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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 186 248 it is the complementary color RGB 254 69 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 186 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 186 248 shade: RGB 6 186 243, RGB 23 204 255, RGB 40 222 255, RGB 57 240 255 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 186 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 0 168 229, RGB 0 150 210, RGB 0 132 191 and RGB 0 114 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 1 119 248, RGB 1 53 248, RGB 16 1 248 and RGB 82 1 248

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 1 119 248, RGB 1 53 248 and RGB 1 1 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 186 248 shade matches the following richer shades: RGB 1 186 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 21 176 228, RGB 41 166 208, RGB 61 156 187 and RGB 82 146 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 186 248 shade: RGB 1 248 178, RGB 1 248 244, RGB 1 186 248, RGB 1 120 248 and RGB 1 54 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 186 248 shade: RGB 0 124 166, RGB 1 155 207, RGB 1 186 248, RGB 37 199 253 and RGB 78 209 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 112 1 248 and RGB 248 211 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 248 1 186 and RGB 186 248 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 112 1 248, RGB 248 63 1 and RGB 137 248 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 186 248 shade: RGB 1 186 248, RGB 186 1 248, RGB 248 63 1 and RGB 63 248 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

Complementary color

CMYK 0 / 73 / 97 / 0

HEX #FE4507

RGB 254 69 7

HSL 15.06, 0.99%, 0.51%

LAB 57.41, 67.54, 67.36

 

CMYK 98 / 23 / 0 / 5

HEX #06BAF3

RGB 6 186 243

HSL 194.43, 0.95%, 0.49%

LAB 70.61, -19.05, -39.09

 

CMYK 91 / 20 / 0 / 0

HEX #17CCFF

RGB 23 204 255

HSL 193.19, 1%, 0.55%

LAB 76.43, -23.72, -36.5

 

CMYK 84 / 13 / 0 / 0

HEX #28DEFF

RGB 40 222 255

HSL 189.21, 1%, 0.58%

LAB 81.79, -31.68, -28.23

 

CMYK 78 / 6 / 0 / 0

HEX #39F0FF

RGB 57 240 255

HSL 184.55, 1%, 0.61%

LAB 87.2, -38.79, -19.99

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 100 / 27 / 0 / 10

HEX #00A8E5

RGB 0 168 229

HSL 195.98, 1%, 0.45%

LAB 64.69, -14.55, -40.7

 

CMYK 100 / 29 / 0 / 18

HEX #0096D2

RGB 0 150 210

HSL 197.14, 1%, 0.41%

LAB 58.48, -11.54, -39.9

 

CMYK 100 / 31 / 0 / 25

HEX #0084BF

RGB 0 132 191

HSL 198.53, 1%, 0.37%

LAB 52.13, -8.4, -39.13

 

CMYK 100 / 34 / 0 / 33

HEX #0072AC

RGB 0 114 172

HSL 200.23, 1%, 0.34%

LAB 45.65, -5.1, -38.38

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 100 / 52 / 0 / 3

HEX #0177F8

RGB 1 119 248

HSL 211.34, 0.99%, 0.49%

LAB 51.81, 21.76, -71.76

 

CMYK 100 / 79 / 0 / 3

HEX #0135F8

RGB 1 53 248

HSL 227.37, 0.99%, 0.49%

LAB 36.61, 61.57, -96.74

 

CMYK 94 / 100 / 0 / 3

HEX #1001F8

RGB 16 1 248

HSL 243.64, 0.99%, 0.49%

LAB 31.6, 77.47, -105.1

 

CMYK 67 / 100 / 0 / 3

HEX #5201F8

RGB 82 1 248

HSL 259.68, 0.99%, 0.49%

LAB 35.19, 78.89, -99.02

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 100 / 52 / 0 / 3

HEX #0177F8

RGB 1 119 248

HSL 211.34, 0.99%, 0.49%

LAB 51.81, 21.76, -71.76

 

CMYK 100 / 79 / 0 / 3

HEX #0135F8

RGB 1 53 248

HSL 227.37, 0.99%, 0.49%

LAB 36.61, 61.57, -96.74

 

CMYK 100 / 100 / 0 / 3

HEX #0101F8

RGB 1 1 248

HSL 240, 0.99%, 0.49%

LAB 31.36, 77.39, -105.5

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 91 / 23 / 0 / 11

HEX #15B0E4

RGB 21 176 228

HSL 195.07, 0.83%, 0.49%

LAB 67.14, -18.52, -36.33

 

