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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 157 99 it is the complementary color RGB 54 98 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 157 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 157 99 shade: RGB 206 157 94, RGB 223 175 113, RGB 240 193 132, RGB 255 211 151 and RGB 255 229 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 157 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 184 139 80, RGB 167 121 61, RGB 150 103 42 and RGB 133 85 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 201 129 99, RGB 201 102 99 and RGB 201 99 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 201 185 99, RGB 190 201 99, RGB 162 201 99 and RGB 135 201 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 157 99 shade matches the following richer shades: RGB 201 157 99, RGB 218 159 82, RGB 235 162 65 and RGB 252 164 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 184 155 116, RGB 167 152 133, RGB 150 150 149 and RGB 134 148 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 157 99 shade: RGB 201 102 99, RGB 201 129 99, RGB 201 157 99, RGB 201 184 99 and RGB 191 201 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 157 99 shade: RGB 162 116 55, RGB 191 138 68, RGB 201 157 99, RGB 212 176 129 and RGB 222 195 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 123 201 99 and RGB 116 99 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 99 201 157 and RGB 157 99 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 123 201 99, RGB 99 143 201 and RGB 177 99 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 157 99 shade: RGB 201 157 99, RGB 99 201 106, RGB 99 143 201 and RGB 201 99 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

Complementary color

CMYK 65 / 37 / 0 / 39

HEX #36629C

RGB 54 98 156

HSL 214.12, 0.49%, 0.41%

LAB 41.09, 3.99, -36.09

 

CMYK 0 / 24 / 54 / 19

HEX #CE9D5E

RGB 206 157 94

HSL 33.75, 0.53%, 0.59%

LAB 68.05, 10.93, 39.71

 

CMYK 0 / 22 / 49 / 13

HEX #DFAF71

RGB 223 175 113

HSL 33.82, 0.63%, 0.66%

LAB 74.53, 9.98, 38.33

 

CMYK 0 / 20 / 45 / 6

HEX #F0C184

RGB 240 193 132

HSL 33.89, 0.78%, 0.73%

LAB 80.92, 9.16, 37.01

 

CMYK 0 / 17 / 41 / 0

HEX #FFD397

RGB 255 211 151

HSL 34.62, 1%, 0.8%

LAB 87.04, 7.66, 35.48

 

CMYK 0 / 10 / 33 / 0

HEX #FFE5AA

RGB 255 229 170

HSL 41.65, 1%, 0.83%

LAB 91.77, 0.58, 32.06

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 0 / 24 / 57 / 28

HEX #B88B50

RGB 184 139 80

HSL 34.04, 0.42%, 0.52%

LAB 60.99, 10.27, 37.85

 

CMYK 0 / 28 / 63 / 35

HEX #A7793D

RGB 167 121 61

HSL 33.96, 0.46%, 0.45%

LAB 54.27, 11.46, 39.31

 

CMYK 0 / 31 / 72 / 41

HEX #96672A

RGB 150 103 42

HSL 33.89, 0.56%, 0.38%

LAB 47.43, 12.89, 40.7

 

CMYK 0 / 36 / 83 / 48

HEX #855517

RGB 133 85 23

HSL 33.82, 0.71%, 0.31%

LAB 40.48, 14.65, 41.7

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 0 / 36 / 51 / 21

HEX #C98163

RGB 201 129 99

HSL 17.65, 0.49%, 0.59%

LAB 60.8, 24.57, 27.75

 

CMYK 0 / 49 / 51 / 21

HEX #C96663

RGB 201 102 99

HSL 1.76, 0.49%, 0.59%

LAB 54.89, 38.96, 19.92

 

CMYK 0 / 51 / 51 / 21

HEX #C96363

RGB 201 99 99

HSL 0, 0.49%, 0.59%

LAB 54.28, 40.49, 19.11

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 0 / 8 / 51 / 21

HEX #C9B963

RGB 201 185 99

HSL 50.59, 0.49%, 0.59%

LAB 74.84, -5.66, 45.3

 

CMYK 5 / 0 / 51 / 21

HEX #BEC963

RGB 190 201 99

HSL 66.47, 0.49%, 0.59%

LAB 78.24, -18.33, 49.14

 

CMYK 19 / 0 / 51 / 21

HEX #A2C963

RGB 162 201 99

HSL 82.94, 0.49%, 0.59%

LAB 76.29, -29.32, 46.34

 

CMYK 33 / 0 / 51 / 21

HEX #87C963

RGB 135 201 99

HSL 98.82, 0.49%, 0.59%

LAB 74.71, -39.13, 44.08

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 0 / 27 / 62 / 15

HEX #DA9F52

RGB 218 159 82

HSL 33.97, 0.65%, 0.59%

LAB 69.69, 13.99, 48

 

CMYK 0 / 31 / 72 / 8

HEX #EBA241

RGB 235 162 65

HSL 34.24, 0.81%, 0.59%

LAB 72.15, 18.58, 59.02

 

