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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 151 123 it is the complementary color RGB 51 104 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 151 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 151 123 shade: RGB 209 151 118, RGB 226 169 137, RGB 243 187 156, RGB 255 205 175 and RGB 255 223 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 151 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 151 123 shade: RGB 204 151 123, RGB 187 133 104, RGB 170 115 85, RGB 153 97 66 and RGB 136 79 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 151 123 shade: RGB 203 150 122, RGB 203 128 122 and RGB 203 122 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 151 123 shade: RGB 203 150 122, RGB 203 172 122, RGB 203 194 122, RGB 191 203 122 and RGB 169 203 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 151 123 shade matches the following richer shades: RGB 203 150 122, RGB 218 146 107, RGB 233 141 93 and RGB 248 136 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 151 123 shade: RGB 203 150 122, RGB 188 155 137, RGB 173 159 152, RGB 159 164 167 and RGB 144 169 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 151 123 shade: RGB 203 122 138, RGB 203 128 122, RGB 203 149 122, RGB 203 171 122 and RGB 203 192 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 151 123 shade: RGB 175 105 68, RGB 192 127 93, RGB 203 150 122, RGB 215 174 152 and RGB 226 197 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 151 123 shade: RGB 204 151 123, RGB 160 203 122 and RGB 122 128 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 151 123 shade: RGB 204 151 123, RGB 122 203 149 and RGB 149 122 203

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 151 123 shade: RGB 204 151 123, RGB 160 203 122, RGB 122 176 203 and RGB 165 122 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 151 123 shade: RGB 204 151 123, RGB 136 203 122, RGB 122 176 203 and RGB 190 122 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 40 / 20

HEX #CC977B

RGB 204 151 123

HSL 20.74, 0.44%, 0.64%

LAB 66.82, 16.26, 22.53

 

Complementary color

CMYK 61 / 21 / 0 / 48

HEX #336884

RGB 51 104 132

HSL 200.74, 0.44%, 0.36%

LAB 41.64, -8.7, -20.83

 

CMYK 0 / 28 / 44 / 18

HEX #D19776

RGB 209 151 118

HSL 21.76, 0.5%, 0.64%

LAB 67.27, 17.71, 25.97

 

CMYK 0 / 25 / 39 / 11

HEX #E2A989

RGB 226 169 137

HSL 21.57, 0.61%, 0.71%

LAB 73.77, 16.86, 24.68

 

CMYK 0 / 23 / 36 / 5

HEX #F3BB9C

RGB 243 187 156

HSL 21.38, 0.78%, 0.78%

LAB 80.18, 16.1, 23.48

 

CMYK 0 / 20 / 31 / 0

HEX #FFCDAF

RGB 255 205 175

HSL 22.5, 1%, 0.84%

LAB 86.02, 13.55, 21.64

 

CMYK 0 / 13 / 24 / 0

HEX #FFDFC2

RGB 255 223 194

HSL 28.52, 1%, 0.88%

LAB 90.75, 6.72, 18.27

 

CMYK 0 / 26 / 40 / 20

HEX #CC977B

RGB 204 151 123

HSL 20.74, 0.44%, 0.64%

LAB 66.82, 16.26, 22.53

 

CMYK 0 / 29 / 44 / 27

HEX #BB8568

RGB 187 133 104

HSL 20.96, 0.38%, 0.57%

LAB 60.19, 17.15, 23.86

 

CMYK 0 / 32 / 50 / 33

HEX #AA7355

RGB 170 115 85

HSL 21.18, 0.33%, 0.5%

LAB 53.45, 18.18, 25.33

 

CMYK 0 / 37 / 57 / 40

HEX #996142

RGB 153 97 66

HSL 21.38, 0.4%, 0.43%

LAB 46.6, 19.4, 26.98

 

CMYK 0 / 42 / 65 / 47

HEX #884F2F

RGB 136 79 47

HSL 21.57, 0.49%, 0.36%

LAB 39.63, 20.84, 28.83

 

CMYK 0 / 26 / 40 / 20

HEX #CB967A

RGB 203 150 122

HSL 20.74, 0.44%, 0.64%

LAB 66.45, 16.29, 22.56

 

