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Color name
RGB 199 158 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 158 154 it is the complementary color RGB 56 97 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 158 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 158 154 shade: RGB 204 158 149, RGB 221 176 168, RGB 238 194 187, RGB 255 212 206 and RGB 255 230 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 158 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 158 154 shade: RGB 199 158 154, RGB 182 140 135, RGB 165 122 116, RGB 148 104 97 and RGB 131 86 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 158 154 shade: RGB 198 157 153 and RGB 198 153 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 158 154 shade: RGB 198 157 153, RGB 198 169 153, RGB 198 181 153, RGB 198 194 153 and RGB 191 198 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 158 154 shade matches the following richer shades: RGB 198 157 153, RGB 211 146 140, RGB 224 136 127, RGB 237 125 114 and RGB 250 115 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 158 154 shade: RGB 198 157 153, RGB 186 167 165, RGB 173 178 178, RGB 160 188 191 and RGB 147 199 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 158 154 shade: RGB 198 153 173, RGB 198 153 161, RGB 198 156 153, RGB 198 169 153 and RGB 198 181 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 158 154 shade: RGB 169 106 99, RGB 184 131 126, RGB 198 157 153, RGB 213 182 179 and RGB 228 208 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 158 154 shade: RGB 199 158 154, RGB 185 198 153 and RGB 153 167 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 158 154 shade: RGB 199 158 154, RGB 153 198 156 and RGB 156 153 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 158 154 shade: RGB 199 158 154, RGB 185 198 153, RGB 153 195 198 and RGB 166 153 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 158 154 shade: RGB 199 158 154, RGB 172 198 153, RGB 153 195 198 and RGB 179 153 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 23 / 22

HEX #C79E9A

RGB 199 158 154

HSL 5.33, 0.29%, 0.69%

LAB 68.7, 14.58, 7.88

 

Complementary color

CMYK 45 / 4 / 0 / 60

HEX #386165

RGB 56 97 101

HSL 185.33, 0.29%, 0.31%

LAB 38.43, -13.18, -6.79

 

CMYK 0 / 23 / 27 / 20

HEX #CC9E95

RGB 204 158 149

HSL 9.82, 0.35%, 0.69%

LAB 69.08, 15.76, 11.27

 

CMYK 0 / 20 / 24 / 13

HEX #DDB0A8

RGB 221 176 168

HSL 9.06, 0.44%, 0.76%

LAB 75.61, 15.16, 10.32

 

CMYK 0 / 18 / 21 / 7

HEX #EEC2BB

RGB 238 194 187

HSL 8.24, 0.6%, 0.83%

LAB 82.03, 14.62, 9.43

 

CMYK 0 / 17 / 19 / 0

HEX #FFD4CE

RGB 255 212 206

HSL 7.35, 1%, 0.9%

LAB 88.35, 14.13, 8.6

 

CMYK 0 / 10 / 12 / 0

HEX #FFE6E1

RGB 255 230 225

HSL 10, 1%, 0.94%

LAB 93.14, 7.72, 5.53

 

CMYK 0 / 21 / 23 / 22

HEX #C79E9A

RGB 199 158 154

HSL 5.33, 0.29%, 0.69%

LAB 68.7, 14.58, 7.88

 

CMYK 0 / 23 / 26 / 29

HEX #B68C87

RGB 182 140 135

HSL 6.38, 0.24%, 0.62%

LAB 62.04, 15.19, 8.81

 

CMYK 0 / 26 / 30 / 35

HEX #A57A74

RGB 165 122 116

HSL 7.35, 0.21%, 0.55%

LAB 55.26, 15.88, 9.84

 

CMYK 0 / 30 / 34 / 42

HEX #946861

RGB 148 104 97

HSL 8.24, 0.21%, 0.48%

LAB 48.34, 16.68, 10.99

 

CMYK 0 / 34 / 40 / 49

HEX #83564E

RGB 131 86 78

HSL 9.06, 0.25%, 0.41%

LAB 41.27, 17.62, 12.3

 

