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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 78 30 it is the complementary color RGB 57 177 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 78 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 78 30 shade: RGB 203 78 25, RGB 220 96 44, RGB 237 114 63, RGB 254 132 82 and RGB 255 150 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 78 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 78 30 shade: RGB 198 78 30, RGB 181 60 11, RGB 164 42 0, RGB 147 24 0 and RGB 130 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 78 30 shade: RGB 199 78 29, RGB 199 32 29 and RGB 199 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 78 30 shade: RGB 199 78 29, RGB 199 124 29, RGB 199 169 29, RGB 183 199 29 and RGB 137 199 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 78 30 shade matches the following richer shades: RGB 199 78 29 and RGB 218 70 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 78 30 shade: RGB 199 78 29, RGB 181 86 48, RGB 162 94 66, RGB 143 102 85 and RGB 125 110 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 78 30 shade: RGB 199 29 72, RGB 199 32 29, RGB 199 77 29, RGB 199 123 29 and RGB 199 168 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 78 30 shade: RGB 127 50 19, RGB 163 64 24, RGB 199 78 29, RGB 223 97 46 and RGB 229 124 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 78 30 shade: RGB 198 78 30, RGB 117 199 29 and RGB 29 49 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 78 30 shade: RGB 198 78 30, RGB 29 199 77 and RGB 77 29 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 78 30 shade: RGB 198 78 30, RGB 117 199 29, RGB 29 151 199 and RGB 111 29 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 78 30 shade: RGB 198 78 30, RGB 66 199 29, RGB 29 151 199 and RGB 162 29 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 85 / 22

HEX #C64E1E

RGB 198 78 30

HSL 17.14, 0.74%, 0.45%

LAB 48.94, 45.67, 50.05

 

Complementary color

CMYK 75 / 21 / 0 / 12

HEX #39B1E1

RGB 57 177 225

HSL 197.14, 0.74%, 0.55%

LAB 67.84, -17.19, -33.55

 

CMYK 0 / 62 / 88 / 20

HEX #CB4E19

RGB 203 78 25

HSL 17.87, 0.78%, 0.45%

LAB 49.76, 47.38, 53.07

 

CMYK 0 / 56 / 80 / 14

HEX #DC602C

RGB 220 96 44

HSL 17.73, 0.72%, 0.52%

LAB 55.85, 45.77, 51.46

 

CMYK 0 / 52 / 73 / 7

HEX #ED723F

RGB 237 114 63

HSL 17.59, 0.83%, 0.59%

LAB 62, 44.16, 49.45

 

CMYK 0 / 48 / 68 / 0

HEX #FE8452

RGB 254 132 82

HSL 17.44, 0.99%, 0.66%

LAB 68.15, 42.62, 47.42

 

CMYK 0 / 41 / 60 / 0

HEX #FF9665

RGB 255 150 101

HSL 19.09, 1%, 0.7%

LAB 72.24, 35.05, 42.5

 

CMYK 0 / 61 / 85 / 22

HEX #C64E1E

RGB 198 78 30

HSL 17.14, 0.74%, 0.45%

LAB 48.94, 45.67, 50.05

 

CMYK 0 / 67 / 94 / 29

HEX #B53C0B

RGB 181 60 11

HSL 17.29, 0.89%, 0.38%

LAB 42.88, 47.18, 51.06

 

CMYK 0 / 74 / 100 / 36

HEX #A42A00

RGB 164 42 0

HSL 15.37, 1%, 0.32%

LAB 37.02, 48.34, 49.63

 

CMYK 0 / 84 / 100 / 42

HEX #931800

RGB 147 24 0

HSL 9.8, 1%, 0.29%

LAB 31.48, 48.67, 44.66

 

CMYK 0 / 95 / 100 / 49

HEX #820600

RGB 130 6 0

HSL 2.77, 1%, 0.25%

LAB 26.38, 47.49, 39.01

 

