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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 14 4 it is the complementary color RGB 51 241 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 14 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 14 4 shade: RGB 209 14 0, RGB 226 32 18, RGB 243 50 37, RGB 255 68 56 and RGB 255 86 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 14 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 14 4 shade: RGB 204 14 4, RGB 187 0 0, RGB 170 0 0, RGB 153 0 0 and RGB 136 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 14 4 shade: RGB 204 14 4 and RGB 204 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 14 4 shade: RGB 204 14 4, RGB 204 68 4, RGB 204 122 4, RGB 204 176 4 and RGB 179 204 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 14 4 shade matches the following richer shades: RGB 204 14 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 14 4 shade: RGB 204 14 4, RGB 188 29 21, RGB 171 44 38, RGB 154 59 54 and RGB 137 75 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 14 4 shade: RGB 204 4 101, RGB 204 4 47, RGB 204 14 4, RGB 204 67 4 and RGB 204 121 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 14 4 shade: RGB 124 8 2, RGB 164 11 3, RGB 204 14 4, RGB 245 17 5 and RGB 250 51 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 14 4 shade: RGB 204 14 4, RGB 154 204 4 and RGB 4 74 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 14 4 shade: RGB 204 14 4, RGB 4 204 14 and RGB 14 4 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 14 4 shade: RGB 204 14 4, RGB 154 204 4, RGB 4 194 204 and RGB 54 4 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 14 4 shade: RGB 204 14 4, RGB 94 204 4, RGB 4 194 204 and RGB 114 4 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

Complementary color

CMYK 80 / 4 / 0 / 2

HEX #33F1FB

RGB 51 241 251

HSL 183, 0.96%, 0.59%

LAB 87.28, -40.92, -17.78

 

CMYK 0 / 93 / 100 / 18

HEX #D10E00

RGB 209 14 0

HSL 4.02, 1%, 0.41%

LAB 44.05, 67.63, 58.02

 

CMYK 0 / 86 / 92 / 11

HEX #E22012

RGB 226 32 18

HSL 4.04, 0.85%, 0.48%

LAB 48.57, 69.49, 56.73

 

CMYK 0 / 79 / 85 / 5

HEX #F33225

RGB 243 50 37

HSL 3.79, 0.9%, 0.55%

LAB 53.46, 70.35, 54.01

 

CMYK 0 / 73 / 78 / 0

HEX #FF4438

RGB 255 68 56

HSL 3.62, 1%, 0.61%

LAB 57.73, 69.04, 49.45

 

CMYK 0 / 66 / 71 / 0

HEX #FF564B

RGB 255 86 75

HSL 3.67, 1%, 0.65%

LAB 60.27, 63.35, 42.09

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 100 / 100 / 47

HEX #880000

RGB 136 0 0

HSL 0, 1%, 0.27%

LAB 27.39, 50.21, 40.43

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 0 / 98 / 98 / 20

HEX #CC0404

RGB 204 4 4

HSL 0, 0.96%, 0.41%

LAB 42.66, 67.37, 55.49

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 0 / 67 / 98 / 20

HEX #CC4404

RGB 204 68 4

HSL 19.2, 0.96%, 0.41%

LAB 48.24, 51.77, 58.25

 

CMYK 0 / 40 / 98 / 20

HEX #CC7A04

RGB 204 122 4

HSL 35.4, 0.96%, 0.41%

LAB 58.76, 25.19, 64.7

 

CMYK 0 / 14 / 98 / 20

HEX #CCB004

RGB 204 176 4

HSL 51.6, 0.96%, 0.41%

LAB 72.16, -3.91, 74.01

 

CMYK 12 / 0 / 98 / 20

HEX #B3CC04

RGB 179 204 4

HSL 67.5, 0.96%, 0.41%

LAB 77.74, -28.73, 77.23

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 0 / 85 / 89 / 26

HEX #BC1D15

RGB 188 29 21

HSL 2.87, 0.8%, 0.41%

LAB 40.61, 59.75, 46.38

 

CMYK 0 / 74 / 78 / 33

HEX #AB2C26

RGB 171 44 38

HSL 2.71, 0.64%, 0.41%

LAB 38.9, 50.75, 34.73

 

