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Color name
RGB 23 215 177

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 23 215 177 it is the complementary color RGB 232 40 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 23 215 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 23 215 177 shade: RGB 28 215 172, RGB 45 233 191, RGB 62 251 210, RGB 79 255 229 and RGB 96 255 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 23 215 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 23 215 177 shade: RGB 23 215 177, RGB 6 197 158, RGB 0 179 139, RGB 0 161 120 and RGB 0 143 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 23 215 177 shade: RGB 22 216 178, RGB 22 216 126, RGB 22 216 73, RGB 24 216 22 and RGB 76 216 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 23 215 177 shade: RGB 22 216 178, RGB 22 202 216, RGB 22 150 216, RGB 22 98 216 and RGB 22 45 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 23 215 177 shade matches the following richer shades: RGB 22 216 178 and RGB 3 236 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 23 215 177 shade: RGB 22 216 178, RGB 42 197 166, RGB 61 178 155, RGB 80 158 143 and RGB 100 139 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 23 215 177 shade: RGB 22 216 74, RGB 22 216 126, RGB 22 216 178, RGB 22 203 216 and RGB 22 152 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 23 215 177 shade: RGB 14 142 117, RGB 18 179 147, RGB 22 216 178, RGB 47 233 196 and RGB 85 237 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 23 215 177 shade: RGB 23 215 177, RGB 22 22 216 and RGB 216 100 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 23 215 177 shade: RGB 23 215 177, RGB 178 22 216 and RGB 216 178 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 23 215 177 shade: RGB 23 215 177, RGB 22 22 216, RGB 216 22 61 and RGB 216 216 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 23 215 177 shade: RGB 23 215 177, RGB 81 22 216, RGB 216 22 61 and RGB 158 216 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 18 / 16

HEX #17D7B1

RGB 23 215 177

HSL 168.13, 0.81%, 0.47%

LAB 77.26, -52, 6.58

 

Complementary color

CMYK 0 / 83 / 66 / 9

HEX #E8284E

RGB 232 40 78

HSL 348.13, 0.81%, 0.53%

LAB 50.95, 71.22, 28.14

 

CMYK 87 / 0 / 20 / 16

HEX #1CD7AC

RGB 28 215 172

HSL 166.2, 0.77%, 0.48%

LAB 77.18, -52.97, 9.14

 

CMYK 81 / 0 / 18 / 9

HEX #2DE9BF

RGB 45 233 191

HSL 166.6, 0.81%, 0.55%

LAB 83.23, -54.2, 7.77

 

CMYK 75 / 0 / 16 / 2

HEX #3EFBD2

RGB 62 251 210

HSL 166.98, 0.96%, 0.61%

LAB 89.24, -55.12, 6.52

 

CMYK 69 / 0 / 10 / 0

HEX #4FFFE5

RGB 79 255 229

HSL 171.14, 1%, 0.65%

LAB 91.16, -50.03, -0.5

 

CMYK 62 / 0 / 3 / 0

HEX #60FFF8

RGB 96 255 248

HSL 177.36, 1%, 0.69%

LAB 92.04, -42.73, -9.02

 

CMYK 89 / 0 / 18 / 16

HEX #17D7B1

RGB 23 215 177

HSL 168.13, 0.81%, 0.47%

LAB 77.26, -52, 6.58

 

CMYK 97 / 0 / 20 / 23

HEX #06C59E

RGB 6 197 158

HSL 167.75, 0.94%, 0.4%

LAB 71.17, -50.29, 8.07

 

CMYK 100 / 0 / 22 / 30

HEX #00B38B

RGB 0 179 139

HSL 166.59, 1%, 0.35%

LAB 65.05, -48.12, 9.72

 

CMYK 100 / 0 / 25 / 37

HEX #00A178

RGB 0 161 120

HSL 164.72, 1%, 0.32%

LAB 58.83, -45.7, 11.48

 

CMYK 100 / 0 / 29 / 44

HEX #008F65

RGB 0 143 101

HSL 162.38, 1%, 0.28%

LAB 52.49, -43.2, 13.34

 

