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Color name
RGB 201 195 83

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 195 83 it is the complementary color RGB 54 60 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 195 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 195 83 shade: RGB 206 195 78, RGB 223 213 97, RGB 240 231 116, RGB 255 249 135 and RGB 255 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 195 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 195 83 shade: RGB 201 195 83, RGB 184 177 64, RGB 167 159 45, RGB 150 141 26 and RGB 133 123 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 195 83 shade: RGB 201 195 84, RGB 201 163 84, RGB 201 132 84, RGB 201 100 84 and RGB 201 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 195 83 shade: RGB 201 195 84, RGB 175 201 84, RGB 144 201 84, RGB 112 201 84 and RGB 84 201 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 195 83 shade matches the following richer shades: RGB 201 195 84, RGB 219 211 66 and RGB 237 227 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 195 83 shade: RGB 201 195 84, RGB 182 178 102, RGB 164 162 120, RGB 146 146 138 and RGB 128 129 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 195 83 shade: RGB 201 131 84, RGB 201 162 84, RGB 201 193 84, RGB 177 201 84 and RGB 146 201 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 195 83 shade: RGB 154 148 48, RGB 185 179 58, RGB 201 195 84, RGB 211 206 115 and RGB 220 217 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 195 83 shade: RGB 201 195 83, RGB 84 201 100 and RGB 146 84 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 195 83 shade: RGB 201 195 83, RGB 84 201 193 and RGB 193 84 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 195 83 shade: RGB 201 195 83, RGB 84 201 100, RGB 84 92 201 and RGB 201 84 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 195 83 shade: RGB 201 195 83, RGB 84 201 135, RGB 84 92 201 and RGB 201 84 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 59 / 21

HEX #C9C353

RGB 201 195 83

HSL 56.95, 0.52%, 0.56%

LAB 77.32, -12.09, 55.69

 

Complementary color

CMYK 69 / 65 / 0 / 33

HEX #363CAC

RGB 54 60 172

HSL 236.95, 0.52%, 0.44%

LAB 31.79, 34.54, -60.62

 

CMYK 0 / 5 / 62 / 19

HEX #CEC34E

RGB 206 195 78

HSL 54.84, 0.57%, 0.56%

LAB 77.7, -10.33, 58.4

 

CMYK 0 / 4 / 57 / 13

HEX #DFD561

RGB 223 213 97

HSL 55.24, 0.66%, 0.63%

LAB 84.04, -11.08, 57.45

 

CMYK 0 / 4 / 52 / 6

HEX #F0E774

RGB 240 231 116

HSL 55.65, 0.81%, 0.7%

LAB 90.29, -11.71, 56.37

 

CMYK 0 / 2 / 47 / 0

HEX #FFF987

RGB 255 249 135

HSL 57, 1%, 0.76%

LAB 96.31, -13.02, 55.02

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 3 / 59 / 21

HEX #C9C353

RGB 201 195 83

HSL 56.95, 0.52%, 0.56%

LAB 77.32, -12.09, 55.69

 

CMYK 0 / 4 / 65 / 28

HEX #B8B140

RGB 184 177 64

HSL 56.5, 0.48%, 0.49%

LAB 70.87, -11.31, 56.53

 

CMYK 0 / 5 / 73 / 35

HEX #A79F2D

RGB 167 159 45

HSL 56.07, 0.58%, 0.42%

LAB 64.32, -10.36, 56.97

 

CMYK 0 / 6 / 83 / 41

HEX #968D1A

RGB 150 141 26

HSL 55.65, 0.7%, 0.35%

LAB 57.66, -9.18, 56.62

 

CMYK 0 / 8 / 95 / 48

HEX #857B07

RGB 133 123 7

HSL 55.24, 0.9%, 0.27%

LAB 50.88, -7.72, 54.8

 

CMYK 0 / 3 / 58 / 21

HEX #C9C354

RGB 201 195 84

HSL 56.92, 0.52%, 0.56%

LAB 77.33, -12.02, 55.25

 