CMYK 0 / 62 / 65 / 40

HEX #9A3B36

RGB 154 59 54

HSL 3, 0.48%, 0.41%

LAB 38.31, 39.39, 23.73

 

CMYK 0 / 45 / 48 / 46

HEX #894B47

RGB 137 75 71

HSL 3.64, 0.32%, 0.41%

LAB 39.25, 25.72, 13.97

 

CMYK 0 / 98 / 50 / 20

HEX #CC0465

RGB 204 4 101

HSL 330.9, 0.96%, 0.41%

LAB 44.04, 71.09, 3.66

 

CMYK 0 / 98 / 77 / 20

HEX #CC042F

RGB 204 4 47

HSL 347.1, 0.96%, 0.41%

LAB 42.96, 68.18, 35.83

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 0 / 67 / 98 / 20

HEX #CC4304

RGB 204 67 4

HSL 18.9, 0.96%, 0.41%

LAB 48.08, 52.18, 58.16

 

CMYK 0 / 41 / 98 / 20

HEX #CC7904

RGB 204 121 4

HSL 35.1, 0.96%, 0.41%

LAB 58.53, 25.73, 64.54

 

CMYK 0 / 94 / 98 / 51

HEX #7C0802

RGB 124 8 2

HSL 2.95, 0.97%, 0.25%

LAB 25.15, 45.45, 36.55

 

CMYK 0 / 93 / 98 / 36

HEX #A40B03

RGB 164 11 3

HSL 2.98, 0.96%, 0.33%

LAB 34.27, 56.17, 47.03

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 0 / 93 / 98 / 4

HEX #F51105

RGB 245 17 5

HSL 3, 0.96%, 0.49%

LAB 51.64, 76.42, 64.08

 

CMYK 0 / 80 / 84 / 2

HEX #FA3328

RGB 250 51 40

HSL 3.14, 0.95%, 0.57%

LAB 54.91, 72.11, 54.38

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 25 / 0 / 98 / 20

HEX #9ACC04

RGB 154 204 4

HSL 75, 0.96%, 0.41%

LAB 76.11, -38.84, 75.26

 

CMYK 98 / 64 / 0 / 20

HEX #044ACC

RGB 4 74 204

HSL 219, 0.96%, 0.41%

LAB 36.52, 33.82, -71.77

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 98 / 0 / 93 / 20

HEX #04CC0E

RGB 4 204 14

HSL 123, 0.96%, 0.41%

LAB 71.72, -72.4, 68.83

 

CMYK 93 / 98 / 0 / 20

HEX #0E04CC

RGB 14 4 204

HSL 243, 0.96%, 0.41%

LAB 25.38, 66.2, -90.23

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 25 / 0 / 98 / 20

HEX #9ACC04

RGB 154 204 4

HSL 75, 0.96%, 0.41%

LAB 76.11, -38.84, 75.26

 

CMYK 98 / 5 / 0 / 20

HEX #04C2CC

RGB 4 194 204

HSL 183, 0.96%, 0.41%

LAB 71.53, -35.96, -16.46

 

CMYK 74 / 98 / 0 / 20

HEX #3604CC

RGB 54 4 204

HSL 255, 0.96%, 0.41%

LAB 27.38, 67.03, -86.84

 

CMYK 0 / 93 / 98 / 20

HEX #CC0E04

RGB 204 14 4

HSL 3, 0.96%, 0.41%

LAB 43, 66.38, 55.63

 

CMYK 54 / 0 / 98 / 20

HEX #5ECC04

RGB 94 204 4

HSL 93, 0.96%, 0.41%

LAB 73.27, -59.24, 71.82

 

CMYK 98 / 5 / 0 / 20

HEX #04C2CC

RGB 4 194 204

HSL 183, 0.96%, 0.41%

LAB 71.53, -35.96, -16.46

 

CMYK 44 / 98 / 0 / 20

HEX #7204CC

RGB 114 4 204

HSL 273, 0.96%, 0.41%

LAB 34.03, 70.85, -75.61

 

Description

Color code: RGB 204 14 4 | qconv.com Color code: RGB 204 14 4 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 14 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 14 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 98 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 98% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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