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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 160 94 it is the complementary color RGB 54 95 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 160 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 160 94 shade: RGB 206 160 89, RGB 223 178 108, RGB 240 196 127, RGB 255 214 146 and RGB 255 232 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 160 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 184 142 75, RGB 167 124 56, RGB 150 106 37 and RGB 133 88 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 201 131 94, RGB 201 102 94 and RGB 201 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 201 189 94, RGB 184 201 94, RGB 155 201 94 and RGB 126 201 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 160 94 shade matches the following richer shades: RGB 201 160 94, RGB 218 164 77, RGB 236 168 59 and RGB 253 172 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 184 156 111, RGB 166 152 129, RGB 149 148 146 and RGB 132 144 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 160 94 shade: RGB 201 103 94, RGB 201 131 94, RGB 201 160 94, RGB 201 188 94 and RGB 185 201 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 160 94 shade: RGB 159 119 53, RGB 190 142 63, RGB 201 160 94, RGB 211 178 125 and RGB 222 196 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 113 201 94 and RGB 117 94 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 94 201 160 and RGB 160 94 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 113 201 94, RGB 94 135 201 and RGB 181 94 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 160 94 shade: RGB 201 160 94, RGB 94 201 106, RGB 94 135 201 and RGB 201 94 188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

Complementary color

CMYK 66 / 41 / 0 / 37

HEX #365FA1

RGB 54 95 161

HSL 217.01, 0.5%, 0.42%

LAB 40.48, 7.71, -40.03

 

CMYK 0 / 22 / 57 / 19

HEX #CEA059

RGB 206 160 89

HSL 36.41, 0.54%, 0.58%

LAB 68.74, 8.9, 43.09

 

CMYK 0 / 20 / 52 / 13

HEX #DFB26C

RGB 223 178 108

HSL 36.52, 0.64%, 0.65%

LAB 75.21, 7.94, 41.73

 

CMYK 0 / 18 / 47 / 6

HEX #F0C47F

RGB 240 196 127

HSL 36.64, 0.79%, 0.72%

LAB 81.59, 7.11, 40.41

 

CMYK 0 / 16 / 43 / 0

HEX #FFD692

RGB 255 214 146

HSL 37.43, 1%, 0.79%

LAB 87.69, 5.6, 38.88

 

CMYK 0 / 9 / 35 / 0

HEX #FFE8A5

RGB 255 232 165

HSL 44.67, 1%, 0.82%

LAB 92.44, -1.52, 35.48

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 23 / 59 / 28

HEX #B88E4B

RGB 184 142 75

HSL 36.88, 0.43%, 0.51%

LAB 61.69, 8.22, 41.27

 

CMYK 0 / 26 / 66 / 35

HEX #A77C38

RGB 167 124 56

HSL 36.76, 0.5%, 0.44%

LAB 54.99, 9.43, 42.62

 

CMYK 0 / 29 / 75 / 41

HEX #966A25

RGB 150 106 37

HSL 36.64, 0.6%, 0.37%

LAB 48.17, 10.9, 43.79

 

CMYK 0 / 34 / 86 / 48

HEX #855812

RGB 133 88 18

HSL 36.52, 0.76%, 0.3%

LAB 41.23, 12.71, 44.28

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 35 / 53 / 21

HEX #C9835E

RGB 201 131 94

HSL 20.75, 0.5%, 0.58%

LAB 61.18, 23.02, 31.01

 

CMYK 0 / 49 / 53 / 21

HEX #C9665E

RGB 201 102 94

HSL 4.49, 0.5%, 0.58%

LAB 54.79, 38.52, 22.7

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 6 / 53 / 21

HEX #C9BD5E

RGB 201 189 94

HSL 53.27, 0.5%, 0.58%

LAB 75.84, -8.16, 48.91

 

CMYK 8 / 0 / 53 / 21

HEX #B8C95E

RGB 184 201 94

HSL 69.53, 0.5%, 0.58%

LAB 77.74, -21.19, 50.79

 

CMYK 23 / 0 / 53 / 21

HEX #9BC95E

RGB 155 201 94

HSL 85.79, 0.5%, 0.58%

LAB 75.79, -32.48, 48.02

 

CMYK 37 / 0 / 53 / 21

HEX #7EC95E

RGB 126 201 94

HSL 102.06, 0.5%, 0.58%

LAB 74.2, -42.74, 45.74

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 25 / 65 / 15

HEX #DAA44D

RGB 218 164 77

HSL 37.02, 0.66%, 0.58%

LAB 70.87, 10.98, 51.71

 

CMYK 0 / 29 / 75 / 7

HEX #ECA83B

RGB 236 168 59

HSL 36.95, 0.82%, 0.58%

LAB 73.65, 15.56, 63.01

 

