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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 19 176 it is the complementary color RGB 56 236 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 19 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 19 176 shade: RGB 204 19 171, RGB 221 37 190, RGB 238 55 209, RGB 255 73 228 and RGB 255 91 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 19 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 19 176 shade: RGB 199 19 176, RGB 182 1 157, RGB 165 0 138, RGB 148 0 119 and RGB 131 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 19 176 shade: RGB 200 18 177, RGB 200 18 128, RGB 200 18 79, RGB 200 18 30 and RGB 200 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 19 176 shade: RGB 200 18 177, RGB 174 18 200, RGB 125 18 200, RGB 76 18 200 and RGB 27 18 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 19 176 shade matches the following richer shades: RGB 200 18 177 and RGB 218 0 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 19 176 shade: RGB 200 18 177, RGB 182 36 164, RGB 165 54 150, RGB 147 71 137 and RGB 129 89 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 19 176 shade: RGB 124 18 200, RGB 173 18 200, RGB 200 18 179, RGB 200 18 130 and RGB 200 18 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 19 176 shade: RGB 125 11 110, RGB 162 15 144, RGB 200 18 177, RGB 233 26 207 and RGB 237 64 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 19 176 shade: RGB 199 19 176, RGB 200 76 18 and RGB 18 200 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 19 176 shade: RGB 199 19 176, RGB 179 200 18 and RGB 18 179 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 19 176 shade: RGB 199 19 176, RGB 200 76 18, RGB 18 200 39 and RGB 18 143 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 19 176 shade: RGB 199 19 176, RGB 200 130 18, RGB 18 200 39 and RGB 18 88 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 12 / 22

HEX #C713B0

RGB 199 19 176

HSL 307.67, 0.83%, 0.43%

LAB 46.63, 76.48, -38.11

 

Complementary color

CMYK 76 / 0 / 67 / 7

HEX #38EC4F

RGB 56 236 79

HSL 127.67, 0.83%, 0.57%

LAB 82.59, -73.41, 61.23

 

CMYK 0 / 91 / 16 / 20

HEX #CC13AB

RGB 204 19 171

HSL 310.7, 0.83%, 0.44%

LAB 47.29, 76.77, -34.06

 

CMYK 0 / 83 / 14 / 13

HEX #DD25BE

RGB 221 37 190

HSL 310.11, 0.73%, 0.51%

LAB 52.3, 79.59, -37.11

 

CMYK 0 / 77 / 12 / 7

HEX #EE37D1

RGB 238 55 209

HSL 309.51, 0.84%, 0.57%

LAB 57.57, 81.42, -39.55

 

CMYK 0 / 71 / 11 / 0

HEX #FF49E4

RGB 255 73 228

HSL 308.9, 1%, 0.64%

LAB 63.03, 82.53, -41.51

 

CMYK 0 / 64 / 3 / 0

HEX #FF5BF7

RGB 255 91 247

HSL 302.93, 1%, 0.68%

LAB 66.1, 79.2, -47.23

 

CMYK 0 / 90 / 12 / 22

HEX #C713B0

RGB 199 19 176

HSL 307.67, 0.83%, 0.43%

LAB 46.63, 76.48, -38.11

 

CMYK 0 / 99 / 14 / 29

HEX #B6019D

RGB 182 1 157

HSL 308.29, 0.99%, 0.36%

LAB 41.85, 72.67, -34.54

 

CMYK 0 / 100 / 16 / 35

HEX #A5008A

RGB 165 0 138

HSL 309.82, 1%, 0.32%

LAB 37.54, 67.12, -29.96

 

CMYK 0 / 100 / 20 / 42

HEX #940077

RGB 148 0 119

HSL 311.76, 1%, 0.29%

LAB 33.2, 61.37, -25.16

 

CMYK 0 / 100 / 24 / 49

HEX #830064

RGB 131 0 100

HSL 314.2, 1%, 0.26%

LAB 28.76, 55.51, -20.16

 

