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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 84 164 it is the complementary color RGB 54 171 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 84 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 201 84 164 shade: RGB 206 84 159, RGB 223 102 178, RGB 240 120 197, RGB 255 138 216 and RGB 255 156 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 84 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 184 66 145, RGB 167 48 126, RGB 150 30 107 and RGB 133 12 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 201 84 132, RGB 201 84 101 and RGB 201 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 201 84 195, RGB 175 84 201, RGB 143 84 201 and RGB 112 84 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 201 84 164 shade matches the following richer shades: RGB 201 84 164, RGB 219 66 170 and RGB 237 48 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 182 102 157, RGB 164 120 150, RGB 146 138 144 and RGB 128 157 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 201 84 164 shade: RGB 173 84 201, RGB 201 84 197, RGB 201 84 166, RGB 201 84 135 and RGB 201 84 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 201 84 164 shade: RGB 154 48 120, RGB 185 58 145, RGB 201 84 164, RGB 211 115 180 and RGB 220 147 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 201 142 84 and RGB 84 201 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 166 201 84 and RGB 84 166 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 201 142 84, RGB 84 201 119 and RGB 84 142 201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 201 84 164 shade: RGB 201 84 164, RGB 201 177 84, RGB 84 201 119 and RGB 84 107 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

Complementary color

CMYK 68 / 0 / 47 / 33

HEX #36AB5B

RGB 54 171 91

HSL 138.97, 0.52%, 0.44%

LAB 62.22, -50.19, 31.88

 

CMYK 0 / 59 / 23 / 19

HEX #CE549F

RGB 206 84 159

HSL 323.11, 0.55%, 0.57%

LAB 53.99, 56.3, -16.59

 

CMYK 0 / 54 / 20 / 13

HEX #DF66B2

RGB 223 102 178

HSL 322.31, 0.65%, 0.64%

LAB 60.25, 55.81, -17.86

 

CMYK 0 / 50 / 18 / 6

HEX #F078C5

RGB 240 120 197

HSL 321.5, 0.8%, 0.71%

LAB 66.51, 55.19, -18.92

 

CMYK 0 / 46 / 15 / 0

HEX #FF8AD8

RGB 255 138 216

HSL 320, 1%, 0.77%

LAB 72.49, 53.88, -20.23

 

CMYK 0 / 39 / 8 / 0

HEX #FF9CEB

RGB 255 156 235

HSL 312.12, 1%, 0.81%

LAB 76.7, 47.89, -24.22

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 64 / 21 / 28

HEX #B84291

RGB 184 66 145

HSL 319.83, 0.47%, 0.49%

LAB 47.15, 55.8, -19.04

 

CMYK 0 / 71 / 25 / 35

HEX #A7307E

RGB 167 48 126

HSL 320.67, 0.55%, 0.42%

LAB 40.95, 55.62, -17.23

 

CMYK 0 / 80 / 29 / 41

HEX #961E6B

RGB 150 30 107

HSL 321.5, 0.67%, 0.35%

LAB 34.95, 54.7, -14.8

 

CMYK 0 / 91 / 34 / 48

HEX #850C58

RGB 133 12 88

HSL 322.31, 0.83%, 0.28%

LAB 29.3, 52.53, -11.45

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 58 / 34 / 21

HEX #C95484

RGB 201 84 132

HSL 335.38, 0.52%, 0.56%

LAB 52.31, 51.28, -3.23

 

CMYK 0 / 58 / 50 / 21

HEX #C95465

RGB 201 84 101

HSL 351.28, 0.52%, 0.56%

LAB 51.49, 48.02, 14.11

 

CMYK 0 / 58 / 58 / 21

HEX #C95454

RGB 201 84 84

HSL 0, 0.52%, 0.56%

LAB 51.15, 46.62, 23.74

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 58 / 3 / 21

HEX #C954C3

RGB 201 84 195

HSL 303.08, 0.52%, 0.56%

LAB 54.76, 60.44, -36.36

 

CMYK 13 / 58 / 0 / 21

HEX #AF54C9

RGB 175 84 201

HSL 286.67, 0.52%, 0.56%

LAB 51.46, 54.83, -45.25

 

CMYK 29 / 58 / 0 / 21

HEX #8F54C9

RGB 143 84 201

HSL 270.26, 0.52%, 0.56%

LAB 47.49, 46.86, -51.82

 

CMYK 44 / 58 / 0 / 21

HEX #7054C9

RGB 112 84 201

HSL 254.36, 0.52%, 0.56%

LAB 44.24, 39.7, -57.23

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 70 / 22 / 14

HEX #DB42AA

RGB 219 66 170

HSL 319.22, 0.68%, 0.56%

LAB 53.88, 68.49, -23.03

 

