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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 147 149 it is the complementary color RGB 56 108 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 147 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 147 149 shade: RGB 204 147 144, RGB 221 165 163, RGB 238 183 182, RGB 255 201 201 and RGB 255 219 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 147 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 147 149 shade: RGB 199 147 149, RGB 182 129 130, RGB 165 111 111, RGB 148 93 92 and RGB 131 75 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 147 149 shade: RGB 199 147 149 and RGB 199 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 147 149 shade: RGB 199 147 149, RGB 199 147 163, RGB 199 147 177, RGB 199 147 191 and RGB 193 147 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 147 149 shade matches the following richer shades: RGB 199 147 149, RGB 212 134 137, RGB 225 120 124, RGB 239 107 112 and RGB 252 94 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 147 149 shade: RGB 199 147 149, RGB 186 160 161, RGB 173 173 173, RGB 159 186 185 and RGB 146 200 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 147 149 shade: RGB 199 147 177, RGB 199 147 163, RGB 199 147 149, RGB 199 158 147 and RGB 199 172 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 147 149 shade: RGB 171 92 95, RGB 185 120 122, RGB 199 147 149, RGB 213 174 176 and RGB 227 201 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 147 149 shade: RGB 199 147 149, RGB 191 199 147 and RGB 147 170 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 147 149 shade: RGB 199 147 149, RGB 149 199 147 and RGB 147 149 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 147 149 shade: RGB 199 147 149, RGB 191 199 147, RGB 147 199 196 and RGB 155 147 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 147 149 shade: RGB 199 147 149, RGB 176 199 147, RGB 147 199 196 and RGB 170 147 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

Complementary color

CMYK 48 / 0 / 2 / 58

HEX #386C6A

RGB 56 108 106

HSL 177.69, 0.32%, 0.32%

LAB 42.16, -17.9, -4.29

 

CMYK 0 / 28 / 29 / 20

HEX #CC9390

RGB 204 147 144

HSL 3, 0.37%, 0.68%

LAB 66.3, 21.09, 10.12

 

CMYK 0 / 25 / 26 / 13

HEX #DDA5A3

RGB 221 165 163

HSL 2.07, 0.46%, 0.75%

LAB 72.84, 20.37, 9.12

 

CMYK 0 / 23 / 24 / 7

HEX #EEB7B6

RGB 238 183 182

HSL 1.07, 0.62%, 0.82%

LAB 79.28, 19.73, 8.19

 

CMYK 0 / 21 / 21 / 0

HEX #FFC9C9

RGB 255 201 201

HSL 0, 1%, 0.89%

LAB 85.63, 19.14, 7.33

 

CMYK 0 / 14 / 14 / 0

HEX #FFDBDC

RGB 255 219 220

HSL 358.33, 1%, 0.93%

LAB 90.36, 12.62, 4.12

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 0 / 29 / 29 / 29

HEX #B68182

RGB 182 129 130

HSL 358.87, 0.27%, 0.61%

LAB 59.21, 20.62, 7.64

 

CMYK 0 / 33 / 33 / 35

HEX #A56F6F

RGB 165 111 111

HSL 0, 0.23%, 0.54%

LAB 52.42, 21.44, 8.74

 

CMYK 0 / 37 / 38 / 42

HEX #945D5C

RGB 148 93 92

HSL 1.07, 0.23%, 0.47%

LAB 45.49, 22.39, 10

 

CMYK 0 / 43 / 44 / 49

HEX #834B49

RGB 131 75 73

HSL 2.07, 0.28%, 0.4%

LAB 38.44, 23.47, 11.49

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 0 / 26 / 26 / 22

HEX #C79393

RGB 199 147 147

HSL 0, 0.32%, 0.68%

LAB 65.84, 19.59, 7.7

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 0 / 26 / 18 / 22

HEX #C793A3

RGB 199 147 163

HSL 341.54, 0.32%, 0.68%

LAB 66.25, 22.01, -0.69

 

CMYK 0 / 26 / 11 / 22

HEX #C793B1

RGB 199 147 177

HSL 325.38, 0.32%, 0.68%

LAB 66.66, 24.31, -7.95

 

CMYK 0 / 26 / 4 / 22

HEX #C793BF

RGB 199 147 191

HSL 309.23, 0.32%, 0.68%

LAB 67.1, 26.79, -15.12

 

CMYK 3 / 26 / 0 / 22

HEX #C193C7

RGB 193 147 199

HSL 293.08, 0.32%, 0.68%

LAB 66.77, 26.28, -20.15

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 0 / 37 / 35 / 17

HEX #D48689

RGB 212 134 137

HSL 357.69, 0.48%, 0.68%

LAB 64.04, 30.28, 10.99

 

CMYK 0 / 47 / 45 / 12

HEX #E1787C

RGB 225 120 124

HSL 357.71, 0.64%, 0.68%

LAB 62.42, 41.02, 16.35

 

