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Color name
RGB 199 104 176

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 104 176 it is the complementary color RGB 56 151 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 104 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 104 176 shade: RGB 204 104 171, RGB 221 122 190, RGB 238 140 209, RGB 255 158 228 and RGB 255 176 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 104 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 104 176 shade: RGB 199 104 176, RGB 182 86 157, RGB 165 68 138, RGB 148 50 119 and RGB 131 32 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 104 176 shade: RGB 198 102 175, RGB 198 102 149, RGB 198 102 123 and RGB 198 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 104 176 shade: RGB 198 102 175, RGB 195 102 198, RGB 169 102 198, RGB 144 102 198 and RGB 118 102 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 104 176 shade matches the following richer shades: RGB 198 102 175, RGB 215 85 183, RGB 232 68 192 and RGB 249 51 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 104 176 shade: RGB 198 102 175, RGB 181 119 166, RGB 164 136 157, RGB 147 153 149 and RGB 130 170 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 104 176 shade: RGB 169 102 198, RGB 195 102 198, RGB 198 102 176, RGB 198 102 150 and RGB 198 102 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 104 176 shade: RGB 159 58 135, RGB 187 72 159, RGB 198 102 175, RGB 209 132 190 and RGB 220 162 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 104 176 shade: RGB 199 104 176, RGB 198 144 102 and RGB 102 198 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 104 176 shade: RGB 199 104 176, RGB 176 198 102 and RGB 102 176 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 104 176 shade: RGB 199 104 176, RGB 198 144 102, RGB 102 198 124 and RGB 102 156 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 104 176 shade: RGB 199 104 176, RGB 198 172 102, RGB 102 198 124 and RGB 102 128 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 12 / 22

HEX #C768B0

RGB 199 104 176

HSL 314.53, 0.46%, 0.59%

LAB 57.25, 47.18, -21.6

 

Complementary color

CMYK 63 / 0 / 48 / 41

HEX #38974F

RGB 56 151 79

HSL 134.53, 0.46%, 0.41%

LAB 55.62, -43.98, 29.79

 

CMYK 0 / 49 / 16 / 20

HEX #CC68AB

RGB 204 104 171

HSL 319.8, 0.5%, 0.6%

LAB 57.73, 47.95, -17.91

 

CMYK 0 / 45 / 14 / 13

HEX #DD7ABE

RGB 221 122 190

HSL 318.79, 0.59%, 0.67%

LAB 64.17, 47.22, -18.77

 

CMYK 0 / 41 / 12 / 7

HEX #EE8CD1

RGB 238 140 209

HSL 317.76, 0.74%, 0.74%

LAB 70.55, 46.47, -19.5

 

CMYK 0 / 38 / 11 / 0

HEX #FF9EE4

RGB 255 158 228

HSL 316.7, 1%, 0.81%

LAB 76.87, 45.73, -20.16

 

CMYK 0 / 31 / 3 / 0

HEX #FFB0F7

RGB 255 176 247

HSL 306.08, 1%, 0.85%

LAB 81.31, 39.63, -23.68

 

CMYK 0 / 48 / 12 / 22

HEX #C768B0

RGB 199 104 176

HSL 314.53, 0.46%, 0.59%

LAB 57.25, 47.18, -21.6

 

CMYK 0 / 53 / 14 / 29

HEX #B6569D

RGB 182 86 157

HSL 315.63, 0.4%, 0.53%

LAB 50.73, 47.84, -20.72

 

CMYK 0 / 59 / 16 / 35

HEX #A5448A

RGB 165 68 138

HSL 316.7, 0.42%, 0.46%

LAB 44.19, 48.36, -19.62

 

CMYK 0 / 66 / 20 / 42

HEX #943277

RGB 148 50 119

HSL 317.76, 0.49%, 0.39%

LAB 37.68, 48.58, -18.2

 

CMYK 0 / 76 / 24 / 49

HEX #832064

RGB 131 32 100

HSL 318.79, 0.61%, 0.32%

LAB 31.3, 48.19, -16.23

 

