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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 233 200 it is the complementary color RGB 254 22 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 233 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 233 200 shade: RGB 6 233 195, RGB 23 251 214, RGB 40 255 233, RGB 57 255 252 and RGB 74 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 233 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 0 215 181, RGB 0 197 162, RGB 0 179 143 and RGB 0 161 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 1 233 137, RGB 1 233 75, RGB 1 233 12 and RGB 52 233 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 1 203 233, RGB 1 141 233, RGB 1 78 233 and RGB 1 15 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 233 200 shade matches the following richer shades: RGB 1 233 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 20 214 186, RGB 39 195 173, RGB 58 176 159 and RGB 77 157 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 233 200 shade: RGB 1 233 74, RGB 1 233 136, RGB 1 233 198, RGB 1 206 233 and RGB 1 144 233

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 233 200 shade: RGB 0 151 129, RGB 0 192 165, RGB 1 233 200, RGB 22 253 220 and RGB 63 254 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 12 1 233 and RGB 233 105 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 198 1 233 and RGB 233 198 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 12 1 233, RGB 233 1 36 and RGB 221 233 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 233 200 shade: RGB 1 233 200, RGB 82 1 233, RGB 233 1 36 and RGB 152 233 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

Complementary color

CMYK 0 / 91 / 78 / 0

HEX #FE1637

RGB 254 22 55

HSL 351.47, 0.99%, 0.54%

LAB 53.94, 78.91, 46.04

 

CMYK 97 / 0 / 16 / 9

HEX #06E9C3

RGB 6 233 195

HSL 169.96, 0.95%, 0.47%

LAB 83.05, -55.19, 5.37

 

CMYK 91 / 0 / 15 / 2

HEX #17FBD6

RGB 23 251 214

HSL 170.26, 0.97%, 0.54%

LAB 88.94, -56.96, 3.96

 

CMYK 84 / 0 / 9 / 0

HEX #28FFE9

RGB 40 255 233

HSL 173.86, 1%, 0.58%

LAB 90.71, -52.76, -3.3

 

CMYK 78 / 0 / 1 / 0

HEX #39FFFC

RGB 57 255 252

HSL 179.09, 1%, 0.61%

LAB 91.42, -46.33, -12.08

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 100 / 0 / 16 / 16

HEX #00D7B5

RGB 0 215 181

HSL 170.51, 1%, 0.42%

LAB 77.24, -51.77, 4.41

 

CMYK 100 / 0 / 18 / 23

HEX #00C5A2

RGB 0 197 162

HSL 169.34, 1%, 0.39%

LAB 71.24, -49.45, 6

 

CMYK 100 / 0 / 20 / 30

HEX #00B38F

RGB 0 179 143

HSL 167.93, 1%, 0.35%

LAB 65.14, -47.09, 7.65

 

CMYK 100 / 0 / 23 / 37

HEX #00A17C

RGB 0 161 124

HSL 166.21, 1%, 0.32%

LAB 58.92, -44.68, 9.37

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 100 / 0 / 41 / 9

HEX #01E989

RGB 1 233 137

HSL 155.17, 0.99%, 0.46%

LAB 81.89, -68.16, 33.77

 

CMYK 100 / 0 / 68 / 9

HEX #01E94B

RGB 1 233 75

HSL 139.14, 0.99%, 0.46%

LAB 81.18, -76.85, 61.13

 

CMYK 100 / 0 / 95 / 9

HEX #01E90C

RGB 1 233 12

HSL 122.84, 0.99%, 0.46%

LAB 80.91, -80.27, 76.66

 

CMYK 78 / 0 / 100 / 9

HEX #34E901

RGB 52 233 1

HSL 106.81, 0.99%, 0.46%

LAB 81.3, -76.84, 78.1

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 100 / 13 / 0 / 9

HEX #01CBE9

RGB 1 203 233

HSL 187.76, 0.99%, 0.46%

LAB 75.2, -31.1, -26.6

 

CMYK 100 / 39 / 0 / 9

HEX #018DE9

RGB 1 141 233

HSL 203.79, 0.99%, 0.46%

LAB 57.02, 2.38, -55.05

 

CMYK 100 / 67 / 0 / 9

HEX #014EE9

RGB 1 78 233

HSL 220.09, 0.99%, 0.46%

LAB 40.14, 42.15, -82.43

 

CMYK 100 / 94 / 0 / 9

HEX #010FE9

RGB 1 15 233

HSL 236.38, 0.99%, 0.46%

LAB 29.99, 71.32, -99.29

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 91 / 0 / 13 / 16

HEX #14D6BA

RGB 20 214 186

HSL 171.34, 0.83%, 0.46%

LAB 77.15, -49.4, 1.62

 

