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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 176 241 it is the complementary color RGB 232 79 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 176 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 176 241 shade: RGB 28 176 236, RGB 45 194 255, RGB 62 212 255, RGB 79 230 255 and RGB 96 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 176 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 6 158 222, RGB 0 140 203, RGB 0 122 184 and RGB 0 104 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 23 117 241, RGB 23 59 241, RGB 47 23 241 and RGB 105 23 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 23 117 241, RGB 23 59 241 and RGB 23 23 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 176 241 shade matches the following richer shades: RGB 23 176 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 43 168 221, RGB 63 160 201, RGB 83 152 182 and RGB 102 144 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 176 241 shade: RGB 23 241 187, RGB 23 237 241, RGB 23 179 241, RGB 23 121 241 and RGB 23 63 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 176 241 shade: RGB 10 124 172, RGB 12 152 211, RGB 23 176 241, RGB 62 189 243 and RGB 101 203 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 128 23 241 and RGB 241 216 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 241 23 179 and RGB 179 241 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 128 23 241, RGB 241 85 23 and RGB 136 241 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 176 241 shade: RGB 23 176 241, RGB 194 23 241, RGB 241 85 23 and RGB 70 241 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

Complementary color

CMYK 0 / 66 / 94 / 9

HEX #E84F0E

RGB 232 79 14

HSL 17.89, 0.89%, 0.48%

LAB 54.84, 56.91, 62.37

 

CMYK 88 / 25 / 0 / 7

HEX #1CB0EC

RGB 28 176 236

HSL 197.31, 0.85%, 0.52%

LAB 67.54, -15.38, -40.06

 

CMYK 82 / 24 / 0 / 0

HEX #2DC2FF

RGB 45 194 255

HSL 197.43, 1%, 0.59%

LAB 73.78, -17.27, -40.6

 

CMYK 76 / 17 / 0 / 0

HEX #3ED4FF

RGB 62 212 255

HSL 193.37, 1%, 0.62%

LAB 79.23, -24.93, -32.13

 

CMYK 69 / 10 / 0 / 0

HEX #4FE6FF

RGB 79 230 255

HSL 188.52, 1%, 0.65%

LAB 84.73, -31.7, -23.69

 

CMYK 62 / 3 / 0 / 0

HEX #60F8FF

RGB 96 248 255

HSL 182.64, 1%, 0.69%

LAB 90.25, -37.7, -15.32

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 97 / 29 / 0 / 13

HEX #069EDE

RGB 6 158 222

HSL 197.78, 0.95%, 0.45%

LAB 61.45, -11.42, -41.91

 

CMYK 100 / 31 / 0 / 20

HEX #008CCB

RGB 0 140 203

HSL 198.62, 1%, 0.4%

LAB 55.14, -8.47, -41.21

 

CMYK 100 / 34 / 0 / 28

HEX #007AB8

RGB 0 122 184

HSL 200.22, 1%, 0.36%

LAB 48.74, -5.21, -40.47

 

CMYK 100 / 37 / 0 / 35

HEX #0068A5

RGB 0 104 165

HSL 202.18, 1%, 0.32%

LAB 42.18, -1.76, -39.77

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 90 / 51 / 0 / 5

HEX #1775F1

RGB 23 117 241

HSL 214.13, 0.89%, 0.52%

LAB 50.98, 21, -69.2

 

CMYK 90 / 76 / 0 / 5

HEX #173BF1

RGB 23 59 241

HSL 230.09, 0.89%, 0.52%

LAB 37.23, 56.61, -91.77

 

CMYK 80 / 90 / 0 / 5

HEX #2F17F1

RGB 47 23 241

HSL 246.61, 0.89%, 0.52%

LAB 33.07, 72.17, -98.66

 

CMYK 56 / 90 / 0 / 5

HEX #6917F1

RGB 105 23 241

HSL 262.57, 0.89%, 0.52%

LAB 37.78, 75.21, -90.69

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 90 / 51 / 0 / 5

HEX #1775F1

RGB 23 117 241

HSL 214.13, 0.89%, 0.52%

LAB 50.98, 21, -69.2

 

CMYK 90 / 76 / 0 / 5

HEX #173BF1

RGB 23 59 241

HSL 230.09, 0.89%, 0.52%

LAB 37.23, 56.61, -91.77

 

CMYK 90 / 90 / 0 / 5

HEX #1717F1

RGB 23 23 241

HSL 240, 0.89%, 0.52%

LAB 32.14, 71.65, -100.24

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 81 / 24 / 0 / 13

HEX #2BA8DD

RGB 43 168 221

HSL 197.87, 0.72%, 0.52%

LAB 64.76, -15.19, -36.16

 

