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Color name
RGB 198 143 21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 143 21 it is the complementary color RGB 57 112 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 143 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 143 21 shade: RGB 203 143 16, RGB 220 161 35, RGB 237 179 54, RGB 254 197 73 and RGB 255 215 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 143 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 143 21 shade: RGB 198 143 21, RGB 181 125 2, RGB 164 107 0, RGB 147 89 0 and RGB 130 71 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 143 21 shade: RGB 198 143 20, RGB 198 95 20, RGB 198 47 20 and RGB 198 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 143 21 shade: RGB 198 143 20, RGB 198 191 20, RGB 157 198 20, RGB 109 198 20 and RGB 62 198 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 143 21 shade matches the following richer shades: RGB 198 143 20 and RGB 216 149 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 143 21 shade: RGB 198 143 20, RGB 180 136 38, RGB 162 129 56, RGB 145 123 74 and RGB 127 116 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 143 21 shade: RGB 198 47 20, RGB 198 94 20, RGB 198 142 20, RGB 198 189 20 and RGB 159 198 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 143 21 shade: RGB 123 89 12, RGB 161 116 16, RGB 198 143 20, RGB 231 168 29 and RGB 235 182 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 143 21 shade: RGB 198 143 21, RGB 41 198 20 and RGB 71 20 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 143 21 shade: RGB 198 143 21, RGB 20 198 142 and RGB 142 20 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 143 21 shade: RGB 198 143 21, RGB 41 198 20, RGB 20 77 198 and RGB 177 20 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 143 21 shade: RGB 198 143 21, RGB 20 198 53, RGB 20 77 198 and RGB 198 20 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 89 / 22

HEX #C68F15

RGB 198 143 21

HSL 41.36, 0.81%, 0.43%

LAB 63.1, 11.35, 64.39

 

Complementary color

CMYK 76 / 52 / 0 / 8

HEX #3970EA

RGB 57 112 234

HSL 221.36, 0.81%, 0.57%

LAB 49.98, 24.16, -66.88

 

CMYK 0 / 30 / 92 / 20

HEX #CB8F10

RGB 203 143 16

HSL 40.75, 0.85%, 0.43%

LAB 63.65, 13.48, 66.1

 

CMYK 0 / 27 / 84 / 14

HEX #DCA123

RGB 220 161 35

HSL 40.86, 0.73%, 0.5%

LAB 70.05, 11.61, 67.39

 

CMYK 0 / 24 / 77 / 7

HEX #EDB336

RGB 237 179 54

HSL 40.98, 0.84%, 0.57%

LAB 76.38, 9.98, 67.52

 

CMYK 0 / 22 / 71 / 0

HEX #FEC549

RGB 254 197 73

HSL 41.1, 0.99%, 0.64%

LAB 82.64, 8.56, 67

 

CMYK 0 / 16 / 64 / 0

HEX #FFD75C

RGB 255 215 92

HSL 45.28, 1%, 0.68%

LAB 87.31, 0.74, 64.04

 

CMYK 0 / 28 / 89 / 22

HEX #C68F15

RGB 198 143 21

HSL 41.36, 0.81%, 0.43%

LAB 63.1, 11.35, 64.39

 

CMYK 0 / 31 / 99 / 29

HEX #B57D02

RGB 181 125 2

HSL 41.23, 0.98%, 0.36%

LAB 56.58, 13.39, 62.2

 

CMYK 0 / 35 / 100 / 36

HEX #A46B00

RGB 164 107 0

HSL 39.15, 1%, 0.32%

LAB 49.99, 15.75, 57.16

 

CMYK 0 / 39 / 100 / 42

HEX #935900

RGB 147 89 0

HSL 36.33, 1%, 0.29%

LAB 43.28, 18.26, 51.7

 

CMYK 0 / 45 / 100 / 49

HEX #824700

RGB 130 71 0

HSL 32.77, 1%, 0.25%

LAB 36.47, 20.86, 46.17

 

