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Color name
RGB 203 107 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 107 97 it is the complementary color RGB 52 148 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 107 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 107 97 shade: RGB 208 107 92, RGB 225 125 111, RGB 242 143 130, RGB 255 161 149 and RGB 255 179 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 107 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 107 97 shade: RGB 203 107 97, RGB 186 89 78, RGB 169 71 59, RGB 152 53 40 and RGB 135 35 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 107 97 shade: RGB 202 108 98 and RGB 202 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 107 97 shade: RGB 202 108 98, RGB 202 136 98, RGB 202 164 98, RGB 202 192 98 and RGB 184 202 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 107 97 shade matches the following richer shades: RGB 202 108 98, RGB 219 94 81, RGB 236 80 64 and RGB 253 66 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 107 97 shade: RGB 202 108 98, RGB 185 121 115, RGB 168 135 132, RGB 151 149 148 and RGB 135 162 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 107 97 shade: RGB 202 98 145, RGB 202 98 117, RGB 202 106 98, RGB 202 134 98 and RGB 202 162 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 107 97 shade: RGB 163 64 54, RGB 192 79 67, RGB 202 108 98, RGB 213 137 129 and RGB 223 166 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 107 97 shade: RGB 203 107 97, RGB 173 202 98 and RGB 98 131 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 107 97 shade: RGB 203 107 97, RGB 98 202 106 and RGB 106 98 202

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 107 97 shade: RGB 203 107 97, RGB 173 202 98, RGB 98 194 202 and RGB 127 98 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 107 97 shade: RGB 203 107 97, RGB 141 202 98, RGB 98 194 202 and RGB 159 98 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 52 / 20

HEX #CB6B61

RGB 203 107 97

HSL 5.66, 0.5%, 0.59%

LAB 56.16, 36.95, 22.83

 

Complementary color

CMYK 67 / 6 / 0 / 38

HEX #34949E

RGB 52 148 158

HSL 185.66, 0.5%, 0.41%

LAB 56.46, -24.27, -13.48

 

CMYK 0 / 49 / 56 / 18

HEX #D06B5C

RGB 208 107 92

HSL 7.76, 0.55%, 0.59%

LAB 56.78, 38.43, 26.64

 

CMYK 0 / 44 / 51 / 12

HEX #E17D6F

RGB 225 125 111

HSL 7.37, 0.66%, 0.66%

LAB 63.2, 37.21, 24.77

 

CMYK 0 / 41 / 46 / 5

HEX #F28F82

RGB 242 143 130

HSL 6.96, 0.81%, 0.73%

LAB 69.56, 36.07, 23.12

 

CMYK 0 / 37 / 42 / 0

HEX #FFA195

RGB 255 161 149

HSL 6.79, 1%, 0.79%

LAB 75.4, 33.54, 20.92

 

CMYK 0 / 30 / 34 / 0

HEX #FFB3A8

RGB 255 179 168

HSL 7.59, 1%, 0.83%

LAB 79.8, 26.29, 16.73

 

CMYK 0 / 47 / 52 / 20

HEX #CB6B61

RGB 203 107 97

HSL 5.66, 0.5%, 0.59%

LAB 56.16, 36.95, 22.83

 

CMYK 0 / 52 / 58 / 27

HEX #BA594E

RGB 186 89 78

HSL 6.11, 0.44%, 0.52%

LAB 49.66, 38.19, 24.87

 

CMYK 0 / 58 / 65 / 34

HEX #A9473B

RGB 169 71 59

HSL 6.55, 0.48%, 0.45%

LAB 43.15, 39.47, 27.28

 

CMYK 0 / 65 / 74 / 40

HEX #983528

RGB 152 53 40

HSL 6.96, 0.58%, 0.38%

LAB 36.7, 40.67, 30.13

 

CMYK 0 / 74 / 84 / 47

HEX #872315

RGB 135 35 21

HSL 7.37, 0.73%, 0.31%

LAB 30.42, 41.56, 33.39

 

