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Color name
RGB 198 158 113

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 158 113 it is the complementary color RGB 57 97 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 158 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 158 113 shade: RGB 203 158 108, RGB 220 176 127, RGB 237 194 146, RGB 254 212 165 and RGB 255 230 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 158 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 158 113 shade: RGB 198 158 113, RGB 181 140 94, RGB 164 122 75, RGB 147 104 56 and RGB 130 86 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 158 113 shade: RGB 198 158 112, RGB 198 134 112 and RGB 198 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 158 113 shade: RGB 198 158 112, RGB 198 181 112, RGB 192 198 112, RGB 169 198 112 and RGB 146 198 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 158 113 shade matches the following richer shades: RGB 198 158 112, RGB 214 159 96, RGB 230 159 80 and RGB 246 160 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 158 113 shade: RGB 198 158 112, RGB 182 157 128, RGB 166 156 144, RGB 150 155 161 and RGB 133 154 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 158 113 shade: RGB 198 112 114, RGB 198 134 112, RGB 198 156 112, RGB 198 179 112 and RGB 194 198 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 158 113 shade: RGB 163 117 65, RGB 186 137 83, RGB 198 158 112, RGB 210 178 142 and RGB 221 198 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 158 113 shade: RGB 198 158 113, RGB 137 198 112 and RGB 122 112 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 158 113 shade: RGB 198 158 113, RGB 112 198 156 and RGB 156 112 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 158 113 shade: RGB 198 158 113, RGB 137 198 112, RGB 112 154 198 and RGB 174 112 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 158 113 shade: RGB 198 158 113, RGB 112 198 114, RGB 112 154 198 and RGB 198 112 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 43 / 22

HEX #C69E71

RGB 198 158 113

HSL 31.76, 0.43%, 0.61%

LAB 67.76, 8.89, 29.12

 

Complementary color

CMYK 60 / 32 / 0 / 44

HEX #39618E

RGB 57 97 142

HSL 211.76, 0.43%, 0.39%

LAB 40.2, 0.27, -29.09

 

CMYK 0 / 22 / 47 / 20

HEX #CB9E6C

RGB 203 158 108

HSL 31.58, 0.48%, 0.61%

LAB 68.19, 10.43, 32.46

 

CMYK 0 / 20 / 42 / 14

HEX #DCB07F

RGB 220 176 127

HSL 31.61, 0.57%, 0.68%

LAB 74.7, 9.63, 31.15

 

CMYK 0 / 18 / 38 / 7

HEX #EDC292

RGB 237 194 146

HSL 31.65, 0.72%, 0.75%

LAB 81.11, 8.93, 29.92

 

CMYK 0 / 17 / 35 / 0

HEX #FED4A5

RGB 254 212 165

HSL 31.69, 0.98%, 0.82%

LAB 87.42, 8.32, 28.77

 

CMYK 0 / 10 / 28 / 0

HEX #FFE6B8

RGB 255 230 184

HSL 38.87, 1%, 0.86%

LAB 92.27, 1.81, 25.56

 

CMYK 0 / 20 / 43 / 22

HEX #C69E71

RGB 198 158 113

HSL 31.76, 0.43%, 0.61%

LAB 67.76, 8.89, 29.12

 

CMYK 0 / 23 / 48 / 29

HEX #B58C5E

RGB 181 140 94

HSL 31.72, 0.37%, 0.54%

LAB 61.12, 9.72, 30.47

 

CMYK 0 / 26 / 54 / 36

HEX #A47A4B

RGB 164 122 75

HSL 31.69, 0.37%, 0.47%

LAB 54.36, 10.7, 31.92

 

CMYK 0 / 29 / 62 / 42

HEX #936838

RGB 147 104 56

HSL 31.65, 0.45%, 0.4%

LAB 47.48, 11.89, 33.46

 

CMYK 0 / 34 / 72 / 49

HEX #825625

RGB 130 86 37

HSL 31.61, 0.56%, 0.33%

LAB 40.47, 13.34, 35.01

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

CMYK 0 / 32 / 43 / 22

HEX #C68670

RGB 198 134 112

HSL 15.35, 0.43%, 0.61%

LAB 61.85, 21.93, 21.81

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

CMYK 0 / 9 / 43 / 22

HEX #C6B570

RGB 198 181 112

HSL 48.14, 0.43%, 0.61%

LAB 73.69, -3.54, 37.28

 

CMYK 3 / 0 / 43 / 22

HEX #C0C670

RGB 192 198 112

HSL 64.19, 0.43%, 0.61%

LAB 77.74, -14.75, 42.24

 

CMYK 15 / 0 / 43 / 22

HEX #A9C670

RGB 169 198 112

HSL 80.23, 0.43%, 0.61%

LAB 76.06, -23.77, 39.8

 

CMYK 26 / 0 / 43 / 22

HEX #92C670

RGB 146 198 112

HSL 96.28, 0.43%, 0.61%

LAB 74.62, -32.3, 37.67

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

CMYK 0 / 26 / 55 / 16

HEX #D69F60

RGB 214 159 96

HSL 32.03, 0.59%, 0.61%

LAB 69.42, 13.36, 40.55

 

CMYK 0 / 31 / 65 / 10

HEX #E69F50

RGB 230 159 80

HSL 31.6, 0.75%, 0.61%

LAB 71.01, 18.89, 50.82

 

