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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 19 199 186 it is the complementary color RGB 236 56 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 19 199 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 19 199 186 shade: RGB 24 199 181, RGB 41 217 200, RGB 58 235 219, RGB 75 253 238 and RGB 92 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 19 199 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 19 199 186 shade: RGB 19 199 186, RGB 2 181 167, RGB 0 163 148, RGB 0 145 129 and RGB 0 127 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 19 199 186 shade: RGB 18 200 187, RGB 18 200 138, RGB 18 200 89, RGB 18 200 40 and RGB 46 200 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 19 199 186 shade: RGB 18 200 187, RGB 18 164 200, RGB 18 115 200, RGB 18 66 200 and RGB 18 18 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 19 199 186 shade matches the following richer shades: RGB 18 200 187 and RGB 0 218 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 19 199 186 shade: RGB 18 200 187, RGB 36 182 172, RGB 54 165 157, RGB 71 147 141 and RGB 89 129 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 19 199 186 shade: RGB 18 200 88, RGB 18 200 136, RGB 18 200 185, RGB 18 167 200 and RGB 18 118 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 19 199 186 shade: RGB 11 125 116, RGB 15 162 152, RGB 18 200 187, RGB 26 233 218 and RGB 64 237 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 19 199 186 shade: RGB 19 199 186, RGB 39 18 200 and RGB 200 112 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 19 199 186 shade: RGB 19 199 186, RGB 185 18 200 and RGB 200 185 18

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 19 199 186 shade: RGB 19 199 186, RGB 39 18 200, RGB 200 18 33 and RGB 179 200 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 19 199 186 shade: RGB 19 199 186, RGB 94 18 200, RGB 200 18 33 and RGB 124 200 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 7 / 22

HEX #13C7BA

RGB 19 199 186

HSL 175.67, 0.83%, 0.43%

LAB 72.58, -43.08, -5.08

 

Complementary color

CMYK 0 / 76 / 71 / 7

HEX #EC3845

RGB 236 56 69

HSL 355.67, 0.83%, 0.57%

LAB 53.05, 67.72, 36.18

 

CMYK 88 / 0 / 9 / 22

HEX #18C7B5

RGB 24 199 181

HSL 173.83, 0.78%, 0.44%

LAB 72.48, -44.23, -2.51

 

CMYK 81 / 0 / 8 / 15

HEX #29D9C8

RGB 41 217 200

HSL 174.2, 0.7%, 0.51%

LAB 78.62, -45.56, -3.71

 

CMYK 75 / 0 / 7 / 8

HEX #3AEBDB

RGB 58 235 219

HSL 174.58, 0.82%, 0.57%

LAB 84.71, -46.58, -4.8

 

CMYK 70 / 0 / 6 / 1

HEX #4BFDEE

RGB 75 253 238

HSL 174.94, 0.98%, 0.64%

LAB 90.74, -47.37, -5.8

 

CMYK 64 / 0 / 0 / 0

HEX #5CFFFF

RGB 92 255 255

HSL 180, 1%, 0.68%

LAB 92.14, -41.47, -12.5

 

CMYK 90 / 0 / 7 / 22

HEX #13C7BA

RGB 19 199 186

HSL 175.67, 0.83%, 0.43%

LAB 72.58, -43.08, -5.08

 

CMYK 99 / 0 / 8 / 29

HEX #02B5A7

RGB 2 181 167

HSL 175.31, 0.98%, 0.36%

LAB 66.41, -41.27, -3.79

 

CMYK 100 / 0 / 9 / 36

HEX #00A394

RGB 0 163 148

HSL 174.48, 1%, 0.32%

LAB 60.19, -38.93, -2.32

 

CMYK 100 / 0 / 11 / 43

HEX #009181

RGB 0 145 129

HSL 173.38, 1%, 0.28%

LAB 53.85, -36.48, -0.78

 

CMYK 100 / 0 / 13 / 50

HEX #007F6E

RGB 0 127 110

HSL 171.97, 1%, 0.25%

LAB 47.37, -33.97, 0.83

 

