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Color name
RGB 200 81 34

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 81 34 it is the complementary color RGB 55 174 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 81 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 81 34 shade: RGB 205 81 29, RGB 222 99 48, RGB 239 117 67, RGB 255 135 86 and RGB 255 153 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 81 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 183 63 15, RGB 166 45 0, RGB 149 27 0 and RGB 132 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 200 36 34 and RGB 200 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 200 126 34, RGB 200 171 34, RGB 185 200 34 and RGB 140 200 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 81 34 shade matches the following richer shades: RGB 200 81 34 and RGB 219 72 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 181 89 52, RGB 162 97 71, RGB 143 105 90 and RGB 124 114 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 81 34 shade: RGB 200 34 78, RGB 200 34 34, RGB 200 78 34, RGB 200 122 34 and RGB 200 167 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 81 34 shade: RGB 130 52 22, RGB 165 66 28, RGB 200 81 34, RGB 221 101 54 and RGB 227 128 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 122 200 34 and RGB 34 56 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 34 200 78 and RGB 78 34 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 122 200 34, RGB 34 156 200 and RGB 111 34 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 81 34 shade: RGB 200 81 34, RGB 72 200 34, RGB 34 156 200 and RGB 161 34 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

Complementary color

CMYK 75 / 21 / 0 / 13

HEX #37AEDD

RGB 55 174 221

HSL 196.99, 0.71%, 0.54%

LAB 66.75, -17.16, -33.04

 

CMYK 0 / 60 / 86 / 20

HEX #CD511D

RGB 205 81 29

HSL 17.73, 0.75%, 0.46%

LAB 50.63, 46.83, 52.36

 

CMYK 0 / 55 / 78 / 13

HEX #DE6330

RGB 222 99 48

HSL 17.59, 0.73%, 0.53%

LAB 56.75, 45.22, 50.58

 

CMYK 0 / 51 / 72 / 6

HEX #EF7543

RGB 239 117 67

HSL 17.44, 0.84%, 0.6%

LAB 62.91, 43.62, 48.54

 

CMYK 0 / 47 / 66 / 0

HEX #FF8756

RGB 255 135 86

HSL 17.4, 1%, 0.67%

LAB 68.94, 41.73, 46.32

 

CMYK 0 / 40 / 59 / 0

HEX #FF9969

RGB 255 153 105

HSL 19.2, 1%, 0.71%

LAB 72.93, 33.78, 41.27

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 0 / 66 / 92 / 28

HEX #B73F0F

RGB 183 63 15

HSL 17.14, 0.85%, 0.39%

LAB 43.74, 46.66, 50.57

 

CMYK 0 / 73 / 100 / 35

HEX #A62D00

RGB 166 45 0

HSL 16.27, 1%, 0.33%

LAB 37.81, 47.89, 50.23

 

CMYK 0 / 82 / 100 / 42

HEX #951B00

RGB 149 27 0

HSL 10.87, 1%, 0.29%

LAB 32.2, 48.44, 45.35

 

CMYK 0 / 93 / 100 / 48

HEX #840900

RGB 132 9 0

HSL 4.09, 1%, 0.26%

LAB 27.02, 47.53, 39.75

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 0 / 82 / 83 / 22

HEX #C82422

RGB 200 36 34

HSL 0.72, 0.71%, 0.46%

LAB 43.74, 61.76, 43.64

 

CMYK 0 / 83 / 83 / 22

HEX #C82222

RGB 200 34 34

HSL 0, 0.71%, 0.46%

LAB 43.56, 62.24, 43.48

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 0 / 37 / 83 / 22

HEX #C87E22

RGB 200 126 34

HSL 33.25, 0.71%, 0.46%

LAB 59.27, 21.84, 57.57

 

CMYK 0 / 15 / 83 / 22

HEX #C8AB22

RGB 200 171 34

HSL 49.52, 0.71%, 0.46%

LAB 70.54, -2.52, 67.26

 

CMYK 8 / 0 / 83 / 22

HEX #B9C822

RGB 185 200 34

HSL 65.42, 0.71%, 0.46%

LAB 77.12, -23.76, 72.35

 

CMYK 30 / 0 / 83 / 22

HEX #8CC822

RGB 140 200 34

HSL 81.69, 0.71%, 0.46%

LAB 74.19, -41.79, 68.66

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 0 / 67 / 93 / 14

HEX #DB480F

RGB 219 72 15

HSL 16.76, 0.87%, 0.46%

LAB 51.53, 55.37, 58.88

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 0 / 51 / 71 / 29

HEX #B55934

RGB 181 89 52

HSL 17.21, 0.55%, 0.46%

LAB 48.53, 34.54, 38.02

 