CMYK 0 / 37 / 40 / 20

HEX #CB807A

RGB 203 128 122

HSL 4.44, 0.44%, 0.64%

LAB 61.26, 28.3, 15.44

 

CMYK 0 / 40 / 40 / 20

HEX #CB7A7A

RGB 203 122 122

HSL 0, 0.44%, 0.64%

LAB 59.91, 31.54, 13.57

 

CMYK 0 / 26 / 40 / 20

HEX #CB967A

RGB 203 150 122

HSL 20.74, 0.44%, 0.64%

LAB 66.45, 16.29, 22.56

 

CMYK 0 / 15 / 40 / 20

HEX #CBAC7A

RGB 203 172 122

HSL 37.04, 0.44%, 0.64%

LAB 71.96, 4.36, 29.9

 

CMYK 0 / 4 / 40 / 20

HEX #CBC27A

RGB 203 194 122

HSL 53.33, 0.44%, 0.64%

LAB 77.69, -7.23, 37.32

 

CMYK 6 / 0 / 40 / 20

HEX #BFCB7A

RGB 191 203 122

HSL 68.89, 0.44%, 0.64%

LAB 79.15, -16.57, 38.99

 

CMYK 17 / 0 / 40 / 20

HEX #A9CB7A

RGB 169 203 122

HSL 85.19, 0.44%, 0.64%

LAB 77.61, -24.99, 36.71

 

CMYK 0 / 26 / 40 / 20

HEX #CB967A

RGB 203 150 122

HSL 20.74, 0.44%, 0.64%

LAB 66.45, 16.29, 22.56

 

CMYK 0 / 33 / 51 / 15

HEX #DA926B

RGB 218 146 107

HSL 21.08, 0.6%, 0.64%

LAB 66.92, 22.96, 31.69

 

CMYK 0 / 39 / 60 / 9

HEX #E98D5D

RGB 233 141 93

HSL 20.57, 0.76%, 0.64%

LAB 67.4, 30.52, 40.15

 

CMYK 0 / 45 / 69 / 3

HEX #F8884E

RGB 248 136 78

HSL 20.47, 0.92%, 0.64%

LAB 68.11, 38.1, 49.15

 

CMYK 0 / 26 / 40 / 20

HEX #CB967A

RGB 203 150 122

HSL 20.74, 0.44%, 0.64%

LAB 66.45, 16.29, 22.56

 

CMYK 0 / 18 / 27 / 26

HEX #BC9B89

RGB 188 155 137

HSL 21.18, 0.28%, 0.64%

LAB 66.47, 9.51, 14.03

 

CMYK 0 / 8 / 12 / 32

HEX #AD9F98

RGB 173 159 152

HSL 20, 0.11%, 0.64%

LAB 66.48, 3.88, 5.49

 

CMYK 5 / 2 / 0 / 35

HEX #9FA4A7

RGB 159 164 167

HSL 202.5, 0.04%, 0.64%

LAB 67.06, -1.18, -2.18

 

CMYK 21 / 7 / 0 / 29

HEX #90A9B6

RGB 144 169 182

HSL 200.53, 0.21%, 0.64%

LAB 67.79, -5.75, -9.56

 

CMYK 0 / 40 / 32 / 20

HEX #CB7A8A

RGB 203 122 138

HSL 348.15, 0.44%, 0.64%

LAB 60.29, 33.5, 4.92

 

CMYK 0 / 37 / 40 / 20

HEX #CB807A

RGB 203 128 122

HSL 4.44, 0.44%, 0.64%

LAB 61.26, 28.3, 15.44

 

CMYK 0 / 27 / 40 / 20

HEX #CB957A

RGB 203 149 122

HSL 20, 0.44%, 0.64%

LAB 66.21, 16.84, 22.23

 

CMYK 0 / 16 / 40 / 20

HEX #CBAB7A

RGB 203 171 122

HSL 36.3, 0.44%, 0.64%

LAB 71.71, 4.9, 29.57

 

