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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 188 79 it is the complementary color RGB 54 67 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 188 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 188 79 shade: RGB 206 188 74, RGB 223 206 93, RGB 240 224 112, RGB 255 242 131 and RGB 255 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 188 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 184 170 60, RGB 167 152 41, RGB 150 134 22 and RGB 133 116 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 201 155 79, RGB 201 122 79, RGB 201 89 79 and RGB 201 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 181 201 79, RGB 148 201 79, RGB 115 201 79 and RGB 82 201 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 188 79 shade matches the following richer shades: RGB 201 188 79, RGB 219 202 60 and RGB 238 217 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 182 173 97, RGB 163 158 116, RGB 145 144 135 and RGB 126 129 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 188 79 shade: RGB 201 122 79, RGB 201 154 79, RGB 201 186 79, RGB 182 201 79 and RGB 150 201 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 188 79 shade: RGB 151 140 46, RGB 183 169 56, RGB 201 188 79, RGB 210 200 110 and RGB 220 212 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 79 201 89 and RGB 138 79 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 79 201 186 and RGB 186 79 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 79 201 89, RGB 79 93 201 and RGB 201 79 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 188 79 shade: RGB 201 188 79, RGB 79 201 126, RGB 79 93 201 and RGB 201 79 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

Complementary color

CMYK 69 / 62 / 0 / 31

HEX #3643B0

RGB 54 67 176

HSL 233.61, 0.53%, 0.45%

LAB 33.84, 31.49, -59.66

 

CMYK 0 / 9 / 64 / 19

HEX #CEBC4A

RGB 206 188 74

HSL 51.82, 0.57%, 0.55%

LAB 75.81, -6.99, 58.09

 

CMYK 0 / 8 / 58 / 13

HEX #DFCE5D

RGB 223 206 93

HSL 52.15, 0.67%, 0.62%

LAB 82.17, -7.83, 57.14

 

CMYK 0 / 7 / 53 / 6

HEX #F0E070

RGB 240 224 112

HSL 52.5, 0.81%, 0.69%

LAB 88.45, -8.54, 56.06

 

CMYK 0 / 5 / 49 / 0

HEX #FFF283

RGB 255 242 131

HSL 53.71, 1%, 0.76%

LAB 94.48, -9.94, 54.69

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 0 / 8 / 67 / 28

HEX #B8AA3C

RGB 184 170 60

HSL 53.23, 0.51%, 0.48%

LAB 68.94, -7.9, 56.18

 

CMYK 0 / 9 / 75 / 35

HEX #A79829

RGB 167 152 41

HSL 52.86, 0.61%, 0.41%

LAB 62.37, -6.82, 56.56

 

CMYK 0 / 11 / 85 / 41

HEX #968616

RGB 150 134 22

HSL 52.5, 0.74%, 0.34%

LAB 55.68, -5.5, 56.04

 

CMYK 0 / 13 / 98 / 48

HEX #857403

RGB 133 116 3

HSL 52.15, 0.96%, 0.27%

LAB 48.86, -3.89, 54.09

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 0 / 23 / 61 / 21

HEX #C99B4F

RGB 201 155 79

HSL 37.38, 0.53%, 0.55%

LAB 66.84, 8.72, 45.72

 

CMYK 0 / 39 / 61 / 21

HEX #C97A4F

RGB 201 122 79

HSL 21.15, 0.53%, 0.55%

LAB 58.88, 26.72, 36.3

 

CMYK 0 / 56 / 61 / 21

HEX #C9594F

RGB 201 89 79

HSL 4.92, 0.53%, 0.55%

LAB 51.98, 43.86, 27.73

 

CMYK 0 / 61 / 61 / 21

HEX #C94F4F

RGB 201 79 79

HSL 0, 0.53%, 0.55%

LAB 50.19, 48.58, 25.43

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 10 / 0 / 61 / 21

HEX #B5C94F

RGB 181 201 79

HSL 69.84, 0.53%, 0.55%

LAB 77.38, -23.61, 57.05

 

CMYK 26 / 0 / 61 / 21

HEX #94C94F

RGB 148 201 79

HSL 86.07, 0.53%, 0.55%

LAB 75.22, -36.5, 54.07

 

CMYK 43 / 0 / 61 / 21

HEX #73C94F

RGB 115 201 79

HSL 102.3, 0.53%, 0.55%

LAB 73.53, -47.9, 51.71

 

CMYK 59 / 0 / 61 / 21

HEX #52C94F

RGB 82 201 79

HSL 118.52, 0.53%, 0.55%

LAB 72.32, -57.03, 50

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 0 / 8 / 73 / 14

HEX #DBCA3C

RGB 219 202 60

HSL 53.58, 0.69%, 0.55%

LAB 80.53, -9.39, 68.71

 

