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Color name
RGB 19 152 132

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 152 132 it is the complementary color RGB 236 103 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 152 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 152 132 shade: RGB 24 152 127, RGB 41 170 146, RGB 58 188 165, RGB 75 206 184 and RGB 92 224 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 152 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 152 132 shade: RGB 19 152 132, RGB 2 134 113, RGB 0 116 94, RGB 0 98 75 and RGB 0 80 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 152 132 shade: RGB 19 154 133, RGB 19 154 97, RGB 19 154 61, RGB 19 154 24 and RGB 50 154 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 152 132 shade: RGB 19 154 133, RGB 19 138 154, RGB 19 101 154, RGB 19 65 154 and RGB 19 28 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 152 132 shade matches the following richer shades: RGB 19 154 133 and RGB 5 168 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 152 132 shade: RGB 19 154 133, RGB 33 140 124, RGB 47 126 114, RGB 61 112 104 and RGB 75 98 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 152 132 shade: RGB 19 154 59, RGB 19 154 95, RGB 19 154 131, RGB 19 140 154 and RGB 19 104 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 152 132 shade: RGB 9 80 70, RGB 14 117 102, RGB 19 154 133, RGB 23 191 165 and RGB 28 227 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 152 132 shade: RGB 19 152 132, RGB 23 19 154 and RGB 154 77 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 152 132 shade: RGB 19 152 132, RGB 131 19 154 and RGB 154 131 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 152 132 shade: RGB 19 152 132, RGB 23 19 154, RGB 154 19 41 and RGB 149 154 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 152 132 shade: RGB 19 152 132, RGB 64 19 154, RGB 154 19 41 and RGB 109 154 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 13 / 40

HEX #139884

RGB 19 152 132

HSL 170.98, 0.78%, 0.34%

LAB 56.35, -37.73, 1.16

 

Complementary color

CMYK 0 / 56 / 48 / 7

HEX #EC677B

RGB 236 103 123

HSL 350.98, 0.78%, 0.66%

LAB 60.75, 53.07, 14.86

 

CMYK 84 / 0 / 16 / 40

HEX #18987F

RGB 24 152 127

HSL 168.28, 0.73%, 0.35%

LAB 56.27, -38.72, 3.9

 

CMYK 76 / 0 / 14 / 33

HEX #29AA92

RGB 41 170 146

HSL 168.84, 0.61%, 0.41%

LAB 62.76, -39.73, 2.6

 

CMYK 69 / 0 / 12 / 26

HEX #3ABCA5

RGB 58 188 165

HSL 169.38, 0.53%, 0.48%

LAB 69.17, -40.39, 1.44

 

CMYK 64 / 0 / 11 / 19

HEX #4BCEB8

RGB 75 206 184

HSL 169.92, 0.57%, 0.55%

LAB 75.51, -40.83, 0.4

 

CMYK 59 / 0 / 9 / 12

HEX #5CE0CB

RGB 92 224 203

HSL 170.45, 0.68%, 0.62%

LAB 81.78, -41.1, -0.55

 

CMYK 88 / 0 / 13 / 40

HEX #139884

RGB 19 152 132

HSL 170.98, 0.78%, 0.34%

LAB 56.35, -37.73, 1.16

 

CMYK 99 / 0 / 16 / 47

HEX #028671

RGB 2 134 113

HSL 170.45, 0.97%, 0.27%

LAB 49.8, -36.12, 2.61

 

CMYK 100 / 0 / 19 / 55

HEX #00745E

RGB 0 116 94

HSL 168.62, 1%, 0.23%

LAB 43.21, -33.69, 4.31

 

CMYK 100 / 0 / 23 / 62

HEX #00624B

RGB 0 98 75

HSL 165.92, 1%, 0.19%

LAB 36.45, -31.08, 6.16

 

CMYK 100 / 0 / 30 / 69

HEX #005038

RGB 0 80 56

HSL 162, 1%, 0.16%

LAB 29.47, -28.35, 8.16

 

