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Color name
RGB 201 69 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 69 150 it is the complementary color RGB 54 186 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 69 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 69 150 shade: RGB 206 69 145, RGB 223 87 164, RGB 240 105 183, RGB 255 123 202 and RGB 255 141 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 69 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 184 51 131, RGB 167 33 112, RGB 150 15 93 and RGB 133 0 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 201 69 114, RGB 201 69 79 and RGB 201 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 201 69 185, RGB 180 69 201, RGB 145 69 201 and RGB 109 69 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 69 150 shade matches the following richer shades: RGB 201 69 150, RGB 220 49 154 and RGB 239 30 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 181 88 145, RGB 162 108 141, RGB 142 127 136 and RGB 123 146 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 69 150 shade: RGB 181 69 201, RGB 201 69 185, RGB 201 69 150, RGB 201 69 115 and RGB 201 69 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 69 150 shade: RGB 145 42 105, RGB 177 51 128, RGB 201 69 150, RGB 210 101 168 and RGB 219 133 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 201 146 69 and RGB 69 201 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 150 201 69 and RGB 69 150 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 201 146 69, RGB 69 201 119 and RGB 69 124 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 69 150 shade: RGB 201 69 150, RGB 201 185 69, RGB 69 201 119 and RGB 69 84 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

Complementary color

CMYK 71 / 0 / 44 / 27

HEX #36BA69

RGB 54 186 105

HSL 143.18, 0.55%, 0.47%

LAB 67.22, -53.44, 31.03

 

CMYK 0 / 67 / 30 / 19

HEX #CE4591

RGB 206 69 145

HSL 326.72, 0.58%, 0.54%

LAB 51.18, 60.77, -12.58

 

CMYK 0 / 61 / 26 / 13

HEX #DF57A4

RGB 223 87 164

HSL 326.03, 0.68%, 0.61%

LAB 57.25, 60.62, -14.32

 

CMYK 0 / 56 / 24 / 6

HEX #F069B7

RGB 240 105 183

HSL 325.33, 0.82%, 0.68%

LAB 63.38, 60.21, -15.74

 

CMYK 0 / 52 / 21 / 0

HEX #FF7BCA

RGB 255 123 202

HSL 324.09, 1%, 0.74%

LAB 69.25, 59.03, -17.38

 

CMYK 0 / 45 / 13 / 0

HEX #FF8DDD

RGB 255 141 221

HSL 317.89, 1%, 0.78%

LAB 73.24, 53.17, -21.85

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 72 / 29 / 28

HEX #B83383

RGB 184 51 131

HSL 323.91, 0.57%, 0.46%

LAB 44.51, 59.73, -14.59

 

CMYK 0 / 80 / 33 / 35

HEX #A72170

RGB 167 33 112

HSL 324.63, 0.67%, 0.39%

LAB 38.68, 58.73, -11.98

 

CMYK 0 / 90 / 38 / 41

HEX #960F5D

RGB 150 15 93

HSL 325.33, 0.82%, 0.32%

LAB 33.17, 56.6, -8.51

 

CMYK 0 / 100 / 44 / 48

HEX #85004A

RGB 133 0 74

HSL 326.62, 1%, 0.26%

LAB 28.06, 53.06, -4

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 66 / 43 / 21

HEX #C94572

RGB 201 69 114

HSL 339.55, 0.55%, 0.53%

LAB 49.36, 55.85, 3.27

 

CMYK 0 / 66 / 61 / 21

HEX #C9454F

RGB 201 69 79

HSL 355.45, 0.55%, 0.53%

LAB 48.56, 52.94, 23.33

 

CMYK 0 / 66 / 66 / 21

HEX #C94545

RGB 201 69 69

HSL 0, 0.55%, 0.53%

LAB 48.39, 52.31, 29.06

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 66 / 8 / 21

HEX #C945B9

RGB 201 69 185

HSL 307.27, 0.55%, 0.53%

LAB 52.04, 65.03, -34.86

 

CMYK 10 / 66 / 0 / 21

HEX #B445C9

RGB 180 69 201

HSL 290.45, 0.55%, 0.53%

LAB 49.71, 62.76, -48

 

CMYK 28 / 66 / 0 / 21

HEX #9145C9

RGB 145 69 201

HSL 274.55, 0.55%, 0.53%

LAB 44.93, 54.91, -55.92

 

CMYK 46 / 66 / 0 / 21

HEX #6D45C9

RGB 109 69 201

HSL 258.18, 0.55%, 0.53%

LAB 40.77, 47.52, -62.85

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 78 / 30 / 14

HEX #DC319A

RGB 220 49 154

HSL 323.16, 0.71%, 0.53%

LAB 51.55, 72.1, -17.15

 