CMYK 0 / 48 / 12 / 22

HEX #C666AF

RGB 198 102 175

HSL 314.38, 0.46%, 0.59%

LAB 56.69, 47.71, -21.89

 

CMYK 0 / 48 / 25 / 22

HEX #C66695

RGB 198 102 149

HSL 330.63, 0.46%, 0.59%

LAB 55.76, 43.73, -8.18

 

CMYK 0 / 48 / 38 / 22

HEX #C6667B

RGB 198 102 123

HSL 346.88, 0.46%, 0.59%

LAB 55.01, 40.36, 5.97

 

CMYK 0 / 48 / 48 / 22

HEX #C66666

RGB 198 102 102

HSL 0, 0.46%, 0.59%

LAB 54.52, 38.12, 17.6

 

CMYK 0 / 48 / 12 / 22

HEX #C666AF

RGB 198 102 175

HSL 314.38, 0.46%, 0.59%

LAB 56.69, 47.71, -21.89

 

CMYK 2 / 48 / 0 / 22

HEX #C366C6

RGB 195 102 198

HSL 298.13, 0.46%, 0.59%

LAB 57.25, 50.81, -34.24

 

CMYK 15 / 48 / 0 / 22

HEX #A966C6

RGB 169 102 198

HSL 281.88, 0.46%, 0.59%

LAB 54.04, 43.4, -39.5

 

CMYK 27 / 48 / 0 / 22

HEX #9066C6

RGB 144 102 198

HSL 266.25, 0.46%, 0.59%

LAB 51.28, 36.43, -44.05

 

CMYK 40 / 48 / 0 / 22

HEX #7666C6

RGB 118 102 198

HSL 250, 0.46%, 0.59%

LAB 48.8, 29.61, -48.14

 

CMYK 0 / 48 / 12 / 22

HEX #C666AF

RGB 198 102 175

HSL 314.38, 0.46%, 0.59%

LAB 56.69, 47.71, -21.89

 

CMYK 0 / 60 / 15 / 16

HEX #D755B7

RGB 215 85 183

HSL 314.77, 0.62%, 0.59%

LAB 56.45, 61.85, -26.67

 

CMYK 0 / 71 / 17 / 9

HEX #E844C0

RGB 232 68 192

HSL 314.63, 0.78%, 0.59%

LAB 57.17, 73.91, -30.53

 

CMYK 0 / 80 / 19 / 2

HEX #F933C9

RGB 249 51 201

HSL 314.55, 0.94%, 0.59%

LAB 58.72, 83.69, -33.06

 

CMYK 0 / 48 / 12 / 22

HEX #C666AF

RGB 198 102 175

HSL 314.38, 0.46%, 0.59%

LAB 56.69, 47.71, -21.89

 

CMYK 0 / 34 / 8 / 29

HEX #B577A6

RGB 181 119 166

HSL 314.52, 0.3%, 0.59%

LAB 57.82, 31.58, -15.17

 

CMYK 0 / 17 / 4 / 36

HEX #A4889D

RGB 164 136 157

HSL 315, 0.13%, 0.59%

LAB 59.83, 14.33, -7.17

 

CMYK 4 / 0 / 3 / 40

HEX #939995

RGB 147 153 149

HSL 140, 0.03%, 0.59%

LAB 62.64, -2.94, 1.34

 

CMYK 24 / 0 / 18 / 33

HEX #82AA8C

RGB 130 170 140

HSL 135, 0.19%, 0.59%

LAB 66.05, -19.73, 11.11

 

CMYK 15 / 48 / 0 / 22

HEX #A966C6

RGB 169 102 198

HSL 281.88, 0.46%, 0.59%

LAB 54.04, 43.4, -39.5

 

CMYK 2 / 48 / 0 / 22

HEX #C366C6

RGB 195 102 198

HSL 298.13, 0.46%, 0.59%

LAB 57.25, 50.81, -34.24

 

CMYK 0 / 48 / 11 / 22

HEX #C666B0

RGB 198 102 176

HSL 313.75, 0.46%, 0.59%

LAB 56.73, 47.88, -22.41

 

CMYK 0 / 48 / 24 / 22

HEX #C66696

RGB 198 102 150

HSL 330, 0.46%, 0.59%

LAB 55.8, 43.88, -8.72

 

