shade: RGB 198 128 160, RGB 195 198 128, RGB 128 198 165 and RGB 130 128 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

Complementary color

CMYK 55 / 0 / 25 / 50

HEX #397F5F

RGB 57 127 95

HSL 152.57, 0.38%, 0.36%

LAB 48.1, -30.14, 10.83

 

CMYK 0 / 37 / 24 / 20

HEX #CB809B

RGB 203 128 155

HSL 338.4, 0.42%, 0.65%

LAB 62.08, 32.62, -2.22

 

CMYK 0 / 34 / 21 / 14

HEX #DC92AE

RGB 220 146 174

HSL 337.3, 0.51%, 0.72%

LAB 68.63, 31.83, -3.11

 

CMYK 0 / 31 / 19 / 7

HEX #EDA4C1

RGB 237 164 193

HSL 336.16, 0.67%, 0.79%

LAB 75.08, 31.09, -3.92

 

CMYK 0 / 28 / 17 / 0

HEX #FEB6D4

RGB 254 182 212

HSL 335, 0.97%, 0.85%

LAB 81.45, 30.4, -4.66

 

CMYK 0 / 22 / 9 / 0

HEX #FFC8E7

RGB 255 200 231

HSL 326.18, 1%, 0.89%

LAB 86.18, 24.32, -7.82

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 39 / 22 / 29

HEX #B56E8D

RGB 181 110 141

HSL 333.8, 0.32%, 0.57%

LAB 54.97, 32.4, -4.93

 

CMYK 0 / 44 / 26 / 36

HEX #A45C7A

RGB 164 92 122

HSL 335, 0.28%, 0.5%

LAB 48.2, 33.27, -3.92

 

CMYK 0 / 50 / 30 / 42

HEX #934A67

RGB 147 74 103

HSL 336.16, 0.33%, 0.43%

LAB 41.34, 34.16, -2.73

 

CMYK 0 / 57 / 35 / 49

HEX #823854

RGB 130 56 84

HSL 337.3, 0.4%, 0.36%

LAB 34.43, 35.01, -1.23

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 35 / 29 / 22

HEX #C6808D

RGB 198 128 141

HSL 348.86, 0.38%, 0.64%

LAB 61.1, 28.8, 4.29

 

CMYK 0 / 35 / 35 / 22

HEX #C68080

RGB 198 128 128

HSL 0, 0.38%, 0.64%

LAB 60.78, 27.09, 11.27

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 35 / 10 / 22

HEX #C680B3

RGB 198 128 179

HSL 316.29, 0.38%, 0.64%

LAB 62.25, 34.71, -15.71

 

CMYK 0 / 35 / 1 / 22

HEX #C680C5

RGB 198 128 197

HSL 300.86, 0.38%, 0.64%

LAB 62.91, 37.94, -24.89

 

CMYK 10 / 35 / 0 / 22

HEX #B380C6

RGB 179 128 198

HSL 283.71, 0.38%, 0.64%

LAB 60.87, 32.11, -28.77

 

CMYK 19 / 35 / 0 / 22

HEX #A080C6

RGB 160 128 198

HSL 267.43, 0.38%, 0.64%

LAB 58.96, 26.19, -31.87

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 47 / 25 / 17

HEX #D4719E

RGB 212 113 158

HSL 332.73, 0.54%, 0.64%

LAB 60.14, 44.09, -6.69

 

CMYK 0 / 57 / 31 / 11

HEX #E3629D

RGB 227 98 157

HSL 332.56, 0.7%, 0.64%

LAB 59.43, 56.09, -6.93

 

CMYK 0 / 66 / 36 / 5

HEX #F2539C

RGB 242 83 156

HSL 332.45, 0.86%, 0.64%

LAB 59.4, 66.74, -6.14

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 22 / 12 / 28

HEX #B78FA1

RGB 183 143 161

HSL 333, 0.22%, 0.64%

LAB 63.58, 18.03, -3.69

 

CMYK 0 / 6 / 4 / 34

HEX #A89EA2

RGB 168 158 162

HSL 336, 0.05%, 0.64%

LAB 66.05, 4.37, -0.78

 

