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Color name
RGB 198 36 121

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 36 121 it is the complementary color RGB 57 219 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 36 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 36 121 shade: RGB 203 36 116, RGB 220 54 135, RGB 237 72 154, RGB 254 90 173 and RGB 255 108 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 36 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 181 18 102, RGB 164 0 83, RGB 147 0 64 and RGB 130 0 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 198 36 77 and RGB 198 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 198 36 164, RGB 187 36 198, RGB 144 36 198 and RGB 100 36 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 36 121 shade matches the following richer shades: RGB 198 36 121 and RGB 217 17 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 179 55 120, RGB 160 74 119, RGB 141 93 118 and RGB 122 112 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 36 121 shade: RGB 187 36 198, RGB 198 36 165, RGB 198 36 122, RGB 198 36 79 and RGB 198 36 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 36 121 shade: RGB 128 23 78, RGB 163 29 99, RGB 198 36 121, RGB 218 57 141 and RGB 225 92 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 198 144 36 and RGB 36 187 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 122 198 36 and RGB 36 122 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 198 144 36, RGB 36 198 111 and RGB 36 90 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 36 121 shade: RGB 198 36 121, RGB 198 192 36, RGB 36 198 111 and RGB 36 41 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

Complementary color

CMYK 74 / 0 / 39 / 14

HEX #39DB86

RGB 57 219 134

HSL 148.52, 0.69%, 0.54%

LAB 78.02, -59.92, 30.28

 

CMYK 0 / 82 / 43 / 20

HEX #CB2474

RGB 203 36 116

HSL 331.26, 0.7%, 0.47%

LAB 45.93, 67.36, -2.91

 

CMYK 0 / 75 / 39 / 14

HEX #DC3687

RGB 220 54 135

HSL 330.72, 0.7%, 0.54%

LAB 51.39, 68.63, -6.04

 

CMYK 0 / 70 / 35 / 7

HEX #ED489A

RGB 237 72 154

HSL 330.18, 0.82%, 0.61%

LAB 57.05, 69.2, -8.56

 

CMYK 0 / 65 / 32 / 0

HEX #FE5AAD

RGB 254 90 173

HSL 329.63, 0.99%, 0.67%

LAB 62.84, 69.28, -10.63

 

CMYK 0 / 58 / 25 / 0

HEX #FF6CC0

RGB 255 108 192

HSL 325.71, 1%, 0.71%

LAB 66.36, 64.46, -16.13

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 90 / 44 / 29

HEX #B51266

RGB 181 18 102

HSL 329.08, 0.82%, 0.39%

LAB 39.94, 64.33, -3.51

 

CMYK 0 / 100 / 49 / 36

HEX #A40053

RGB 164 0 83

HSL 329.63, 1%, 0.32%

LAB 35.04, 61.01, 1.07

 

CMYK 0 / 100 / 56 / 42

HEX #930040

RGB 147 0 64

HSL 333.88, 1%, 0.29%

LAB 30.81, 55.55, 7.07

 

CMYK 0 / 100 / 65 / 49

HEX #82002D

RGB 130 0 45

HSL 339.23, 1%, 0.25%

LAB 26.55, 50.09, 13.46

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 82 / 61 / 22

HEX #C6244D

RGB 198 36 77

HSL 344.81, 0.69%, 0.46%

LAB 43.95, 63.06, 18.38

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 82 / 17 / 22

HEX #C624A4

RGB 198 36 164

HSL 312.59, 0.69%, 0.46%

LAB 46.91, 71.62, -30.58

 

CMYK 6 / 82 / 0 / 22

HEX #BB24C6

RGB 187 36 198

HSL 295.93, 0.69%, 0.46%

LAB 46.85, 74.45, -50.77

 

CMYK 27 / 82 / 0 / 22

HEX #9024C6

RGB 144 36 198

HSL 280, 0.69%, 0.46%

LAB 40.03, 67, -62.12

 

CMYK 49 / 82 / 0 / 22

HEX #6424C6

RGB 100 36 198

HSL 263.7, 0.69%, 0.46%

LAB 34.08, 60.66, -72.09

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 92 / 44 / 15

HEX #D9117A

RGB 217 17 122

HSL 328.5, 0.85%, 0.46%

LAB 47.7, 74.46, -3.68

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 69 / 33 / 30

HEX #B33778

RGB 179 55 120

HSL 328.55, 0.53%, 0.46%

LAB 43.76, 55.55, -9.08

 