CMYK 0 / 91 / 12 / 22

HEX #C812B1

RGB 200 18 177

HSL 307.58, 0.83%, 0.43%

LAB 46.82, 76.94, -38.39

 

CMYK 0 / 91 / 36 / 22

HEX #C81280

RGB 200 18 128

HSL 323.74, 0.83%, 0.43%

LAB 44.62, 71.14, -12.32

 

CMYK 0 / 91 / 61 / 22

HEX #C8124F

RGB 200 18 79

HSL 339.89, 0.83%, 0.43%

LAB 43.18, 67.18, 16.16

 

CMYK 0 / 91 / 85 / 22

HEX #C8121E

RGB 200 18 30

HSL 356.04, 0.83%, 0.43%

LAB 42.47, 65.19, 44.57

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 91 / 12 / 22

HEX #C812B1

RGB 200 18 177

HSL 307.58, 0.83%, 0.43%

LAB 46.82, 76.94, -38.39

 

CMYK 13 / 91 / 0 / 22

HEX #AE12C8

RGB 174 18 200

HSL 291.43, 0.83%, 0.43%

LAB 43.66, 75.94, -57.18

 

CMYK 38 / 91 / 0 / 22

HEX #7D12C8

RGB 125 18 200

HSL 275.27, 0.83%, 0.43%

LAB 35.91, 69.1, -70.13

 

CMYK 62 / 91 / 0 / 22

HEX #4C12C8

RGB 76 18 200

HSL 259.12, 0.83%, 0.43%

LAB 29.76, 64.41, -80.49

 

CMYK 87 / 91 / 0 / 22

HEX #1B12C8

RGB 27 18 200

HSL 242.97, 0.83%, 0.43%

LAB 26.26, 62.19, -86.41

 

CMYK 0 / 91 / 12 / 22

HEX #C812B1

RGB 200 18 177

HSL 307.58, 0.83%, 0.43%

LAB 46.82, 76.94, -38.39

 

CMYK 0 / 100 / 13 / 15

HEX #DA00BE

RGB 218 0 190

HSL 307.71, 1%, 0.43%

LAB 50.24, 83.48, -40.39

 

CMYK 0 / 91 / 12 / 22

HEX #C812B1

RGB 200 18 177

HSL 307.58, 0.83%, 0.43%

LAB 46.82, 76.94, -38.39

 

CMYK 0 / 80 / 10 / 29

HEX #B624A4

RGB 182 36 164

HSL 307.4, 0.67%, 0.43%

LAB 44.07, 68.22, -35.24

 

CMYK 0 / 67 / 9 / 35

HEX #A53696

RGB 165 54 150

HSL 308.11, 0.51%, 0.43%

LAB 42.52, 56.33, -29.47

 

CMYK 0 / 52 / 7 / 42

HEX #934789

RGB 147 71 137

HSL 307.89, 0.35%, 0.43%

LAB 42.02, 41.23, -22.58

 

CMYK 0 / 31 / 4 / 49

HEX #81597C

RGB 129 89 124

HSL 307.5, 0.18%, 0.43%

LAB 43.16, 22.57, -13.13

 

CMYK 38 / 91 / 0 / 22

HEX #7C12C8

RGB 124 18 200

HSL 274.95, 0.83%, 0.43%

LAB 35.77, 68.98, -70.37

 

CMYK 14 / 91 / 0 / 22

HEX #AD12C8

RGB 173 18 200

HSL 291.1, 0.83%, 0.43%

LAB 43.49, 75.78, -57.46

 

CMYK 0 / 91 / 11 / 22

HEX #C812B3

RGB 200 18 179

HSL 306.92, 0.83%, 0.43%

LAB 46.93, 77.21, -39.4

 

CMYK 0 / 91 / 35 / 22

HEX #C81282

RGB 200 18 130

HSL 323.08, 0.83%, 0.43%

LAB 44.69, 71.34, -13.43

 

