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Color name
RGB 198 130 20

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 130 20 it is the complementary color RGB 57 125 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 130 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 130 20 shade: RGB 203 130 15, RGB 220 148 34, RGB 237 166 53, RGB 254 184 72 and RGB 255 202 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 130 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 130 20 shade: RGB 198 130 20, RGB 181 112 1, RGB 164 94 0, RGB 147 76 0 and RGB 130 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 130 20 shade: RGB 199 130 19, RGB 199 82 19, RGB 199 33 19 and RGB 199 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 130 20 shade: RGB 199 130 19, RGB 199 179 19, RGB 171 199 19, RGB 122 199 19 and RGB 74 199 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 130 20 shade matches the following richer shades: RGB 199 130 19 and RGB 217 135 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 130 20 shade: RGB 199 130 19, RGB 181 126 37, RGB 164 122 55, RGB 146 118 72 and RGB 128 114 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 130 20 shade: RGB 199 34 19, RGB 199 82 19, RGB 199 130 19, RGB 199 178 19 and RGB 172 199 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 130 20 shade: RGB 124 81 12, RGB 162 106 16, RGB 199 130 19, RGB 232 154 28 and RGB 236 171 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 130 20 shade: RGB 198 130 20, RGB 52 199 19 and RGB 58 19 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 130 20 shade: RGB 198 130 20, RGB 19 199 130 and RGB 130 19 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 130 20 shade: RGB 198 130 20, RGB 52 199 19, RGB 19 88 199 and RGB 166 19 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 130 20 shade: RGB 198 130 20, RGB 19 199 40, RGB 19 88 199 and RGB 199 19 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

Complementary color

CMYK 76 / 47 / 0 / 8

HEX #397DEB

RGB 57 125 235

HSL 217.08, 0.82%, 0.57%

LAB 53.53, 16.4, -61.7

 

CMYK 0 / 36 / 93 / 20

HEX #CB820F

RGB 203 130 15

HSL 36.7, 0.86%, 0.43%

LAB 60.51, 20.55, 63.98

 

CMYK 0 / 33 / 85 / 14

HEX #DC9422

RGB 220 148 34

HSL 36.77, 0.73%, 0.5%

LAB 66.91, 18.56, 65.06

 

CMYK 0 / 30 / 78 / 7

HEX #EDA635

RGB 237 166 53

HSL 36.85, 0.84%, 0.57%

LAB 73.24, 16.81, 64.96

 

CMYK 0 / 28 / 72 / 0

HEX #FEB848

RGB 254 184 72

HSL 36.92, 0.99%, 0.64%

LAB 79.51, 15.28, 64.25

 

CMYK 0 / 21 / 64 / 0

HEX #FFCA5B

RGB 255 202 91

HSL 40.61, 1%, 0.68%

LAB 84.1, 7.35, 60.99

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 0 / 38 / 99 / 29

HEX #B57001

RGB 181 112 1

HSL 37, 0.99%, 0.36%

LAB 53.4, 20.6, 60.26

 

CMYK 0 / 43 / 100 / 36

HEX #A45E00

RGB 164 94 0

HSL 34.39, 1%, 0.32%

LAB 46.84, 23.08, 55.13

 

CMYK 0 / 48 / 100 / 42

HEX #934C00

RGB 147 76 0

HSL 31.02, 1%, 0.29%

LAB 40.2, 25.64, 49.77

 

CMYK 0 / 55 / 100 / 49

HEX #823A00

RGB 130 58 0

HSL 26.77, 1%, 0.25%

LAB 33.5, 28.19, 44.39

 

CMYK 0 / 35 / 90 / 22

HEX #C78213

RGB 199 130 19

HSL 37, 0.83%, 0.43%

LAB 60.03, 18.87, 62.54

 

CMYK 0 / 59 / 90 / 22

HEX #C75213

RGB 199 82 19

HSL 21, 0.83%, 0.43%

LAB 49.77, 43.94, 54.87

 

CMYK 0 / 83 / 90 / 22

HEX #C72113

RGB 199 33 19

HSL 4.67, 0.83%, 0.43%

LAB 43.18, 61.89, 50.13

 

CMYK 0 / 90 / 90 / 22

HEX #C71313

RGB 199 19 19

HSL 0, 0.83%, 0.43%

LAB 42.24, 64.58, 49.47

 

CMYK 0 / 35 / 90 / 22

HEX #C78213

RGB 199 130 19

HSL 37, 0.83%, 0.43%

LAB 60.03, 18.87, 62.54

 

CMYK 0 / 10 / 90 / 22

HEX #C7B313

RGB 199 179 19

HSL 53.33, 0.83%, 0.43%

LAB 72.51, -7.49, 72.13

 

CMYK 14 / 0 / 90 / 22

HEX #ABC713

RGB 171 199 19

HSL 69.33, 0.83%, 0.43%

LAB 75.79, -29.48, 73.76

 

CMYK 39 / 0 / 90 / 22

HEX #7AC713

RGB 122 199 19

HSL 85.67, 0.83%, 0.43%

LAB 72.91, -48.32, 70.23

 

CMYK 63 / 0 / 90 / 22

HEX #4AC713

RGB 74 199 19

HSL 101.67, 0.83%, 0.43%

LAB 71.11, -62.26, 67.99

 

