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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 38 178 it is the complementary color RGB 57 217 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 38 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 38 178 shade: RGB 203 38 173, RGB 220 56 192, RGB 237 74 211, RGB 254 92 230 and RGB 255 110 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 38 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 38 178 shade: RGB 198 38 178, RGB 181 20 159, RGB 164 2 140, RGB 147 0 121 and RGB 130 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 38 178 shade: RGB 197 37 177, RGB 197 37 134, RGB 197 37 91, RGB 197 37 48 and RGB 197 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 38 178 shade: RGB 197 37 177, RGB 173 37 197, RGB 130 37 197, RGB 87 37 197 and RGB 44 37 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 38 178 shade matches the following richer shades: RGB 197 37 177 and RGB 216 18 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 38 178 shade: RGB 197 37 177, RGB 178 56 162, RGB 159 75 148, RGB 140 94 134 and RGB 121 113 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 38 178 shade: RGB 130 37 197, RGB 173 37 197, RGB 197 37 178, RGB 197 37 135 and RGB 197 37 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 38 178 shade: RGB 127 24 114, RGB 162 30 145, RGB 197 37 177, RGB 217 58 197 and RGB 224 92 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 38 178 shade: RGB 198 38 178, RGB 197 88 37 and RGB 37 197 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 38 178 shade: RGB 198 38 178, RGB 178 197 37 and RGB 37 178 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 38 178 shade: RGB 198 38 178, RGB 197 88 37, RGB 37 197 56 and RGB 37 146 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 38 178 shade: RGB 198 38 178, RGB 197 135 37, RGB 37 197 56 and RGB 37 98 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 10 / 22

HEX #C626B2

RGB 198 38 178

HSL 307.5, 0.68%, 0.46%

LAB 47.76, 73.07, -37.52

 

Complementary color

CMYK 74 / 0 / 65 / 15

HEX #39D94D

RGB 57 217 77

HSL 127.5, 0.68%, 0.54%

LAB 76.7, -67.5, 55.61

 

CMYK 0 / 81 / 15 / 20

HEX #CB26AD

RGB 203 38 173

HSL 310.91, 0.68%, 0.47%

LAB 48.39, 73.42, -33.54

 

CMYK 0 / 75 / 13 / 14

HEX #DC38C0

RGB 220 56 192

HSL 310.24, 0.7%, 0.54%

LAB 53.87, 74.92, -35.82

 

CMYK 0 / 69 / 11 / 7

HEX #ED4AD3

RGB 237 74 211

HSL 309.57, 0.82%, 0.61%

LAB 59.53, 75.72, -37.63

 

CMYK 0 / 64 / 9 / 0

HEX #FE5CE6

RGB 254 92 230

HSL 308.89, 0.99%, 0.68%

LAB 65.31, 76.01, -39.07

 

CMYK 0 / 57 / 2 / 0

HEX #FF6EF9

RGB 255 110 249

HSL 302.48, 1%, 0.72%

LAB 68.93, 71.96, -43.89

 

CMYK 0 / 81 / 10 / 22

HEX #C626B2

RGB 198 38 178

HSL 307.5, 0.68%, 0.46%

LAB 47.76, 73.07, -37.52

 

CMYK 0 / 89 / 12 / 29

HEX #B5149F

RGB 181 20 159

HSL 308.2, 0.8%, 0.39%

LAB 42.5, 70.59, -34.73

 

CMYK 0 / 99 / 15 / 36

HEX #A4028C

RGB 164 2 140

HSL 308.89, 0.98%, 0.33%

LAB 37.53, 66.97, -31.22

 

CMYK 0 / 100 / 18 / 42

HEX #930079

RGB 147 0 121

HSL 310.61, 1%, 0.29%

LAB 33.1, 61.44, -26.59

 

CMYK 0 / 100 / 22 / 49

HEX #820066

RGB 130 0 102

HSL 312.92, 1%, 0.25%

LAB 28.66, 55.56, -21.64

 