CMYK 90 / 0 / 18 / 15

HEX #16D8B2

RGB 22 216 178

HSL 168.25, 0.82%, 0.47%

LAB 77.58, -52.2, 6.51

 

CMYK 90 / 0 / 42 / 15

HEX #16D87E

RGB 22 216 126

HSL 152.16, 0.82%, 0.47%

LAB 76.55, -63.67, 32.34

 

CMYK 90 / 0 / 66 / 15

HEX #16D849

RGB 22 216 73

HSL 135.77, 0.82%, 0.47%

LAB 75.92, -71.28, 56.28

 

CMYK 89 / 0 / 90 / 15

HEX #18D816

RGB 24 216 22

HSL 119.38, 0.82%, 0.47%

LAB 75.68, -74.47, 71.05

 

CMYK 65 / 0 / 90 / 15

HEX #4CD816

RGB 76 216 22

HSL 103.3, 0.82%, 0.47%

LAB 76.5, -67.28, 72.08

 

CMYK 90 / 0 / 18 / 15

HEX #16D8B2

RGB 22 216 178

HSL 168.25, 0.82%, 0.47%

LAB 77.58, -52.2, 6.51

 

CMYK 90 / 6 / 0 / 15

HEX #16CAD8

RGB 22 202 216

HSL 184.33, 0.82%, 0.47%

LAB 74.43, -35.37, -18.6

 

CMYK 90 / 31 / 0 / 15

HEX #1696D8

RGB 22 150 216

HSL 200.41, 0.82%, 0.47%

LAB 58.92, -8.52, -42.55

 

CMYK 90 / 55 / 0 / 15

HEX #1662D8

RGB 22 98 216

HSL 216.49, 0.82%, 0.47%

LAB 44.04, 23.45, -66.38

 

CMYK 90 / 79 / 0 / 15

HEX #162DD8

RGB 22 45 216

HSL 232.89, 0.82%, 0.47%

LAB 31.82, 55.81, -86.47

 

CMYK 90 / 0 / 18 / 15

HEX #16D8B2

RGB 22 216 178

HSL 168.25, 0.82%, 0.47%

LAB 77.58, -52.2, 6.51

 

CMYK 99 / 0 / 19 / 7

HEX #03ECBE

RGB 3 236 190

HSL 168.15, 0.97%, 0.47%

LAB 83.82, -57.69, 9.11

 

CMYK 90 / 0 / 18 / 15

HEX #16D8B2

RGB 22 216 178

HSL 168.25, 0.82%, 0.47%

LAB 77.58, -52.2, 6.51

 

CMYK 79 / 0 / 16 / 23

HEX #2AC5A6

RGB 42 197 166

HSL 168, 0.65%, 0.47%

LAB 71.68, -46, 4.49

 

CMYK 66 / 0 / 13 / 30

HEX #3DB29B

RGB 61 178 155

HSL 168.21, 0.49%, 0.47%

LAB 65.9, -38.05, 2.21

 

CMYK 49 / 0 / 9 / 38

HEX #509E8F

RGB 80 158 143

HSL 168.46, 0.33%, 0.47%

LAB 60.02, -27.84, 0.43

 

CMYK 28 / 0 / 6 / 45

HEX #648B83

RGB 100 139 131

HSL 167.69, 0.16%, 0.47%

LAB 54.88, -15.31, -0.09

 

CMYK 90 / 0 / 66 / 15

HEX #16D84A

RGB 22 216 74

HSL 136.08, 0.82%, 0.47%

LAB 75.93, -71.17, 55.88

 

CMYK 90 / 0 / 42 / 15

HEX #16D87E

RGB 22 216 126

HSL 152.16, 0.82%, 0.47%

LAB 76.55, -63.67, 32.34

 

CMYK 90 / 0 / 18 / 15

HEX #16D8B2

RGB 22 216 178

HSL 168.25, 0.82%, 0.47%

LAB 77.58, -52.2, 6.51

 

CMYK 90 / 6 / 0 / 15

HEX #16CBD8

RGB 22 203 216

HSL 184.02, 0.82%, 0.47%

LAB 74.72, -35.83, -18.15

 