CMYK 0 / 35 / 74 / 4

HEX #F6A040

RGB 246 160 64

HSL 31.65, 0.91%, 0.61%

LAB 72.96, 24.18, 60.68

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

CMYK 0 / 14 / 30 / 29

HEX #B69D80

RGB 182 157 128

HSL 32.22, 0.27%, 0.61%

LAB 66.23, 4.79, 18.59

 

CMYK 0 / 6 / 13 / 35

HEX #A69C90

RGB 166 156 144

HSL 32.73, 0.11%, 0.61%

LAB 64.88, 1.54, 7.58

 

CMYK 7 / 4 / 0 / 37

HEX #969BA1

RGB 150 155 161

HSL 212.73, 0.06%, 0.61%

LAB 63.75, -0.59, -3.76

 

CMYK 25 / 13 / 0 / 31

HEX #859AB1

RGB 133 154 177

HSL 211.36, 0.22%, 0.61%

LAB 62.74, -2.14, -14.42

 

CMYK 0 / 43 / 42 / 22

HEX #C67072

RGB 198 112 114

HSL 358.6, 0.43%, 0.61%

LAB 56.89, 34.09, 13.88

 

CMYK 0 / 32 / 43 / 22

HEX #C68670

RGB 198 134 112

HSL 15.35, 0.43%, 0.61%

LAB 61.85, 21.93, 21.81

 

CMYK 0 / 21 / 43 / 22

HEX #C69C70

RGB 198 156 112

HSL 30.7, 0.43%, 0.61%

LAB 67.24, 9.87, 28.98

 

CMYK 0 / 10 / 43 / 22

HEX #C6B370

RGB 198 179 112

HSL 46.74, 0.43%, 0.61%

LAB 73.16, -2.49, 36.62

 

CMYK 2 / 0 / 43 / 22

HEX #C2C670

RGB 194 198 112

HSL 62.79, 0.43%, 0.61%

LAB 77.89, -13.95, 42.47

 

CMYK 0 / 28 / 60 / 36

HEX #A37541

RGB 163 117 65

HSL 31.84, 0.43%, 0.45%

LAB 52.83, 12.26, 35.43

 

CMYK 0 / 26 / 55 / 27

HEX #BA8953

RGB 186 137 83

HSL 31.46, 0.43%, 0.53%

LAB 60.74, 12.49, 36.02

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

CMYK 0 / 15 / 32 / 18

HEX #D2B28E

RGB 210 178 142

HSL 31.76, 0.43%, 0.69%

LAB 74.51, 6.34, 22.71

 

CMYK 0 / 10 / 23 / 13

HEX #DDC6AB

RGB 221 198 171

HSL 32.4, 0.42%, 0.77%

LAB 81.13, 3.89, 16.49

RGB 221 198 171

CMYK 0 / 20 / 43 / 22

HEX #C69E71

RGB 198 158 113

HSL 31.76, 0.43%, 0.61%

LAB 67.76, 8.89, 29.12

 

CMYK 31 / 0 / 43 / 22

HEX #89C670

RGB 137 198 112

HSL 102.56, 0.43%, 0.61%

LAB 74.11, -35.45, 36.92

 

CMYK 38 / 43 / 0 / 22

HEX #7A70C6

RGB 122 112 198

HSL 246.98, 0.43%, 0.61%

LAB 51.61, 24.65, -43.65

 

CMYK 0 / 20 / 43 / 22

HEX #C69E71

RGB 198 158 113

HSL 31.76, 0.43%, 0.61%

LAB 67.76, 8.89, 29.12

 

CMYK 43 / 0 / 21 / 22

HEX #70C69C

RGB 112 198 156

HSL 150.7, 0.43%, 0.61%

LAB 73.7, -35.64, 13.05

 

CMYK 21 / 43 / 0 / 22

HEX #9C70C6

RGB 156 112 198

HSL 270.7, 0.43%, 0.61%

LAB 54.8, 34.13, -38.41

 

CMYK 0 / 20 / 43 / 22

HEX #C69E71

RGB 198 158 113

HSL 31.76, 0.43%, 0.61%

LAB 67.76, 8.89, 29.12

 

CMYK 31 / 0 / 43 / 22

HEX #89C670

RGB 137 198 112

HSL 102.56, 0.43%, 0.61%

LAB 74.11, -35.45, 36.92

 

CMYK 43 / 22 / 0 / 22

HEX #709AC6

RGB 112 154 198

HSL 210.7, 0.43%, 0.61%

LAB 62.2, -2.66, -27.16

 

CMYK 12 / 43 / 0 / 22

HEX #AE70C6

RGB 174 112 198

HSL 283.26, 0.43%, 0.61%

LAB 56.75, 39.42, -35.22

 

CMYK 0 / 20 / 43 / 22

HEX #C69E71

RGB 198 158 113

HSL 31.76, 0.43%, 0.61%

LAB 67.76, 8.89, 29.12

 

CMYK 43 / 0 / 42 / 22

HEX #70C672

RGB 112 198 114

HSL 121.4, 0.43%, 0.61%

LAB 72.92, -43.19, 34.14

 

CMYK 43 / 22 / 0 / 22

HEX #709AC6

RGB 112 154 198

HSL 210.7, 0.43%, 0.61%

LAB 62.2, -2.66, -27.16

 

CMYK 0 / 43 / 1 / 22

HEX #C670C4

RGB 198 112 196

HSL 301.4, 0.43%, 0.61%

LAB 59.51, 46.23, -29.57

 

Description

Color code: RGB 198 158 113 | qconv.com Color code: RGB 198 158 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 158 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 158 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 43 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 43% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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