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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 130 194 it is the complementary color RGB 236 125 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 130 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 130 194 shade: RGB 24 130 189, RGB 41 148 208, RGB 58 166 227, RGB 75 184 246 and RGB 92 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 130 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 2 112 175, RGB 0 94 156, RGB 0 76 137 and RGB 0 58 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 19 83 194, RGB 19 35 194, RGB 49 19 194 and RGB 97 19 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 19 83 194, RGB 19 35 194 and RGB 19 19 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 130 194 shade matches the following richer shades: RGB 19 130 194 and RGB 1 135 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 36 126 177, RGB 53 121 160, RGB 71 116 142 and RGB 88 112 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 130 194 shade: RGB 19 194 162, RGB 19 180 194, RGB 19 133 194, RGB 19 86 194 and RGB 19 39 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 130 194 shade: RGB 11 80 119, RGB 15 105 157, RGB 19 130 194, RGB 23 155 232 and RGB 60 171 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 115 19 194 and RGB 194 186 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 194 19 133 and RGB 133 194 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 115 19 194, RGB 194 80 19 and RGB 98 194 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 130 194 shade: RGB 19 130 194, RGB 168 19 194, RGB 194 80 19 and RGB 45 194 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

Complementary color

CMYK 0 / 47 / 74 / 7

HEX #EC7D3D

RGB 236 125 61

HSL 21.94, 0.82%, 0.58%

LAB 64.03, 38.19, 52.51

 

CMYK 87 / 31 / 0 / 26

HEX #1882BD

RGB 24 130 189

HSL 201.45, 0.77%, 0.42%

LAB 51.65, -6.9, -38.74

 

CMYK 80 / 29 / 0 / 18

HEX #2994D0

RGB 41 148 208

HSL 201.56, 0.67%, 0.49%

LAB 58.23, -8.88, -39.13

 

CMYK 74 / 27 / 0 / 11

HEX #3AA6E3

RGB 58 166 227

HSL 201.66, 0.75%, 0.56%

LAB 64.74, -10.45, -39.47

 

CMYK 70 / 25 / 0 / 4

HEX #4BB8F6

RGB 75 184 246

HSL 201.75, 0.9%, 0.63%

LAB 71.17, -11.7, -39.77

 

CMYK 64 / 21 / 0 / 0

HEX #5CCAFF

RGB 92 202 255

HSL 199.51, 1%, 0.68%

LAB 77.12, -15.82, -35.33

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 99 / 36 / 0 / 31

HEX #0270AF

RGB 2 112 175

HSL 201.85, 0.98%, 0.35%

LAB 45.22, -2.62, -40.83

 

CMYK 100 / 40 / 0 / 39

HEX #005E9C

RGB 0 94 156

HSL 203.85, 1%, 0.31%

LAB 38.56, 0.89, -40.18

 

CMYK 100 / 45 / 0 / 46

HEX #004C89

RGB 0 76 137

HSL 206.72, 1%, 0.27%

LAB 31.75, 4.76, -39.55

 

CMYK 100 / 51 / 0 / 54

HEX #003A76

RGB 0 58 118

HSL 210.51, 1%, 0.23%

LAB 24.75, 8.97, -38.95

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 90 / 57 / 0 / 24

HEX #1353C2

RGB 19 83 194

HSL 218.06, 0.82%, 0.42%

LAB 38.23, 24.5, -63.14

 

CMYK 90 / 82 / 0 / 24

HEX #1323C2

RGB 19 35 194

HSL 234.51, 0.82%, 0.42%

LAB 27.4, 53.68, -81

 

CMYK 75 / 90 / 0 / 24

HEX #3113C2

RGB 49 19 194

HSL 250.29, 0.82%, 0.42%

LAB 26.77, 61.03, -81.99

 

CMYK 50 / 90 / 0 / 24

HEX #6113C2

RGB 97 19 194

HSL 266.74, 0.82%, 0.42%

LAB 31.58, 64.5, -73.87

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 90 / 57 / 0 / 24

HEX #1353C2

RGB 19 83 194

HSL 218.06, 0.82%, 0.42%

LAB 38.23, 24.5, -63.14

 

CMYK 90 / 82 / 0 / 24

HEX #1323C2

RGB 19 35 194

HSL 234.51, 0.82%, 0.42%

LAB 27.4, 53.68, -81

 

CMYK 90 / 90 / 0 / 24

HEX #1313C2

RGB 19 19 194

HSL 240, 0.82%, 0.42%

LAB 25.26, 60.07, -84.56

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 100 / 36 / 0 / 17

HEX #0187D4

RGB 1 135 212

HSL 201.9, 0.99%, 0.42%

LAB 54.12, -2.1, -47.91

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 80 / 29 / 0 / 31

HEX #247EB1

RGB 36 126 177

HSL 201.7, 0.66%, 0.42%

LAB 50.06, -7.96, -34.31

 