CMYK 0 / 61 / 85 / 22

HEX #C74E1D

RGB 199 78 29

HSL 17.29, 0.75%, 0.45%

LAB 49.11, 46.01, 50.67

 

CMYK 0 / 84 / 85 / 22

HEX #C7201D

RGB 199 32 29

HSL 1.06, 0.75%, 0.45%

LAB 43.16, 62.31, 45.59

 

CMYK 0 / 85 / 85 / 22

HEX #C71D1D

RGB 199 29 29

HSL 0, 0.75%, 0.45%

LAB 42.93, 62.97, 45.39

 

CMYK 0 / 61 / 85 / 22

HEX #C74E1D

RGB 199 78 29

HSL 17.29, 0.75%, 0.45%

LAB 49.11, 46.01, 50.67

 

CMYK 0 / 38 / 85 / 22

HEX #C77C1D

RGB 199 124 29

HSL 33.53, 0.75%, 0.45%

LAB 58.65, 22.36, 58.68

 

CMYK 0 / 15 / 85 / 22

HEX #C7A91D

RGB 199 169 29

HSL 49.41, 0.75%, 0.45%

LAB 69.9, -2.03, 67.98

 

CMYK 8 / 0 / 85 / 22

HEX #B7C71D

RGB 183 199 29

HSL 65.65, 0.75%, 0.45%

LAB 76.68, -24.25, 73.03

 

CMYK 31 / 0 / 85 / 22

HEX #89C71D

RGB 137 199 29

HSL 81.88, 0.75%, 0.45%

LAB 73.71, -42.65, 69.33

 

CMYK 0 / 61 / 85 / 22

HEX #C74E1D

RGB 199 78 29

HSL 17.29, 0.75%, 0.45%

LAB 49.11, 46.01, 50.67

 

CMYK 0 / 68 / 95 / 15

HEX #DA460B

RGB 218 70 11

HSL 17.1, 0.9%, 0.45%

LAB 51.05, 55.78, 59.51

 

CMYK 0 / 61 / 85 / 22

HEX #C74E1D

RGB 199 78 29

HSL 17.29, 0.75%, 0.45%

LAB 49.11, 46.01, 50.67

 

CMYK 0 / 52 / 73 / 29

HEX #B55630

RGB 181 86 48

HSL 17.14, 0.58%, 0.45%

LAB 47.87, 35.9, 39.42

 

CMYK 0 / 42 / 59 / 36

HEX #A25E42

RGB 162 94 66

HSL 17.5, 0.42%, 0.45%

LAB 47.08, 24.94, 27.84

 

CMYK 0 / 29 / 41 / 44

HEX #8F6655

RGB 143 102 85

HSL 17.59, 0.25%, 0.45%

LAB 46.97, 14.2, 16.14

 

CMYK 0 / 12 / 17 / 51

HEX #7D6E68

RGB 125 110 104

HSL 17.14, 0.09%, 0.45%

LAB 47.64, 4.8, 5.49

 

CMYK 0 / 85 / 64 / 22

HEX #C71D48

RGB 199 29 72

HSL 344.82, 0.75%, 0.45%

LAB 43.49, 64.63, 20.92

 

CMYK 0 / 84 / 85 / 22

HEX #C7201D

RGB 199 32 29

HSL 1.06, 0.75%, 0.45%

LAB 43.16, 62.31, 45.59

 

CMYK 0 / 61 / 85 / 22

HEX #C74D1D

RGB 199 77 29

HSL 16.94, 0.75%, 0.45%

LAB 48.93, 46.47, 50.52

 

CMYK 0 / 38 / 85 / 22

HEX #C77B1D

RGB 199 123 29

HSL 33.18, 0.75%, 0.45%

LAB 58.41, 22.91, 58.48

 

CMYK 0 / 16 / 85 / 22

HEX #C7A81D

RGB 199 168 29

HSL 49.06, 0.75%, 0.45%

LAB 69.64, -1.5, 67.77

 