CMYK 88 / 0 / 14 / 40

HEX #139A85

RGB 19 154 133

HSL 170.67, 0.78%, 0.34%

LAB 57.02, -38.33, 1.57

 

CMYK 88 / 0 / 37 / 40

HEX #139A61

RGB 19 154 97

HSL 154.67, 0.78%, 0.34%

LAB 56.2, -47.26, 20.67

 

CMYK 88 / 0 / 60 / 40

HEX #139A3D

RGB 19 154 61

HSL 138.67, 0.78%, 0.34%

LAB 55.67, -53.54, 38.77

 

CMYK 88 / 0 / 84 / 40

HEX #139A18

RGB 19 154 24

HSL 122.22, 0.78%, 0.34%

LAB 55.4, -56.98, 52.78

 

CMYK 68 / 0 / 88 / 40

HEX #329A13

RGB 50 154 19

HSL 106.22, 0.78%, 0.34%

LAB 55.92, -52.48, 54.69

 

CMYK 88 / 0 / 14 / 40

HEX #139A85

RGB 19 154 133

HSL 170.67, 0.78%, 0.34%

LAB 57.02, -38.33, 1.57

 

CMYK 88 / 10 / 0 / 40

HEX #138A9A

RGB 19 138 154

HSL 187.11, 0.78%, 0.34%

LAB 52.56, -24.19, -17.15

 

CMYK 88 / 34 / 0 / 40

HEX #13659A

RGB 19 101 154

HSL 203.56, 0.78%, 0.34%

LAB 40.86, -3.26, -35.32

 

CMYK 88 / 58 / 0 / 40

HEX #13419A

RGB 19 65 154

HSL 219.56, 0.78%, 0.34%

LAB 30.04, 20.6, -52.7

 

CMYK 88 / 82 / 0 / 40

HEX #131C9A

RGB 19 28 154

HSL 236, 0.78%, 0.34%

LAB 21.22, 44.23, -67.22

 

CMYK 88 / 0 / 14 / 40

HEX #139A85

RGB 19 154 133

HSL 170.67, 0.78%, 0.34%

LAB 57.02, -38.33, 1.57

 

CMYK 97 / 0 / 15 / 34

HEX #05A88F

RGB 5 168 143

HSL 170.8, 0.94%, 0.34%

LAB 61.67, -42.32, 2.66

 

CMYK 88 / 0 / 14 / 40

HEX #139A85

RGB 19 154 133

HSL 170.67, 0.78%, 0.34%

LAB 57.02, -38.33, 1.57

 

CMYK 76 / 0 / 11 / 45

HEX #218C7C

RGB 33 140 124

HSL 171.03, 0.62%, 0.34%

LAB 52.44, -33.19, 0.08

 

CMYK 63 / 0 / 10 / 51

HEX #2F7E72

RGB 47 126 114

HSL 170.89, 0.46%, 0.34%

LAB 47.93, -27.05, -0.62

 

CMYK 46 / 0 / 7 / 56

HEX #3D7068

RGB 61 112 104

HSL 170.59, 0.29%, 0.34%

LAB 43.62, -19.26, -0.9

 

CMYK 23 / 0 / 4 / 62

HEX #4B625E

RGB 75 98 94

HSL 169.57, 0.13%, 0.34%

LAB 39.65, -9.54, -0.56

 

CMYK 88 / 0 / 62 / 40

HEX #139A3B

RGB 19 154 59

HSL 137.78, 0.78%, 0.34%

LAB 55.65, -53.8, 39.69

 

CMYK 88 / 0 / 38 / 40

HEX #139A5F

RGB 19 154 95

HSL 153.78, 0.78%, 0.34%

LAB 56.16, -47.69, 21.72

 

CMYK 88 / 0 / 15 / 40

HEX #139A83

RGB 19 154 131

HSL 169.78, 0.78%, 0.34%

LAB 56.97, -38.89, 2.63

 

CMYK 88 / 9 / 0 / 40

HEX #138C9A

RGB 19 140 154

HSL 186.22, 0.78%, 0.34%

LAB 53.2, -25.22, -16.18

 