CMYK 0 / 9 / 82 / 7

HEX #EED92A

RGB 238 217 42

HSL 53.57, 0.85%, 0.55%

LAB 85.99, -9.53, 79.63

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 0 / 5 / 47 / 29

HEX #B6AD61

RGB 182 173 97

HSL 53.65, 0.37%, 0.55%

LAB 69.96, -7.45, 40

 

CMYK 0 / 3 / 29 / 36

HEX #A39E74

RGB 163 158 116

HSL 53.62, 0.2%, 0.55%

LAB 64.56, -5.01, 22.65

 

CMYK 0 / 1 / 7 / 43

HEX #919087

RGB 145 144 135

HSL 54, 0.04%, 0.55%

LAB 59.63, -1.32, 4.9

 

CMYK 18 / 16 / 0 / 40

HEX #7E8199

RGB 126 129 153

HSL 233.33, 0.12%, 0.55%

LAB 54.49, 4.12, -13.22

 

CMYK 0 / 39 / 61 / 21

HEX #C97A4F

RGB 201 122 79

HSL 21.15, 0.53%, 0.55%

LAB 58.88, 26.72, 36.3

 

CMYK 0 / 23 / 61 / 21

HEX #C99A4F

RGB 201 154 79

HSL 36.89, 0.53%, 0.55%

LAB 66.59, 9.26, 45.43

 

CMYK 0 / 7 / 61 / 21

HEX #C9BA4F

RGB 201 186 79

HSL 52.62, 0.53%, 0.55%

LAB 74.89, -7.75, 54.78

 

CMYK 9 / 0 / 61 / 21

HEX #B6C94F

RGB 182 201 79

HSL 69.34, 0.53%, 0.55%

LAB 77.45, -23.21, 57.15

 

CMYK 25 / 0 / 61 / 21

HEX #96C94F

RGB 150 201 79

HSL 85.08, 0.53%, 0.55%

LAB 75.34, -35.75, 54.23

 

CMYK 0 / 7 / 70 / 41

HEX #978C2E

RGB 151 140 46

HSL 53.71, 0.53%, 0.39%

LAB 57.59, -7.29, 49.44

 

CMYK 0 / 8 / 69 / 28

HEX #B7A938

RGB 183 169 56

HSL 53.39, 0.53%, 0.47%

LAB 68.55, -8.03, 57.38

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 0 / 5 / 48 / 18

HEX #D2C86E

RGB 210 200 110

HSL 54, 0.53%, 0.63%

LAB 79.69, -8.71, 45.96

 

CMYK 0 / 4 / 35 / 14

HEX #DCD48E

RGB 220 212 142

HSL 53.85, 0.53%, 0.71%

LAB 84.1, -7.5, 35.66

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 61 / 0 / 56 / 21

HEX #4FC959

RGB 79 201 89

HSL 124.92, 0.53%, 0.55%

LAB 72.33, -56.53, 45.44

 

CMYK 31 / 61 / 0 / 21

HEX #8A4FC9

RGB 138 79 201

HSL 269.02, 0.53%, 0.55%

LAB 45.92, 48.32, -54.37

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 61 / 0 / 7 / 21

HEX #4FC9BA

RGB 79 201 186

HSL 172.62, 0.53%, 0.55%

LAB 74.18, -37.37, -2.62

 

CMYK 7 / 61 / 0 / 21

HEX #BA4FC9

RGB 186 79 201

HSL 292.62, 0.53%, 0.55%

LAB 52.12, 59.89, -44.12

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 61 / 0 / 56 / 21

HEX #4FC959

RGB 79 201 89

HSL 124.92, 0.53%, 0.55%

LAB 72.33, -56.53, 45.44

 

CMYK 61 / 54 / 0 / 21

HEX #4F5DC9

RGB 79 93 201

HSL 233.11, 0.53%, 0.55%

LAB 43.81, 27.62, -58.04

 

CMYK 0 / 61 / 5 / 21

HEX #C94FBE

RGB 201 79 190

HSL 305.41, 0.53%, 0.55%

LAB 53.74, 61.77, -35.09

 

CMYK 0 / 6 / 61 / 21

HEX #C9BC4F

RGB 201 188 79

HSL 53.61, 0.53%, 0.55%

LAB 75.42, -8.78, 55.36

 

CMYK 61 / 0 / 37 / 21

HEX #4FC97E

RGB 79 201 126

HSL 143.11, 0.53%, 0.55%

LAB 72.85, -50.79, 27.63

 

CMYK 61 / 54 / 0 / 21

HEX #4F5DC9

RGB 79 93 201

HSL 233.11, 0.53%, 0.55%

LAB 43.81, 27.62, -58.04

 

CMYK 0 / 61 / 23 / 21

HEX #C94F9A

RGB 201 79 154

HSL 323.11, 0.53%, 0.55%

LAB 52.22, 56.35, -16.41

 

Description

Color code: RGB 201 188 79 | qconv.com Color code: RGB 201 188 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 188 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 188 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 61 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 61% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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