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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 20 198 it is the complementary color RGB 51 235 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 20 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 20 198 shade: RGB 209 20 193, RGB 226 38 212, RGB 243 56 231, RGB 255 74 250 and RGB 255 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 20 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 187 2 179, RGB 170 0 160, RGB 153 0 141 and RGB 136 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 204 20 148, RGB 204 20 98, RGB 204 20 49 and RGB 204 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 160 20 204, RGB 110 20 204, RGB 61 20 204 and RGB 20 20 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 20 198 shade matches the following richer shades: RGB 204 20 198 and RGB 222 2 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 186 38 181, RGB 167 56 164, RGB 149 74 147 and RGB 131 92 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 20 198 shade: RGB 109 20 204, RGB 158 20 204, RGB 204 20 201, RGB 204 20 152 and RGB 204 20 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 20 198 shade: RGB 129 12 125, RGB 166 16 161, RGB 204 20 198, RGB 233 32 226 and RGB 236 70 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 204 60 20 and RGB 20 204 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 201 204 20 and RGB 20 201 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 204 60 20, RGB 20 204 23 and RGB 20 164 204

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 20 198 shade: RGB 204 20 198, RGB 204 115 20, RGB 20 204 23 and RGB 20 109 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

Complementary color

CMYK 78 / 0 / 76 / 8

HEX #33EB39

RGB 51 235 57

HSL 121.96, 0.82%, 0.56%

LAB 82.06, -75.54, 68.48

 

CMYK 0 / 90 / 8 / 18

HEX #D114C1

RGB 209 20 193

HSL 305.08, 0.83%, 0.45%

LAB 49.38, 80.52, -43.61

 

CMYK 0 / 83 / 6 / 11

HEX #E226D4

RGB 226 38 212

HSL 304.47, 0.76%, 0.52%

LAB 54.35, 83.37, -46.48

 

CMYK 0 / 77 / 5 / 5

HEX #F338E7

RGB 243 56 231

HSL 303.85, 0.89%, 0.59%

LAB 59.57, 85.28, -48.77

 

CMYK 0 / 71 / 2 / 0

HEX #FF4AFA

RGB 255 74 250

HSL 301.66, 1%, 0.65%

LAB 64.21, 85.43, -51.88

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 99 / 4 / 27

HEX #BB02B3

RGB 187 2 179

HSL 302.59, 0.98%, 0.37%

LAB 44.04, 76.48, -44.14

 

CMYK 0 / 100 / 6 / 33

HEX #AA00A0

RGB 170 0 160

HSL 303.53, 1%, 0.33%

LAB 39.72, 71.05, -39.87

 

CMYK 0 / 100 / 8 / 40

HEX #99008D

RGB 153 0 141

HSL 304.71, 1%, 0.3%

LAB 35.39, 65.32, -35.37

 

CMYK 0 / 100 / 10 / 47

HEX #88007A

RGB 136 0 122

HSL 306.18, 1%, 0.27%

LAB 30.97, 59.48, -30.73

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 90 / 27 / 20

HEX #CC1494

RGB 204 20 148

HSL 318.26, 0.82%, 0.44%

LAB 46.28, 73.86, -21.89

 

CMYK 0 / 90 / 52 / 20

HEX #CC1462

RGB 204 20 98

HSL 334.57, 0.82%, 0.44%

LAB 44.55, 69.15, 6.27

 

CMYK 0 / 90 / 76 / 20

HEX #CC1431

RGB 204 20 49

HSL 350.54, 0.82%, 0.44%

LAB 43.59, 66.48, 35.34

 

CMYK 0 / 90 / 90 / 20

HEX #CC1414

RGB 204 20 20

HSL 0, 0.82%, 0.44%

LAB 43.34, 65.76, 50.31

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 22 / 90 / 0 / 20

HEX #A014CC

RGB 160 20 204

HSL 285.65, 0.82%, 0.44%

LAB 41.74, 74.21, -62.72

 

CMYK 46 / 90 / 0 / 20

HEX #6E14CC

RGB 110 20 204

HSL 269.35, 0.82%, 0.44%

LAB 34.34, 67.88, -75.12

 

CMYK 70 / 90 / 0 / 20

HEX #3D14CC

RGB 61 20 204

HSL 253.37, 0.82%, 0.44%

LAB 29.04, 63.98, -84.07

 

CMYK 90 / 90 / 0 / 20

HEX #1414CC

RGB 20 20 204

HSL 240, 0.82%, 0.44%

LAB 26.76, 62.54, -87.93

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 99 / 3 / 13

HEX #DE02D7

RGB 222 2 215

HSL 301.91, 0.98%, 0.44%

LAB 52.37, 87.36, -51.38

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 80 / 3 / 27

HEX #BA26B5

RGB 186 38 181

HSL 302.03, 0.66%, 0.44%

LAB 45.85, 71.08, -42.44

 