CMYK 0 / 21 / 23 / 22

HEX #C69D99

RGB 198 157 153

HSL 5.33, 0.28%, 0.69%

LAB 68.33, 14.6, 7.89

 

CMYK 0 / 23 / 23 / 22

HEX #C69999

RGB 198 153 153

HSL 0, 0.28%, 0.69%

LAB 67.34, 16.79, 6.48

 

CMYK 0 / 21 / 23 / 22

HEX #C69D99

RGB 198 157 153

HSL 5.33, 0.28%, 0.69%

LAB 68.33, 14.6, 7.89

 

CMYK 0 / 15 / 23 / 22

HEX #C6A999

RGB 198 169 153

HSL 21.33, 0.28%, 0.69%

LAB 71.34, 8.05, 12.16

 

CMYK 0 / 9 / 23 / 22

HEX #C6B599

RGB 198 181 153

HSL 37.33, 0.28%, 0.69%

LAB 74.42, 1.59, 16.48

 

CMYK 0 / 2 / 23 / 22

HEX #C6C299

RGB 198 194 153

HSL 54.67, 0.28%, 0.69%

LAB 77.81, -5.27, 21.18

 

CMYK 4 / 0 / 23 / 22

HEX #BFC699

RGB 191 198 153

HSL 69.33, 0.28%, 0.69%

LAB 78.32, -9.98, 21.8

 

CMYK 0 / 21 / 23 / 22

HEX #C69D99

RGB 198 157 153

HSL 5.33, 0.28%, 0.69%

LAB 68.33, 14.6, 7.89

 

CMYK 0 / 31 / 34 / 17

HEX #D3928C

RGB 211 146 140

HSL 5.07, 0.45%, 0.69%

LAB 66.75, 23.79, 13.09

 

CMYK 0 / 39 / 43 / 12

HEX #E0887F

RGB 224 136 127

HSL 5.57, 0.61%, 0.69%

LAB 65.74, 32.63, 19.21

 

CMYK 0 / 47 / 52 / 7

HEX #ED7D72

RGB 237 125 114

HSL 5.37, 0.77%, 0.69%

LAB 64.87, 41.96, 25.61

 

CMYK 0 / 54 / 60 / 2

HEX #FA7365

RGB 250 115 101

HSL 5.64, 0.94%, 0.69%

LAB 64.58, 50.56, 32.83

 

CMYK 0 / 21 / 23 / 22

HEX #C69D99

RGB 198 157 153

HSL 5.33, 0.28%, 0.69%

LAB 68.33, 14.6, 7.89

 

CMYK 0 / 10 / 11 / 27

HEX #BAA7A5

RGB 186 167 165

HSL 5.71, 0.13%, 0.69%

LAB 70.03, 6.54, 3.53

 

CMYK 3 / 0 / 0 / 30

HEX #ADB2B2

RGB 173 178 178

HSL 180, 0.03%, 0.69%

LAB 72.19, -1.75, -0.62

 

CMYK 16 / 2 / 0 / 25

HEX #A0BCBF

RGB 160 188 191

HSL 185.81, 0.19%, 0.69%

LAB 74.32, -8.82, -4.7

 

CMYK 28 / 2 / 0 / 20

HEX #93C7CC

RGB 147 199 204

HSL 185.26, 0.36%, 0.69%

LAB 76.93, -15.65, -7.98

 

CMYK 0 / 23 / 13 / 22

HEX #C699AD

RGB 198 153 173

HSL 333.33, 0.28%, 0.69%

LAB 67.88, 19.97, -3.92

 

CMYK 0 / 23 / 19 / 22

HEX #C699A1

RGB 198 153 161

HSL 349.33, 0.28%, 0.69%

LAB 67.55, 18.02, 2.3

 

CMYK 0 / 21 / 23 / 22

HEX #C69C99

RGB 198 156 153

HSL 4, 0.28%, 0.69%

LAB 68.08, 15.15, 7.53

 

CMYK 0 / 15 / 23 / 22

HEX #C6A999

RGB 198 169 153

HSL 21.33, 0.28%, 0.69%

LAB 71.34, 8.05, 12.16

 

