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Color name
RGB 199 171 13

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 171 13 it is the complementary color RGB 56 84 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 171 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 171 13 shade: RGB 204 171 8, RGB 221 189 27, RGB 238 207 46, RGB 255 225 65 and RGB 255 243 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 171 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 171 13 shade: RGB 199 171 13, RGB 182 153 0, RGB 165 135 0, RGB 148 117 0 and RGB 131 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 171 13 shade: RGB 201 172 12, RGB 201 122 12, RGB 201 71 12, RGB 201 20 12 and RGB 201 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 171 13 shade: RGB 201 172 12, RGB 178 201 12, RGB 128 201 12, RGB 77 201 12 and RGB 26 201 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 171 13 shade matches the following richer shades: RGB 201 172 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 171 13 shade: RGB 201 172 12, RGB 184 160 30, RGB 166 148 47, RGB 149 136 64 and RGB 132 124 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 171 13 shade: RGB 201 69 12, RGB 201 119 12, RGB 201 169 12, RGB 182 201 12 and RGB 132 201 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 171 13 shade: RGB 123 106 7, RGB 162 139 10, RGB 201 172 12, RGB 239 206 15 and RGB 242 213 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 171 13 shade: RGB 199 171 13, RGB 12 201 19 and RGB 94 12 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 171 13 shade: RGB 199 171 13, RGB 12 201 169 and RGB 169 12 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 171 13 shade: RGB 199 171 13, RGB 12 201 19, RGB 12 44 201 and RGB 201 12 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 171 13 shade: RGB 199 171 13, RGB 12 201 75, RGB 12 44 201 and RGB 201 12 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 93 / 22

HEX #C7AB0D

RGB 199 171 13

HSL 50.97, 0.88%, 0.42%

LAB 70.38, -3.39, 71.42

 

Complementary color

CMYK 77 / 65 / 0 / 5

HEX #3854F2

RGB 56 84 242

HSL 230.97, 0.88%, 0.58%

LAB 43.64, 44.37, -81.71

 

CMYK 0 / 16 / 96 / 20

HEX #CCAB08

RGB 204 171 8

HSL 49.9, 0.92%, 0.42%

LAB 70.86, -1.23, 72.6

 

CMYK 0 / 14 / 88 / 13

HEX #DDBD1B

RGB 221 189 27

HSL 50.1, 0.78%, 0.49%

LAB 77.19, -2.91, 75.18

 

CMYK 0 / 13 / 81 / 7

HEX #EECF2E

RGB 238 207 46

HSL 50.31, 0.85%, 0.56%

LAB 83.44, -4.37, 76.41

 

CMYK 0 / 12 / 75 / 0

HEX #FFE141

RGB 255 225 65

HSL 50.53, 1%, 0.63%

LAB 89.62, -5.64, 76.72

 

CMYK 0 / 5 / 67 / 0

HEX #FFF354

RGB 255 243 84

HSL 55.79, 1%, 0.66%

LAB 94.31, -13.67, 74.57

 

CMYK 0 / 14 / 93 / 22

HEX #C7AB0D

RGB 199 171 13

HSL 50.97, 0.88%, 0.42%

LAB 70.38, -3.39, 71.42

 

CMYK 0 / 16 / 100 / 29

HEX #B69900

RGB 182 153 0

HSL 50.44, 1%, 0.36%

LAB 63.94, -1.57, 67.67

 

CMYK 0 / 18 / 100 / 35

HEX #A58700

RGB 165 135 0

HSL 49.09, 1%, 0.32%

LAB 57.39, 0.47, 62.26

 

CMYK 0 / 21 / 100 / 42

HEX #947500

RGB 148 117 0

HSL 47.43, 1%, 0.29%

LAB 50.71, 2.61, 56.75

 

CMYK 0 / 24 / 100 / 49

HEX #836300

RGB 131 99 0

HSL 45.34, 1%, 0.26%

LAB 43.87, 4.87, 51.12

 