CMYK 80 / 20 / 0 / 18

HEX #29A6D0

RGB 41 166 208

HSL 195.09, 0.67%, 0.49%

LAB 63.59, -18.75, -30.78

 

CMYK 67 / 17 / 0 / 27

HEX #3D9CBB

RGB 61 156 187

HSL 194.76, 0.51%, 0.49%

LAB 60.21, -17.9, -24.22

 

CMYK 51 / 13 / 0 / 35

HEX #5292A7

RGB 82 146 167

HSL 194.82, 0.34%, 0.49%

LAB 57.21, -14.59, -17.39

 

CMYK 100 / 0 / 28 / 3

HEX #01F8B2

RGB 1 248 178

HSL 163, 0.99%, 0.49%

LAB 87.17, -65.03, 20.06

 

CMYK 100 / 0 / 2 / 3

HEX #01F8F4

RGB 1 248 244

HSL 179.03, 0.99%, 0.49%

LAB 88.77, -48.2, -11.93

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 100 / 52 / 0 / 3

HEX #0178F8

RGB 1 120 248

HSL 211.09, 0.99%, 0.49%

LAB 52.08, 21.13, -71.33

 

CMYK 100 / 78 / 0 / 3

HEX #0136F8

RGB 1 54 248

HSL 227.13, 0.99%, 0.49%

LAB 36.78, 61.07, -96.45

 

CMYK 100 / 25 / 0 / 35

HEX #007CA6

RGB 0 124 166

HSL 195.18, 1%, 0.33%

LAB 48.47, -13.27, -30.45

 

CMYK 100 / 25 / 0 / 19

HEX #019BCF

RGB 1 155 207

HSL 195.15, 0.99%, 0.41%

LAB 59.85, -15.37, -36.08

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 85 / 21 / 0 / 1

HEX #25C7FD

RGB 37 199 253

HSL 195, 0.98%, 0.57%

LAB 75.03, -21.11, -37.58

 

CMYK 69 / 18 / 0 / 0

HEX #4ED1FE

RGB 78 209 254

HSL 195.34, 0.99%, 0.65%

LAB 78.68, -21.81, -32.42

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 55 / 100 / 0 / 3

HEX #7001F8

RGB 112 1 248

HSL 266.96, 0.99%, 0.49%

LAB 38.28, 80.47, -93.8

 

CMYK 0 / 15 / 100 / 3

HEX #F8D301

RGB 248 211 1

HSL 51.01, 0.99%, 0.49%

LAB 85.27, -2.87, 85.58

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 0 / 100 / 25 / 3

HEX #F801BA

RGB 248 1 186

HSL 315.06, 0.99%, 0.49%

LAB 55.61, 88.37, -29.27

 

CMYK 25 / 0 / 100 / 3

HEX #BAF801

RGB 186 248 1

HSL 75.06, 0.99%, 0.49%

LAB 90.59, -45.76, 87.44

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 55 / 100 / 0 / 3

HEX #7001F8

RGB 112 1 248

HSL 266.96, 0.99%, 0.49%

LAB 38.28, 80.47, -93.8

 

CMYK 0 / 75 / 100 / 3

HEX #F83F01

RGB 248 63 1

HSL 15.06, 0.99%, 0.49%

LAB 55.6, 67.62, 67.11

 

CMYK 45 / 0 / 100 / 3

HEX #89F801

RGB 137 248 1

HSL 86.96, 0.99%, 0.49%

LAB 88.19, -62.62, 84.55

 

CMYK 100 / 25 / 0 / 3

HEX #01BAF8

RGB 1 186 248

HSL 195.06, 0.99%, 0.49%

LAB 70.8, -17.43, -41.5

 

CMYK 25 / 100 / 0 / 3

HEX #BA01F8

RGB 186 1 248

HSL 284.94, 0.99%, 0.49%

LAB 48.56, 87.48, -76.51

 

CMYK 0 / 75 / 100 / 3

HEX #F83F01

RGB 248 63 1

HSL 15.06, 0.99%, 0.49%

LAB 55.6, 67.62, 67.11

 

CMYK 75 / 0 / 100 / 3

HEX #3FF801

RGB 63 248 1

HSL 104.94, 0.99%, 0.49%

LAB 86.1, -79.6, 82.01

 

Description

Color code: RGB 1 186 248 | qconv.com Color code: RGB 1 186 248 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 186 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 186 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 25 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 25% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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