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Color name
RGB 199 4 169

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 4 169 it is the complementary color RGB 56 251 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 4 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 4 169 shade: RGB 204 4 164, RGB 221 22 183, RGB 238 40 202, RGB 255 58 221 and RGB 255 76 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 4 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 182 0 150, RGB 165 0 131, RGB 148 0 112 and RGB 131 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 199 4 116, RGB 199 4 64, RGB 199 4 11 and RGB 199 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 177 4 199, RGB 124 4 199, RGB 71 4 199 and RGB 18 4 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 4 169 shade matches the following richer shades: RGB 199 4 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 183 20 158, RGB 166 37 146, RGB 150 53 135 and RGB 133 70 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 4 169 shade: RGB 124 4 199, RGB 177 4 199, RGB 199 4 170, RGB 199 4 118 and RGB 199 4 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 4 169 shade: RGB 119 2 101, RGB 159 3 135, RGB 199 4 169, RGB 240 4 204 and RGB 250 35 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 199 72 4 and RGB 4 199 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 170 199 4 and RGB 4 170 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 199 72 4, RGB 4 199 33 and RGB 4 131 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 4 169 shade: RGB 199 4 169, RGB 199 131 4, RGB 4 199 33 and RGB 4 72 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

Complementary color

CMYK 78 / 0 / 66 / 2

HEX #38FB56

RGB 56 251 86

HSL 129.23, 0.96%, 0.6%

LAB 87.24, -77.3, 63.53

 

CMYK 0 / 98 / 20 / 20

HEX #CC04A4

RGB 204 4 164

HSL 312, 0.96%, 0.41%

LAB 46.45, 77.36, -31.22

 

CMYK 0 / 90 / 17 / 13

HEX #DD16B7

RGB 221 22 183

HSL 311.46, 0.82%, 0.48%

LAB 51.11, 81.17, -34.9

 

CMYK 0 / 83 / 15 / 7

HEX #EE28CA

RGB 238 40 202

HSL 310.91, 0.85%, 0.55%

LAB 56.05, 83.94, -37.95

 

CMYK 0 / 77 / 13 / 0

HEX #FF3ADD

RGB 255 58 221

HSL 310.36, 1%, 0.61%

LAB 61.23, 85.81, -40.41

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CF0

RGB 255 76 240

HSL 305.03, 1%, 0.65%

LAB 63.93, 83.31, -46.78

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 100 / 18 / 29

HEX #B60096

RGB 182 0 150

HSL 310.55, 1%, 0.36%

LAB 41.45, 71.86, -30.94

 

CMYK 0 / 100 / 21 / 35

HEX #A50083

RGB 165 0 131

HSL 312.36, 1%, 0.32%

LAB 37.18, 66.22, -26.19

 

CMYK 0 / 100 / 24 / 42

HEX #940070

RGB 148 0 112

HSL 314.59, 1%, 0.29%

LAB 32.84, 60.49, -21.26

 

CMYK 0 / 100 / 29 / 49

HEX #83005D

RGB 131 0 93

HSL 317.4, 1%, 0.26%

LAB 28.42, 54.65, -16.11

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 98 / 42 / 22

HEX #C70474

RGB 199 4 116

HSL 325.54, 0.96%, 0.4%

LAB 43.49, 71.23, -6.61

 

CMYK 0 / 98 / 68 / 22

HEX #C70440

RGB 199 4 64

HSL 341.54, 0.96%, 0.4%

LAB 42.15, 67.65, 24.2

 

CMYK 0 / 98 / 94 / 22

HEX #C7040B

RGB 199 4 11

HSL 357.85, 0.96%, 0.4%

LAB 41.62, 66.17, 52.1

 

CMYK 0 / 98 / 98 / 22

HEX #C70404

RGB 199 4 4

HSL 0, 0.96%, 0.4%

LAB 41.59, 66.11, 54.39

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 11 / 98 / 0 / 22

HEX #B104C7

RGB 177 4 199

HSL 293.23, 0.96%, 0.4%

LAB 43.59, 77.74, -56.68

 

CMYK 38 / 98 / 0 / 22

HEX #7C04C7

RGB 124 4 199

HSL 276.92, 0.96%, 0.4%

LAB 34.99, 70.82, -71.06

 

CMYK 64 / 98 / 0 / 22

HEX #4704C7

RGB 71 4 199

HSL 260.62, 0.96%, 0.4%

LAB 28.25, 66.57, -82.43

 

CMYK 91 / 98 / 0 / 22

HEX #1204C7

RGB 18 4 199

HSL 244.31, 0.96%, 0.4%

LAB 24.76, 64.99, -88.33

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 89 / 14 / 28

HEX #B7149E

RGB 183 20 158

HSL 309.2, 0.8%, 0.4%

LAB 42.82, 70.84, -33.6

 