CMYK 0 / 55 / 53 / 6

HEX #EF6B70

RGB 239 107 112

HSL 357.73, 0.8%, 0.68%

LAB 61.69, 51.29, 22.53

 

CMYK 0 / 63 / 60 / 1

HEX #FC5E64

RGB 252 94 100

HSL 357.72, 0.96%, 0.68%

LAB 61.33, 60.53, 29.28

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 0 / 14 / 13 / 27

HEX #BAA0A1

RGB 186 160 161

HSL 357.69, 0.16%, 0.68%

LAB 68.13, 9.7, 3.01

 

CMYK 0 / 0 / 0 / 32

HEX #ADADAD

RGB 173 173 173

HSL 0, 0%, 0.68%

LAB 70.72, 0, -0.01

 

CMYK 15 / 0 / 1 / 27

HEX #9FBAB9

RGB 159 186 185

HSL 177.78, 0.16%, 0.68%

LAB 73.54, -9.35, -2.59

 

CMYK 27 / 0 / 1 / 22

HEX #92C8C6

RGB 146 200 198

HSL 177.78, 0.33%, 0.68%

LAB 76.98, -17.83, -4.67

 

CMYK 0 / 26 / 11 / 22

HEX #C793B1

RGB 199 147 177

HSL 325.38, 0.32%, 0.68%

LAB 66.66, 24.31, -7.95

 

CMYK 0 / 26 / 18 / 22

HEX #C793A3

RGB 199 147 163

HSL 341.54, 0.32%, 0.68%

LAB 66.25, 22.01, -0.69

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 0 / 21 / 26 / 22

HEX #C79E93

RGB 199 158 147

HSL 12.69, 0.32%, 0.68%

LAB 68.54, 13.56, 11.53

 

CMYK 0 / 14 / 26 / 22

HEX #C7AC93

RGB 199 172 147

HSL 28.85, 0.32%, 0.68%

LAB 72.06, 5.95, 16.48

 

CMYK 0 / 46 / 44 / 33

HEX #AB5C5F

RGB 171 92 95

HSL 357.72, 0.32%, 0.52%

LAB 48.43, 32.43, 12.77

 

CMYK 0 / 35 / 34 / 27

HEX #B9787A

RGB 185 120 122

HSL 358.15, 0.32%, 0.6%

LAB 57.22, 25.71, 9.47

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 0 / 18 / 17 / 16

HEX #D5AEB0

RGB 213 174 176

HSL 356.92, 0.32%, 0.76%

LAB 74.54, 14.47, 4.32

 

CMYK 0 / 11 / 11 / 11

HEX #E3C9CA

RGB 227 201 202

HSL 357.69, 0.32%, 0.84%

LAB 83.11, 9.28, 2.84

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 4 / 0 / 26 / 22

HEX #BFC793

RGB 191 199 147

HSL 69.23, 0.32%, 0.68%

LAB 78.48, -11.36, 25.18

 

CMYK 26 / 15 / 0 / 22

HEX #93AAC7

RGB 147 170 199

HSL 213.46, 0.32%, 0.68%

LAB 68.81, -1.4, -17.42

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 25 / 0 / 26 / 22

HEX #95C793

RGB 149 199 147

HSL 117.69, 0.32%, 0.68%

LAB 75.66, -26.49, 20.88

 

CMYK 26 / 25 / 0 / 22

HEX #9395C7

RGB 147 149 199

HSL 237.69, 0.32%, 0.68%

LAB 63.2, 10.38, -25.98

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 4 / 0 / 26 / 22

HEX #BFC793

RGB 191 199 147

HSL 69.23, 0.32%, 0.68%

LAB 78.48, -11.36, 25.18

 

CMYK 26 / 0 / 2 / 22

HEX #93C7C4

RGB 147 199 196

HSL 176.54, 0.32%, 0.68%

LAB 76.7, -17.47, -3.99

 

CMYK 22 / 26 / 0 / 22

HEX #9B93C7

RGB 155 147 199

HSL 249.23, 0.32%, 0.68%

LAB 63.31, 13.99, -25.75

 

CMYK 0 / 26 / 25 / 22

HEX #C79395

RGB 199 147 149

HSL 357.69, 0.32%, 0.68%

LAB 65.89, 19.88, 6.64

 

CMYK 12 / 0 / 26 / 22

HEX #B0C793

RGB 176 199 147

HSL 86.54, 0.32%, 0.68%

LAB 77.39, -16.95, 23.52

 

CMYK 26 / 0 / 2 / 22

HEX #93C7C4

RGB 147 199 196

HSL 176.54, 0.32%, 0.68%

LAB 76.7, -17.47, -3.99

 

CMYK 15 / 26 / 0 / 22

HEX #AA93C7

RGB 170 147 199

HSL 266.54, 0.32%, 0.68%

LAB 64.59, 18.75, -23.67

 

Description

Color code: RGB 199 147 149 | qconv.com Color code: RGB 199 147 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 147 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 147 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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