CMYK 0 / 48 / 37 / 22

HEX #C6667C

RGB 198 102 124

HSL 346.25, 0.46%, 0.59%

LAB 55.03, 40.48, 5.41

 

CMYK 0 / 64 / 15 / 38

HEX #9F3A87

RGB 159 58 135

HSL 314.26, 0.47%, 0.43%

LAB 41.45, 50.69, -22.1

 

CMYK 0 / 61 / 15 / 27

HEX #BB489F

RGB 187 72 159

HSL 314.61, 0.46%, 0.51%

LAB 49.13, 56.13, -24.29

 

CMYK 0 / 48 / 12 / 22

HEX #C666AF

RGB 198 102 175

HSL 314.38, 0.46%, 0.59%

LAB 56.69, 47.71, -21.89

 

CMYK 0 / 37 / 9 / 18

HEX #D184BE

RGB 209 132 190

HSL 314.81, 0.46%, 0.67%

LAB 64.78, 38.11, -17.97

 

CMYK 0 / 26 / 6 / 14

HEX #DCA2CE

RGB 220 162 206

HSL 314.48, 0.45%, 0.75%

LAB 73.23, 28.43, -14

 

CMYK 0 / 48 / 12 / 22

HEX #C768B0

RGB 199 104 176

HSL 314.53, 0.46%, 0.59%

LAB 57.25, 47.18, -21.6

 

CMYK 0 / 27 / 48 / 22

HEX #C69066

RGB 198 144 102

HSL 26.25, 0.46%, 0.59%

LAB 64.09, 15.41, 30.3

 

CMYK 48 / 0 / 8 / 22

HEX #66C6B6

RGB 102 198 182

HSL 170, 0.46%, 0.59%

LAB 73.93, -32.27, -0.73

 

CMYK 0 / 48 / 12 / 22

HEX #C768B0

RGB 199 104 176

HSL 314.53, 0.46%, 0.59%

LAB 57.25, 47.18, -21.6

 

CMYK 11 / 0 / 48 / 22

HEX #B0C666

RGB 176 198 102

HSL 73.75, 0.46%, 0.59%

LAB 76.42, -22.13, 45.28

 

CMYK 48 / 11 / 0 / 22

HEX #66B0C6

RGB 102 176 198

HSL 193.75, 0.46%, 0.59%

LAB 67.99, -17.1, -18.35

 

CMYK 0 / 48 / 12 / 22

HEX #C768B0

RGB 199 104 176

HSL 314.53, 0.46%, 0.59%

LAB 57.25, 47.18, -21.6

 

CMYK 0 / 27 / 48 / 22

HEX #C69066

RGB 198 144 102

HSL 26.25, 0.46%, 0.59%

LAB 64.09, 15.41, 30.3

 

CMYK 48 / 0 / 37 / 22

HEX #66C67C

RGB 102 198 124

HSL 133.75, 0.46%, 0.59%

LAB 72.67, -44.4, 28.57

 

CMYK 48 / 21 / 0 / 22

HEX #669CC6

RGB 102 156 198

HSL 206.25, 0.46%, 0.59%

LAB 62.24, -6.28, -27.14

 

CMYK 0 / 48 / 12 / 22

HEX #C768B0

RGB 199 104 176

HSL 314.53, 0.46%, 0.59%

LAB 57.25, 47.18, -21.6

 

CMYK 0 / 13 / 48 / 22

HEX #C6AC66

RGB 198 172 102

HSL 43.75, 0.46%, 0.59%

LAB 71.19, 0.23, 39.29

 

CMYK 48 / 0 / 37 / 22

HEX #66C67C

RGB 102 198 124

HSL 133.75, 0.46%, 0.59%

LAB 72.67, -44.4, 28.57

 

CMYK 48 / 35 / 0 / 22

HEX #6680C6

RGB 102 128 198

HSL 223.75, 0.46%, 0.59%

LAB 54.39, 9.95, -39.37

 

Description

Color code: RGB 199 104 176 | qconv.com Color code: RGB 199 104 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 104 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 104 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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