CMYK 0 / 5 / 40 / 20

HEX #CBC07A

RGB 203 192 122

HSL 51.85, 0.44%, 0.64%

LAB 77.16, -6.2, 36.65

 

CMYK 0 / 40 / 61 / 31

HEX #AF6944

RGB 175 105 68

HSL 20.75, 0.44%, 0.48%

LAB 51.42, 24.43, 32.46

 

CMYK 0 / 34 / 52 / 25

HEX #C07F5D

RGB 192 127 93

HSL 20.61, 0.44%, 0.56%

LAB 59.14, 21.43, 28.72

 

CMYK 0 / 26 / 40 / 20

HEX #CB967A

RGB 203 150 122

HSL 20.74, 0.44%, 0.64%

LAB 66.45, 16.29, 22.56

 

CMYK 0 / 19 / 29 / 16

HEX #D7AE98

RGB 215 174 152

HSL 20.95, 0.44%, 0.72%

LAB 74.18, 11.74, 16.93

 

CMYK 0 / 13 / 19 / 11

HEX #E2C5B6

RGB 226 197 182

HSL 20.45, 0.43%, 0.8%

LAB 81.55, 7.89, 11.28

 

CMYK 0 / 26 / 40 / 20

HEX #CC977B

RGB 204 151 123

HSL 20.74, 0.44%, 0.64%

LAB 66.82, 16.26, 22.53

 

CMYK 21 / 0 / 40 / 20

HEX #A0CB7A

RGB 160 203 122

HSL 91.85, 0.44%, 0.64%

LAB 77.04, -28.31, 35.86

 

CMYK 40 / 37 / 0 / 20

HEX #7A80CB

RGB 122 128 203

HSL 235.56, 0.44%, 0.64%

LAB 55.98, 16.51, -39.61

 

CMYK 0 / 26 / 40 / 20

HEX #CC977B

RGB 204 151 123

HSL 20.74, 0.44%, 0.64%

LAB 66.82, 16.26, 22.53

 

CMYK 40 / 0 / 27 / 20

HEX #7ACB95

RGB 122 203 149

HSL 140, 0.44%, 0.64%

LAB 75.46, -36.52, 19.32

 

CMYK 27 / 40 / 0 / 20

HEX #957ACB

RGB 149 122 203

HSL 260, 0.44%, 0.64%

LAB 56.7, 27.56, -38.31

 

CMYK 0 / 26 / 40 / 20

HEX #CC977B

RGB 204 151 123

HSL 20.74, 0.44%, 0.64%

LAB 66.82, 16.26, 22.53

 

CMYK 21 / 0 / 40 / 20

HEX #A0CB7A

RGB 160 203 122

HSL 91.85, 0.44%, 0.64%

LAB 77.04, -28.31, 35.86

 

CMYK 40 / 13 / 0 / 20

HEX #7AB0CB

RGB 122 176 203

HSL 200, 0.44%, 0.64%

LAB 69.11, -10.78, -19.31

 

CMYK 19 / 40 / 0 / 20

HEX #A57ACB

RGB 165 122 203

HSL 271.85, 0.44%, 0.64%

LAB 58.25, 32.26, -35.77

 

CMYK 0 / 26 / 40 / 20

HEX #CC977B

RGB 204 151 123

HSL 20.74, 0.44%, 0.64%

LAB 66.82, 16.26, 22.53

 

CMYK 33 / 0 / 40 / 20

HEX #88CB7A

RGB 136 203 122

HSL 109.63, 0.44%, 0.64%

LAB 75.67, -36.67, 33.82

 

CMYK 40 / 13 / 0 / 20

HEX #7AB0CB

RGB 122 176 203

HSL 200, 0.44%, 0.64%

LAB 69.11, -10.78, -19.31

 

CMYK 6 / 40 / 0 / 20

HEX #BE7ACB

RGB 190 122 203

HSL 290.37, 0.44%, 0.64%

LAB 60.94, 39.83, -31.39

 

Description

Color code: RGB 204 151 123 | qconv.com Color code: RGB 204 151 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 151 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 151 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 40 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 40% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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