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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 86 171 it is the complementary color RGB 57 169 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 86 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 86 171 shade: RGB 203 86 166, RGB 220 104 185, RGB 237 122 204, RGB 254 140 223 and RGB 255 158 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 86 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 181 68 152, RGB 164 50 133, RGB 147 32 114 and RGB 130 14 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 198 86 141, RGB 198 86 111 and RGB 198 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 195 86 198, RGB 165 86 198, RGB 135 86 198 and RGB 104 86 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 86 171 shade matches the following richer shades: RGB 198 86 171, RGB 217 68 181, RGB 235 50 190 and RGB 253 32 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 180 104 162, RGB 162 123 153, RGB 144 141 143 and RGB 126 159 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 86 171 shade: RGB 165 86 198, RGB 195 86 198, RGB 198 86 172, RGB 198 86 142 and RGB 198 86 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 86 171 shade: RGB 152 50 127, RGB 183 61 153, RGB 198 86 171, RGB 209 117 187 and RGB 219 148 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 198 135 86 and RGB 86 198 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 172 198 86 and RGB 86 172 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 198 135 86, RGB 86 198 112 and RGB 86 150 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 86 171 shade: RGB 198 86 171, RGB 198 168 86, RGB 86 198 112 and RGB 86 116 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

Complementary color

CMYK 66 / 0 / 50 / 34

HEX #39A954

RGB 57 169 84

HSL 134.46, 0.5%, 0.44%

LAB 61.56, -49.98, 34.64

 

CMYK 0 / 58 / 18 / 20

HEX #CB56A6

RGB 203 86 166

HSL 318.97, 0.53%, 0.57%

LAB 54.14, 55.51, -20.51

 

CMYK 0 / 53 / 16 / 14

HEX #DC68B9

RGB 220 104 185

HSL 318.1, 0.62%, 0.64%

LAB 60.44, 55, -21.62

 

CMYK 0 / 49 / 14 / 7

HEX #ED7ACC

RGB 237 122 204

HSL 317.22, 0.76%, 0.7%

LAB 66.74, 54.36, -22.54

 

CMYK 0 / 45 / 12 / 0

HEX #FE8CDF

RGB 254 140 223

HSL 316.32, 0.98%, 0.77%

LAB 72.99, 53.67, -23.33

 

CMYK 0 / 38 / 5 / 0

HEX #FF9EF2

RGB 255 158 242

HSL 308.04, 1%, 0.81%

LAB 77.36, 48.05, -27.02

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 62 / 16 / 29

HEX #B54498

RGB 181 68 152

HSL 315.4, 0.45%, 0.49%

LAB 47.27, 55.12, -23.09

 

CMYK 0 / 70 / 19 / 36

HEX #A43285

RGB 164 50 133

HSL 316.32, 0.53%, 0.42%

LAB 41, 55.04, -21.5

 

CMYK 0 / 78 / 22 / 42

HEX #932072

RGB 147 32 114

HSL 317.22, 0.64%, 0.35%

LAB 34.9, 54.26, -19.35

 

CMYK 0 / 89 / 27 / 49

HEX #820E5F

RGB 130 14 95

HSL 318.1, 0.81%, 0.28%

LAB 29.12, 52.29, -16.36

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 57 / 29 / 22

HEX #C6568D

RGB 198 86 141

HSL 330.54, 0.5%, 0.56%

LAB 52.49, 50.51, -8.36

 

CMYK 0 / 57 / 44 / 22

HEX #C6566F

RGB 198 86 111

HSL 346.61, 0.5%, 0.56%

LAB 51.62, 47.01, 8.25

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 2 / 57 / 0 / 22

HEX #C356C6

RGB 195 86 198

HSL 298.39, 0.5%, 0.56%

LAB 54.38, 58.49, -38.74

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 32 / 57 / 0 / 22

HEX #8756C6

RGB 135 86 198

HSL 266.25, 0.5%, 0.56%

LAB 46.82, 43.09, -51.21

 

CMYK 47 / 57 / 0 / 22

HEX #6856C6

RGB 104 86 198

HSL 249.64, 0.5%, 0.56%

LAB 43.76, 35.92, -56.29

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 69 / 17 / 15

HEX #D944B5

RGB 217 68 181

HSL 314.5, 0.66%, 0.56%

LAB 54.26, 68.77, -28.87

 

CMYK 0 / 79 / 19 / 8

HEX #EB32BE

RGB 235 50 190

HSL 314.59, 0.82%, 0.56%

LAB 55.75, 79.56, -31.55

 

