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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 199 180 70 it is the complementary color RGB 56 75 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 199 180 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 199 180 70 shade: RGB 204 180 65, RGB 221 198 84, RGB 238 216 103, RGB 255 234 122 and RGB 255 252 141
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 199 180 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 182 162 51, RGB 165 144 32, RGB 148 126 13 and RGB 131 108 0
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 199 145 70, RGB 199 110 70, RGB 199 76 70 and RGB 199 70 70
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 184 199 70, RGB 149 199 70, RGB 114 199 70 and RGB 79 199 70
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 199 180 70 shade matches the following richer shades: RGB 199 180 70, RGB 219 194 51 and RGB 238 208 31
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 180 167 89, RGB 161 153 109, RGB 141 139 128 and RGB 122 126 147
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 199 180 70 shade: RGB 199 111 70, RGB 199 145 70, RGB 199 180 70, RGB 184 199 70 and RGB 150 199 70
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 199 180 70 shade: RGB 144 129 43, RGB 176 158 52, RGB 199 180 70, RGB 209 193 102 and RGB 218 206 133
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 70 199 76 and RGB 128 70 199
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 70 199 180 and RGB 180 70 199
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 70 199 76, RGB 70 89 199 and RGB 199 70 193
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 199 180 70 shade: RGB 199 180 70, RGB 70 199 115, RGB 70 89 199 and RGB 199 70 154
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
Darker colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 50.84, 0.56%, 0.46%
LAB 66.54, -5.03, 57.32
HSL 50.53, 0.68%, 0.39%
LAB 59.93, -3.77, 57.33
HSL 50.22, 0.84%, 0.32%
LAB 53.22, -2.22, 56.11
HSL 49.47, 1%, 0.26%
LAB 46.38, -0.35, 52.87
Warmer colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 34.88, 0.54%, 0.53%
LAB 64.03, 12.7, 46.85
HSL 18.6, 0.54%, 0.53%
LAB 55.82, 31.74, 37.42
HSL 2.79, 0.54%, 0.53%
LAB 49.2, 48.65, 29.4
HSL 0, 0.54%, 0.53%
LAB 48.22, 51.28, 28.18
Colder colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 66.98, 0.54%, 0.53%
LAB 76.97, -22.03, 60.43
HSL 83.26, 0.54%, 0.53%
LAB 74.62, -35.94, 57.24
HSL 99.53, 0.54%, 0.53%
LAB 72.8, -48.24, 54.74
HSL 115.81, 0.54%, 0.53%
LAB 71.52, -57.95, 52.98
Richer colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 51.07, 0.7%, 0.53%
LAB 78.39, -5.67, 69.76
HSL 51.3, 0.86%, 0.53%
LAB 83.65, -5.26, 80.17
Paler colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 51.43, 0.38%, 0.53%
LAB 68.07, -5.88, 41.69
HSL 50.77, 0.22%, 0.53%
LAB 62.9, -4.05, 24.23
HSL 50.77, 0.05%, 0.53%
LAB 57.74, -1.31, 6.14
HSL 230.4, 0.1%, 0.53%
LAB 53.13, 3.11, -11.81
Analogue colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 66.98, 0.54%, 0.53%
LAB 76.97, -22.03, 60.43
HSL 82.79, 0.54%, 0.53%
LAB 74.68, -35.56, 57.32
Monochromatic colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 51.03, 0.54%, 0.61%
LAB 77.67, -6.24, 47.4
HSL 51.53, 0.53%, 0.69%
LAB 82.24, -6.24, 37.8
Partial complementary colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 122.79, 0.54%, 0.53%
LAB 71.33, -59.29, 50.12
HSL 266.98, 0.54%, 0.53%
LAB 42.9, 50.29, -58.14
Triadic colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 171.16, 0.54%, 0.53%
LAB 73.18, -39.55, -0.85
HSL 291.16, 0.54%, 0.53%
LAB 49.75, 61.97, -46.79
Rectangular (tetradic) colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 122.79, 0.54%, 0.53%
LAB 71.33, -59.29, 50.12
HSL 231.16, 0.54%, 0.53%
LAB 42.11, 27.93, -59.67
HSL 302.79, 0.54%, 0.53%
LAB 52.26, 65.43, -39.17
Square colors
HSL 51.16, 0.54%, 0.53%
LAB 73.04, -6.07, 56.67
HSL 140.93, 0.54%, 0.53%
LAB 71.82, -53.76, 31.92
HSL 231.16, 0.54%, 0.53%
LAB 42.11, 27.93, -59.67
HSL 320.93, 0.54%, 0.53%
LAB 50.52, 59.58, -19.04
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 180 green and 70 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 65 yellow and 22 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
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HEX to RGB
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HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
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RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
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RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
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HKS® to RGBA
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HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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HKS® to NCS®
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PANTONE® to RGBA
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PANTONE® to CMYK
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PANTONE® to HEX
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PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to RGBA
convert from Sherwin Williams®-number (SW 0000) to RGBA red green blue transparency
Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
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