CMYK 0 / 54 / 26 / 37

HEX #A04A77

RGB 160 74 119

HSL 328.6, 0.37%, 0.46%

LAB 43.8, 40.98, -8.71

 

CMYK 0 / 34 / 16 / 45

HEX #8D5D76

RGB 141 93 118

HSL 328.75, 0.21%, 0.46%

LAB 45.36, 23.55, -6.05

 

CMYK 0 / 8 / 4 / 52

HEX #7A7075

RGB 122 112 117

HSL 330, 0.04%, 0.46%

LAB 48.27, 4.85, -1.37

 

CMYK 6 / 82 / 0 / 22

HEX #BB24C6

RGB 187 36 198

HSL 295.93, 0.69%, 0.46%

LAB 46.85, 74.45, -50.77

 

CMYK 0 / 82 / 17 / 22

HEX #C624A5

RGB 198 36 165

HSL 312.22, 0.69%, 0.46%

LAB 46.95, 71.75, -31.1

 

CMYK 0 / 82 / 38 / 22

HEX #C6247A

RGB 198 36 122

HSL 328.15, 0.69%, 0.46%

LAB 45.18, 66.71, -7.82

 

CMYK 0 / 82 / 60 / 22

HEX #C6244F

RGB 198 36 79

HSL 344.07, 0.69%, 0.46%

LAB 43.99, 63.18, 17.19

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 82 / 39 / 50

HEX #80174E

RGB 128 23 78

HSL 328.57, 0.7%, 0.3%

LAB 28.78, 47.54, -5.72

 

CMYK 0 / 82 / 39 / 36

HEX #A31D63

RGB 163 29 99

HSL 328.66, 0.7%, 0.38%

LAB 37.05, 57.37, -6.28

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 74 / 35 / 15

HEX #DA398D

RGB 218 57 141

HSL 328.7, 0.69%, 0.54%

LAB 51.56, 67.81, -9.41

 

CMYK 0 / 59 / 28 / 12

HEX #E15CA1

RGB 225 92 161

HSL 328.87, 0.69%, 0.62%

LAB 58.26, 58.66, -11.03

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 27 / 82 / 22

HEX #C69024

RGB 198 144 36

HSL 40, 0.69%, 0.46%

LAB 63.41, 11.19, 60.42

 

CMYK 82 / 6 / 0 / 22

HEX #24BBC6

RGB 36 187 198

HSL 184.07, 0.69%, 0.46%

LAB 69.46, -32.97, -16.28

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 38 / 0 / 82 / 22

HEX #7AC624

RGB 122 198 36

HSL 88.15, 0.69%, 0.46%

LAB 72.66, -47.36, 66.45

 

CMYK 82 / 38 / 0 / 22

HEX #247AC6

RGB 36 122 198

HSL 208.15, 0.69%, 0.46%

LAB 49.94, 2.25, -46.57

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 27 / 82 / 22

HEX #C69024

RGB 198 144 36

HSL 40, 0.69%, 0.46%

LAB 63.41, 11.19, 60.42

 

CMYK 82 / 0 / 44 / 22

HEX #24C66F

RGB 36 198 111

HSL 147.78, 0.69%, 0.46%

LAB 70.81, -59.07, 32.54

 

CMYK 82 / 55 / 0 / 22

HEX #245AC6

RGB 36 90 198

HSL 220, 0.69%, 0.46%

LAB 40.84, 22.64, -61.21

 

CMYK 0 / 82 / 39 / 22

HEX #C62479

RGB 198 36 121

HSL 328.52, 0.69%, 0.46%

LAB 45.15, 66.61, -7.26

 

CMYK 0 / 3 / 82 / 22

HEX #C6C024

RGB 198 192 36

HSL 57.78, 0.69%, 0.46%

LAB 75.97, -14.19, 71.28

 

CMYK 82 / 0 / 44 / 22

HEX #24C66F

RGB 36 198 111

HSL 147.78, 0.69%, 0.46%

LAB 70.81, -59.07, 32.54

 

CMYK 82 / 79 / 0 / 22

HEX #2429C6

RGB 36 41 198

HSL 238.15, 0.69%, 0.46%

LAB 29.51, 52.66, -79.82

 

Description

Color code: RGB 198 36 121 | qconv.com Color code: RGB 198 36 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 36 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 36 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 39% 22% C M Y K

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Provide designers and agencies with accurate color values.

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