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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 185 190 it is the complementary color RGB 57 70 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 185 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 185 190 shade: RGB 203 185 185, RGB 220 203 204, RGB 237 221 223 and RGB 254 239 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 185 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 185 190 shade: RGB 198 185 190, RGB 181 167 171, RGB 164 149 152, RGB 147 131 133 and RGB 130 113 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 185 190 shade: RGB 197 184 189, RGB 197 184 186 and RGB 197 184 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 185 190 shade: RGB 197 184 189, RGB 197 184 193, RGB 197 184 196, RGB 195 184 197 and RGB 191 184 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 185 190 shade matches the following richer shades: RGB 197 184 189, RGB 207 174 187, RGB 218 164 185, RGB 228 153 182 and RGB 238 143 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 185 190 shade: RGB 197 184 189, RGB 187 195 192, RGB 176 205 194, RGB 166 215 196 and RGB 156 226 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 185 190 shade: RGB 197 184 196, RGB 197 184 193, RGB 197 184 189, RGB 197 184 186 and RGB 197 186 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 185 190 shade: RGB 160 139 147, RGB 179 162 168, RGB 197 184 189, RGB 216 207 210 and RGB 234 230 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 185 190 shade: RGB 198 185 190, RGB 197 195 184 and RGB 184 195 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 185 190 shade: RGB 198 185 190, RGB 189 197 184 and RGB 184 189 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 185 190 shade: RGB 198 185 190, RGB 197 195 184, RGB 184 197 192 and RGB 184 187 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 185 190 shade: RGB 198 185 190, RGB 196 197 184, RGB 184 197 192 and RGB 186 184 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 4 / 22

HEX #C6B9BE

RGB 198 185 190

HSL 336.92, 0.1%, 0.75%

LAB 76.33, 5.48, -0.88

 

Complementary color

CMYK 19 / 0 / 7 / 73

HEX #394641

RGB 57 70 65

HSL 156.92, 0.1%, 0.25%

LAB 28.46, -6.43, 1.27

 

CMYK 0 / 9 / 9 / 20

HEX #CBB9B9

RGB 203 185 185

HSL 0, 0.15%, 0.76%

LAB 76.62, 6.38, 2.31

 

CMYK 0 / 8 / 7 / 14

HEX #DCCBCC

RGB 220 203 204

HSL 356.47, 0.2%, 0.83%

LAB 83.07, 6.09, 1.63

 

CMYK 0 / 7 / 6 / 7

HEX #EDDDDF

RGB 237 221 223

HSL 352.5, 0.31%, 0.9%

LAB 89.41, 5.81, 0.98

 

CMYK 0 / 6 / 5 / 0

HEX #FEEFF2

RGB 254 239 242

HSL 348, 0.88%, 0.97%

LAB 95.67, 5.56, 0.36

 

CMYK 0 / 7 / 4 / 22

HEX #C6B9BE

RGB 198 185 190

HSL 336.92, 0.1%, 0.75%

LAB 76.33, 5.48, -0.88

 

CMYK 0 / 8 / 6 / 29

HEX #B5A7AB

RGB 181 167 171

HSL 342.86, 0.09%, 0.68%

LAB 69.75, 5.77, -0.24

 

CMYK 0 / 9 / 7 / 36

HEX #A49598

RGB 164 149 152

HSL 348, 0.08%, 0.61%

LAB 63.06, 6.08, 0.43

 

CMYK 0 / 11 / 10 / 42

HEX #938385

RGB 147 131 133

HSL 352.5, 0.07%, 0.55%

LAB 56.22, 6.42, 1.13

 

CMYK 0 / 13 / 12 / 49

HEX #827172

RGB 130 113 114

HSL 356.47, 0.07%, 0.48%

LAB 49.22, 6.81, 1.88

 

CMYK 0 / 7 / 4 / 23

HEX #C5B8BD

RGB 197 184 189

HSL 336.92, 0.1%, 0.75%

LAB 75.96, 5.49, -0.88

 

CMYK 0 / 7 / 6 / 23

HEX #C5B8BA

RGB 197 184 186

HSL 350.77, 0.1%, 0.75%

LAB 75.88, 4.95, 0.64

 