CMYK 0 / 91 / 59 / 22

HEX #C81252

RGB 200 18 82

HSL 338.9, 0.83%, 0.43%

LAB 43.24, 67.37, 14.36

 

CMYK 0 / 91 / 12 / 51

HEX #7D0B6E

RGB 125 11 110

HSL 307.89, 0.84%, 0.27%

LAB 28.71, 53.81, -26.8

 

CMYK 0 / 91 / 11 / 36

HEX #A20F90

RGB 162 15 144

HSL 307.35, 0.83%, 0.35%

LAB 37.91, 65.55, -33.11

 

CMYK 0 / 91 / 12 / 22

HEX #C812B1

RGB 200 18 177

HSL 307.58, 0.83%, 0.43%

LAB 46.82, 76.94, -38.39

 

CMYK 0 / 89 / 11 / 9

HEX #E91ACF

RGB 233 26 207

HSL 307.54, 0.82%, 0.51%

LAB 54.62, 85.96, -43.11

 

CMYK 0 / 73 / 9 / 7

HEX #ED40D7

RGB 237 64 215

HSL 307.63, 0.83%, 0.59%

LAB 58.58, 79.51, -41.38

 

CMYK 0 / 90 / 12 / 22

HEX #C713B0

RGB 199 19 176

HSL 307.67, 0.83%, 0.43%

LAB 46.63, 76.48, -38.11

 

CMYK 0 / 62 / 91 / 22

HEX #C84C12

RGB 200 76 18

HSL 19.12, 0.83%, 0.43%

LAB 48.87, 47.07, 54.62

 

CMYK 91 / 0 / 26 / 22

HEX #12C895

RGB 18 200 149

HSL 163.19, 0.83%, 0.43%

LAB 71.97, -53.22, 14.06

 

CMYK 0 / 90 / 12 / 22

HEX #C713B0

RGB 199 19 176

HSL 307.67, 0.83%, 0.43%

LAB 46.63, 76.48, -38.11

 

CMYK 11 / 0 / 91 / 22

HEX #B3C812

RGB 179 200 18

HSL 66.92, 0.83%, 0.43%

LAB 76.64, -26.65, 74.82

 

CMYK 91 / 11 / 0 / 22

HEX #12B3C8

RGB 18 179 200

HSL 186.92, 0.83%, 0.43%

LAB 66.93, -29.61, -21.24

 

CMYK 0 / 90 / 12 / 22

HEX #C713B0

RGB 199 19 176

HSL 307.67, 0.83%, 0.43%

LAB 46.63, 76.48, -38.11

 

CMYK 0 / 62 / 91 / 22

HEX #C84C12

RGB 200 76 18

HSL 19.12, 0.83%, 0.43%

LAB 48.87, 47.07, 54.62

 

CMYK 91 / 0 / 81 / 22

HEX #12C827

RGB 18 200 39

HSL 126.92, 0.83%, 0.43%

LAB 70.58, -69.64, 62.73

 

CMYK 91 / 29 / 0 / 22

HEX #128FC8

RGB 18 143 200

HSL 198.79, 0.83%, 0.43%

LAB 56.03, -10.64, -38.11

 

CMYK 0 / 90 / 12 / 22

HEX #C713B0

RGB 199 19 176

HSL 307.67, 0.83%, 0.43%

LAB 46.63, 76.48, -38.11

 

CMYK 0 / 35 / 91 / 22

HEX #C88212

RGB 200 130 18

HSL 36.92, 0.83%, 0.43%

LAB 60.15, 19.29, 62.92

 

CMYK 91 / 0 / 81 / 22

HEX #12C827

RGB 18 200 39

HSL 126.92, 0.83%, 0.43%

LAB 70.58, -69.64, 62.73

 

CMYK 91 / 56 / 0 / 22

HEX #1258C8

RGB 18 88 200

HSL 216.92, 0.83%, 0.43%

LAB 40.05, 23.51, -63.68

 

Description

Color code: RGB 199 19 176 | qconv.com Color code: RGB 199 19 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 19 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 19 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 12 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 12% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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