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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 109 200 it is the complementary color RGB 232 146 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 109 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 109 200 shade: RGB 28 109 195, RGB 45 127 214, RGB 62 145 233, RGB 79 163 252 and RGB 96 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 109 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 6 91 181, RGB 0 73 162, RGB 0 55 143 and RGB 0 37 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 23 61 200, RGB 33 23 200, RGB 80 23 200 and RGB 128 23 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 23 61 200 and RGB 23 23 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 109 200 shade matches the following richer shades: RGB 23 109 200 and RGB 5 109 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 41 110 182, RGB 59 110 164, RGB 78 111 146 and RGB 96 111 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 109 200 shade: RGB 23 200 194, RGB 23 159 200, RGB 23 112 200, RGB 23 64 200 and RGB 29 23 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 109 200 shade: RGB 14 69 126, RGB 19 89 163, RGB 23 109 200, RGB 36 130 229 and RGB 73 151 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 147 23 200 and RGB 183 200 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 200 23 112 and RGB 112 200 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 147 23 200, RGB 200 112 23 and RGB 76 200 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 109 200 shade: RGB 23 109 200, RGB 200 23 200, RGB 200 112 23 and RGB 23 200 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

Complementary color

CMYK 0 / 37 / 76 / 9

HEX #E89237

RGB 232 146 55

HSL 30.85, 0.79%, 0.56%

LAB 68.01, 25.39, 58.99

 

CMYK 86 / 44 / 0 / 24

HEX #1C6DC3

RGB 28 109 195

HSL 210.9, 0.75%, 0.44%

LAB 45.8, 8.51, -51.47

 

CMYK 79 / 41 / 0 / 16

HEX #2D7FD6

RGB 45 127 214

HSL 210.89, 0.67%, 0.51%

LAB 52.5, 6.1, -51.58

 

CMYK 73 / 38 / 0 / 9

HEX #3E91E9

RGB 62 145 233

HSL 210.88, 0.8%, 0.58%

LAB 59.12, 4.16, -51.64

 

CMYK 69 / 35 / 0 / 1

HEX #4FA3FC

RGB 79 163 252

HSL 210.87, 0.97%, 0.65%

LAB 65.66, 2.58, -51.68

 

CMYK 62 / 29 / 0 / 0

HEX #60B5FF

RGB 96 181 255

HSL 207.92, 1%, 0.69%

LAB 71.39, -3.87, -44.24

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 97 / 50 / 0 / 29

HEX #065BB5

RGB 6 91 181

HSL 210.86, 0.94%, 0.37%

LAB 39.34, 13.39, -53.75

 

CMYK 100 / 55 / 0 / 36

HEX #0049A2

RGB 0 73 162

HSL 212.96, 1%, 0.32%

LAB 32.64, 17.42, -53.31

 

CMYK 100 / 62 / 0 / 44

HEX #00378F

RGB 0 55 143

HSL 216.92, 1%, 0.28%

LAB 25.91, 21.97, -52.71

 

CMYK 100 / 70 / 0 / 51

HEX #00257C

RGB 0 37 124

HSL 222.1, 1%, 0.24%

LAB 19.13, 26.72, -51.92

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 89 / 70 / 0 / 22

HEX #173DC8

RGB 23 61 200

HSL 227.12, 0.79%, 0.44%

LAB 33.33, 41.29, -74.69

 

CMYK 84 / 89 / 0 / 22

HEX #2117C8

RGB 33 23 200

HSL 243.39, 0.79%, 0.44%

LAB 27.04, 60.79, -85.11

 

CMYK 60 / 89 / 0 / 22

HEX #5017C8

RGB 80 23 200

HSL 259.32, 0.79%, 0.44%

LAB 30.61, 63.39, -79.06

 

CMYK 36 / 89 / 0 / 22

HEX #8017C8

RGB 128 23 200

HSL 275.59, 0.79%, 0.44%

LAB 36.69, 68.45, -68.84

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 89 / 70 / 0 / 22

HEX #173DC8

RGB 23 61 200

HSL 227.12, 0.79%, 0.44%

LAB 33.33, 41.29, -74.69

 

CMYK 89 / 89 / 0 / 22

HEX #1717C8

RGB 23 23 200

HSL 240, 0.79%, 0.44%

LAB 26.64, 60.52, -85.79

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 98 / 50 / 0 / 15

HEX #056DDA

RGB 5 109 218

HSL 210.7, 0.96%, 0.44%

LAB 47.02, 16.5, -62.7

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 77 / 40 / 0 / 29

HEX #296EB6

RGB 41 110 182

HSL 210.64, 0.63%, 0.44%

LAB 45.64, 4.14, -44.2

 