CMYK 0 / 19 / 58 / 21

HEX #C9A354

RGB 201 163 84

HSL 40.51, 0.52%, 0.56%

LAB 68.93, 4.77, 45.68

 

CMYK 0 / 34 / 58 / 21

HEX #C98454

RGB 201 132 84

HSL 24.62, 0.52%, 0.56%

LAB 61.27, 21.65, 36.54

 

CMYK 0 / 50 / 58 / 21

HEX #C96454

RGB 201 100 84

HSL 8.21, 0.52%, 0.56%

LAB 54.21, 38.73, 27.7

 

CMYK 0 / 58 / 58 / 21

HEX #C95454

RGB 201 84 84

HSL 0, 0.52%, 0.56%

LAB 51.15, 46.62, 23.74

 

CMYK 0 / 3 / 58 / 21

HEX #C9C354

RGB 201 195 84

HSL 56.92, 0.52%, 0.56%

LAB 77.33, -12.02, 55.25

 

CMYK 13 / 0 / 58 / 21

HEX #AFC954

RGB 175 201 84

HSL 73.33, 0.52%, 0.56%

LAB 77, -25.64, 54.33

 

CMYK 28 / 0 / 58 / 21

HEX #90C954

RGB 144 201 84

HSL 89.23, 0.52%, 0.56%

LAB 75.04, -37.52, 51.59

 

CMYK 44 / 0 / 58 / 21

HEX #70C954

RGB 112 201 84

HSL 105.64, 0.52%, 0.56%

LAB 73.45, -48.32, 49.35

 

CMYK 58 / 0 / 57 / 21

HEX #54C957

RGB 84 201 87

HSL 121.54, 0.52%, 0.56%

LAB 72.46, -55.62, 46.56

 

CMYK 0 / 3 / 58 / 21

HEX #C9C354

RGB 201 195 84

HSL 56.92, 0.52%, 0.56%

LAB 77.33, -12.02, 55.25

 

CMYK 0 / 4 / 70 / 14

HEX #DBD342

RGB 219 211 66

HSL 56.86, 0.68%, 0.56%

LAB 82.94, -13.64, 68.89

 

CMYK 0 / 4 / 80 / 7

HEX #EDE330

RGB 237 227 48

HSL 56.83, 0.84%, 0.56%

LAB 88.52, -14.74, 80.24

 

CMYK 0 / 3 / 58 / 21

HEX #C9C354

RGB 201 195 84

HSL 56.92, 0.52%, 0.56%

LAB 77.33, -12.02, 55.25

 

CMYK 0 / 2 / 44 / 29

HEX #B6B266

RGB 182 178 102

HSL 57, 0.35%, 0.56%

LAB 71.38, -9.57, 39.21

 

CMYK 0 / 1 / 27 / 36

HEX #A4A278

RGB 164 162 120

HSL 57.27, 0.19%, 0.56%

LAB 65.82, -6.21, 22.17

 

CMYK 0 / 0 / 5 / 43

HEX #92928A

RGB 146 146 138

HSL 60, 0.04%, 0.56%

LAB 60.34, -1.51, 4.23

 

CMYK 18 / 18 / 0 / 38

HEX #80819D

RGB 128 129 157

HSL 237.93, 0.13%, 0.56%

LAB 54.79, 5.73, -15.06

 

CMYK 0 / 35 / 58 / 21

HEX #C98354

RGB 201 131 84

HSL 24.1, 0.52%, 0.56%

LAB 61.04, 22.2, 36.25

 

CMYK 0 / 19 / 58 / 21

HEX #C9A254

RGB 201 162 84

HSL 40, 0.52%, 0.56%

LAB 68.68, 5.31, 45.39

 

CMYK 0 / 4 / 58 / 21

HEX #C9C154

RGB 201 193 84

HSL 55.9, 0.52%, 0.56%

LAB 76.8, -11, 54.65

 

CMYK 12 / 0 / 58 / 21

HEX #B1C954

RGB 177 201 84

HSL 72.31, 0.52%, 0.56%

LAB 77.14, -24.84, 54.52

 