CMYK 88 / 32 / 0 / 40

HEX #13689A

RGB 19 104 154

HSL 202.22, 0.78%, 0.34%

LAB 41.8, -5.1, -33.83

 

CMYK 89 / 0 / 13 / 69

HEX #095046

RGB 9 80 70

HSL 171.55, 0.8%, 0.17%

LAB 30, -23.13, 0.03

 

CMYK 88 / 0 / 13 / 54

HEX #0E7566

RGB 14 117 102

HSL 171.26, 0.79%, 0.26%

LAB 43.91, -30.83, 0.56

 

CMYK 88 / 0 / 14 / 40

HEX #139A85

RGB 19 154 133

HSL 170.67, 0.78%, 0.34%

LAB 57.02, -38.33, 1.57

 

CMYK 88 / 0 / 14 / 25

HEX #17BFA5

RGB 23 191 165

HSL 170.71, 0.79%, 0.42%

LAB 69.58, -45.26, 1.98

 

CMYK 88 / 0 / 13 / 11

HEX #1CE3C5

RGB 28 227 197

HSL 170.95, 0.78%, 0.5%

LAB 81.41, -51.45, 1.96

 

CMYK 88 / 0 / 13 / 40

HEX #139884

RGB 19 152 132

HSL 170.98, 0.78%, 0.34%

LAB 56.35, -37.73, 1.16

 

CMYK 85 / 88 / 0 / 40

HEX #17139A

RGB 23 19 154

HSL 241.78, 0.78%, 0.34%

LAB 19.97, 48.58, -69.29

 

CMYK 0 / 50 / 88 / 40

HEX #9A4D13

RGB 154 77 19

HSL 25.78, 0.78%, 0.34%

LAB 41.57, 28.49, 45.39

 

CMYK 88 / 0 / 13 / 40

HEX #139884

RGB 19 152 132

HSL 170.98, 0.78%, 0.34%

LAB 56.35, -37.73, 1.16

 

CMYK 15 / 88 / 0 / 40

HEX #83139A

RGB 131 19 154

HSL 289.78, 0.78%, 0.34%

LAB 33.19, 60.72, -47.09

 

CMYK 0 / 15 / 88 / 40

HEX #9A8313

RGB 154 131 19

HSL 49.78, 0.78%, 0.34%

LAB 55.23, -2.07, 56.61

 

CMYK 88 / 0 / 13 / 40

HEX #139884

RGB 19 152 132

HSL 170.98, 0.78%, 0.34%

LAB 56.35, -37.73, 1.16

 

CMYK 85 / 88 / 0 / 40

HEX #17139A

RGB 23 19 154

HSL 241.78, 0.78%, 0.34%

LAB 19.97, 48.58, -69.29

 

CMYK 0 / 88 / 73 / 40

HEX #9A1329

RGB 154 19 41

HSL 350.22, 0.78%, 0.34%

LAB 32.91, 52.98, 25.23

 

CMYK 3 / 0 / 88 / 40

HEX #959A13

RGB 149 154 19

HSL 62.22, 0.78%, 0.34%

LAB 61.26, -16.7, 61.35

 

CMYK 88 / 0 / 13 / 40

HEX #139884

RGB 19 152 132

HSL 170.98, 0.78%, 0.34%

LAB 56.35, -37.73, 1.16

 

CMYK 58 / 88 / 0 / 40

HEX #40139A

RGB 64 19 154

HSL 260, 0.78%, 0.34%

LAB 23.3, 51.35, -63.66

 

CMYK 0 / 88 / 73 / 40

HEX #9A1329

RGB 154 19 41

HSL 350.22, 0.78%, 0.34%

LAB 32.91, 52.98, 25.23

 

CMYK 29 / 0 / 88 / 40

HEX #6D9A13

RGB 109 154 19

HSL 80, 0.78%, 0.34%

LAB 58.42, -33.77, 57.83

 

Description

Color code: RGB 19 152 132 | qconv.com Color code: RGB 19 152 132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 152 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 152 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 13 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 13% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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