CMYK 91 / 0 / 7 / 22

HEX #12C8BB

RGB 18 200 187

HSL 175.71, 0.83%, 0.43%

LAB 72.91, -43.27, -5.15

 

CMYK 91 / 0 / 31 / 22

HEX #12C88A

RGB 18 200 138

HSL 159.56, 0.83%, 0.43%

LAB 71.74, -55.74, 19.63

 

CMYK 91 / 0 / 56 / 22

HEX #12C859

RGB 18 200 89

HSL 143.41, 0.83%, 0.43%

LAB 70.98, -64.67, 43.57

 

CMYK 91 / 0 / 80 / 22

HEX #12C828

RGB 18 200 40

HSL 127.25, 0.83%, 0.43%

LAB 70.59, -69.58, 62.45

 

CMYK 77 / 0 / 91 / 22

HEX #2EC812

RGB 46 200 18

HSL 110.77, 0.83%, 0.43%

LAB 70.82, -67.76, 67.67

 

CMYK 91 / 0 / 7 / 22

HEX #12C8BB

RGB 18 200 187

HSL 175.71, 0.83%, 0.43%

LAB 72.91, -43.27, -5.15

 

CMYK 91 / 18 / 0 / 22

HEX #12A4C8

RGB 18 164 200

HSL 191.87, 0.83%, 0.43%

LAB 62.38, -22.04, -28.22

 

CMYK 91 / 43 / 0 / 22

HEX #1273C8

RGB 18 115 200

HSL 208.02, 0.83%, 0.43%

LAB 47.7, 6.06, -51.32

 

CMYK 91 / 67 / 0 / 22

HEX #1242C8

RGB 18 66 200

HSL 224.18, 0.83%, 0.43%

LAB 34.39, 37.92, -72.95

 

CMYK 91 / 91 / 0 / 22

HEX #1212C8

RGB 18 18 200

HSL 240, 0.83%, 0.43%

LAB 25.96, 62.01, -86.93

 

CMYK 91 / 0 / 7 / 22

HEX #12C8BB

RGB 18 200 187

HSL 175.71, 0.83%, 0.43%

LAB 72.91, -43.27, -5.15

 

CMYK 100 / 0 / 7 / 15

HEX #00DACA

RGB 0 218 202

HSL 175.6, 1%, 0.43%

LAB 78.7, -47.32, -4.69

 

CMYK 91 / 0 / 7 / 22

HEX #12C8BB

RGB 18 200 187

HSL 175.71, 0.83%, 0.43%

LAB 72.91, -43.27, -5.15

 

CMYK 80 / 0 / 5 / 29

HEX #24B6AC

RGB 36 182 172

HSL 175.89, 0.67%, 0.43%

LAB 67.13, -38.4, -5.44

 

CMYK 67 / 0 / 5 / 35

HEX #36A59D

RGB 54 165 157

HSL 175.68, 0.51%, 0.43%

LAB 61.77, -32.63, -4.99

 

CMYK 52 / 0 / 4 / 42

HEX #47938D

RGB 71 147 141

HSL 175.26, 0.35%, 0.43%

LAB 56.22, -25.01, -4.04

 

CMYK 31 / 0 / 2 / 49

HEX #59817E

RGB 89 129 126

HSL 175.5, 0.18%, 0.43%

LAB 51.07, -14.55, -2.85

 

CMYK 91 / 0 / 56 / 22

HEX #12C858

RGB 18 200 88

HSL 143.08, 0.83%, 0.43%

LAB 70.97, -64.81, 44.03

 

CMYK 91 / 0 / 32 / 22

HEX #12C888

RGB 18 200 136

HSL 158.9, 0.83%, 0.43%

LAB 71.7, -56.18, 20.64

 

CMYK 91 / 0 / 8 / 22

HEX #12C8B9

RGB 18 200 185

HSL 175.05, 0.83%, 0.43%

LAB 72.85, -43.84, -4.14

 

CMYK 91 / 17 / 0 / 22

HEX #12A7C8

RGB 18 167 200

HSL 190.88, 0.83%, 0.43%

LAB 63.29, -23.59, -26.82

 