CMYK 0 / 32 / 83 / 1

HEX #FDAC2A

RGB 253 172 42

HSL 36.97, 0.98%, 0.58%

LAB 76.41, 20.05, 72.16

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 15 / 40 / 28

HEX #B89C6F

RGB 184 156 111

HSL 36.99, 0.34%, 0.58%

LAB 65.84, 4, 27.42

 

CMYK 0 / 8 / 22 / 35

HEX #A69881

RGB 166 152 129

HSL 37.3, 0.17%, 0.58%

LAB 63.47, 1.34, 13.98

 

CMYK 0 / 1 / 2 / 42

HEX #959492

RGB 149 148 146

HSL 40, 0.01%, 0.58%

LAB 61.35, -0.01, 1.18

 

CMYK 19 / 12 / 0 / 36

HEX #8490A3

RGB 132 144 163

HSL 216.77, 0.14%, 0.58%

LAB 59.43, -0.14, -11.47

 

CMYK 0 / 49 / 53 / 21

HEX #C9675E

RGB 201 103 94

HSL 5.05, 0.5%, 0.58%

LAB 55, 38, 22.97

 

CMYK 0 / 35 / 53 / 21

HEX #C9835E

RGB 201 131 94

HSL 20.75, 0.5%, 0.58%

LAB 61.18, 23.02, 31.01

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 6 / 53 / 21

HEX #C9BC5E

RGB 201 188 94

HSL 52.71, 0.5%, 0.58%

LAB 75.57, -7.65, 48.6

 

CMYK 8 / 0 / 53 / 21

HEX #B9C95E

RGB 185 201 94

HSL 68.97, 0.5%, 0.58%

LAB 77.81, -20.79, 50.9

 

CMYK 0 / 25 / 67 / 38

HEX #9F7735

RGB 159 119 53

HSL 37.36, 0.5%, 0.42%

LAB 52.75, 8.48, 41.38

 

CMYK 0 / 25 / 67 / 25

HEX #BE8E3F

RGB 190 142 63

HSL 37.32, 0.5%, 0.5%

LAB 62.21, 10, 47.91

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 0 / 16 / 41 / 17

HEX #D3B27D

RGB 211 178 125

HSL 36.98, 0.49%, 0.66%

LAB 74.3, 4.72, 31.52

 

CMYK 0 / 12 / 30 / 13

HEX #DEC49C

RGB 222 196 156

HSL 36.36, 0.5%, 0.74%

LAB 80.41, 3.27, 23.48

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 44 / 0 / 53 / 21

HEX #71C95E

RGB 113 201 94

HSL 109.35, 0.5%, 0.58%

LAB 73.61, -46.87, 44.89

 

CMYK 42 / 53 / 0 / 21

HEX #755EC9

RGB 117 94 201

HSL 252.9, 0.5%, 0.58%

LAB 46.98, 34.98, -52.79

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 53 / 0 / 20 / 21

HEX #5EC9A0

RGB 94 201 160

HSL 157.01, 0.5%, 0.58%

LAB 73.99, -40.61, 11.22

 

CMYK 20 / 53 / 0 / 21

HEX #A05EC9

RGB 160 94 201

HSL 277.01, 0.5%, 0.58%

LAB 51.49, 45.86, -45.32

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 44 / 0 / 53 / 21

HEX #71C95E

RGB 113 201 94

HSL 109.35, 0.5%, 0.58%

LAB 73.61, -46.87, 44.89

 

CMYK 53 / 33 / 0 / 21

HEX #5E87C9

RGB 94 135 201

HSL 217.01, 0.5%, 0.58%

LAB 56.01, 4.85, -38.54

 

CMYK 10 / 53 / 0 / 21

HEX #B55EC9

RGB 181 94 201

HSL 288.79, 0.5%, 0.58%

LAB 54.08, 51.49, -41.07

 

CMYK 0 / 20 / 53 / 21

HEX #C9A05E

RGB 201 160 94

HSL 37.01, 0.5%, 0.58%

LAB 68.29, 7.2, 39.88

 

CMYK 53 / 0 / 47 / 21

HEX #5EC96A

RGB 94 201 106

HSL 126.73, 0.5%, 0.58%

LAB 73.02, -50.6, 38.15

 

CMYK 53 / 33 / 0 / 21

HEX #5E87C9

RGB 94 135 201

HSL 217.01, 0.5%, 0.58%

LAB 56.01, 4.85, -38.54

 

CMYK 0 / 53 / 6 / 21

HEX #C95EBC

RGB 201 94 188

HSL 307.29, 0.5%, 0.58%

LAB 56.14, 54.68, -30.19

 

Description

Color code: RGB 201 160 94 | qconv.com Color code: RGB 201 160 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 160 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 160 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 53 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 53% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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