CMYK 0 / 35 / 90 / 22

HEX #C78213

RGB 199 130 19

HSL 37, 0.83%, 0.43%

LAB 60.03, 18.87, 62.54

 

CMYK 0 / 38 / 100 / 15

HEX #D98701

RGB 217 135 1

HSL 37.22, 0.99%, 0.43%

LAB 63.41, 23.73, 69.04

 

CMYK 0 / 35 / 90 / 22

HEX #C78213

RGB 199 130 19

HSL 37, 0.83%, 0.43%

LAB 60.03, 18.87, 62.54

 

CMYK 0 / 30 / 80 / 29

HEX #B57E25

RGB 181 126 37

HSL 37.08, 0.66%, 0.43%

LAB 56.96, 13.61, 53.52

 

CMYK 0 / 26 / 66 / 36

HEX #A47A37

RGB 164 122 55

HSL 36.88, 0.5%, 0.43%

LAB 54.12, 9.15, 42.06

 

CMYK 0 / 19 / 51 / 43

HEX #927648

RGB 146 118 72

HSL 37.3, 0.34%, 0.43%

LAB 51.31, 4.79, 29.34

 

CMYK 0 / 11 / 30 / 50

HEX #80725A

RGB 128 114 90

HSL 37.89, 0.17%, 0.43%

LAB 48.71, 1.47, 15.31

 

CMYK 0 / 83 / 90 / 22

HEX #C72213

RGB 199 34 19

HSL 5, 0.83%, 0.43%

LAB 43.26, 61.66, 50.19

 

CMYK 0 / 59 / 90 / 22

HEX #C75213

RGB 199 82 19

HSL 21, 0.83%, 0.43%

LAB 49.77, 43.94, 54.87

 

CMYK 0 / 35 / 90 / 22

HEX #C78213

RGB 199 130 19

HSL 37, 0.83%, 0.43%

LAB 60.03, 18.87, 62.54

 

CMYK 0 / 11 / 90 / 22

HEX #C7B213

RGB 199 178 19

HSL 53, 0.83%, 0.43%

LAB 72.25, -6.97, 71.93

 

CMYK 14 / 0 / 90 / 22

HEX #ACC713

RGB 172 199 19

HSL 69, 0.83%, 0.43%

LAB 75.86, -29.06, 73.85

 

CMYK 0 / 35 / 90 / 51

HEX #7C510C

RGB 124 81 12

HSL 36.96, 0.82%, 0.27%

LAB 38.19, 12.42, 43.26

 

CMYK 0 / 35 / 90 / 36

HEX #A26A10

RGB 162 106 16

HSL 36.99, 0.82%, 0.35%

LAB 49.53, 15.68, 53.2

 

CMYK 0 / 35 / 90 / 22

HEX #C78213

RGB 199 130 19

HSL 37, 0.83%, 0.43%

LAB 60.03, 18.87, 62.54

 

CMYK 0 / 34 / 88 / 9

HEX #E89A1C

RGB 232 154 28

HSL 37.06, 0.82%, 0.51%

LAB 69.72, 20.35, 69.57

 

CMYK 0 / 28 / 72 / 7

HEX #ECAB41

RGB 236 171 65

HSL 37.19, 0.82%, 0.59%

LAB 74.41, 14.24, 61.34

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 74 / 0 / 90 / 22

HEX #34C713

RGB 52 199 19

HSL 109, 0.83%, 0.43%

LAB 70.61, -66.53, 67.37

 

CMYK 71 / 90 / 0 / 22

HEX #3A13C7

RGB 58 19 199

HSL 253, 0.83%, 0.43%

LAB 28.08, 62.8, -82.74

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 90 / 0 / 35 / 22

HEX #13C782

RGB 19 199 130

HSL 157, 0.83%, 0.43%

LAB 71.28, -57.05, 23.24

 

CMYK 35 / 90 / 0 / 22

HEX #8213C7

RGB 130 19 199

HSL 277, 0.83%, 0.43%

LAB 36.62, 69.32, -68.35

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 74 / 0 / 90 / 22

HEX #34C713

RGB 52 199 19

HSL 109, 0.83%, 0.43%

LAB 70.61, -66.53, 67.37

 

CMYK 90 / 56 / 0 / 22

HEX #1358C7

RGB 19 88 199

HSL 217, 0.83%, 0.43%

LAB 39.98, 23.17, -63.2

 

CMYK 17 / 90 / 0 / 22

HEX #A613C7

RGB 166 19 199

HSL 289, 0.83%, 0.43%

LAB 42.3, 74.38, -58.86

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 90 / 0 / 80 / 22

HEX #13C728

RGB 19 199 40

HSL 127, 0.83%, 0.43%

LAB 70.27, -69.24, 62.15

 

CMYK 90 / 56 / 0 / 22

HEX #1358C7

RGB 19 88 199

HSL 217, 0.83%, 0.43%

LAB 39.98, 23.17, -63.2

 

CMYK 0 / 90 / 11 / 22

HEX #C713B2

RGB 199 19 178

HSL 307, 0.83%, 0.43%

LAB 46.74, 76.76, -39.12

 

Description

Color code: RGB 198 130 20 | qconv.com Color code: RGB 198 130 20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 130 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 130 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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