CMYK 11 / 0 / 5 / 33

HEX #99ACA4

RGB 153 172 164

HSL 154.74, 0.1%, 0.64%

LAB 68.72, -8.2, 1.86

 

CMYK 26 / 0 / 12 / 27

HEX #8ABBA5

RGB 138 187 165

HSL 153.06, 0.26%, 0.64%

LAB 72, -20.79, 5.93

 

CMYK 0 / 35 / 0 / 22

HEX #C680C6

RGB 198 128 198

HSL 300, 0.38%, 0.64%

LAB 62.95, 38.13, -25.39

 

CMYK 0 / 35 / 10 / 22

HEX #C680B3

RGB 198 128 179

HSL 316.29, 0.38%, 0.64%

LAB 62.25, 34.71, -15.71

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 35 / 28 / 22

HEX #C6808E

RGB 198 128 142

HSL 348, 0.38%, 0.64%

LAB 61.13, 28.94, 3.75

 

CMYK 0 / 33 / 35 / 22

HEX #C68480

RGB 198 132 128

HSL 3.43, 0.38%, 0.64%

LAB 61.71, 24.9, 12.58

 

CMYK 0 / 55 / 30 / 34

HEX #A84B75

RGB 168 75 117

HSL 332.9, 0.38%, 0.48%

LAB 45.14, 42.88, -5.37

 

CMYK 0 / 46 / 25 / 27

HEX #B9638A

RGB 185 99 138

HSL 332.79, 0.38%, 0.56%

LAB 53.03, 39.29, -5.98

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 26 / 14 / 18

HEX #D29CB5

RGB 210 156 181

HSL 332.22, 0.38%, 0.72%

LAB 70.05, 23.96, -5.04

 

CMYK 0 / 17 / 9 / 13

HEX #DFB9CA

RGB 223 185 202

HSL 333.16, 0.37%, 0.8%

LAB 78.84, 16.38, -3.44

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 10 / 35 / 22

HEX #C6B380

RGB 198 179 128

HSL 43.71, 0.38%, 0.64%

LAB 73.42, -0.68, 28.55

 

CMYK 35 / 5 / 0 / 22

HEX #80BCC6

RGB 128 188 198

HSL 188.57, 0.38%, 0.64%

LAB 72.65, -16.77, -11.2

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 19 / 0 / 35 / 22

HEX #A0C680

RGB 160 198 128

HSL 92.57, 0.38%, 0.64%

LAB 75.71, -25.08, 31.05

 

CMYK 35 / 19 / 0 / 22

HEX #80A0C6

RGB 128 160 198

HSL 212.57, 0.38%, 0.64%

LAB 64.81, -1.7, -23.06

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 0 / 10 / 35 / 22

HEX #C6B380

RGB 198 179 128

HSL 43.71, 0.38%, 0.64%

LAB 73.42, -0.68, 28.55

 

CMYK 35 / 0 / 17 / 22

HEX #80C6A5

RGB 128 198 165

HSL 151.71, 0.38%, 0.64%

LAB 74.63, -29.27, 9.63

 

CMYK 35 / 26 / 0 / 22

HEX #8092C6

RGB 128 146 198

HSL 224.57, 0.38%, 0.64%

LAB 60.98, 6.24, -28.95

 

CMYK 0 / 35 / 19 / 22

HEX #C680A0

RGB 198 128 160

HSL 332.57, 0.38%, 0.64%

LAB 61.64, 31.59, -5.8

 

CMYK 2 / 0 / 35 / 22

HEX #C3C680

RGB 195 198 128

HSL 62.57, 0.38%, 0.64%

LAB 78.2, -11.77, 34.77

 

CMYK 35 / 0 / 17 / 22

HEX #80C6A5

RGB 128 198 165

HSL 151.71, 0.38%, 0.64%

LAB 74.63, -29.27, 9.63

 

CMYK 34 / 35 / 0 / 22

HEX #8280C6

RGB 130 128 198

HSL 241.71, 0.38%, 0.64%

LAB 56.35, 17.32, -36.15

 

Description

Color code: RGB 198 128 160 | qconv.com Color code: RGB 198 128 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 128 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 128 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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