CMYK 0 / 81 / 10 / 23

HEX #C525B1

RGB 197 37 177

HSL 307.5, 0.68%, 0.46%

LAB 47.45, 72.96, -37.43

 

CMYK 0 / 81 / 32 / 23

HEX #C52586

RGB 197 37 134

HSL 323.63, 0.68%, 0.46%

LAB 45.52, 67.5, -14.68

 

CMYK 0 / 81 / 54 / 23

HEX #C5255B

RGB 197 37 91

HSL 339.75, 0.68%, 0.46%

LAB 44.16, 63.49, 9.9

 

CMYK 0 / 81 / 76 / 23

HEX #C52530

RGB 197 37 48

HSL 355.88, 0.68%, 0.46%

LAB 43.37, 61.09, 35.29

 

CMYK 0 / 81 / 81 / 23

HEX #C52525

RGB 197 37 37

HSL 0, 0.68%, 0.46%

LAB 43.25, 60.73, 41.37

 

CMYK 0 / 81 / 10 / 23

HEX #C525B1

RGB 197 37 177

HSL 307.5, 0.68%, 0.46%

LAB 47.45, 72.96, -37.43

 

CMYK 12 / 81 / 0 / 23

HEX #AD25C5

RGB 173 37 197

HSL 291, 0.68%, 0.46%

LAB 44.57, 71.5, -53.97

 

CMYK 34 / 81 / 0 / 23

HEX #8225C5

RGB 130 37 197

HSL 274.88, 0.68%, 0.46%

LAB 38.02, 64.27, -64.9

 

CMYK 56 / 81 / 0 / 23

HEX #5725C5

RGB 87 37 197

HSL 258.75, 0.68%, 0.46%

LAB 32.66, 58.47, -73.9

 

CMYK 78 / 81 / 0 / 23

HEX #2C25C5

RGB 44 37 197

HSL 242.63, 0.68%, 0.46%

LAB 29.13, 54.74, -79.85

 

CMYK 0 / 81 / 10 / 23

HEX #C525B1

RGB 197 37 177

HSL 307.5, 0.68%, 0.46%

LAB 47.45, 72.96, -37.43

 

CMYK 0 / 92 / 12 / 15

HEX #D812BF

RGB 216 18 191

HSL 307.58, 0.85%, 0.46%

LAB 50.44, 81.75, -40.68

 

CMYK 0 / 81 / 10 / 23

HEX #C525B1

RGB 197 37 177

HSL 307.5, 0.68%, 0.46%

LAB 47.45, 72.96, -37.43

 

CMYK 0 / 69 / 9 / 30

HEX #B238A2

RGB 178 56 162

HSL 307.87, 0.52%, 0.46%

LAB 45.5, 60.72, -31.84

 

CMYK 0 / 53 / 7 / 38

HEX #9F4B94

RGB 159 75 148

HSL 307.86, 0.36%, 0.46%

LAB 45, 44.81, -24.47

 

CMYK 0 / 33 / 4 / 45

HEX #8C5E86

RGB 140 94 134

HSL 307.83, 0.2%, 0.46%

LAB 46.05, 25.54, -14.67

 

CMYK 0 / 7 / 1 / 53

HEX #797178

RGB 121 113 120

HSL 307.5, 0.03%, 0.46%

LAB 48.55, 4.47, -2.75

 

CMYK 34 / 81 / 0 / 23

HEX #8225C5

RGB 130 37 197

HSL 274.88, 0.68%, 0.46%

LAB 38.02, 64.27, -64.9

 

CMYK 12 / 81 / 0 / 23

HEX #AD25C5

RGB 173 37 197

HSL 291, 0.68%, 0.46%

LAB 44.57, 71.5, -53.97

 

CMYK 0 / 81 / 10 / 23

HEX #C525B2

RGB 197 37 178

HSL 307.13, 0.68%, 0.46%

LAB 47.51, 73.1, -37.94

 

CMYK 0 / 81 / 31 / 23

HEX #C52587

RGB 197 37 135

HSL 323.25, 0.68%, 0.46%

LAB 45.56, 67.61, -15.23

 

