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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 72 21 it is the complementary color RGB 236 183 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 72 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 72 21 shade: RGB 24 72 16, RGB 41 90 35, RGB 58 108 54, RGB 75 126 73 and RGB 92 144 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 72 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 2 54 2, RGB 0 36 0, RGB 0 18 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 31 72 19, RGB 45 72 19, RGB 60 72 19 and RGB 72 70 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 19 72 35, RGB 19 72 49, RGB 19 72 64 and RGB 19 66 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 72 21 shade matches the following richer shades: RGB 19 72 21, RGB 11 79 14 and RGB 4 87 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 26 65 28, RGB 34 57 35, RGB 41 50 41 and RGB 48 42 48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 72 21 shade: RGB 45 72 19, RGB 31 72 19, RGB 19 72 21, RGB 19 72 35 and RGB 19 72 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 72 21 shade: RGB 1 7 2, RGB 10 39 11, RGB 19 72 21, RGB 27 105 30 and RGB 36 137 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 19 60 72 and RGB 72 19 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 21 19 72 and RGB 72 21 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 19 60 72, RGB 72 19 70 and RGB 72 31 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 72 21 shade: RGB 19 72 21, RGB 19 44 72, RGB 72 19 70 and RGB 72 47 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

Complementary color

CMYK 0 / 22 / 1 / 7

HEX #ECB7EA

RGB 236 183 234

HSL 302.26, 0.58%, 0.82%

LAB 80.54, 27.49, -18.05

 

CMYK 67 / 0 / 78 / 72

HEX #184810

RGB 24 72 16

HSL 111.43, 0.64%, 0.17%

LAB 26.35, -28.35, 27.51

 

CMYK 54 / 0 / 61 / 65

HEX #295A23

RGB 41 90 35

HSL 113.45, 0.44%, 0.25%

LAB 33.78, -28.83, 26.39

 

CMYK 46 / 0 / 50 / 58

HEX #3A6C36

RGB 58 108 54

HSL 115.56, 0.33%, 0.32%

LAB 41.04, -28.84, 24.98

 

CMYK 40 / 0 / 42 / 51

HEX #4B7E49

RGB 75 126 73

HSL 117.74, 0.27%, 0.39%

LAB 48.13, -28.67, 23.59

 

CMYK 36 / 0 / 36 / 44

HEX #5C905C

RGB 92 144 92

HSL 120, 0.22%, 0.46%

LAB 55.07, -28.42, 22.3

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 96 / 0 / 96 / 79

HEX #023602

RGB 2 54 2

HSL 120, 0.93%, 0.11%

LAB 18.61, -27.93, 24.95

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 100 / 0 / 100 / 93

HEX #001200

RGB 0 18 0

HSL 120, 1%, 0.04%

LAB 3.91, -7.98, 5.71

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 57 / 0 / 74 / 72

HEX #1F4813

RGB 31 72 19

HSL 106.42, 0.58%, 0.18%

LAB 26.66, -25.86, 26.49

 

CMYK 38 / 0 / 74 / 72

HEX #2D4813

RGB 45 72 19

HSL 90.57, 0.58%, 0.18%

LAB 27.41, -20.48, 27.52

 

CMYK 17 / 0 / 74 / 72

HEX #3C4813

RGB 60 72 19

HSL 73.58, 0.58%, 0.18%

LAB 28.49, -13.64, 28.99

 

CMYK 0 / 3 / 74 / 72

HEX #484613

RGB 72 70 19

HSL 57.74, 0.58%, 0.18%

LAB 28.92, -6.5, 29.77

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 74 / 0 / 51 / 72

HEX #134823

RGB 19 72 35

HSL 138.11, 0.58%, 0.18%

LAB 26.43, -26.85, 17.22

 

CMYK 74 / 0 / 32 / 72

HEX #134831

RGB 19 72 49

HSL 153.96, 0.58%, 0.18%

LAB 26.72, -23.7, 8.85

 

CMYK 74 / 0 / 11 / 72

HEX #134840

RGB 19 72 64

HSL 170.94, 0.58%, 0.18%

LAB 27.14, -19.42, -0.26

 

CMYK 74 / 8 / 0 / 72

HEX #134248

RGB 19 66 72

HSL 186.79, 0.58%, 0.18%

LAB 25.27, -13.35, -8.28

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 86 / 0 / 82 / 69

HEX #0B4F0E

RGB 11 79 14

HSL 122.65, 0.76%, 0.18%

LAB 28.63, -34.12, 30.59

 

