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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 87 240 it is the complementary color RGB 55 168 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 87 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 87 240 shade: RGB 205 87 235, RGB 222 105 254, RGB 239 123 255, RGB 255 141 255 and RGB 255 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 87 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 87 240 shade: RGB 200 87 240, RGB 183 69 221, RGB 166 51 202, RGB 149 33 183 and RGB 132 15 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 87 240 shade: RGB 199 86 240, RGB 240 86 239, RGB 240 86 197, RGB 240 86 155 and RGB 240 86 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 87 240 shade: RGB 199 86 240, RGB 158 86 240, RGB 116 86 240 and RGB 86 86 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 87 240 shade matches the following richer shades: RGB 199 86 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 87 240 shade: RGB 199 86 240, RGB 192 100 225, RGB 185 115 210, RGB 178 130 195 and RGB 171 145 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 87 240 shade: RGB 116 86 240, RGB 158 86 240, RGB 199 86 240, RGB 240 86 240 and RGB 240 86 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 87 240 shade: RGB 170 19 224, RGB 187 48 237, RGB 199 86 240, RGB 212 124 243 and RGB 224 162 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 87 240 shade: RGB 200 87 240, RGB 240 86 96 and RGB 86 240 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 87 240 shade: RGB 200 87 240, RGB 240 199 86 and RGB 86 240 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 87 240 shade: RGB 200 87 240, RGB 240 86 96, RGB 127 240 86 and RGB 86 240 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 87 240 shade: RGB 200 87 240, RGB 240 122 86, RGB 127 240 86 and RGB 86 204 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 64 / 0 / 6

HEX #C857F0

RGB 200 87 240

HSL 284.31, 0.84%, 0.64%

LAB 57.45, 67.11, -57.57

 

Complementary color

CMYK 67 / 0 / 91 / 34

HEX #37A80F

RGB 55 168 15

HSL 104.31, 0.84%, 0.36%

LAB 60.65, -56.26, 59.62

 

CMYK 13 / 63 / 0 / 8

HEX #CD57EB

RGB 205 87 235

HSL 287.84, 0.79%, 0.63%

LAB 57.84, 67.28, -54.12

 

CMYK 13 / 59 / 0 / 0

HEX #DE69FE

RGB 222 105 254

HSL 287.11, 0.99%, 0.7%

LAB 63.99, 66.93, -54.73

 

CMYK 6 / 52 / 0 / 0

HEX #EF7BFF

RGB 239 123 255

HSL 292.73, 1%, 0.74%

LAB 69.28, 63.06, -46.77

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 17 / 64 / 0 / 6

HEX #C857F0

RGB 200 87 240

HSL 284.31, 0.84%, 0.64%

LAB 57.45, 67.11, -57.57

 

CMYK 17 / 69 / 0 / 13

HEX #B745DD

RGB 183 69 221

HSL 285, 0.69%, 0.57%

LAB 51.32, 67.22, -56.84

 

CMYK 18 / 75 / 0 / 21

HEX #A633CA

RGB 166 51 202

HSL 285.7, 0.6%, 0.5%

LAB 45.27, 66.87, -55.8

 

CMYK 19 / 82 / 0 / 28

HEX #9521B7

RGB 149 33 183

HSL 286.4, 0.69%, 0.42%

LAB 39.41, 65.77, -54.29

 

CMYK 20 / 91 / 0 / 36

HEX #840FA4

RGB 132 15 164

HSL 287.11, 0.83%, 0.35%

LAB 33.83, 63.5, -52.11

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 0 / 64 / 0 / 6

HEX #F056EF

RGB 240 86 239

HSL 300.39, 0.84%, 0.64%

LAB 62.85, 76.37, -48.08

 

CMYK 0 / 64 / 18 / 6

HEX #F056C5

RGB 240 86 197

HSL 316.75, 0.84%, 0.64%

LAB 60.97, 70.09, -27.4

 

CMYK 0 / 64 / 35 / 6

HEX #F0569B

RGB 240 86 155

HSL 333.12, 0.84%, 0.64%

LAB 59.48, 64.88, -5.48

 

CMYK 0 / 64 / 53 / 6

HEX #F05672

RGB 240 86 114

HSL 349.09, 0.84%, 0.64%

LAB 58.41, 61.01, 16.96

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 34 / 64 / 0 / 6

HEX #9E56F0

RGB 158 86 240

HSL 268.05, 0.84%, 0.64%

LAB 52.08, 58.53, -66.48

 

CMYK 52 / 64 / 0 / 6

HEX #7456F0

RGB 116 86 240

HSL 251.69, 0.84%, 0.64%

LAB 47.83, 50.52, -73.58

 

CMYK 64 / 64 / 0 / 6

HEX #5656F0

RGB 86 86 240

HSL 240, 0.84%, 0.64%

LAB 45.53, 45.87, -77.42

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 15 / 56 / 0 / 12

HEX #C064E1

RGB 192 100 225

HSL 284.16, 0.68%, 0.64%

LAB 57.81, 56.21, -48.67

 