CMYK 91 / 41 / 0 / 22

HEX #1276C8

RGB 18 118 200

HSL 207.03, 0.83%, 0.43%

LAB 48.58, 4.19, -49.91

 

CMYK 91 / 0 / 7 / 51

HEX #0B7D74

RGB 11 125 116

HSL 175.26, 0.84%, 0.27%

LAB 46.97, -30.58, -3.29

 

CMYK 91 / 0 / 6 / 36

HEX #0FA298

RGB 15 162 152

HSL 175.92, 0.83%, 0.35%

LAB 60.08, -36.67, -4.73

 

CMYK 91 / 0 / 7 / 22

HEX #12C8BB

RGB 18 200 187

HSL 175.71, 0.83%, 0.43%

LAB 72.91, -43.27, -5.15

 

CMYK 89 / 0 / 6 / 9

HEX #1AE9DA

RGB 26 233 218

HSL 175.65, 0.82%, 0.51%

LAB 83.74, -48.39, -5.74

 

CMYK 73 / 0 / 5 / 7

HEX #40EDE0

RGB 64 237 224

HSL 175.49, 0.83%, 0.59%

LAB 85.52, -45.46, -6.21

 

CMYK 90 / 0 / 7 / 22

HEX #13C7BA

RGB 19 199 186

HSL 175.67, 0.83%, 0.43%

LAB 72.58, -43.08, -5.08

 

CMYK 81 / 91 / 0 / 22

HEX #2712C8

RGB 39 18 200

HSL 246.92, 0.83%, 0.43%

LAB 26.83, 62.52, -85.44

 

CMYK 0 / 44 / 91 / 22

HEX #C87012

RGB 200 112 18

HSL 30.99, 0.83%, 0.43%

LAB 56, 29.04, 59.82

 

CMYK 90 / 0 / 7 / 22

HEX #13C7BA

RGB 19 199 186

HSL 175.67, 0.83%, 0.43%

LAB 72.58, -43.08, -5.08

 

CMYK 8 / 91 / 0 / 22

HEX #B912C8

RGB 185 18 200

HSL 295.05, 0.83%, 0.43%

LAB 45.52, 77.7, -54.08

 

CMYK 0 / 8 / 91 / 22

HEX #C8B912

RGB 200 185 18

HSL 55.05, 0.83%, 0.43%

LAB 74.2, -10.16, 73.64

 

CMYK 90 / 0 / 7 / 22

HEX #13C7BA

RGB 19 199 186

HSL 175.67, 0.83%, 0.43%

LAB 72.58, -43.08, -5.08

 

CMYK 81 / 91 / 0 / 22

HEX #2712C8

RGB 39 18 200

HSL 246.92, 0.83%, 0.43%

LAB 26.83, 62.52, -85.44

 

CMYK 0 / 91 / 84 / 22

HEX #C81221

RGB 200 18 33

HSL 355.05, 0.83%, 0.43%

LAB 42.49, 65.26, 43.02

 

CMYK 11 / 0 / 91 / 22

HEX #B3C812

RGB 179 200 18

HSL 66.92, 0.83%, 0.43%

LAB 76.64, -26.65, 74.82

 

CMYK 90 / 0 / 7 / 22

HEX #13C7BA

RGB 19 199 186

HSL 175.67, 0.83%, 0.43%

LAB 72.58, -43.08, -5.08

 

CMYK 53 / 91 / 0 / 22

HEX #5E12C8

RGB 94 18 200

HSL 265.05, 0.83%, 0.43%

LAB 31.77, 65.85, -77.1

 

CMYK 0 / 91 / 84 / 22

HEX #C81221

RGB 200 18 33

HSL 355.05, 0.83%, 0.43%

LAB 42.49, 65.26, 43.02

 

CMYK 38 / 0 / 91 / 22

HEX #7CC812

RGB 124 200 18

HSL 85.05, 0.83%, 0.43%

LAB 73.31, -48.06, 70.75

 

Description

Color code: RGB 19 199 186 | qconv.com Color code: RGB 19 199 186 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 199 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 199 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 7 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 7% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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