CMYK 90 / 30 / 0 / 15

HEX #1698D8

RGB 22 152 216

HSL 199.79, 0.82%, 0.47%

LAB 59.51, -9.66, -41.62

 

CMYK 90 / 0 / 18 / 44

HEX #0E8E75

RGB 14 142 117

HSL 168.28, 0.82%, 0.31%

LAB 52.65, -37.84, 4.4

 

CMYK 90 / 0 / 18 / 30

HEX #12B393

RGB 18 179 147

HSL 168.07, 0.82%, 0.39%

LAB 65.34, -45.3, 5.74

 

CMYK 90 / 0 / 18 / 15

HEX #16D8B2

RGB 22 216 178

HSL 168.25, 0.82%, 0.47%

LAB 77.58, -52.2, 6.51

 

CMYK 80 / 0 / 16 / 9

HEX #2FE9C4

RGB 47 233 196

HSL 168.06, 0.81%, 0.55%

LAB 83.37, -52.78, 5.35

 

CMYK 64 / 0 / 13 / 7

HEX #55EDCF

RGB 85 237 207

HSL 168.16, 0.81%, 0.63%

LAB 85.51, -46.99, 2.74

 

CMYK 89 / 0 / 18 / 16

HEX #17D7B1

RGB 23 215 177

HSL 168.13, 0.81%, 0.47%

LAB 77.26, -52, 6.58

 

CMYK 90 / 90 / 0 / 15

HEX #1616D8

RGB 22 22 216

HSL 240, 0.82%, 0.47%

LAB 28.65, 65.25, -91.75

 

CMYK 0 / 54 / 90 / 15

HEX #D86416

RGB 216 100 22

HSL 24.12, 0.82%, 0.47%

LAB 55.86, 41.76, 59.66

 

CMYK 89 / 0 / 18 / 16

HEX #17D7B1

RGB 23 215 177

HSL 168.13, 0.81%, 0.47%

LAB 77.26, -52, 6.58

 

CMYK 18 / 90 / 0 / 15

HEX #B216D8

RGB 178 22 216

HSL 288.25, 0.82%, 0.47%

LAB 45.63, 78.68, -63.19

 

CMYK 0 / 18 / 90 / 15

HEX #D8B216

RGB 216 178 22

HSL 48.25, 0.82%, 0.47%

LAB 73.87, 0.55, 73.34

 

CMYK 89 / 0 / 18 / 16

HEX #17D7B1

RGB 23 215 177

HSL 168.13, 0.81%, 0.47%

LAB 77.26, -52, 6.58

 

CMYK 90 / 90 / 0 / 15

HEX #1616D8

RGB 22 22 216

HSL 240, 0.82%, 0.47%

LAB 28.65, 65.25, -91.75

 

CMYK 0 / 90 / 72 / 15

HEX #D8163D

RGB 216 22 61

HSL 347.94, 0.82%, 0.47%

LAB 46.32, 69.69, 31.96

 

CMYK 0 / 0 / 90 / 15

HEX #D8D816

RGB 216 216 22

HSL 60, 0.82%, 0.47%

LAB 83.85, -18.77, 81.1

 

CMYK 89 / 0 / 18 / 16

HEX #17D7B1

RGB 23 215 177

HSL 168.13, 0.81%, 0.47%

LAB 77.26, -52, 6.58

 

CMYK 63 / 90 / 0 / 15

HEX #5116D8

RGB 81 22 216

HSL 258.25, 0.82%, 0.47%

LAB 32.44, 67.72, -85.34

 

CMYK 0 / 90 / 72 / 15

HEX #D8163D

RGB 216 22 61

HSL 347.94, 0.82%, 0.47%

LAB 46.32, 69.69, 31.96

 

CMYK 27 / 0 / 90 / 15

HEX #9ED816

RGB 158 216 22

HSL 77.94, 0.82%, 0.47%

LAB 79.86, -42.29, 76.24

 

Description

Color code: RGB 23 215 177 | qconv.com Color code: RGB 23 215 177 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 215 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 215 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 18 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 18% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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