CMYK 0 / 61 / 85 / 50

HEX #7F3213

RGB 127 50 19

HSL 17.22, 0.74%, 0.29%

LAB 31.44, 31.64, 34.84

 

CMYK 0 / 61 / 85 / 36

HEX #A34018

RGB 163 64 24

HSL 17.27, 0.74%, 0.37%

LAB 40.44, 39, 42.95

 

CMYK 0 / 61 / 85 / 22

HEX #C74E1D

RGB 199 78 29

HSL 17.29, 0.75%, 0.45%

LAB 49.11, 46.01, 50.67

 

CMYK 0 / 57 / 79 / 13

HEX #DF612E

RGB 223 97 46

HSL 17.29, 0.73%, 0.53%

LAB 56.52, 46.47, 51.35

 

CMYK 0 / 46 / 64 / 10

HEX #E57C52

RGB 229 124 82

HSL 17.14, 0.74%, 0.61%

LAB 63.08, 37.07, 40.63

 

CMYK 0 / 61 / 85 / 22

HEX #C64E1E

RGB 198 78 30

HSL 17.14, 0.74%, 0.45%

LAB 48.94, 45.67, 50.05

 

CMYK 41 / 0 / 85 / 22

HEX #75C71D

RGB 117 199 29

HSL 88.94, 0.75%, 0.45%

LAB 72.71, -49.73, 68.07

 

CMYK 85 / 75 / 0 / 22

HEX #1D31C7

RGB 29 49 199

HSL 232.94, 0.75%, 0.45%

LAB 30.83, 48.36, -78.22

 

CMYK 0 / 61 / 85 / 22

HEX #C64E1E

RGB 198 78 30

HSL 17.14, 0.74%, 0.45%

LAB 48.94, 45.67, 50.05

 

CMYK 85 / 0 / 61 / 22

HEX #1DC74D

RGB 29 199 77

HSL 136.94, 0.75%, 0.45%

LAB 70.62, -65.14, 48.68

 

CMYK 61 / 85 / 0 / 22

HEX #4D1DC7

RGB 77 29 199

HSL 256.94, 0.75%, 0.45%

LAB 30.83, 60.99, -78.13

 

CMYK 0 / 61 / 85 / 22

HEX #C64E1E

RGB 198 78 30

HSL 17.14, 0.74%, 0.45%

LAB 48.94, 45.67, 50.05

 

CMYK 41 / 0 / 85 / 22

HEX #75C71D

RGB 117 199 29

HSL 88.94, 0.75%, 0.45%

LAB 72.71, -49.73, 68.07

 

CMYK 85 / 24 / 0 / 22

HEX #1D97C7

RGB 29 151 199

HSL 196.94, 0.75%, 0.45%

LAB 58.53, -14.78, -33.63

 

CMYK 44 / 85 / 0 / 22

HEX #6F1DC7

RGB 111 29 199

HSL 268.94, 0.75%, 0.45%

LAB 34.77, 64.56, -71.5

 

CMYK 0 / 61 / 85 / 22

HEX #C64E1E

RGB 198 78 30

HSL 17.14, 0.74%, 0.45%

LAB 48.94, 45.67, 50.05

 

CMYK 67 / 0 / 85 / 22

HEX #42C71D

RGB 66 199 29

HSL 106.94, 0.75%, 0.45%

LAB 70.94, -63.63, 65.84

 

CMYK 85 / 24 / 0 / 22

HEX #1D97C7

RGB 29 151 199

HSL 196.94, 0.75%, 0.45%

LAB 58.53, -14.78, -33.63

 

CMYK 19 / 85 / 0 / 22

HEX #A21DC7

RGB 162 29 199

HSL 286.94, 0.75%, 0.45%

LAB 42.28, 71.89, -58.92

 

Description

Color code: RGB 198 78 30 | qconv.com Color code: RGB 198 78 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 78 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 78 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 85% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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