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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 90 240 it is the complementary color RGB 55 165 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 90 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 200 90 240 shade: RGB 205 90 235, RGB 222 108 254, RGB 239 126 255, RGB 255 144 255 and RGB 255 162 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 90 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 200 90 240 shade: RGB 200 90 240, RGB 183 72 221, RGB 166 54 202, RGB 149 36 183 and RGB 132 18 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 200 90 240 shade: RGB 200 91 239, RGB 239 91 239, RGB 239 91 199, RGB 239 91 159 and RGB 239 91 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 200 90 240 shade: RGB 200 91 239, RGB 160 91 239, RGB 120 91 239 and RGB 91 91 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 200 90 240 shade matches the following richer shades: RGB 200 91 239 and RGB 207 77 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 200 90 240 shade: RGB 200 91 239, RGB 193 106 225, RGB 186 120 210, RGB 180 134 196 and RGB 173 149 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 200 90 240 shade: RGB 121 91 239, RGB 160 91 239, RGB 200 91 239, RGB 239 91 239 and RGB 239 91 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 200 90 240 shade: RGB 172 21 227, RGB 187 53 236, RGB 200 91 239, RGB 212 129 243 and RGB 225 167 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 200 90 240 shade: RGB 200 90 240, RGB 239 91 101 and RGB 91 239 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 200 90 240 shade: RGB 200 90 240, RGB 239 200 91 and RGB 91 239 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 200 90 240 shade: RGB 200 90 240, RGB 239 91 101, RGB 131 239 91 and RGB 91 239 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 200 90 240 shade: RGB 200 90 240, RGB 239 126 91, RGB 131 239 91 and RGB 91 205 239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

Complementary color

CMYK 67 / 0 / 91 / 35

HEX #37A50F

RGB 55 165 15

HSL 104, 0.83%, 0.35%

LAB 59.67, -55.26, 58.78

 

CMYK 13 / 62 / 0 / 8

HEX #CD5AEB

RGB 205 90 235

HSL 287.59, 0.78%, 0.64%

LAB 58.31, 65.98, -53.37

 

CMYK 13 / 57 / 0 / 0

HEX #DE6CFE

RGB 222 108 254

HSL 286.85, 0.99%, 0.71%

LAB 64.49, 65.57, -53.93

 

CMYK 6 / 51 / 0 / 0

HEX #EF7EFF

RGB 239 126 255

HSL 292.56, 1%, 0.75%

LAB 69.82, 61.63, -45.92

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

CMYK 17 / 67 / 0 / 13

HEX #B748DD

RGB 183 72 221

HSL 284.7, 0.69%, 0.57%

LAB 51.75, 66.01, -56.14

 

CMYK 18 / 73 / 0 / 21

HEX #A636CA

RGB 166 54 202

HSL 285.41, 0.58%, 0.5%

LAB 45.65, 65.8, -55.2

 

CMYK 19 / 80 / 0 / 28

HEX #9524B7

RGB 149 36 183

HSL 286.12, 0.67%, 0.43%

LAB 39.7, 64.91, -53.82

 

CMYK 20 / 89 / 0 / 36

HEX #8412A4

RGB 132 18 164

HSL 286.85, 0.8%, 0.36%

LAB 34.02, 62.94, -51.8

 

CMYK 16 / 62 / 0 / 6

HEX #C85BEF

RGB 200 91 239

HSL 284.19, 0.82%, 0.65%

LAB 58.03, 65.16, -56.08

 

CMYK 0 / 62 / 0 / 6

HEX #EF5BEF

RGB 239 91 239

HSL 300, 0.82%, 0.65%

LAB 63.4, 74.22, -47.23

 

CMYK 0 / 62 / 17 / 6

HEX #EF5BC7

RGB 239 91 199

HSL 316.22, 0.82%, 0.65%

LAB 61.62, 68.12, -27.55

 

CMYK 0 / 62 / 33 / 6

HEX #EF5B9F

RGB 239 91 159

HSL 332.43, 0.82%, 0.65%

LAB 60.19, 63, -6.76

 

CMYK 0 / 62 / 50 / 6

HEX #EF5B77

RGB 239 91 119

HSL 348.65, 0.82%, 0.65%

LAB 59.13, 59.02, 15

 

CMYK 16 / 62 / 0 / 6

HEX #C85BEF

RGB 200 91 239

HSL 284.19, 0.82%, 0.65%

LAB 58.03, 65.16, -56.08

 

CMYK 33 / 62 / 0 / 6

HEX #A05BEF

RGB 160 91 239

HSL 267.97, 0.82%, 0.65%

LAB 53.15, 56.22, -64.18

 

CMYK 50 / 62 / 0 / 6

HEX #785BEF

RGB 120 91 239

HSL 251.76, 0.82%, 0.65%

LAB 49.14, 48.18, -70.87

 

CMYK 62 / 62 / 0 / 6

HEX #5B5BEF

RGB 91 91 239

HSL 240, 0.82%, 0.65%

LAB 46.89, 43.33, -74.62

 

CMYK 16 / 62 / 0 / 6

HEX #C85BEF

RGB 200 91 239

HSL 284.19, 0.82%, 0.65%

LAB 58.03, 65.16, -56.08

 

CMYK 19 / 70 / 0 / 0

HEX #CF4DFE

RGB 207 77 254

HSL 284.07, 0.99%, 0.65%

LAB 57.78, 75.33, -64.77

 