CMYK 12 / 45 / 0 / 18

HEX #B973D2

RGB 185 115 210

HSL 284.21, 0.51%, 0.64%

LAB 59.19, 43.53, -38.11

 

CMYK 9 / 33 / 0 / 24

HEX #B282C3

RGB 178 130 195

HSL 284.31, 0.35%, 0.64%

LAB 61.11, 30.05, -26.71

 

CMYK 5 / 19 / 0 / 29

HEX #AB91B4

RGB 171 145 180

HSL 284.57, 0.19%, 0.64%

LAB 63.51, 16.2, -14.64

 

CMYK 52 / 64 / 0 / 6

HEX #7456F0

RGB 116 86 240

HSL 251.69, 0.84%, 0.64%

LAB 47.83, 50.52, -73.58

 

CMYK 34 / 64 / 0 / 6

HEX #9E56F0

RGB 158 86 240

HSL 268.05, 0.84%, 0.64%

LAB 52.08, 58.53, -66.48

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 0 / 64 / 0 / 6

HEX #F056F0

RGB 240 86 240

HSL 300, 0.84%, 0.64%

LAB 62.9, 76.53, -48.56

 

CMYK 0 / 64 / 17 / 6

HEX #F056C7

RGB 240 86 199

HSL 315.97, 0.84%, 0.64%

LAB 61.05, 70.36, -28.42

 

CMYK 24 / 92 / 0 / 12

HEX #AA13E0

RGB 170 19 224

HSL 284.2, 0.84%, 0.48%

LAB 44.79, 79.4, -69.19

 

CMYK 21 / 80 / 0 / 7

HEX #BB30ED

RGB 187 48 237

HSL 284.13, 0.84%, 0.56%

LAB 50.44, 78.15, -67.26

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 13 / 49 / 0 / 5

HEX #D47CF3

RGB 212 124 243

HSL 284.37, 0.83%, 0.72%

LAB 65.66, 53.09, -46.11

 

CMYK 9 / 34 / 0 / 4

HEX #E0A2F6

RGB 224 162 246

HSL 284.29, 0.82%, 0.8%

LAB 75.04, 37.21, -33.03

 

CMYK 17 / 64 / 0 / 6

HEX #C857F0

RGB 200 87 240

HSL 284.31, 0.84%, 0.64%

LAB 57.45, 67.11, -57.57

 

CMYK 0 / 64 / 60 / 6

HEX #F05660

RGB 240 86 96

HSL 356.1, 0.84%, 0.64%

LAB 58.06, 59.71, 26.97

 

CMYK 64 / 0 / 43 / 6

HEX #56F089

RGB 86 240 137

HSL 139.87, 0.84%, 0.64%

LAB 85.05, -62.39, 38.08

 

CMYK 17 / 64 / 0 / 6

HEX #C857F0

RGB 200 87 240

HSL 284.31, 0.84%, 0.64%

LAB 57.45, 67.11, -57.57

 

CMYK 0 / 17 / 64 / 6

HEX #F0C756

RGB 240 199 86

HSL 44.03, 0.84%, 0.64%

LAB 81.86, 2.37, 60.33

 

CMYK 64 / 0 / 17 / 6

HEX #56F0C7

RGB 86 240 199

HSL 164.03, 0.84%, 0.64%

LAB 86.22, -50.01, 7.96

 

CMYK 17 / 64 / 0 / 6

HEX #C857F0

RGB 200 87 240

HSL 284.31, 0.84%, 0.64%

LAB 57.45, 67.11, -57.57

 

CMYK 0 / 64 / 60 / 6

HEX #F05660

RGB 240 86 96

HSL 356.1, 0.84%, 0.64%

LAB 58.06, 59.71, 26.97

 

CMYK 47 / 0 / 64 / 6

HEX #7FF056

RGB 127 240 86

HSL 104.03, 0.84%, 0.64%

LAB 85.76, -59.01, 62.44

 

CMYK 64 / 0 / 4 / 6

HEX #56F0E6

RGB 86 240 230

HSL 176.1, 0.84%, 0.64%

LAB 87, -42.29, -7.12

 

CMYK 17 / 64 / 0 / 6

HEX #C857F0

RGB 200 87 240

HSL 284.31, 0.84%, 0.64%

LAB 57.45, 67.11, -57.57

 

CMYK 0 / 49 / 64 / 6

HEX #F07A56

RGB 240 122 86

HSL 14.03, 0.84%, 0.64%

LAB 64.25, 42.54, 40.28

 

CMYK 47 / 0 / 64 / 6

HEX #7FF056

RGB 127 240 86

HSL 104.03, 0.84%, 0.64%

LAB 85.76, -59.01, 62.44

 

CMYK 64 / 15 / 0 / 6

HEX #56CCF0

RGB 86 204 240

HSL 194.03, 0.84%, 0.64%

LAB 76.95, -22.39, -27.57

 

Description

Color code: RGB 200 87 240 | qconv.com Color code: RGB 200 87 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 87 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 87 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 64 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 64% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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