CMYK 0 / 80 / 25 / 7

HEX #ED30B1

RGB 237 48 177

HSL 319.05, 0.84%, 0.56%

LAB 55.37, 78.91, -24.56

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 44 / 14 / 29

HEX #B6669D

RGB 182 102 157

HSL 318.75, 0.35%, 0.56%

LAB 53.9, 39.62, -15.87

 

CMYK 0 / 27 / 9 / 36

HEX #A47896

RGB 164 120 150

HSL 319.09, 0.19%, 0.56%

LAB 55.61, 22.16, -9.43

 

CMYK 0 / 5 / 1 / 43

HEX #928A90

RGB 146 138 144

HSL 315, 0.04%, 0.56%

LAB 58.32, 4.12, -2.13

 

CMYK 18 / 0 / 13 / 38

HEX #809D89

RGB 128 157 137

HSL 138.62, 0.13%, 0.56%

LAB 62.09, -14.23, 7.13

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 0 / 58 / 2 / 21

HEX #C954C5

RGB 201 84 197

HSL 302.05, 0.52%, 0.56%

LAB 54.85, 60.78, -37.36

 

CMYK 0 / 58 / 17 / 21

HEX #C954A6

RGB 201 84 166

HSL 317.95, 0.52%, 0.56%

LAB 53.5, 55.84, -21.5

 

CMYK 0 / 58 / 33 / 21

HEX #C95487

RGB 201 84 135

HSL 333.85, 0.52%, 0.56%

LAB 52.41, 51.64, -4.87

 

CMYK 0 / 58 / 49 / 21

HEX #C95467

RGB 201 84 103

HSL 350.26, 0.52%, 0.56%

LAB 51.54, 48.2, 12.98

 

CMYK 0 / 69 / 22 / 40

HEX #9A3078

RGB 154 48 120

HSL 319.25, 0.52%, 0.4%

LAB 38.45, 51.24, -17.55

 

CMYK 0 / 69 / 22 / 27

HEX #B93A91

RGB 185 58 145

HSL 318.9, 0.52%, 0.48%

LAB 46.16, 59.26, -20.55

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 45 / 15 / 17

HEX #D373B4

RGB 211 115 180

HSL 319.38, 0.52%, 0.64%

LAB 61.14, 46.01, -17.81

 

CMYK 0 / 33 / 10 / 14

HEX #DC93C5

RGB 220 147 197

HSL 318.9, 0.51%, 0.72%

LAB 69.55, 34.95, -14.56

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 29 / 58 / 21

HEX #C98E54

RGB 201 142 84

HSL 29.74, 0.52%, 0.56%

LAB 63.68, 16.18, 39.45

 

CMYK 58 / 0 / 6 / 21

HEX #54C9BD

RGB 84 201 189

HSL 173.85, 0.52%, 0.56%

LAB 74.4, -35.68, -3.9

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 17 / 0 / 58 / 21

HEX #A6C954

RGB 166 201 84

HSL 77.95, 0.52%, 0.56%

LAB 76.39, -29.19, 53.48

 

CMYK 58 / 17 / 0 / 21

HEX #54A6C9

RGB 84 166 201

HSL 197.95, 0.52%, 0.56%

LAB 64.46, -14.78, -25.45

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 29 / 58 / 21

HEX #C98E54

RGB 201 142 84

HSL 29.74, 0.52%, 0.56%

LAB 63.68, 16.18, 39.45

 

CMYK 58 / 0 / 41 / 21

HEX #54C977

RGB 84 201 119

HSL 137.95, 0.52%, 0.56%

LAB 72.89, -50.94, 31.33

 

CMYK 58 / 29 / 0 / 21

HEX #548EC9

RGB 84 142 201

HSL 210.26, 0.52%, 0.56%

LAB 57.51, -1.38, -36.23

 

CMYK 0 / 58 / 18 / 21

HEX #C954A4

RGB 201 84 164

HSL 318.97, 0.52%, 0.56%

LAB 53.43, 55.54, -20.45

 

CMYK 0 / 12 / 58 / 21

HEX #C9B154

RGB 201 177 84

HSL 47.69, 0.52%, 0.56%

LAB 72.56, -2.69, 49.87

 

CMYK 58 / 0 / 41 / 21

HEX #54C977

RGB 84 201 119

HSL 137.95, 0.52%, 0.56%

LAB 72.89, -50.94, 31.33

 

CMYK 58 / 47 / 0 / 21

HEX #546BC9

RGB 84 107 201

HSL 228.21, 0.52%, 0.56%

LAB 47.77, 19.79, -51.65

 

Description

Color code: RGB 201 84 164 | qconv.com Color code: RGB 201 84 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 84 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 84 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 18 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 18% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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