CMYK 0 / 28 / 90 / 22

HEX #C68F14

RGB 198 143 20

HSL 41.46, 0.82%, 0.43%

LAB 63.1, 11.34, 64.61

 

CMYK 0 / 52 / 90 / 22

HEX #C65F14

RGB 198 95 20

HSL 25.28, 0.82%, 0.43%

LAB 52.11, 37.16, 56.23

 

CMYK 0 / 76 / 90 / 22

HEX #C62F14

RGB 198 47 20

HSL 9.1, 0.82%, 0.43%

LAB 44.36, 57.74, 50.49

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 28 / 90 / 22

HEX #C68F14

RGB 198 143 20

HSL 41.46, 0.82%, 0.43%

LAB 63.1, 11.34, 64.61

 

CMYK 0 / 4 / 90 / 22

HEX #C6BF14

RGB 198 191 20

HSL 57.64, 0.82%, 0.43%

LAB 75.65, -14.06, 74.37

 

CMYK 21 / 0 / 90 / 22

HEX #9DC614

RGB 157 198 20

HSL 73.82, 0.82%, 0.43%

LAB 74.58, -34.7, 72.24

 

CMYK 45 / 0 / 90 / 22

HEX #6DC614

RGB 109 198 20

HSL 90, 0.82%, 0.43%

LAB 72.02, -52.24, 69.08

 

CMYK 69 / 0 / 90 / 22

HEX #3EC614

RGB 62 198 20

HSL 105.84, 0.82%, 0.43%

LAB 70.5, -64.42, 67.19

 

CMYK 0 / 28 / 90 / 22

HEX #C68F14

RGB 198 143 20

HSL 41.46, 0.82%, 0.43%

LAB 63.1, 11.34, 64.61

 

CMYK 0 / 31 / 99 / 15

HEX #D89503

RGB 216 149 3

HSL 41.13, 0.97%, 0.43%

LAB 66.6, 15.79, 70.82

 

CMYK 0 / 28 / 90 / 22

HEX #C68F14

RGB 198 143 20

HSL 41.46, 0.82%, 0.43%

LAB 63.1, 11.34, 64.61

 

CMYK 0 / 24 / 79 / 29

HEX #B48826

RGB 180 136 38

HSL 41.41, 0.65%, 0.43%

LAB 59.39, 7.64, 55.35

 

CMYK 0 / 20 / 65 / 36

HEX #A28138

RGB 162 129 56

HSL 41.32, 0.49%, 0.43%

LAB 55.75, 4.38, 43.31

 

CMYK 0 / 15 / 49 / 43

HEX #917B4A

RGB 145 123 74

HSL 41.41, 0.32%, 0.43%

LAB 52.6, 1.7, 29.83

 

CMYK 0 / 9 / 28 / 50

HEX #7F745B

RGB 127 116 91

HSL 41.67, 0.17%, 0.43%

LAB 49.2, 0.04, 15.38

 

CMYK 0 / 76 / 90 / 22

HEX #C62F14

RGB 198 47 20

HSL 9.1, 0.82%, 0.43%

LAB 44.36, 57.74, 50.49

 

CMYK 0 / 53 / 90 / 22

HEX #C65E14

RGB 198 94 20

HSL 24.94, 0.82%, 0.43%

LAB 51.91, 37.67, 56.08

 

CMYK 0 / 28 / 90 / 22

HEX #C68E14

RGB 198 142 20

HSL 41.12, 0.82%, 0.43%

LAB 62.85, 11.88, 64.42

 

CMYK 0 / 5 / 90 / 22

HEX #C6BD14

RGB 198 189 20

HSL 56.97, 0.82%, 0.43%

LAB 75.11, -13.05, 73.95

 

CMYK 20 / 0 / 90 / 22

HEX #9FC614

RGB 159 198 20

HSL 73.15, 0.82%, 0.43%

LAB 74.7, -33.89, 72.39

 