CMYK 0 / 40 / 56 / 36

HEX #A26147

RGB 162 97 71

HSL 17.14, 0.39%, 0.46%

LAB 47.86, 23.67, 25.95

 

CMYK 0 / 27 / 37 / 44

HEX #8F695A

RGB 143 105 90

HSL 16.98, 0.23%, 0.46%

LAB 47.86, 13.08, 14.39

 

CMYK 0 / 8 / 12 / 51

HEX #7C726D

RGB 124 114 109

HSL 20, 0.06%, 0.46%

LAB 48.79, 2.94, 4.16

 

CMYK 0 / 83 / 61 / 22

HEX #C8224E

RGB 200 34 78

HSL 344.1, 0.71%, 0.46%

LAB 44.19, 64.14, 18.15

 

CMYK 0 / 83 / 83 / 22

HEX #C82222

RGB 200 34 34

HSL 0, 0.71%, 0.46%

LAB 43.56, 62.24, 43.48

 

CMYK 0 / 61 / 83 / 22

HEX #C84E22

RGB 200 78 34

HSL 15.9, 0.71%, 0.46%

LAB 49.31, 46.51, 48.74

 

CMYK 0 / 39 / 83 / 22

HEX #C87A22

RGB 200 122 34

HSL 31.81, 0.71%, 0.46%

LAB 58.33, 24.02, 56.76

 

CMYK 0 / 17 / 83 / 22

HEX #C8A722

RGB 200 167 34

HSL 48.07, 0.71%, 0.46%

LAB 69.49, -0.4, 66.37

 

CMYK 0 / 60 / 83 / 49

HEX #823416

RGB 130 52 22

HSL 16.67, 0.71%, 0.3%

LAB 32.39, 31.93, 34.42

 

CMYK 0 / 60 / 83 / 35

HEX #A5421C

RGB 165 66 28

HSL 16.64, 0.71%, 0.38%

LAB 41.18, 38.91, 41.9

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 0 / 54 / 76 / 13

HEX #DD6536

RGB 221 101 54

HSL 16.89, 0.71%, 0.54%

LAB 57.02, 44.1, 47.92

 

CMYK 0 / 44 / 60 / 11

HEX #E3805A

RGB 227 128 90

HSL 16.64, 0.71%, 0.62%

LAB 63.76, 34.74, 37.12

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 39 / 0 / 83 / 22

HEX #7AC822

RGB 122 200 34

HSL 88.19, 0.71%, 0.46%

LAB 73.26, -48.25, 67.49

 

CMYK 83 / 72 / 0 / 22

HEX #2238C8

RGB 34 56 200

HSL 232.05, 0.71%, 0.46%

LAB 32.57, 44.93, -75.93

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 83 / 0 / 61 / 22

HEX #22C84E

RGB 34 200 78

HSL 135.9, 0.71%, 0.46%

LAB 71.01, -64.87, 48.69

 

CMYK 61 / 83 / 0 / 22

HEX #4E22C8

RGB 78 34 200

HSL 255.9, 0.71%, 0.46%

LAB 31.66, 59.52, -77.34

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 39 / 0 / 83 / 22

HEX #7AC822

RGB 122 200 34

HSL 88.19, 0.71%, 0.46%

LAB 73.26, -48.25, 67.49

 

CMYK 83 / 22 / 0 / 22

HEX #229CC8

RGB 34 156 200

HSL 195.9, 0.71%, 0.46%

LAB 60.15, -16.76, -31.67

 

CMYK 45 / 83 / 0 / 22

HEX #6F22C8

RGB 111 34 200

HSL 267.83, 0.71%, 0.46%

LAB 35.39, 63.24, -71.06

 

CMYK 0 / 60 / 83 / 22

HEX #C85122

RGB 200 81 34

HSL 16.99, 0.71%, 0.46%

LAB 49.83, 45.12, 49.22

 

CMYK 64 / 0 / 83 / 22

HEX #48C822

RGB 72 200 34

HSL 106.27, 0.71%, 0.46%

LAB 71.42, -62.48, 65.15

 

CMYK 83 / 22 / 0 / 22

HEX #229CC8

RGB 34 156 200

HSL 195.9, 0.71%, 0.46%

LAB 60.15, -16.76, -31.67

 

CMYK 20 / 83 / 0 / 22

HEX #A122C8

RGB 161 34 200

HSL 285.9, 0.71%, 0.46%

LAB 42.6, 70.72, -59

 

Description

Color code: RGB 200 81 34 | qconv.com Color code: RGB 200 81 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 81 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 81 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 83% 22% C M Y K

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Provide designers and agencies with accurate color values.

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