CMYK 64 / 33 / 0 / 36

HEX #3B6EA4

RGB 59 110 164

HSL 210.86, 0.47%, 0.44%

LAB 45.31, 0.31, -34.15

 

CMYK 47 / 24 / 0 / 43

HEX #4E6F92

RGB 78 111 146

HSL 210.88, 0.3%, 0.44%

LAB 45.72, -1.89, -22.8

 

CMYK 25 / 13 / 0 / 50

HEX #606F80

RGB 96 111 128

HSL 211.88, 0.14%, 0.44%

LAB 46.2, -1.51, -11.25

 

CMYK 89 / 0 / 3 / 22

HEX #17C8C2

RGB 23 200 194

HSL 177.97, 0.79%, 0.44%

LAB 73.15, -41.02, -8.59

 

CMYK 89 / 21 / 0 / 22

HEX #179FC8

RGB 23 159 200

HSL 193.9, 0.79%, 0.44%

LAB 60.91, -19.15, -30.49

 

CMYK 89 / 44 / 0 / 22

HEX #1770C8

RGB 23 112 200

HSL 209.83, 0.79%, 0.44%

LAB 46.9, 8.23, -52.6

 

CMYK 89 / 68 / 0 / 22

HEX #1740C8

RGB 23 64 200

HSL 226.1, 0.79%, 0.44%

LAB 34.02, 39.41, -73.54

 

CMYK 86 / 89 / 0 / 22

HEX #1D17C8

RGB 29 23 200

HSL 242.03, 0.79%, 0.44%

LAB 26.86, 60.67, -85.41

 

CMYK 89 / 45 / 0 / 51

HEX #0E457E

RGB 14 69 126

HSL 210.54, 0.8%, 0.27%

LAB 29.05, 5.75, -37.05

 

CMYK 88 / 45 / 0 / 36

HEX #1359A3

RGB 19 89 163

HSL 210.83, 0.79%, 0.36%

LAB 37.71, 8.03, -45.71

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 84 / 43 / 0 / 10

HEX #2482E5

RGB 36 130 229

HSL 210.78, 0.79%, 0.52%

LAB 54.02, 9.08, -57.59

 

CMYK 69 / 35 / 0 / 9

HEX #4997E9

RGB 73 151 233

HSL 210.75, 0.78%, 0.6%

LAB 61.16, 2.15, -48.38

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 27 / 89 / 0 / 22

HEX #9317C8

RGB 147 23 200

HSL 282.03, 0.79%, 0.44%

LAB 39.56, 71.04, -64.04

 

CMYK 9 / 0 / 89 / 22

HEX #B7C817

RGB 183 200 23

HSL 65.76, 0.79%, 0.44%

LAB 76.94, -24.87, 74.39

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 0 / 89 / 44 / 22

HEX #C81770

RGB 200 23 112

HSL 329.83, 0.79%, 0.44%

LAB 44.32, 68.88, -2.88

 

CMYK 44 / 0 / 89 / 22

HEX #70C817

RGB 112 200 23

HSL 89.83, 0.79%, 0.44%

LAB 72.77, -51.96, 69.24

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 27 / 89 / 0 / 22

HEX #9317C8

RGB 147 23 200

HSL 282.03, 0.79%, 0.44%

LAB 39.56, 71.04, -64.04

 

CMYK 0 / 44 / 89 / 22

HEX #C87017

RGB 200 112 23

HSL 30.17, 0.79%, 0.44%

LAB 56.02, 29.13, 58.46

 

CMYK 62 / 0 / 89 / 22

HEX #4CC817

RGB 76 200 23

HSL 102.03, 0.79%, 0.44%

LAB 71.49, -62.02, 67.65

 

CMYK 89 / 46 / 0 / 22

HEX #176DC8

RGB 23 109 200

HSL 210.85, 0.79%, 0.44%

LAB 46.03, 10.13, -54

 

CMYK 0 / 89 / 0 / 22

HEX #C817C8

RGB 200 23 200

HSL 300, 0.79%, 0.44%

LAB 48.34, 79.52, -49.42

 

CMYK 0 / 44 / 89 / 22

HEX #C87017

RGB 200 112 23

HSL 30.17, 0.79%, 0.44%

LAB 56.02, 29.13, 58.46

 

CMYK 89 / 0 / 89 / 22

HEX #17C817

RGB 23 200 23

HSL 120, 0.79%, 0.44%

LAB 70.56, -70.06, 66.48

 

Description

Color code: RGB 23 109 200 | qconv.com Color code: RGB 23 109 200 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 109 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 109 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 46 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 46% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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