CMYK 0 / 14 / 94 / 21

HEX #C9AC0C

RGB 201 172 12

HSL 50.79, 0.89%, 0.42%

LAB 70.84, -3.04, 71.98

 

CMYK 0 / 39 / 94 / 21

HEX #C97A0C

RGB 201 122 12

HSL 34.92, 0.89%, 0.42%

LAB 58.38, 23.99, 62.9

 

CMYK 0 / 65 / 94 / 21

HEX #C9470C

RGB 201 71 12

HSL 18.73, 0.89%, 0.42%

LAB 48.2, 49.55, 55.98

 

CMYK 0 / 90 / 94 / 21

HEX #C9140C

RGB 201 20 12

HSL 2.54, 0.89%, 0.42%

LAB 42.68, 64.86, 52.59

 

CMYK 0 / 94 / 94 / 21

HEX #C90C0C

RGB 201 12 12

HSL 0, 0.89%, 0.42%

LAB 42.32, 65.9, 52.39

 

CMYK 0 / 14 / 94 / 21

HEX #C9AC0C

RGB 201 172 12

HSL 50.79, 0.89%, 0.42%

LAB 70.84, -3.04, 71.98

 

CMYK 11 / 0 / 94 / 21

HEX #B2C90C

RGB 178 201 12

HSL 67.3, 0.89%, 0.42%

LAB 76.84, -27.63, 75.71

 

CMYK 36 / 0 / 94 / 21

HEX #80C90C

RGB 128 201 12

HSL 83.17, 0.89%, 0.42%

LAB 73.8, -47.17, 72.02

 

CMYK 62 / 0 / 94 / 21

HEX #4DC90C

RGB 77 201 12

HSL 99.37, 0.89%, 0.42%

LAB 71.81, -62.4, 69.58

 

CMYK 87 / 0 / 94 / 21

HEX #1AC90C

RGB 26 201 12

HSL 115.56, 0.89%, 0.42%

LAB 70.88, -70.42, 68.43

 

CMYK 0 / 14 / 94 / 21

HEX #C9AC0C

RGB 201 172 12

HSL 50.79, 0.89%, 0.42%

LAB 70.84, -3.04, 71.98

 

CMYK 0 / 14 / 94 / 21

HEX #C9AC0C

RGB 201 172 12

HSL 50.79, 0.89%, 0.42%

LAB 70.84, -3.04, 71.98

 

CMYK 0 / 13 / 84 / 28

HEX #B8A01E

RGB 184 160 30

HSL 50.65, 0.72%, 0.42%

LAB 66.08, -3.89, 63.96

 

CMYK 0 / 11 / 72 / 35

HEX #A6942F

RGB 166 148 47

HSL 50.92, 0.56%, 0.42%

LAB 61.21, -4.83, 53.13

 

CMYK 0 / 9 / 57 / 42

HEX #958840

RGB 149 136 64

HSL 50.82, 0.4%, 0.42%

LAB 56.45, -4.73, 39.82

 

CMYK 0 / 6 / 38 / 48

HEX #847C52

RGB 132 124 82

HSL 50.4, 0.23%, 0.42%

LAB 51.76, -3.62, 24.05

 

CMYK 0 / 66 / 94 / 21

HEX #C9450C

RGB 201 69 12

HSL 18.1, 0.89%, 0.42%

LAB 47.88, 50.4, 55.78

 

CMYK 0 / 41 / 94 / 21

HEX #C9770C

RGB 201 119 12

HSL 33.97, 0.89%, 0.42%

LAB 57.69, 25.61, 62.42

 

CMYK 0 / 16 / 94 / 21

HEX #C9A90C

RGB 201 169 12

HSL 49.84, 0.89%, 0.42%

LAB 70.05, -1.46, 71.39

 

CMYK 9 / 0 / 94 / 21

HEX #B6C90C

RGB 182 201 12

HSL 66.03, 0.89%, 0.42%

LAB 77.13, -25.96, 76.06

 

CMYK 34 / 0 / 94 / 21

HEX #84C90C

RGB 132 201 12

HSL 81.9, 0.89%, 0.42%

LAB 74, -45.74, 72.26

 