CMYK 0 / 66 / 2 / 35

HEX #A738A4

RGB 167 56 164

HSL 301.62, 0.5%, 0.44%

LAB 43.83, 58.35, -35.77

 

CMYK 0 / 50 / 1 / 42

HEX #954A93

RGB 149 74 147

HSL 301.6, 0.34%, 0.44%

LAB 43.35, 42.12, -26.54

 

CMYK 0 / 30 / 1 / 49

HEX #835C82

RGB 131 92 130

HSL 301.54, 0.17%, 0.44%

LAB 44.36, 22.72, -14.92

 

CMYK 47 / 90 / 0 / 20

HEX #6D14CC

RGB 109 20 204

HSL 269.02, 0.82%, 0.44%

LAB 34.21, 67.77, -75.34

 

CMYK 23 / 90 / 0 / 20

HEX #9E14CC

RGB 158 20 204

HSL 285, 0.82%, 0.44%

LAB 41.42, 73.92, -63.25

 

CMYK 0 / 90 / 1 / 20

HEX #CC14C9

RGB 204 20 201

HSL 300.98, 0.82%, 0.44%

LAB 48.95, 80.77, -48.98

 

CMYK 0 / 90 / 25 / 20

HEX #CC1498

RGB 204 20 152

HSL 316.96, 0.82%, 0.44%

LAB 46.45, 74.32, -24.03

 

CMYK 0 / 90 / 50 / 20

HEX #CC1466

RGB 204 20 102

HSL 333.26, 0.82%, 0.44%

LAB 44.66, 69.45, 3.93

 

CMYK 0 / 91 / 3 / 49

HEX #810C7D

RGB 129 12 125

HSL 302.05, 0.83%, 0.28%

LAB 30.43, 56.75, -33.57

 

CMYK 0 / 90 / 3 / 35

HEX #A610A1

RGB 166 16 161

HSL 302, 0.82%, 0.36%

LAB 39.67, 68.65, -40.6

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 86 / 3 / 9

HEX #E920E2

RGB 233 32 226

HSL 302.09, 0.82%, 0.52%

LAB 55.93, 87.69, -51.84

 

CMYK 0 / 70 / 2 / 7

HEX #EC46E7

RGB 236 70 231

HSL 301.81, 0.81%, 0.6%

LAB 59.87, 79.81, -48.37

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 71 / 90 / 20

HEX #CC3C14

RGB 204 60 20

HSL 13.04, 0.82%, 0.44%

LAB 47.13, 55.12, 53.01

 

CMYK 90 / 0 / 35 / 20

HEX #14CC85

RGB 20 204 133

HSL 156.85, 0.82%, 0.44%

LAB 72.91, -58.18, 23.87

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 1 / 0 / 90 / 20

HEX #C9CC14

RGB 201 204 20

HSL 60.98, 0.82%, 0.44%

LAB 79.42, -19.27, 77.42

 

CMYK 90 / 1 / 0 / 20

HEX #14C9CC

RGB 20 201 204

HSL 180.98, 0.82%, 0.44%

LAB 73.73, -38.65, -13.15

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 71 / 90 / 20

HEX #CC3C14

RGB 204 60 20

HSL 13.04, 0.82%, 0.44%

LAB 47.13, 55.12, 53.01

 

CMYK 90 / 0 / 89 / 20

HEX #14CC17

RGB 20 204 23

HSL 120.98, 0.82%, 0.44%

LAB 71.82, -71.39, 67.56

 

CMYK 90 / 20 / 0 / 20

HEX #14A4CC

RGB 20 164 204

HSL 193.04, 0.82%, 0.44%

LAB 62.56, -20.56, -30.18

 

CMYK 0 / 90 / 3 / 20

HEX #CC14C6

RGB 204 20 198

HSL 301.96, 0.82%, 0.44%

LAB 48.78, 80.34, -47.52

 

CMYK 0 / 44 / 90 / 20

HEX #CC7314

RGB 204 115 20

HSL 30.98, 0.82%, 0.44%

LAB 57.22, 29.15, 60.46

 

CMYK 90 / 0 / 89 / 20

HEX #14CC17

RGB 20 204 23

HSL 120.98, 0.82%, 0.44%

LAB 71.82, -71.39, 67.56

 

CMYK 90 / 47 / 0 / 20

HEX #146DCC

RGB 20 109 204

HSL 210.98, 0.82%, 0.44%

LAB 46.24, 11.53, -55.96

 

Description

Color code: RGB 204 20 198 | qconv.com Color code: RGB 204 20 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 20 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 20 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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