CMYK 0 / 81 / 53 / 23

HEX #C5255D

RGB 197 37 93

HSL 339, 0.68%, 0.46%

LAB 44.21, 63.64, 8.72

 

CMYK 0 / 81 / 10 / 50

HEX #7F1872

RGB 127 24 114

HSL 307.57, 0.68%, 0.3%

LAB 30.35, 51.85, -26.74

 

CMYK 0 / 81 / 10 / 36

HEX #A21E91

RGB 162 30 145

HSL 307.73, 0.69%, 0.38%

LAB 38.99, 62.7, -32.01

 

CMYK 0 / 81 / 10 / 23

HEX #C525B1

RGB 197 37 177

HSL 307.5, 0.68%, 0.46%

LAB 47.45, 72.96, -37.43

 

CMYK 0 / 73 / 9 / 15

HEX #D93AC5

RGB 217 58 197

HSL 307.55, 0.68%, 0.54%

LAB 53.82, 74.37, -38.81

 

CMYK 0 / 59 / 8 / 12

HEX #E05CCF

RGB 224 92 207

HSL 307.73, 0.68%, 0.62%

LAB 59.89, 64.95, -34.94

 

CMYK 0 / 81 / 10 / 22

HEX #C626B2

RGB 198 38 178

HSL 307.5, 0.68%, 0.46%

LAB 47.76, 73.07, -37.52

 

CMYK 0 / 55 / 81 / 23

HEX #C55825

RGB 197 88 37

HSL 19.13, 0.68%, 0.46%

LAB 50.67, 40.71, 48.46

 

CMYK 81 / 0 / 23 / 23

HEX #25C597

RGB 37 197 151

HSL 162.75, 0.68%, 0.46%

LAB 71.26, -50.22, 12.01

 

CMYK 0 / 81 / 10 / 22

HEX #C626B2

RGB 198 38 178

HSL 307.5, 0.68%, 0.46%

LAB 47.76, 73.07, -37.52

 

CMYK 10 / 0 / 81 / 23

HEX #B2C525

RGB 178 197 37

HSL 67.13, 0.68%, 0.46%

LAB 75.78, -25.14, 70.25

 

CMYK 81 / 10 / 0 / 23

HEX #25B2C5

RGB 37 178 197

HSL 187.13, 0.68%, 0.46%

LAB 66.72, -28.85, -19.89

 

CMYK 0 / 81 / 10 / 22

HEX #C626B2

RGB 198 38 178

HSL 307.5, 0.68%, 0.46%

LAB 47.76, 73.07, -37.52

 

CMYK 0 / 55 / 81 / 23

HEX #C55825

RGB 197 88 37

HSL 19.13, 0.68%, 0.46%

LAB 50.67, 40.71, 48.46

 

CMYK 81 / 0 / 72 / 23

HEX #25C538

RGB 37 197 56

HSL 127.13, 0.68%, 0.46%

LAB 69.9, -65.89, 56.54

 

CMYK 81 / 26 / 0 / 23

HEX #2592C5

RGB 37 146 197

HSL 199.13, 0.68%, 0.46%

LAB 57.06, -12.06, -34.78

 

CMYK 0 / 81 / 10 / 22

HEX #C626B2

RGB 198 38 178

HSL 307.5, 0.68%, 0.46%

LAB 47.76, 73.07, -37.52

 

CMYK 0 / 31 / 81 / 23

HEX #C58725

RGB 197 135 37

HSL 36.75, 0.68%, 0.46%

LAB 61.07, 15.71, 57.96

 

CMYK 81 / 0 / 72 / 23

HEX #25C538

RGB 37 197 56

HSL 127.13, 0.68%, 0.46%

LAB 69.9, -65.89, 56.54

 

CMYK 81 / 50 / 0 / 23

HEX #2562C5

RGB 37 98 197

HSL 217.13, 0.68%, 0.46%

LAB 43, 17.12, -57.13

 

Description

Color code: RGB 198 38 178 | qconv.com Color code: RGB 198 38 178 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 38 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 38 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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