CMYK 27 / 0 / 58 / 21

HEX #92C954

RGB 146 201 84

HSL 88.21, 0.52%, 0.56%

LAB 75.15, -36.79, 51.75

 

CMYK 0 / 4 / 69 / 40

HEX #9A9430

RGB 154 148 48

HSL 56.6, 0.52%, 0.4%

LAB 60.13, -10.14, 51.27

 

CMYK 0 / 3 / 69 / 27

HEX #B9B33A

RGB 185 179 58

HSL 57.17, 0.52%, 0.48%

LAB 71.46, -12.26, 59.57

 

CMYK 0 / 3 / 58 / 21

HEX #C9C354

RGB 201 195 84

HSL 56.92, 0.52%, 0.56%

LAB 77.33, -12.02, 55.25

 

CMYK 0 / 2 / 45 / 17

HEX #D3CE73

RGB 211 206 115

HSL 56.88, 0.52%, 0.64%

LAB 81.42, -10.89, 45.64

 

CMYK 0 / 1 / 33 / 14

HEX #DCD993

RGB 220 217 147

HSL 57.53, 0.51%, 0.72%

LAB 85.48, -9.45, 34.91

 

CMYK 0 / 3 / 59 / 21

HEX #C9C353

RGB 201 195 83

HSL 56.95, 0.52%, 0.56%

LAB 77.32, -12.09, 55.69

 

CMYK 58 / 0 / 50 / 21

HEX #54C964

RGB 84 201 100

HSL 128.21, 0.52%, 0.56%

LAB 72.61, -53.91, 40.54

 

CMYK 27 / 58 / 0 / 21

HEX #9254C9

RGB 146 84 201

HSL 271.79, 0.52%, 0.56%

LAB 47.84, 47.59, -51.24

 

CMYK 0 / 3 / 59 / 21

HEX #C9C353

RGB 201 195 83

HSL 56.95, 0.52%, 0.56%

LAB 77.32, -12.09, 55.69

 

CMYK 58 / 0 / 4 / 21

HEX #54C9C1

RGB 84 201 193

HSL 175.9, 0.52%, 0.56%

LAB 74.51, -34.62, -5.9

 

CMYK 4 / 58 / 0 / 21

HEX #C154C9

RGB 193 84 201

HSL 295.9, 0.52%, 0.56%

LAB 53.92, 59.41, -41.21

 

CMYK 0 / 3 / 59 / 21

HEX #C9C353

RGB 201 195 83

HSL 56.95, 0.52%, 0.56%

LAB 77.32, -12.09, 55.69

 

CMYK 58 / 0 / 50 / 21

HEX #54C964

RGB 84 201 100

HSL 128.21, 0.52%, 0.56%

LAB 72.61, -53.91, 40.54

 

CMYK 58 / 54 / 0 / 21

HEX #545CC9

RGB 84 92 201

HSL 235.9, 0.52%, 0.56%

LAB 43.88, 29.16, -57.91

 

CMYK 0 / 58 / 8 / 21

HEX #C954B9

RGB 201 84 185

HSL 308.21, 0.52%, 0.56%

LAB 54.3, 58.78, -31.32

 

CMYK 0 / 3 / 59 / 21

HEX #C9C353

RGB 201 195 83

HSL 56.95, 0.52%, 0.56%

LAB 77.32, -12.09, 55.69

 

CMYK 58 / 0 / 33 / 21

HEX #54C987

RGB 84 201 135

HSL 146.15, 0.52%, 0.56%

LAB 73.16, -48.03, 23.35

 

CMYK 58 / 54 / 0 / 21

HEX #545CC9

RGB 84 92 201

HSL 235.9, 0.52%, 0.56%

LAB 43.88, 29.16, -57.91

 

CMYK 0 / 58 / 25 / 21

HEX #C95496

RGB 201 84 150

HSL 326.15, 0.52%, 0.56%

LAB 52.91, 53.57, -13.01

 

Description

Color code: RGB 201 195 83 | qconv.com Color code: RGB 201 195 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 195 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 195 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 59 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 59% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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