CMYK 0 / 78 / 12 / 35

HEX #A62592

RGB 166 37 146

HSL 309.3, 0.64%, 0.4%

LAB 40.42, 61.82, -30.33

 

CMYK 0 / 65 / 10 / 41

HEX #963587

RGB 150 53 135

HSL 309.28, 0.48%, 0.4%

LAB 39.21, 50.36, -25.7

 

CMYK 0 / 47 / 7 / 48

HEX #85467C

RGB 133 70 124

HSL 308.57, 0.31%, 0.4%

LAB 39.28, 34.9, -19.02

 

CMYK 38 / 98 / 0 / 22

HEX #7C04C7

RGB 124 4 199

HSL 276.92, 0.96%, 0.4%

LAB 34.99, 70.82, -71.06

 

CMYK 11 / 98 / 0 / 22

HEX #B104C7

RGB 177 4 199

HSL 293.23, 0.96%, 0.4%

LAB 43.59, 77.74, -56.68

 

CMYK 0 / 98 / 15 / 22

HEX #C704AA

RGB 199 4 170

HSL 308.92, 0.96%, 0.4%

LAB 45.81, 77.19, -35.85

 

CMYK 0 / 98 / 41 / 22

HEX #C70476

RGB 199 4 118

HSL 324.92, 0.96%, 0.4%

LAB 43.56, 71.41, -7.75

 

CMYK 0 / 98 / 67 / 22

HEX #C70442

RGB 199 4 66

HSL 340.92, 0.96%, 0.4%

LAB 42.19, 67.74, 22.99

 

CMYK 0 / 98 / 15 / 53

HEX #770265

RGB 119 2 101

HSL 309.23, 0.97%, 0.24%

LAB 26.46, 52.85, -24.59

 

CMYK 0 / 98 / 15 / 38

HEX #9F0387

RGB 159 3 135

HSL 309.23, 0.96%, 0.32%

LAB 36.34, 65.23, -30.08

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 98 / 15 / 6

HEX #F004CC

RGB 240 4 204

HSL 309.15, 0.97%, 0.48%

LAB 55.04, 88.82, -40.65

 

CMYK 0 / 86 / 13 / 2

HEX #FA23D9

RGB 250 35 217

HSL 309.21, 0.96%, 0.56%

LAB 58.54, 89.07, -42.43

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 64 / 98 / 22

HEX #C74804

RGB 199 72 4

HSL 20.92, 0.96%, 0.4%

LAB 47.99, 48.31, 57.64

 

CMYK 98 / 0 / 25 / 22

HEX #04C796

RGB 4 199 150

HSL 164.92, 0.96%, 0.4%

LAB 71.61, -53.12, 13.01

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 15 / 0 / 98 / 22

HEX #AAC704

RGB 170 199 4

HSL 68.92, 0.96%, 0.4%

LAB 75.7, -30.1, 75.4

 

CMYK 98 / 15 / 0 / 22

HEX #04AAC7

RGB 4 170 199

HSL 188.92, 0.96%, 0.4%

LAB 64.08, -25.95, -25.06

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 64 / 98 / 22

HEX #C74804

RGB 199 72 4

HSL 20.92, 0.96%, 0.4%

LAB 47.99, 48.31, 57.64

 

CMYK 98 / 0 / 83 / 22

HEX #04C721

RGB 4 199 33

HSL 128.92, 0.96%, 0.4%

LAB 70.16, -70.34, 63.91

 

CMYK 98 / 34 / 0 / 22

HEX #0483C7

RGB 4 131 199

HSL 200.92, 0.96%, 0.4%

LAB 52.27, -4.61, -43.48

 

CMYK 0 / 98 / 15 / 22

HEX #C704A9

RGB 199 4 169

HSL 309.23, 0.96%, 0.4%

LAB 45.76, 77.06, -35.34

 

CMYK 0 / 34 / 98 / 22

HEX #C78304

RGB 199 131 4

HSL 39.08, 0.96%, 0.4%

LAB 60.23, 18.12, 65.38

 

CMYK 98 / 0 / 83 / 22

HEX #04C721

RGB 4 199 33

HSL 128.92, 0.96%, 0.4%

LAB 70.16, -70.34, 63.91

 

CMYK 98 / 64 / 0 / 22

HEX #0448C7

RGB 4 72 199

HSL 219.08, 0.96%, 0.4%

LAB 35.57, 33.2, -70.43

 

Description

Color code: RGB 199 4 169 | qconv.com Color code: RGB 199 4 169 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 4 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 4 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 15% 22% C M Y K

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Provide designers and agencies with accurate color values.

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