CMYK 0 / 47 / 51 / 21

HEX #CA6C62

RGB 202 108 98

HSL 5.77, 0.5%, 0.59%

LAB 56.25, 36.13, 22.35

 

CMYK 0 / 51 / 51 / 21

HEX #CA6262

RGB 202 98 98

HSL 0, 0.5%, 0.59%

LAB 54.21, 41.28, 19.62

 

CMYK 0 / 47 / 51 / 21

HEX #CA6C62

RGB 202 108 98

HSL 5.77, 0.5%, 0.59%

LAB 56.25, 36.13, 22.35

 

CMYK 0 / 33 / 51 / 21

HEX #CA8862

RGB 202 136 98

HSL 21.92, 0.5%, 0.59%

LAB 62.55, 21.06, 30.59

 

CMYK 0 / 19 / 51 / 21

HEX #CAA462

RGB 202 164 98

HSL 38.08, 0.5%, 0.59%

LAB 69.46, 5.81, 39.29

 

CMYK 0 / 5 / 51 / 21

HEX #CAC062

RGB 202 192 98

HSL 54.23, 0.5%, 0.59%

LAB 76.76, -8.96, 48.11

 

CMYK 9 / 0 / 51 / 21

HEX #B8CA62

RGB 184 202 98

HSL 70.38, 0.5%, 0.59%

LAB 78.06, -21.32, 49.29

 

CMYK 0 / 47 / 51 / 21

HEX #CA6C62

RGB 202 108 98

HSL 5.77, 0.5%, 0.59%

LAB 56.25, 36.13, 22.35

 

CMYK 0 / 57 / 63 / 14

HEX #DB5E51

RGB 219 94 81

HSL 5.65, 0.66%, 0.59%

LAB 55.75, 48.11, 31.92

 

CMYK 0 / 66 / 73 / 7

HEX #EC5040

RGB 236 80 64

HSL 5.58, 0.82%, 0.59%

LAB 56.03, 59.12, 42.39

 

CMYK 0 / 74 / 81 / 1

HEX #FD422F

RGB 253 66 47

HSL 5.53, 0.98%, 0.59%

LAB 57.06, 68.83, 53.19

 

CMYK 0 / 47 / 51 / 21

HEX #CA6C62

RGB 202 108 98

HSL 5.77, 0.5%, 0.59%

LAB 56.25, 36.13, 22.35

 

CMYK 0 / 35 / 38 / 27

HEX #B97973

RGB 185 121 115

HSL 5.14, 0.33%, 0.59%

LAB 57.3, 24.27, 13.62

 

CMYK 0 / 20 / 21 / 34

HEX #A88784

RGB 168 135 132

HSL 5, 0.17%, 0.59%

LAB 59.27, 12.09, 6.37

 

CMYK 0 / 1 / 2 / 41

HEX #979594

RGB 151 149 148

HSL 20, 0.01%, 0.59%

LAB 61.84, 0.54, 0.78

 

CMYK 18 / 2 / 0 / 35

HEX #87A2A5

RGB 135 162 165

HSL 186, 0.14%, 0.59%

LAB 64.73, -8.67, -4.69

 

CMYK 0 / 51 / 28 / 21

HEX #CA6291

RGB 202 98 145

HSL 332.88, 0.5%, 0.59%

LAB 55.42, 46.53, -6.3

 

CMYK 0 / 51 / 42 / 21

HEX #CA6275

RGB 202 98 117

HSL 349.04, 0.5%, 0.59%

LAB 54.63, 43.15, 9.04

 

CMYK 0 / 48 / 51 / 21

HEX #CA6A62

RGB 202 106 98

HSL 4.62, 0.5%, 0.59%

LAB 55.83, 37.18, 21.79

 

CMYK 0 / 34 / 51 / 21

HEX #CA8662

RGB 202 134 98

HSL 20.77, 0.5%, 0.59%

LAB 62.07, 22.15, 29.98

 