CMYK 0 / 87 / 21 / 1

HEX #FD20C8

RGB 253 32 200

HSL 314.39, 0.98%, 0.56%

LAB 58.12, 88.02, -33.37

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 42 / 10 / 29

HEX #B468A2

RGB 180 104 162

HSL 314.21, 0.34%, 0.56%

LAB 54.25, 38.73, -18.28

 

CMYK 0 / 24 / 6 / 36

HEX #A27B99

RGB 162 123 153

HSL 313.85, 0.17%, 0.56%

LAB 56.23, 20.27, -10.25

 

CMYK 0 / 2 / 1 / 44

HEX #908D8F

RGB 144 141 143

HSL 320, 0.01%, 0.56%

LAB 58.94, 1.5, -0.68

 

CMYK 21 / 0 / 16 / 38

HEX #7E9F86

RGB 126 159 134

HSL 134.55, 0.15%, 0.56%

LAB 62.47, -16.57, 9.34

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 2 / 57 / 0 / 22

HEX #C356C6

RGB 195 86 198

HSL 298.39, 0.5%, 0.56%

LAB 54.38, 58.49, -38.74

 

CMYK 0 / 57 / 13 / 22

HEX #C656AC

RGB 198 86 172

HSL 313.93, 0.5%, 0.56%

LAB 53.64, 54.97, -24.83

 

CMYK 0 / 57 / 28 / 22

HEX #C6568E

RGB 198 86 142

HSL 330, 0.5%, 0.56%

LAB 52.52, 50.65, -8.9

 

CMYK 0 / 57 / 43 / 22

HEX #C65670

RGB 198 86 112

HSL 346.07, 0.5%, 0.56%

LAB 51.65, 47.11, 7.68

 

CMYK 0 / 67 / 16 / 40

HEX #98327F

RGB 152 50 127

HSL 314.71, 0.5%, 0.4%

LAB 38.71, 50.91, -21.52

 

CMYK 0 / 67 / 16 / 28

HEX #B73D99

RGB 183 61 153

HSL 314.75, 0.5%, 0.48%

LAB 46.58, 58.71, -24.72

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 44 / 11 / 18

HEX #D175BB

RGB 209 117 187

HSL 314.35, 0.5%, 0.64%

LAB 61.54, 45.49, -21.21

 

CMYK 0 / 32 / 8 / 14

HEX #DB94CA

RGB 219 148 202

HSL 314.37, 0.5%, 0.72%

LAB 69.83, 34.93, -16.93

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 32 / 57 / 22

HEX #C68756

RGB 198 135 86

HSL 26.25, 0.5%, 0.56%

LAB 61.66, 18.91, 35.86

 

CMYK 57 / 0 / 9 / 22

HEX #56C6B4

RGB 86 198 180

HSL 170.36, 0.5%, 0.56%

LAB 73.33, -36.21, -0.59

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 13 / 0 / 57 / 22

HEX #ACC656

RGB 172 198 86

HSL 73.93, 0.5%, 0.56%

LAB 75.97, -25.22, 52.21

 

CMYK 57 / 13 / 0 / 22

HEX #56ACC6

RGB 86 172 198

HSL 193.93, 0.5%, 0.56%

LAB 66.18, -18.47, -21.15

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 32 / 57 / 22

HEX #C68756

RGB 198 135 86

HSL 26.25, 0.5%, 0.56%

LAB 61.66, 18.91, 35.86

 

CMYK 57 / 0 / 43 / 22

HEX #56C670

RGB 86 198 112

HSL 133.93, 0.5%, 0.56%

LAB 71.92, -50.45, 33.67

 

CMYK 57 / 24 / 0 / 22

HEX #5696C6

RGB 86 150 198

HSL 205.71, 0.5%, 0.56%

LAB 59.77, -6.5, -31.01

 

CMYK 0 / 57 / 14 / 22

HEX #C656AB

RGB 198 86 171

HSL 314.46, 0.5%, 0.56%

LAB 53.6, 54.81, -24.31

 

CMYK 0 / 15 / 57 / 22

HEX #C6A856

RGB 198 168 86

HSL 43.93, 0.5%, 0.56%

LAB 69.95, 0.97, 45.82

 

CMYK 57 / 0 / 43 / 22

HEX #56C670

RGB 86 198 112

HSL 133.93, 0.5%, 0.56%

LAB 71.92, -50.45, 33.67

 

CMYK 57 / 41 / 0 / 22

HEX #5674C6

RGB 86 116 198

HSL 223.93, 0.5%, 0.56%

LAB 50.15, 13.62, -46.13

 

Description

Color code: RGB 198 86 171 | qconv.com Color code: RGB 198 86 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 86 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 86 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 14 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 14% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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