CMYK 69 / 20 / 0 / 21

HEX #3FA0C9

RGB 63 160 201

HSL 197.83, 0.56%, 0.52%

LAB 62.01, -15.2, -29.29

 

CMYK 54 / 16 / 0 / 29

HEX #5398B6

RGB 83 152 182

HSL 198.18, 0.4%, 0.52%

LAB 59.59, -13.17, -22.28

 

CMYK 37 / 11 / 0 / 36

HEX #6690A2

RGB 102 144 162

HSL 198, 0.24%, 0.52%

LAB 57.44, -9.69, -14.09

 

CMYK 90 / 0 / 22 / 5

HEX #17F1BB

RGB 23 241 187

HSL 165.14, 0.89%, 0.52%

LAB 85.34, -59.71, 12.85

 

CMYK 90 / 2 / 0 / 5

HEX #17EDF1

RGB 23 237 241

HSL 181.1, 0.89%, 0.52%

LAB 85.56, -43.72, -15.15

 

CMYK 90 / 26 / 0 / 5

HEX #17B3F1

RGB 23 179 241

HSL 197.06, 0.89%, 0.52%

LAB 68.59, -15.5, -41.16

 

CMYK 90 / 50 / 0 / 5

HEX #1779F1

RGB 23 121 241

HSL 213.03, 0.89%, 0.52%

LAB 52.07, 18.47, -67.44

 

CMYK 90 / 74 / 0 / 5

HEX #173FF1

RGB 23 63 241

HSL 228.99, 0.89%, 0.52%

LAB 38, 54.42, -90.48

 

CMYK 94 / 28 / 0 / 33

HEX #0A7CAC

RGB 10 124 172

HSL 197.78, 0.89%, 0.36%

LAB 48.83, -10.58, -33.37

 

CMYK 94 / 28 / 0 / 17

HEX #0C98D3

RGB 12 152 211

HSL 197.79, 0.89%, 0.44%

LAB 59.19, -11.91, -39.33

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 74 / 22 / 0 / 5

HEX #3EBDF3

RGB 62 189 243

HSL 197.9, 0.88%, 0.6%

LAB 72.16, -17.01, -36.64

 

CMYK 59 / 17 / 0 / 4

HEX #65CBF6

RGB 101 203 246

HSL 197.79, 0.89%, 0.68%

LAB 77.36, -17.52, -30.12

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 47 / 90 / 0 / 5

HEX #8017F1

RGB 128 23 241

HSL 268.9, 0.89%, 0.52%

LAB 40.5, 77.21, -86.11

 

CMYK 0 / 10 / 90 / 5

HEX #F1D817

RGB 241 216 23

HSL 53.12, 0.89%, 0.52%

LAB 85.94, -8.16, 83.48

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 0 / 90 / 26 / 5

HEX #F117B3

RGB 241 23 179

HSL 317.06, 0.89%, 0.52%

LAB 54.62, 84.47, -26.82

 

CMYK 26 / 0 / 90 / 5

HEX #B3F117

RGB 179 241 23

HSL 77.06, 0.89%, 0.52%

LAB 88.24, -45.13, 83.38

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 47 / 90 / 0 / 5

HEX #8017F1

RGB 128 23 241

HSL 268.9, 0.89%, 0.52%

LAB 40.5, 77.21, -86.11

 

CMYK 0 / 65 / 90 / 5

HEX #F15517

RGB 241 85 23

HSL 17.06, 0.89%, 0.52%

LAB 57.33, 57.62, 62.27

 

CMYK 44 / 0 / 90 / 5

HEX #88F117

RGB 136 241 23

HSL 88.9, 0.89%, 0.52%

LAB 86.11, -60.01, 80.77

 

CMYK 90 / 27 / 0 / 5

HEX #17B0F1

RGB 23 176 241

HSL 197.89, 0.89%, 0.52%

LAB 67.71, -13.88, -42.53

 

CMYK 20 / 90 / 0 / 5

HEX #C217F1

RGB 194 23 241

HSL 287.06, 0.89%, 0.52%

LAB 50.02, 85.18, -70.15

 

CMYK 0 / 65 / 90 / 5

HEX #F15517

RGB 241 85 23

HSL 17.06, 0.89%, 0.52%

LAB 57.33, 57.62, 62.27

 

CMYK 71 / 0 / 90 / 5

HEX #46F117

RGB 70 241 23

HSL 107.06, 0.89%, 0.52%

LAB 84.11, -76.09, 78.29

 

Description

Color code: RGB 23 176 241 | qconv.com Color code: RGB 23 176 241 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 176 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 176 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 27 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 27% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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