CMYK 0 / 20 / 51 / 21

HEX #CAA262

RGB 202 162 98

HSL 36.92, 0.5%, 0.59%

LAB 68.95, 6.89, 38.66

 

CMYK 0 / 61 / 67 / 36

HEX #A34036

RGB 163 64 54

HSL 5.5, 0.5%, 0.43%

LAB 40.77, 40.32, 27.1

 

CMYK 0 / 59 / 65 / 25

HEX #C04F43

RGB 192 79 67

HSL 5.76, 0.5%, 0.51%

LAB 48.52, 44.6, 30.04

 

CMYK 0 / 47 / 51 / 21

HEX #CA6C62

RGB 202 108 98

HSL 5.77, 0.5%, 0.59%

LAB 56.25, 36.13, 22.35

 

CMYK 0 / 36 / 39 / 16

HEX #D58981

RGB 213 137 129

HSL 5.71, 0.5%, 0.67%

LAB 64.66, 28.1, 16.39

 

CMYK 0 / 26 / 28 / 13

HEX #DFA6A0

RGB 223 166 160

HSL 5.71, 0.5%, 0.75%

LAB 73.22, 20.17, 11.33

 

CMYK 0 / 47 / 52 / 20

HEX #CB6B61

RGB 203 107 97

HSL 5.66, 0.5%, 0.59%

LAB 56.16, 36.95, 22.83

 

CMYK 14 / 0 / 51 / 21

HEX #ADCA62

RGB 173 202 98

HSL 76.73, 0.5%, 0.59%

LAB 77.29, -25.66, 48.19

 

CMYK 51 / 35 / 0 / 21

HEX #6283CA

RGB 98 131 202

HSL 220.96, 0.5%, 0.59%

LAB 55.17, 8.45, -40.42

 

CMYK 0 / 47 / 52 / 20

HEX #CB6B61

RGB 203 107 97

HSL 5.66, 0.5%, 0.59%

LAB 56.16, 36.95, 22.83

 

CMYK 51 / 0 / 48 / 21

HEX #62CA6A

RGB 98 202 106

HSL 124.62, 0.5%, 0.59%

LAB 73.47, -49.96, 38.74

 

CMYK 48 / 51 / 0 / 21

HEX #6A62CA

RGB 106 98 202

HSL 244.62, 0.5%, 0.59%

LAB 47.06, 30.34, -53.29

 

CMYK 0 / 47 / 52 / 20

HEX #CB6B61

RGB 203 107 97

HSL 5.66, 0.5%, 0.59%

LAB 56.16, 36.95, 22.83

 

CMYK 14 / 0 / 51 / 21

HEX #ADCA62

RGB 173 202 98

HSL 76.73, 0.5%, 0.59%

LAB 77.29, -25.66, 48.19

 

CMYK 51 / 4 / 0 / 21

HEX #62C2CA

RGB 98 194 202

HSL 184.62, 0.5%, 0.59%

LAB 73.18, -26.07, -12.72

 

CMYK 37 / 51 / 0 / 21

HEX #7F62CA

RGB 127 98 202

HSL 256.73, 0.5%, 0.59%

LAB 48.9, 35.33, -50.24

 

CMYK 0 / 47 / 52 / 20

HEX #CB6B61

RGB 203 107 97

HSL 5.66, 0.5%, 0.59%

LAB 56.16, 36.95, 22.83

 

CMYK 30 / 0 / 51 / 21

HEX #8DCA62

RGB 141 202 98

HSL 95.19, 0.5%, 0.59%

LAB 75.32, -37.6, 45.36

 

CMYK 51 / 4 / 0 / 21

HEX #62C2CA

RGB 98 194 202

HSL 184.62, 0.5%, 0.59%

LAB 73.18, -26.07, -12.72

 

CMYK 21 / 51 / 0 / 21

HEX #9F62CA

RGB 159 98 202

HSL 275.19, 0.5%, 0.59%

LAB 52.25, 43.67, -44.69

 

Description

Color code: RGB 203 107 97 | qconv.com Color code: RGB 203 107 97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 107 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 107 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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