CMYK 0 / 14 / 94 / 52

HEX #7B6A07

RGB 123 106 7

HSL 51.21, 0.89%, 0.25%

LAB 44.99, -2.91, 49.85

 

CMYK 0 / 14 / 94 / 36

HEX #A28B0A

RGB 162 139 10

HSL 50.92, 0.88%, 0.34%

LAB 58.2, -2.96, 61.09

 

CMYK 0 / 14 / 94 / 21

HEX #C9AC0C

RGB 201 172 12

HSL 50.79, 0.89%, 0.42%

LAB 70.84, -3.04, 71.98

 

CMYK 0 / 14 / 94 / 6

HEX #EFCE0F

RGB 239 206 15

HSL 51.16, 0.88%, 0.5%

LAB 83.19, -4.06, 82.39

 

CMYK 0 / 12 / 78 / 5

HEX #F2D536

RGB 242 213 54

HSL 50.74, 0.88%, 0.58%

LAB 85.37, -5.46, 75.91

 

CMYK 0 / 14 / 93 / 22

HEX #C7AB0D

RGB 199 171 13

HSL 50.97, 0.88%, 0.42%

LAB 70.38, -3.39, 71.42

 

CMYK 94 / 0 / 91 / 21

HEX #0CC913

RGB 12 201 19

HSL 122.22, 0.89%, 0.42%

LAB 70.8, -71.12, 67.35

 

CMYK 53 / 94 / 0 / 21

HEX #5E0CC9

RGB 94 12 201

HSL 266.03, 0.89%, 0.42%

LAB 31.49, 67.25, -78.16

 

CMYK 0 / 14 / 93 / 22

HEX #C7AB0D

RGB 199 171 13

HSL 50.97, 0.88%, 0.42%

LAB 70.38, -3.39, 71.42

 

CMYK 94 / 0 / 16 / 21

HEX #0CC9A9

RGB 12 201 169

HSL 169.84, 0.89%, 0.42%

LAB 72.7, -48.87, 4.32

 

CMYK 16 / 94 / 0 / 21

HEX #A90CC9

RGB 169 12 201

HSL 289.84, 0.89%, 0.42%

LAB 42.63, 76.09, -59.46

 

CMYK 0 / 14 / 93 / 22

HEX #C7AB0D

RGB 199 171 13

HSL 50.97, 0.88%, 0.42%

LAB 70.38, -3.39, 71.42

 

CMYK 94 / 0 / 91 / 21

HEX #0CC913

RGB 12 201 19

HSL 122.22, 0.89%, 0.42%

LAB 70.8, -71.12, 67.35

 

CMYK 94 / 78 / 0 / 21

HEX #0C2CC9

RGB 12 44 201

HSL 229.84, 0.89%, 0.42%

LAB 29.65, 51.19, -81.36

 

CMYK 0 / 94 / 3 / 21

HEX #C90CC3

RGB 201 12 195

HSL 301.9, 0.89%, 0.42%

LAB 47.78, 80.27, -47.41

 

CMYK 0 / 14 / 93 / 22

HEX #C7AB0D

RGB 199 171 13

HSL 50.97, 0.88%, 0.42%

LAB 70.38, -3.39, 71.42

 

CMYK 94 / 0 / 63 / 21

HEX #0CC94B

RGB 12 201 75

HSL 140, 0.89%, 0.42%

LAB 71.12, -67.09, 50.09

 

CMYK 94 / 78 / 0 / 21

HEX #0C2CC9

RGB 12 44 201

HSL 229.84, 0.89%, 0.42%

LAB 29.65, 51.19, -81.36

 

CMYK 0 / 94 / 31 / 21

HEX #C90C8A

RGB 201 12 138

HSL 320, 0.89%, 0.42%

LAB 44.96, 73.08, -17.89

 

Description

Color code: RGB 199 171 13 | qconv.com Color code: RGB 199 171 13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 171 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 171 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 93 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 93% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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