CMYK 16 / 62 / 0 / 6

HEX #C85BEF

RGB 200 91 239

HSL 284.19, 0.82%, 0.65%

LAB 58.03, 65.16, -56.08

 

CMYK 14 / 53 / 0 / 12

HEX #C16AE1

RGB 193 106 225

HSL 283.87, 0.66%, 0.65%

LAB 59.05, 53.49, -46.69

 

CMYK 11 / 43 / 0 / 18

HEX #BA78D2

RGB 186 120 210

HSL 284, 0.5%, 0.65%

LAB 60.36, 41.13, -36.27

 

CMYK 8 / 32 / 0 / 23

HEX #B486C4

RGB 180 134 196

HSL 284.52, 0.34%, 0.65%

LAB 62.29, 28.66, -25.45

 

CMYK 5 / 18 / 0 / 29

HEX #AD95B6

RGB 173 149 182

HSL 283.64, 0.18%, 0.65%

LAB 64.77, 15.04, -13.85

 

CMYK 49 / 62 / 0 / 6

HEX #795BEF

RGB 121 91 239

HSL 252.16, 0.82%, 0.65%

LAB 49.23, 48.37, -70.72

 

CMYK 33 / 62 / 0 / 6

HEX #A05BEF

RGB 160 91 239

HSL 267.97, 0.82%, 0.65%

LAB 53.15, 56.22, -64.18

 

CMYK 16 / 62 / 0 / 6

HEX #C85BEF

RGB 200 91 239

HSL 284.19, 0.82%, 0.65%

LAB 58.03, 65.16, -56.08

 

CMYK 0 / 62 / 0 / 6

HEX #EF5BEF

RGB 239 91 239

HSL 300, 0.82%, 0.65%

LAB 63.4, 74.22, -47.23

 

CMYK 0 / 62 / 16 / 6

HEX #EF5BC8

RGB 239 91 200

HSL 315.81, 0.82%, 0.65%

LAB 61.66, 68.26, -28.06

 

CMYK 24 / 91 / 0 / 11

HEX #AC15E3

RGB 172 21 227

HSL 283.98, 0.83%, 0.49%

LAB 45.43, 79.92, -69.84

 

CMYK 21 / 78 / 0 / 7

HEX #BB35EC

RGB 187 53 236

HSL 283.93, 0.83%, 0.57%

LAB 50.88, 76.49, -65.99

 

CMYK 16 / 62 / 0 / 6

HEX #C85BEF

RGB 200 91 239

HSL 284.19, 0.82%, 0.65%

LAB 58.03, 65.16, -56.08

 

CMYK 13 / 47 / 0 / 5

HEX #D481F3

RGB 212 129 243

HSL 283.68, 0.83%, 0.73%

LAB 66.65, 50.53, -44.56

 

CMYK 9 / 32 / 0 / 4

HEX #E1A7F6

RGB 225 167 246

HSL 284.05, 0.81%, 0.81%

LAB 76.25, 34.83, -31.15

 

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

CMYK 0 / 62 / 58 / 6

HEX #EF5B65

RGB 239 91 101

HSL 355.95, 0.82%, 0.65%

LAB 58.76, 57.63, 24.96

 

CMYK 62 / 0 / 41 / 6

HEX #5BEF8D

RGB 91 239 141

HSL 140.27, 0.82%, 0.65%

LAB 84.94, -60.41, 35.98

 

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

CMYK 0 / 16 / 62 / 6

HEX #EFC85B

RGB 239 200 91

HSL 44.19, 0.82%, 0.65%

LAB 82.06, 1.75, 58.31

 

CMYK 62 / 0 / 16 / 6

HEX #5BEFC8

RGB 91 239 200

HSL 164.19, 0.82%, 0.65%

LAB 86.07, -48.52, 7.24

 

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

CMYK 0 / 62 / 58 / 6

HEX #EF5B65

RGB 239 91 101

HSL 355.95, 0.82%, 0.65%

LAB 58.76, 57.63, 24.96

 

CMYK 45 / 0 / 62 / 6

HEX #83EF5B

RGB 131 239 91

HSL 103.78, 0.82%, 0.65%

LAB 85.66, -57.01, 60.33

 

CMYK 62 / 0 / 4 / 6

HEX #5BEFE5

RGB 91 239 229

HSL 175.95, 0.82%, 0.65%

LAB 86.81, -41.34, -6.88

 

CMYK 17 / 63 / 0 / 6

HEX #C85AF0

RGB 200 90 240

HSL 284, 0.83%, 0.65%

LAB 57.93, 65.8, -56.81

 

CMYK 0 / 47 / 62 / 6

HEX #EF7E5B

RGB 239 126 91

HSL 14.19, 0.82%, 0.65%

LAB 64.98, 40.47, 38.45

 

CMYK 45 / 0 / 62 / 6

HEX #83EF5B

RGB 131 239 91

HSL 103.78, 0.82%, 0.65%

LAB 85.66, -57.01, 60.33

 

CMYK 62 / 14 / 0 / 6

HEX #5BCDEF

RGB 91 205 239

HSL 193.78, 0.82%, 0.65%

LAB 77.35, -22.37, -26.41

 

Description

Color code: RGB 200 90 240 | qconv.com Color code: RGB 200 90 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 90 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 90 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 63 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 63% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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