CMYK 0 / 7 / 7 / 23

HEX #C5B8B8

RGB 197 184 184

HSL 0, 0.1%, 0.75%

LAB 75.83, 4.6, 1.65

 

CMYK 0 / 7 / 4 / 23

HEX #C5B8BD

RGB 197 184 189

HSL 336.92, 0.1%, 0.75%

LAB 75.96, 5.49, -0.88

 

CMYK 0 / 7 / 2 / 23

HEX #C5B8C1

RGB 197 184 193

HSL 318.46, 0.1%, 0.75%

LAB 76.07, 6.21, -2.9

 

CMYK 0 / 7 / 1 / 23

HEX #C5B8C4

RGB 197 184 196

HSL 304.62, 0.1%, 0.75%

LAB 76.15, 6.77, -4.41

 

CMYK 1 / 7 / 0 / 23

HEX #C3B8C5

RGB 195 184 197

HSL 290.77, 0.1%, 0.75%

LAB 76.02, 6.26, -5.17

 

CMYK 3 / 7 / 0 / 23

HEX #BFB8C5

RGB 191 184 197

HSL 272.31, 0.1%, 0.75%

LAB 75.69, 4.88, -5.69

 

CMYK 0 / 7 / 4 / 23

HEX #C5B8BD

RGB 197 184 189

HSL 336.92, 0.1%, 0.75%

LAB 75.96, 5.49, -0.88

 

CMYK 0 / 16 / 10 / 19

HEX #CFAEBB

RGB 207 174 187

HSL 336.36, 0.26%, 0.75%

LAB 74.27, 14.1, -2.17

 

CMYK 0 / 25 / 15 / 15

HEX #DAA4B9

RGB 218 164 185

HSL 336.67, 0.42%, 0.75%

LAB 72.86, 23.12, -3.01

 

CMYK 0 / 33 / 20 / 11

HEX #E499B6

RGB 228 153 182

HSL 336.8, 0.58%, 0.75%

LAB 71.32, 32.12, -3.5

 

CMYK 0 / 40 / 24 / 7

HEX #EE8FB4

RGB 238 143 180

HSL 336.63, 0.74%, 0.75%

LAB 70.26, 40.57, -3.82

 

CMYK 0 / 7 / 4 / 23

HEX #C5B8BD

RGB 197 184 189

HSL 336.92, 0.1%, 0.75%

LAB 75.96, 5.49, -0.88

 

CMYK 4 / 0 / 2 / 24

HEX #BBC3C0

RGB 187 195 192

HSL 157.5, 0.06%, 0.75%

LAB 78.11, -3.31, 0.54

 

CMYK 14 / 0 / 5 / 20

HEX #B0CDC2

RGB 176 205 194

HSL 157.24, 0.22%, 0.75%

LAB 80.06, -11.85, 2.21

 

CMYK 23 / 0 / 9 / 16

HEX #A6D7C4

RGB 166 215 196

HSL 156.73, 0.38%, 0.75%

LAB 82.21, -19.73, 4.19

 

CMYK 31 / 0 / 12 / 11

HEX #9CE2C7

RGB 156 226 199

HSL 156.86, 0.55%, 0.75%

LAB 84.78, -27.54, 6.24

 

CMYK 0 / 7 / 1 / 23

HEX #C5B8C4

RGB 197 184 196

HSL 304.62, 0.1%, 0.75%

LAB 76.15, 6.77, -4.41

 

CMYK 0 / 7 / 2 / 23

HEX #C5B8C1

RGB 197 184 193

HSL 318.46, 0.1%, 0.75%

LAB 76.07, 6.21, -2.9

 

CMYK 0 / 7 / 4 / 23

HEX #C5B8BD

RGB 197 184 189

HSL 336.92, 0.1%, 0.75%

LAB 75.96, 5.49, -0.88

 

CMYK 0 / 7 / 6 / 23

HEX #C5B8BA

RGB 197 184 186

HSL 350.77, 0.1%, 0.75%

LAB 75.88, 4.95, 0.64

 