CMYK 67 / 24 / 0 / 37

HEX #3579A0

RGB 53 121 160

HSL 201.87, 0.5%, 0.42%

LAB 48.22, -8.73, -27.26

 

CMYK 50 / 18 / 0 / 44

HEX #47748E

RGB 71 116 142

HSL 201.97, 0.33%, 0.42%

LAB 46.69, -7.88, -18.97

 

CMYK 30 / 10 / 0 / 51

HEX #58707D

RGB 88 112 125

HSL 201.08, 0.17%, 0.42%

LAB 45.83, -5.5, -10.06

 

CMYK 90 / 0 / 16 / 24

HEX #13C2A2

RGB 19 194 162

HSL 169.03, 0.82%, 0.42%

LAB 70.41, -47.53, 4.81

 

CMYK 90 / 7 / 0 / 24

HEX #13B4C2

RGB 19 180 194

HSL 184.8, 0.82%, 0.42%

LAB 67.03, -31.97, -17.77

 

CMYK 90 / 31 / 0 / 24

HEX #1385C2

RGB 19 133 194

HSL 200.91, 0.82%, 0.42%

LAB 52.74, -7.08, -39.88

 

CMYK 90 / 56 / 0 / 24

HEX #1356C2

RGB 19 86 194

HSL 217.03, 0.82%, 0.42%

LAB 39.05, 22.51, -61.81

 

CMYK 90 / 80 / 0 / 24

HEX #1327C2

RGB 19 39 194

HSL 233.14, 0.82%, 0.42%

LAB 28.07, 51.7, -79.87

 

CMYK 91 / 33 / 0 / 53

HEX #0B5077

RGB 11 80 119

HSL 201.67, 0.83%, 0.25%

LAB 32.12, -4.69, -27.79

 

CMYK 90 / 33 / 0 / 38

HEX #0F699D

RGB 15 105 157

HSL 201.97, 0.83%, 0.34%

LAB 42.21, -4.82, -34.97

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 90 / 33 / 0 / 9

HEX #179BE8

RGB 23 155 232

HSL 202.11, 0.82%, 0.5%

LAB 61.18, -5.44, -47.87

 

CMYK 74 / 27 / 0 / 8

HEX #3CABEB

RGB 60 171 235

HSL 201.94, 0.81%, 0.58%

LAB 66.58, -10.24, -40.97

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 41 / 90 / 0 / 24

HEX #7313C2

RGB 115 19 194

HSL 272.91, 0.82%, 0.42%

LAB 33.99, 66.44, -69.82

 

CMYK 0 / 4 / 90 / 24

HEX #C2BA13

RGB 194 186 19

HSL 57.26, 0.82%, 0.42%

LAB 73.96, -13.28, 73.06

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 0 / 90 / 31 / 24

HEX #C21385

RGB 194 19 133

HSL 320.91, 0.82%, 0.42%

LAB 43.7, 70.21, -16.9

 

CMYK 31 / 0 / 90 / 24

HEX #85C213

RGB 133 194 19

HSL 80.91, 0.82%, 0.42%

LAB 71.97, -42.26, 69.68

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 41 / 90 / 0 / 24

HEX #7313C2

RGB 115 19 194

HSL 272.91, 0.82%, 0.42%

LAB 33.99, 66.44, -69.82

 

CMYK 0 / 59 / 90 / 24

HEX #C25013

RGB 194 80 19

HSL 20.91, 0.82%, 0.42%

LAB 48.58, 43, 53.63

 

CMYK 49 / 0 / 90 / 24

HEX #62C213

RGB 98 194 19

HSL 92.91, 0.82%, 0.42%

LAB 70.33, -54.16, 67.66

 

CMYK 90 / 33 / 0 / 24

HEX #1382C2

RGB 19 130 194

HSL 201.94, 0.82%, 0.42%

LAB 51.84, -5.32, -41.3

 

CMYK 13 / 90 / 0 / 24

HEX #A813C2

RGB 168 19 194

HSL 291.09, 0.82%, 0.42%

LAB 42.29, 73.84, -55.95

 

CMYK 0 / 59 / 90 / 24

HEX #C25013

RGB 194 80 19

HSL 20.91, 0.82%, 0.42%

LAB 48.58, 43, 53.63

 

CMYK 77 / 0 / 90 / 24

HEX #2DC213

RGB 45 194 19

HSL 111.09, 0.82%, 0.42%

LAB 68.89, -66.08, 65.86

 

Description

Color code: RGB 19 130 194 | qconv.com Color code: RGB 19 130 194 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 130 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 130 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 33 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 33% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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