CMYK 0 / 9 / 23 / 22

HEX #C6B599

RGB 198 181 153

HSL 37.33, 0.28%, 0.69%

LAB 74.42, 1.59, 16.48

 

CMYK 0 / 37 / 41 / 34

HEX #A96A63

RGB 169 106 99

HSL 6, 0.29%, 0.53%

LAB 51.43, 24.35, 14.5

 

CMYK 0 / 29 / 32 / 28

HEX #B8837E

RGB 184 131 126

HSL 5.17, 0.29%, 0.61%

LAB 59.82, 19.73, 10.83

 

CMYK 0 / 21 / 23 / 22

HEX #C69D99

RGB 198 157 153

HSL 5.33, 0.28%, 0.69%

LAB 68.33, 14.6, 7.89

 

CMYK 0 / 15 / 16 / 16

HEX #D5B6B3

RGB 213 182 179

HSL 5.29, 0.29%, 0.77%

LAB 76.59, 10.63, 5.64

 

CMYK 0 / 9 / 10 / 11

HEX #E4D0CE

RGB 228 208 206

HSL 5.45, 0.29%, 0.85%

LAB 85.03, 6.61, 3.5

 

CMYK 0 / 21 / 23 / 22

HEX #C79E9A

RGB 199 158 154

HSL 5.33, 0.29%, 0.69%

LAB 68.7, 14.58, 7.88

 

CMYK 7 / 0 / 23 / 22

HEX #B9C699

RGB 185 198 153

HSL 77.33, 0.28%, 0.69%

LAB 77.88, -12.21, 21.11

 

CMYK 23 / 16 / 0 / 22

HEX #99A7C6

RGB 153 167 198

HSL 221.33, 0.28%, 0.69%

LAB 68.38, 1.87, -17.48

 

CMYK 0 / 21 / 23 / 22

HEX #C79E9A

RGB 199 158 154

HSL 5.33, 0.29%, 0.69%

LAB 68.7, 14.58, 7.88

 

CMYK 23 / 0 / 21 / 22

HEX #99C69C

RGB 153 198 156

HSL 124, 0.28%, 0.69%

LAB 75.8, -23.09, 16.3

 

CMYK 21 / 23 / 0 / 22

HEX #9C99C6

RGB 156 153 198

HSL 244, 0.28%, 0.69%

LAB 64.91, 10.66, -22.74

 

CMYK 0 / 21 / 23 / 22

HEX #C79E9A

RGB 199 158 154

HSL 5.33, 0.29%, 0.69%

LAB 68.7, 14.58, 7.88

 

CMYK 7 / 0 / 23 / 22

HEX #B9C699

RGB 185 198 153

HSL 77.33, 0.28%, 0.69%

LAB 77.88, -12.21, 21.11

 

CMYK 23 / 2 / 0 / 22

HEX #99C3C6

RGB 153 195 198

HSL 184, 0.28%, 0.69%

LAB 76, -13.16, -6.08

 

CMYK 16 / 23 / 0 / 22

HEX #A699C6

RGB 166 153 198

HSL 257.33, 0.28%, 0.69%

LAB 65.72, 13.85, -21.42

 

CMYK 0 / 21 / 23 / 22

HEX #C79E9A

RGB 199 158 154

HSL 5.33, 0.29%, 0.69%

LAB 68.7, 14.58, 7.88

 

CMYK 13 / 0 / 23 / 22

HEX #ACC699

RGB 172 198 153

HSL 94.67, 0.28%, 0.69%

LAB 76.96, -16.96, 19.7

 

CMYK 23 / 2 / 0 / 22

HEX #99C3C6

RGB 153 195 198

HSL 184, 0.28%, 0.69%

LAB 76, -13.16, -6.08

 

CMYK 10 / 23 / 0 / 22

HEX #B399C6

RGB 179 153 198

HSL 274.67, 0.28%, 0.69%

LAB 66.86, 18.1, -19.59

 

Description

Color code: RGB 199 158 154 | qconv.com Color code: RGB 199 158 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 158 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 158 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 23 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 23% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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