CMYK 0 / 87 / 34 / 6

HEX #EF1E9E

RGB 239 30 158

HSL 323.25, 0.87%, 0.53%

LAB 53.76, 80.86, -15.84

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 51 / 20 / 29

HEX #B55891

RGB 181 88 145

HSL 323.23, 0.39%, 0.53%

LAB 50.51, 44.65, -13.96

 

CMYK 0 / 33 / 13 / 36

HEX #A26C8D

RGB 162 108 141

HSL 323.33, 0.23%, 0.53%

LAB 52.21, 26.66, -9.28

 

CMYK 0 / 11 / 4 / 44

HEX #8E7F88

RGB 142 127 136

HSL 324, 0.06%, 0.53%

LAB 54.77, 7.39, -2.78

 

CMYK 16 / 0 / 10 / 43

HEX #7B9284

RGB 123 146 132

HSL 143.48, 0.1%, 0.53%

LAB 58.45, -11.08, 4.69

 

CMYK 10 / 66 / 0 / 21

HEX #B545C9

RGB 181 69 201

HSL 290.91, 0.55%, 0.53%

LAB 49.85, 62.99, -47.76

 

CMYK 0 / 66 / 8 / 21

HEX #C945B9

RGB 201 69 185

HSL 307.27, 0.55%, 0.53%

LAB 52.04, 65.03, -34.86

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 66 / 43 / 21

HEX #C94573

RGB 201 69 115

HSL 339.09, 0.55%, 0.53%

LAB 49.39, 55.95, 2.71

 

CMYK 0 / 66 / 60 / 21

HEX #C94550

RGB 201 69 80

HSL 355, 0.55%, 0.53%

LAB 48.58, 53, 22.75

 

CMYK 0 / 71 / 28 / 43

HEX #912A69

RGB 145 42 105

HSL 323.3, 0.55%, 0.37%

LAB 35.39, 49.02, -12.94

 

CMYK 0 / 71 / 28 / 31

HEX #B13380

RGB 177 51 128

HSL 323.33, 0.55%, 0.45%

LAB 43.17, 57.48, -14.91

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 52 / 20 / 18

HEX #D265A8

RGB 210 101 168

HSL 323.12, 0.55%, 0.61%

LAB 57.88, 50.86, -15.88

 

CMYK 0 / 39 / 15 / 14

HEX #DB85BA

RGB 219 133 186

HSL 323.02, 0.54%, 0.69%

LAB 66.04, 40.24, -13.7

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 27 / 66 / 21

HEX #C99245

RGB 201 146 69

HSL 35, 0.55%, 0.53%

LAB 64.49, 12.95, 47.91

 

CMYK 66 / 0 / 1 / 21

HEX #45C9C6

RGB 69 201 198

HSL 178.64, 0.55%, 0.53%

LAB 74.26, -35.76, -9.02

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 25 / 0 / 66 / 21

HEX #96C945

RGB 150 201 69

HSL 83.18, 0.55%, 0.53%

LAB 75.26, -36.55, 58.34

 

CMYK 66 / 25 / 0 / 21

HEX #4596C9

RGB 69 150 201

HSL 203.18, 0.55%, 0.53%

LAB 59.25, -8.73, -33.56

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 27 / 66 / 21

HEX #C99245

RGB 201 146 69

HSL 35, 0.55%, 0.53%

LAB 64.49, 12.95, 47.91

 

CMYK 66 / 0 / 41 / 21

HEX #45C977

RGB 69 201 119

HSL 142.73, 0.55%, 0.53%

LAB 72.48, -54.02, 30.71

 

CMYK 66 / 38 / 0 / 21

HEX #457CC9

RGB 69 124 201

HSL 215, 0.55%, 0.53%

LAB 51.72, 6.5, -45.4

 

CMYK 0 / 66 / 25 / 21

HEX #C94596

RGB 201 69 150

HSL 323.18, 0.55%, 0.53%

LAB 50.54, 60, -16.6

 

CMYK 0 / 8 / 66 / 21

HEX #C9B945

RGB 201 185 69

HSL 52.73, 0.55%, 0.53%

LAB 74.54, -7.87, 58.72

 

CMYK 66 / 0 / 41 / 21

HEX #45C977

RGB 69 201 119

HSL 142.73, 0.55%, 0.53%

LAB 72.48, -54.02, 30.71

 

CMYK 66 / 58 / 0 / 21

HEX #4554C9

RGB 69 84 201

HSL 233.18, 0.55%, 0.53%

LAB 40.93, 31.63, -62.73

 

Description

Color code: RGB 201 69 150 | qconv.com Color code: RGB 201 69 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 69 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 69 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 25 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 25% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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