CMYK 0 / 35 / 81 / 1

HEX #FCA430

RGB 252 164 48

HSL 34.12, 0.97%, 0.59%

LAB 74.48, 23.99, 68.52

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 0 / 16 / 37 / 28

HEX #B89B74

RGB 184 155 116

HSL 34.41, 0.32%, 0.59%

LAB 65.67, 5.14, 24.46

 

CMYK 0 / 9 / 20 / 35

HEX #A79885

RGB 167 152 133

HSL 33.53, 0.16%, 0.59%

LAB 63.64, 2.35, 12

 

CMYK 0 / 0 / 1 / 41

HEX #969695

RGB 150 150 149

HSL 60, 0%, 0.59%

LAB 62.05, -0.19, 0.52

 

CMYK 19 / 11 / 0 / 35

HEX #8694A6

RGB 134 148 166

HSL 213.75, 0.15%, 0.59%

LAB 60.78, -1.05, -11.14

 

CMYK 0 / 49 / 51 / 21

HEX #C96663

RGB 201 102 99

HSL 1.76, 0.49%, 0.59%

LAB 54.89, 38.96, 19.92

 

CMYK 0 / 36 / 51 / 21

HEX #C98163

RGB 201 129 99

HSL 17.65, 0.49%, 0.59%

LAB 60.8, 24.57, 27.75

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 0 / 8 / 51 / 21

HEX #C9B863

RGB 201 184 99

HSL 50, 0.49%, 0.59%

LAB 74.57, -5.13, 44.99

 

CMYK 5 / 0 / 51 / 21

HEX #BFC963

RGB 191 201 99

HSL 65.88, 0.49%, 0.59%

LAB 78.32, -17.92, 49.25

 

CMYK 0 / 28 / 66 / 36

HEX #A27437

RGB 162 116 55

HSL 34.21, 0.49%, 0.43%

LAB 52.34, 11.66, 40.02

 

CMYK 0 / 28 / 64 / 25

HEX #BF8A44

RGB 191 138 68

HSL 34.15, 0.49%, 0.51%

LAB 61.37, 12.96, 44.6

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 0 / 17 / 39 / 17

HEX #D4B081

RGB 212 176 129

HSL 33.98, 0.49%, 0.67%

LAB 73.95, 6.64, 28.96

 

CMYK 0 / 12 / 28 / 13

HEX #DEC3A0

RGB 222 195 160

HSL 33.87, 0.48%, 0.75%

LAB 80.23, 4.32, 21.11

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 39 / 0 / 51 / 21

HEX #7BC963

RGB 123 201 99

HSL 105.88, 0.49%, 0.59%

LAB 74.12, -43.13, 43.21

 

CMYK 42 / 51 / 0 / 21

HEX #7463C9

RGB 116 99 201

HSL 250, 0.49%, 0.59%

LAB 48.08, 31.77, -51.04

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 51 / 0 / 22 / 21

HEX #63C99D

RGB 99 201 157

HSL 154.12, 0.49%, 0.59%

LAB 74.1, -40.1, 13.01

 

CMYK 22 / 51 / 0 / 21

HEX #9D63C9

RGB 157 99 201

HSL 274.12, 0.49%, 0.59%

LAB 52.18, 42.36, -44.24

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 39 / 0 / 51 / 21

HEX #7BC963

RGB 123 201 99

HSL 105.88, 0.49%, 0.59%

LAB 74.12, -43.13, 43.21

 

CMYK 51 / 29 / 0 / 21

HEX #638FC9

RGB 99 143 201

HSL 214.12, 0.49%, 0.59%

LAB 58.52, 1.31, -34.59

 

CMYK 12 / 51 / 0 / 21

HEX #B163C9

RGB 177 99 201

HSL 285.88, 0.49%, 0.59%

LAB 54.54, 47.85, -40.37

 

CMYK 0 / 22 / 51 / 21

HEX #C99D63

RGB 201 157 99

HSL 34.12, 0.49%, 0.59%

LAB 67.6, 9.27, 36.43

 

CMYK 51 / 0 / 47 / 21

HEX #63C96A

RGB 99 201 106

HSL 124.12, 0.49%, 0.59%

LAB 73.2, -49.29, 38.42

 

CMYK 51 / 29 / 0 / 21

HEX #638FC9

RGB 99 143 201

HSL 214.12, 0.49%, 0.59%

LAB 58.52, 1.31, -34.59

 

CMYK 0 / 51 / 3 / 21

HEX #C963C2

RGB 201 99 194

HSL 304.12, 0.49%, 0.59%

LAB 57.3, 53.3, -31.82

 

Description

Color code: RGB 201 157 99 | qconv.com Color code: RGB 201 157 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 157 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 157 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 51 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 51% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - Start | webdesign ki...
Link: http://kixe.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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