CMYK 95 / 0 / 92 / 66

HEX #045707

RGB 4 87 7

HSL 122.17, 0.91%, 0.18%

LAB 31.48, -38.36, 35.68

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 60 / 0 / 57 / 75

HEX #1A411C

RGB 26 65 28

HSL 123.08, 0.43%, 0.18%

LAB 23.95, -22.98, 18.37

 

CMYK 40 / 0 / 39 / 78

HEX #223923

RGB 34 57 35

HSL 122.61, 0.25%, 0.18%

LAB 21.53, -14.57, 10.94

 

CMYK 18 / 0 / 18 / 80

HEX #293229

RGB 41 50 41

HSL 120, 0.1%, 0.18%

LAB 19.69, -6.03, 4.46

 

CMYK 0 / 13 / 0 / 81

HEX #302A30

RGB 48 42 48

HSL 300, 0.07%, 0.18%

LAB 17.91, 4.12, -2.89

 

CMYK 38 / 0 / 74 / 72

HEX #2D4813

RGB 45 72 19

HSL 90.57, 0.58%, 0.18%

LAB 27.41, -20.48, 27.52

 

CMYK 57 / 0 / 74 / 72

HEX #1F4813

RGB 31 72 19

HSL 106.42, 0.58%, 0.18%

LAB 26.66, -25.86, 26.49

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 74 / 0 / 51 / 72

HEX #134823

RGB 19 72 35

HSL 138.11, 0.58%, 0.18%

LAB 26.43, -26.85, 17.22

 

CMYK 74 / 0 / 32 / 72

HEX #134831

RGB 19 72 49

HSL 153.96, 0.58%, 0.18%

LAB 26.72, -23.7, 8.85

 

CMYK 86 / 0 / 71 / 97

HEX #010702

RGB 1 7 2

HSL 130, 0.75%, 0.02%

LAB 1.47, -2.26, 1.34

 

CMYK 74 / 0 / 72 / 85

HEX #0A270B

RGB 10 39 11

HSL 122.07, 0.59%, 0.1%

LAB 12.86, -18.18, 14.08

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 74 / 0 / 71 / 59

HEX #1B691E

RGB 27 105 30

HSL 122.31, 0.59%, 0.26%

LAB 38.6, -39.21, 34.15

 

CMYK 74 / 0 / 71 / 46

HEX #248928

RGB 36 137 40

HSL 122.38, 0.58%, 0.34%

LAB 50, -48, 42.02

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 74 / 17 / 0 / 72

HEX #133C48

RGB 19 60 72

HSL 193.58, 0.58%, 0.18%

LAB 23.13, -9.7, -11.54

 

CMYK 0 / 74 / 47 / 72

HEX #481326

RGB 72 19 38

HSL 338.49, 0.58%, 0.18%

LAB 15.4, 27.03, 0.98

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 71 / 74 / 0 / 72

HEX #151348

RGB 21 19 72

HSL 242.26, 0.58%, 0.18%

LAB 9.74, 20.1, -32.77

 

CMYK 0 / 71 / 74 / 72

HEX #481513

RGB 72 21 19

HSL 2.26, 0.58%, 0.18%

LAB 15.28, 24.2, 14.43

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 74 / 17 / 0 / 72

HEX #133C48

RGB 19 60 72

HSL 193.58, 0.58%, 0.18%

LAB 23.13, -9.7, -11.54

 

CMYK 0 / 74 / 3 / 72

HEX #481346

RGB 72 19 70

HSL 302.26, 0.58%, 0.18%

LAB 16.92, 32.18, -19.45

 

CMYK 0 / 57 / 74 / 72

HEX #481F13

RGB 72 31 19

HSL 13.58, 0.58%, 0.18%

LAB 17.48, 18.47, 17.16

 

CMYK 74 / 0 / 71 / 72

HEX #134815

RGB 19 72 21

HSL 122.26, 0.58%, 0.18%

LAB 26.24, -29.09, 24.9

 

CMYK 74 / 39 / 0 / 72

HEX #132C48

RGB 19 44 72

HSL 211.7, 0.58%, 0.18%

LAB 17.5, 1.05, -20.3

 

CMYK 0 / 74 / 3 / 72

HEX #481346

RGB 72 19 70

HSL 302.26, 0.58%, 0.18%

LAB 16.92, 32.18, -19.45

 

CMYK 0 / 35 / 74 / 72

HEX #482F13

RGB 72 47 19

HSL 31.7, 0.58%, 0.18%

LAB 21.79, 8.17, 22.15

 

Description

Color code: RGB 19 72 21 | qconv.com Color code: RGB 19 72 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 72 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 72 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 71 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 71% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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