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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 3 217 it is the complementary color RGB 254 252 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 3 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 1 3 217 shade: RGB 6 3 212, RGB 23 21 231, RGB 40 39 250, RGB 57 57 255 and RGB 74 75 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 3 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 1 3 217 shade: RGB 1 3 217, RGB 0 0 198, RGB 0 0 179, RGB 0 0 160 and RGB 0 0 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 1 3 217 shade: RGB 1 3 218, RGB 57 1 218, RGB 116 1 218, RGB 174 1 218 and RGB 218 1 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 1 3 217 shade: RGB 1 3 218 and RGB 1 1 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 1 3 217 shade matches the following richer shades: RGB 1 3 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 1 3 217 shade: RGB 1 3 218, RGB 18 20 200, RGB 36 37 182, RGB 54 55 164 and RGB 72 72 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 1 3 217 shade: RGB 1 120 218, RGB 1 62 218, RGB 1 4 218, RGB 55 1 218 and RGB 113 1 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 1 3 217 shade: RGB 0 1 136, RGB 0 2 177, RGB 1 3 218, RGB 6 9 253 and RGB 47 49 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 1 3 217 shade: RGB 1 3 217, RGB 218 1 178 and RGB 91 218 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 1 3 217 shade: RGB 1 3 217, RGB 218 1 4 and RGB 4 218 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 1 3 217 shade: RGB 1 3 217, RGB 218 1 178, RGB 218 214 1 and RGB 1 218 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 1 3 217 shade: RGB 1 3 217, RGB 218 1 113, RGB 218 214 1 and RGB 1 218 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 99 / 0 / 15

HEX #0103D9

RGB 1 3 217

HSL 239.44, 0.99%, 0.43%

LAB 26.97, 69.54, -95.15

 

Complementary color

CMYK 0 / 1 / 85 / 0

HEX #FEFC26

RGB 254 252 38

HSL 59.44, 0.99%, 0.57%

LAB 96.34, -20.08, 89.58

 

CMYK 97 / 99 / 0 / 17

HEX #0603D4

RGB 6 3 212

HSL 240.86, 0.97%, 0.42%

LAB 26.32, 68.34, -93.32

 

CMYK 90 / 91 / 0 / 9

HEX #1715E7

RGB 23 21 231

HSL 240.57, 0.83%, 0.49%

LAB 30.61, 69.56, -97.09

 

CMYK 84 / 84 / 0 / 2

HEX #2827FA

RGB 40 39 250

HSL 240.28, 0.95%, 0.57%

LAB 35.6, 69.18, -99.52

 

CMYK 78 / 78 / 0 / 0

HEX #3939FF

RGB 57 57 255

HSL 240, 1%, 0.61%

LAB 39.61, 63.54, -95.65

 

CMYK 71 / 71 / 0 / 0

HEX #4A4BFF

RGB 74 75 255

HSL 239.67, 1%, 0.65%

LAB 43.81, 55.52, -88.67

 

CMYK 100 / 99 / 0 / 15

HEX #0103D9

RGB 1 3 217

HSL 239.44, 0.99%, 0.43%

LAB 26.97, 69.54, -95.15

 

CMYK 100 / 100 / 0 / 22

HEX #0000C6

RGB 0 0 198

HSL 240, 1%, 0.39%

LAB 23.93, 65.46, -89.16

 

CMYK 100 / 100 / 0 / 30

HEX #0000B3

RGB 0 0 179

HSL 240, 1%, 0.35%

LAB 21.04, 60.72, -82.71

 

CMYK 100 / 100 / 0 / 37

HEX #0000A0

RGB 0 0 160

HSL 240, 1%, 0.31%

LAB 18.09, 55.89, -76.13

 

CMYK 100 / 100 / 0 / 45

HEX #00008D

RGB 0 0 141

HSL 240, 1%, 0.28%

LAB 15.08, 50.96, -69.4

 

CMYK 100 / 99 / 0 / 15

HEX #0103DA

RGB 1 3 218

HSL 239.45, 0.99%, 0.43%

LAB 27.11, 69.79, -95.49

 

CMYK 74 / 100 / 0 / 15

HEX #3901DA

RGB 57 1 218

HSL 255.48, 0.99%, 0.43%

LAB 29.29, 71.02, -91.78

 

CMYK 47 / 100 / 0 / 15

HEX #7401DA

RGB 116 1 218

HSL 271.8, 0.99%, 0.43%

LAB 35.59, 74.37, -81.15

 

CMYK 20 / 100 / 0 / 15

HEX #AE01DA

RGB 174 1 218

HSL 287.83, 0.99%, 0.43%

LAB 44.35, 80.76, -66.45

 

CMYK 0 / 100 / 7 / 15

HEX #DA01CB

RGB 218 1 203

HSL 304.15, 0.99%, 0.43%

LAB 50.97, 85.12, -46.78

 

CMYK 100 / 99 / 0 / 15

HEX #0103DA

RGB 1 3 218

HSL 239.45, 0.99%, 0.43%

LAB 27.11, 69.79, -95.49

 

CMYK 100 / 100 / 0 / 15

HEX #0101DA

RGB 1 1 218

HSL 240, 0.99%, 0.43%

LAB 26.99, 70.17, -95.69

 

CMYK 100 / 99 / 0 / 15

HEX #0103DA

RGB 1 3 218

HSL 239.45, 0.99%, 0.43%

LAB 27.11, 69.79, -95.49

 

CMYK 100 / 99 / 0 / 15

HEX #0103DA

RGB 1 3 218

HSL 239.45, 0.99%, 0.43%

LAB 27.11, 69.79, -95.49

 