CMYK 0 / 6 / 7 / 23

HEX #C5BAB8

RGB 197 186 184

HSL 9.23, 0.1%, 0.75%

LAB 76.34, 3.53, 2.39

 

CMYK 0 / 13 / 8 / 37

HEX #A08B93

RGB 160 139 147

HSL 337.14, 0.1%, 0.59%

LAB 59.93, 9.31, -1.35

 

CMYK 0 / 9 / 6 / 30

HEX #B3A2A8

RGB 179 162 168

HSL 338.82, 0.1%, 0.67%

LAB 68.21, 7.25, -0.86

 

CMYK 0 / 7 / 4 / 23

HEX #C5B8BD

RGB 197 184 189

HSL 336.92, 0.1%, 0.75%

LAB 75.96, 5.49, -0.88

 

CMYK 0 / 4 / 3 / 15

HEX #D8CFD2

RGB 216 207 210

HSL 340, 0.1%, 0.83%

LAB 83.9, 3.64, -0.39

 

CMYK 0 / 2 / 1 / 8

HEX #EAE6E7

RGB 234 230 231

HSL 345, 0.09%, 0.91%

LAB 91.62, 1.53, -0.02

 

CMYK 0 / 7 / 4 / 22

HEX #C6B9BE

RGB 198 185 190

HSL 336.92, 0.1%, 0.75%

LAB 76.33, 5.48, -0.88

 

CMYK 0 / 1 / 7 / 23

HEX #C5C3B8

RGB 197 195 184

HSL 50.77, 0.1%, 0.75%

LAB 78.67, -1.26, 5.76

 

CMYK 7 / 1 / 0 / 23

HEX #B8C3C5

RGB 184 195 197

HSL 189.23, 0.1%, 0.75%

LAB 78.02, -3.37, -2.31

 

CMYK 0 / 7 / 4 / 22

HEX #C6B9BE

RGB 198 185 190

HSL 336.92, 0.1%, 0.75%

LAB 76.33, 5.48, -0.88

 

CMYK 4 / 0 / 7 / 23

HEX #BDC5B8

RGB 189 197 184

HSL 96.92, 0.1%, 0.75%

LAB 78.59, -5.14, 5.56

 

CMYK 7 / 4 / 0 / 23

HEX #B8BDC5

RGB 184 189 197

HSL 216.92, 0.1%, 0.75%

LAB 76.45, -0.18, -4.63

 

CMYK 0 / 7 / 4 / 22

HEX #C6B9BE

RGB 198 185 190

HSL 336.92, 0.1%, 0.75%

LAB 76.33, 5.48, -0.88

 

CMYK 0 / 1 / 7 / 23

HEX #C5C3B8

RGB 197 195 184

HSL 50.77, 0.1%, 0.75%

LAB 78.67, -1.26, 5.76

 

CMYK 7 / 0 / 3 / 23

HEX #B8C5C0

RGB 184 197 192

HSL 156.92, 0.1%, 0.75%

LAB 78.42, -5.39, 0.96

 

CMYK 7 / 5 / 0 / 23

HEX #B8BBC5

RGB 184 187 197

HSL 226.15, 0.1%, 0.75%

LAB 75.92, 0.89, -5.41

 

CMYK 0 / 7 / 4 / 22

HEX #C6B9BE

RGB 198 185 190

HSL 336.92, 0.1%, 0.75%

LAB 76.33, 5.48, -0.88

 

CMYK 1 / 0 / 7 / 23

HEX #C4C5B8

RGB 196 197 184

HSL 64.62, 0.1%, 0.75%

LAB 79.12, -2.67, 6.39

 

CMYK 7 / 0 / 3 / 23

HEX #B8C5C0

RGB 184 197 192

HSL 156.92, 0.1%, 0.75%

LAB 78.42, -5.39, 0.96

 

CMYK 6 / 7 / 0 / 23

HEX #BAB8C5

RGB 186 184 197

HSL 249.23, 0.1%, 0.75%

LAB 75.3, 3.18, -6.32

 

Description

Color code: RGB 198 185 190 | qconv.com Color code: RGB 198 185 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 185 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 185 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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