CMYK 0 / 28 / 90 / 52

HEX #7B590C

RGB 123 89 12

HSL 41.62, 0.82%, 0.26%

LAB 40.22, 7.17, 44.85

 

CMYK 0 / 28 / 90 / 37

HEX #A17410

RGB 161 116 16

HSL 41.38, 0.82%, 0.35%

LAB 51.96, 9.53, 55.05

 

CMYK 0 / 28 / 90 / 22

HEX #C68F14

RGB 198 143 20

HSL 41.46, 0.82%, 0.43%

LAB 63.1, 11.34, 64.61

 

CMYK 0 / 27 / 87 / 9

HEX #E7A81D

RGB 231 168 29

HSL 41.29, 0.81%, 0.51%

LAB 72.95, 12.5, 71.82

 

CMYK 0 / 23 / 72 / 8

HEX #EBB642

RGB 235 182 66

HSL 41.18, 0.81%, 0.59%

LAB 76.99, 8.06, 63.49

 

CMYK 0 / 28 / 89 / 22

HEX #C68F15

RGB 198 143 21

HSL 41.36, 0.81%, 0.43%

LAB 63.1, 11.35, 64.39

 

CMYK 79 / 0 / 90 / 22

HEX #29C614

RGB 41 198 20

HSL 112.92, 0.82%, 0.43%

LAB 70.11, -67.78, 66.71

 

CMYK 64 / 90 / 0 / 22

HEX #4714C6

RGB 71 20 198

HSL 257.19, 0.82%, 0.43%

LAB 29.2, 63.05, -80.26

 

CMYK 0 / 28 / 89 / 22

HEX #C68F15

RGB 198 143 21

HSL 41.36, 0.81%, 0.43%

LAB 63.1, 11.35, 64.39

 

CMYK 90 / 0 / 28 / 22

HEX #14C68E

RGB 20 198 142

HSL 161.12, 0.82%, 0.43%

LAB 71.21, -53.98, 16.76

 

CMYK 28 / 90 / 0 / 22

HEX #8E14C6

RGB 142 20 198

HSL 281.12, 0.82%, 0.43%

LAB 38.43, 70.52, -64.75

 

CMYK 0 / 28 / 89 / 22

HEX #C68F15

RGB 198 143 21

HSL 41.36, 0.81%, 0.43%

LAB 63.1, 11.35, 64.39

 

CMYK 79 / 0 / 90 / 22

HEX #29C614

RGB 41 198 20

HSL 112.92, 0.82%, 0.43%

LAB 70.11, -67.78, 66.71

 

CMYK 90 / 61 / 0 / 22

HEX #144DC6

RGB 20 77 198

HSL 220.79, 0.82%, 0.43%

LAB 36.99, 30.09, -67.5

 

CMYK 11 / 90 / 0 / 22

HEX #B114C6

RGB 177 20 198

HSL 292.92, 0.82%, 0.43%

LAB 44.12, 75.8, -55.24

 

CMYK 0 / 28 / 89 / 22

HEX #C68F15

RGB 198 143 21

HSL 41.36, 0.81%, 0.43%

LAB 63.1, 11.35, 64.39

 

CMYK 90 / 0 / 73 / 22

HEX #14C635

RGB 20 198 53

HSL 131.12, 0.82%, 0.43%

LAB 70.03, -67.95, 57.71

 

CMYK 90 / 61 / 0 / 22

HEX #144DC6

RGB 20 77 198

HSL 220.79, 0.82%, 0.43%

LAB 36.99, 30.09, -67.5

 

CMYK 0 / 90 / 17 / 22

HEX #C614A5

RGB 198 20 165

HSL 311.12, 0.82%, 0.43%

LAB 45.94, 74.7, -32.7

 

Description

Color code: RGB 198 143 21 | qconv.com Color code: RGB 198 143 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 143 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 143 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 89% 22% C M Y K

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Provide designers and agencies with accurate color values.

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