CMYK 91 / 90 / 0 / 22

HEX #1214C8

RGB 18 20 200

HSL 239.34, 0.83%, 0.43%

LAB 26.15, 61.41, -86.6

 

CMYK 80 / 80 / 0 / 29

HEX #2425B6

RGB 36 37 182

HSL 239.59, 0.67%, 0.43%

LAB 26.95, 49.59, -74.61

 

CMYK 67 / 66 / 0 / 36

HEX #3637A4

RGB 54 55 164

HSL 239.45, 0.5%, 0.43%

LAB 29.9, 34.9, -58.91

 

CMYK 51 / 51 / 0 / 42

HEX #484893

RGB 72 72 147

HSL 240, 0.34%, 0.43%

LAB 34.23, 21.54, -41.53

 

CMYK 100 / 45 / 0 / 15

HEX #0178DA

RGB 1 120 218

HSL 207.1, 0.99%, 0.43%

LAB 50.1, 9.4, -57.72

 

CMYK 100 / 72 / 0 / 15

HEX #013EDA

RGB 1 62 218

HSL 223.13, 0.99%, 0.43%

LAB 35.03, 46.53, -82.31

 

CMYK 100 / 98 / 0 / 15

HEX #0104DA

RGB 1 4 218

HSL 239.17, 0.99%, 0.43%

LAB 27.17, 69.6, -95.38

 

CMYK 75 / 100 / 0 / 15

HEX #3701DA

RGB 55 1 218

HSL 254.93, 0.99%, 0.43%

LAB 29.15, 70.96, -92.03

 

CMYK 48 / 100 / 0 / 15

HEX #7101DA

RGB 113 1 218

HSL 270.97, 0.99%, 0.43%

LAB 35.19, 74.12, -81.82

 

CMYK 100 / 99 / 0 / 47

HEX #000188

RGB 0 1 136

HSL 239.56, 1%, 0.27%

LAB 14.4, 49.25, -67.4

 

CMYK 100 / 99 / 0 / 31

HEX #0002B1

RGB 0 2 177

HSL 239.32, 1%, 0.35%

LAB 20.9, 59.7, -81.74

 

CMYK 100 / 99 / 0 / 15

HEX #0103DA

RGB 1 3 218

HSL 239.45, 0.99%, 0.43%

LAB 27.11, 69.79, -95.49

 

CMYK 98 / 96 / 0 / 1

HEX #0609FD

RGB 6 9 253

HSL 239.27, 0.98%, 0.51%

LAB 32.54, 77.4, -106.35

 

CMYK 81 / 81 / 0 / 1

HEX #2F31FD

RGB 47 49 253

HSL 239.42, 0.98%, 0.59%

LAB 37.65, 66.15, -97.79

 

CMYK 100 / 99 / 0 / 15

HEX #0103D9

RGB 1 3 217

HSL 239.44, 0.99%, 0.43%

LAB 26.97, 69.54, -95.15

 

CMYK 0 / 100 / 18 / 15

HEX #DA01B2

RGB 218 1 178

HSL 311.06, 0.99%, 0.43%

LAB 49.67, 81.9, -34.28

 

CMYK 58 / 0 / 100 / 15

HEX #5BDA01

RGB 91 218 1

HSL 95.12, 0.99%, 0.43%

LAB 77.5, -64.91, 75.44

 

CMYK 100 / 99 / 0 / 15

HEX #0103D9

RGB 1 3 217

HSL 239.44, 0.99%, 0.43%

LAB 26.97, 69.54, -95.15

 

CMYK 0 / 100 / 98 / 15

HEX #DA0104

RGB 218 1 4

HSL 359.17, 0.99%, 0.43%

LAB 45.55, 71.11, 58.47

 

CMYK 98 / 0 / 100 / 15

HEX #04DA01

RGB 4 218 1

HSL 119.17, 0.99%, 0.43%

LAB 76.17, -76.4, 73.82

 

CMYK 100 / 99 / 0 / 15

HEX #0103D9

RGB 1 3 217

HSL 239.44, 0.99%, 0.43%

LAB 26.97, 69.54, -95.15

 

CMYK 0 / 100 / 18 / 15

HEX #DA01B2

RGB 218 1 178

HSL 311.06, 0.99%, 0.43%

LAB 49.67, 81.9, -34.28

 

CMYK 0 / 2 / 100 / 15

HEX #DAD601

RGB 218 214 1

HSL 58.89, 0.99%, 0.43%

LAB 83.44, -17.18, 83.07

 

CMYK 100 / 0 / 82 / 15

HEX #01DA28

RGB 1 218 40

HSL 130.78, 0.99%, 0.43%

LAB 76.25, -75.31, 67.71

 

CMYK 100 / 99 / 0 / 15

HEX #0103D9

RGB 1 3 217

HSL 239.44, 0.99%, 0.43%

LAB 26.97, 69.54, -95.15

 

CMYK 0 / 100 / 48 / 15

HEX #DA0171

RGB 218 1 113

HSL 329.03, 0.99%, 0.43%

LAB 47.13, 75.38, 1.04

 

CMYK 0 / 2 / 100 / 15

HEX #DAD601

RGB 218 214 1

HSL 58.89, 0.99%, 0.43%

LAB 83.44, -17.18, 83.07

 

CMYK 100 / 0 / 51 / 15

HEX #01DA6A

RGB 1 218 106

HSL 149.03, 0.99%, 0.43%

LAB 76.79, -68.53, 42.53

 

Description

Color code: RGB 1 3 217 | qconv.com Color code: RGB 1 3 217 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 3 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 3 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 99 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 99% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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