CMYK 80 / 0 / 11 / 24

HEX #27C3AD

RGB 39 195 173

HSL 171.54, 0.67%, 0.46%

LAB 71.2, -43.59, -0.01

 

CMYK 67 / 0 / 10 / 31

HEX #3AB09F

RGB 58 176 159

HSL 171.36, 0.5%, 0.46%

LAB 65.32, -36.58, -0.86

 

CMYK 51 / 0 / 7 / 38

HEX #4D9D92

RGB 77 157 146

HSL 171.75, 0.34%, 0.46%

LAB 59.68, -27.29, -1.77

 

CMYK 100 / 0 / 68 / 9

HEX #01E94A

RGB 1 233 74

HSL 138.88, 0.99%, 0.46%

LAB 81.17, -76.94, 61.51

 

CMYK 100 / 0 / 42 / 9

HEX #01E988

RGB 1 233 136

HSL 154.91, 0.99%, 0.46%

LAB 81.87, -68.34, 34.25

 

CMYK 100 / 0 / 15 / 9

HEX #01E9C6

RGB 1 233 198

HSL 170.95, 0.99%, 0.46%

LAB 83.11, -54.54, 3.87

 

CMYK 100 / 12 / 0 / 9

HEX #01CEE9

RGB 1 206 233

HSL 186.98, 0.99%, 0.46%

LAB 76.09, -32.54, -25.24

 

CMYK 100 / 38 / 0 / 9

HEX #0190E9

RGB 1 144 233

HSL 203.02, 0.99%, 0.46%

LAB 57.88, 0.59, -53.67

 

CMYK 100 / 0 / 15 / 41

HEX #009781

RGB 0 151 129

HSL 171.26, 1%, 0.3%

LAB 55.8, -39.13, 2.06

 

CMYK 100 / 0 / 14 / 25

HEX #00C0A5

RGB 0 192 165

HSL 171.56, 1%, 0.38%

LAB 69.76, -46.6, 2.23

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 91 / 0 / 13 / 1

HEX #16FDDC

RGB 22 253 220

HSL 171.43, 0.98%, 0.54%

LAB 89.67, -56.26, 1.9

 

CMYK 75 / 0 / 11 / 0

HEX #3FFEE2

RGB 63 254 226

HSL 171.2, 0.99%, 0.62%

LAB 90.52, -52.26, 0.08

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 95 / 100 / 0 / 9

HEX #0C01E9

RGB 12 1 233

HSL 242.84, 0.99%, 0.46%

LAB 29.37, 73.86, -100.32

 

CMYK 0 / 55 / 100 / 9

HEX #E96901

RGB 233 105 1

HSL 26.9, 0.99%, 0.46%

LAB 59.37, 45.6, 67.68

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 15 / 100 / 0 / 9

HEX #C601E9

RGB 198 1 233

HSL 290.95, 0.99%, 0.46%

LAB 49.39, 86.52, -66.63

 

CMYK 0 / 15 / 100 / 9

HEX #E9C601

RGB 233 198 1

HSL 50.95, 0.99%, 0.46%

LAB 80.58, -2.68, 81.6

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 95 / 100 / 0 / 9

HEX #0C01E9

RGB 12 1 233

HSL 242.84, 0.99%, 0.46%

LAB 29.37, 73.86, -100.32

 

CMYK 0 / 100 / 85 / 9

HEX #E90124

RGB 233 1 36

HSL 350.95, 0.99%, 0.46%

LAB 48.85, 75.18, 49.75

 

CMYK 5 / 0 / 100 / 9

HEX #DDE901

RGB 221 233 1

HSL 63.1, 0.99%, 0.46%

LAB 88.76, -25.11, 87.08

 

CMYK 100 / 0 / 14 / 9

HEX #01E9C8

RGB 1 233 200

HSL 171.47, 0.99%, 0.46%

LAB 83.15, -54.02, 2.89

 

CMYK 65 / 100 / 0 / 9

HEX #5201E9

RGB 82 1 233

HSL 260.95, 0.99%, 0.46%

LAB 33.35, 75.48, -93.58

 

CMYK 0 / 100 / 85 / 9

HEX #E90124

RGB 233 1 36

HSL 350.95, 0.99%, 0.46%

LAB 48.85, 75.18, 49.75

 

CMYK 35 / 0 / 100 / 9

HEX #98E901

RGB 152 233 1

HSL 80.95, 0.99%, 0.46%

LAB 84.46, -51.9, 81.94

 

Description

Color code: RGB 1 233 200 | qconv.com Color code: RGB 1 233 200 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 233 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 233 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 14 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 14% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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