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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 225 117 it is the complementary color RGB 51 30 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 225 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 225 117 shade: RGB 209 225 112, RGB 226 243 131, RGB 243 255 150, RGB 255 255 169 and RGB 255 255 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 225 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 225 117 shade: RGB 204 225 117, RGB 187 207 98, RGB 170 189 79, RGB 153 171 60 and RGB 136 153 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 225 117 shade: RGB 203 224 116, RGB 224 216 116, RGB 224 187 116, RGB 224 158 116 and RGB 224 129 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 225 117 shade: RGB 203 224 116, RGB 174 224 116, RGB 145 224 116, RGB 116 224 117 and RGB 116 224 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 225 117 shade matches the following richer shades: RGB 203 224 116, RGB 212 238 103 and RGB 220 251 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 225 117 shade: RGB 203 224 116, RGB 195 211 130, RGB 187 197 144, RGB 178 183 157 and RGB 170 170 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 225 117 shade: RGB 224 187 116, RGB 224 215 116, RGB 204 224 116, RGB 176 224 116 and RGB 147 224 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 225 117 shade: RGB 178 209 49, RGB 191 217 83, RGB 203 224 116, RGB 216 232 150 and RGB 228 239 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 225 117 shade: RGB 204 225 117, RGB 116 224 158 and RGB 201 116 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 225 117 shade: RGB 204 225 117, RGB 116 204 224 and RGB 224 116 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 225 117 shade: RGB 204 225 117, RGB 116 224 158, RGB 136 116 224 and RGB 224 116 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 225 117 shade: RGB 204 225 117, RGB 116 224 190, RGB 136 116 224 and RGB 224 116 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 48 / 12

HEX #CCE175

RGB 204 225 117

HSL 71.67, 0.64%, 0.67%

LAB 85.99, -22.87, 50.12

 

Complementary color

CMYK 63 / 78 / 0 / 46

HEX #331E8A

RGB 51 30 138

HSL 251.67, 0.64%, 0.33%

LAB 21.83, 40.55, -56.22

 

CMYK 7 / 0 / 50 / 12

HEX #D1E170

RGB 209 225 112

HSL 68.5, 0.65%, 0.66%

LAB 86.29, -21.39, 52.92

 

CMYK 7 / 0 / 46 / 5

HEX #E2F383

RGB 226 243 131

HSL 69.11, 0.82%, 0.73%

LAB 92.53, -21.7, 51.81

 

CMYK 5 / 0 / 41 / 0

HEX #F3FF96

RGB 243 255 150

HSL 66.86, 1%, 0.79%

LAB 97.14, -19.09, 48.74

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 9 / 0 / 48 / 12

HEX #CCE175

RGB 204 225 117

HSL 71.67, 0.64%, 0.67%

LAB 85.99, -22.87, 50.12

 

CMYK 10 / 0 / 53 / 19

HEX #BBCF62

RGB 187 207 98

HSL 71.01, 0.53%, 0.6%

LAB 79.65, -22.58, 51.22

 

CMYK 10 / 0 / 58 / 26

HEX #AABD4F

RGB 170 189 79

HSL 70.36, 0.45%, 0.53%

LAB 73.22, -22.2, 52.24

 

CMYK 11 / 0 / 65 / 33

HEX #99AB3C

RGB 153 171 60

HSL 69.73, 0.48%, 0.45%

LAB 66.69, -21.71, 53.05

 

CMYK 11 / 0 / 73 / 40

HEX #889929

RGB 136 153 41

HSL 69.11, 0.58%, 0.38%

LAB 60.05, -21.06, 53.44

 

CMYK 9 / 0 / 48 / 12

HEX #CBE074

RGB 203 224 116

HSL 71.67, 0.64%, 0.67%

LAB 85.64, -22.87, 50.15

 

CMYK 0 / 4 / 48 / 12

HEX #E0D874

RGB 224 216 116

HSL 55.56, 0.64%, 0.67%

LAB 85.11, -10.62, 49.89

 

CMYK 0 / 17 / 48 / 12

HEX #E0BB74

RGB 224 187 116

HSL 39.44, 0.64%, 0.67%

LAB 77.67, 4.32, 40.75

 

CMYK 0 / 29 / 48 / 12

HEX #E09E74

RGB 224 158 116

HSL 23.33, 0.64%, 0.67%

LAB 70.57, 19.77, 31.69

 

CMYK 0 / 42 / 48 / 12

HEX #E08174

RGB 224 129 116

HSL 7.22, 0.64%, 0.67%

LAB 64.01, 35.21, 23.02

 

CMYK 9 / 0 / 48 / 12

HEX #CBE074

RGB 203 224 116

HSL 71.67, 0.64%, 0.67%

LAB 85.64, -22.87, 50.15

 

CMYK 22 / 0 / 48 / 12

HEX #AEE074

RGB 174 224 116

HSL 87.78, 0.64%, 0.67%

LAB 83.74, -33.8, 47.41

 

CMYK 35 / 0 / 48 / 12

HEX #91E074

RGB 145 224 116

HSL 103.89, 0.64%, 0.67%

LAB 82.16, -43.82, 45.11

 

CMYK 48 / 0 / 48 / 12

HEX #74E075

RGB 116 224 117

HSL 120.56, 0.64%, 0.67%

LAB 80.91, -52.41, 42.8

 

CMYK 48 / 0 / 35 / 12

HEX #74E092

RGB 116 224 146

HSL 136.67, 0.64%, 0.67%

LAB 81.35, -47.9, 28.85

 

CMYK 9 / 0 / 48 / 12

HEX #CBE074

RGB 203 224 116

HSL 71.67, 0.64%, 0.67%

LAB 85.64, -22.87, 50.15

 

CMYK 11 / 0 / 57 / 7

HEX #D4EE67

RGB 212 238 103

HSL 71.56, 0.8%, 0.67%

LAB 89.92, -27.21, 61.21

 

CMYK 12 / 0 / 65 / 2

HEX #DCFB59

RGB 220 251 89

HSL 71.48, 0.95%, 0.67%

LAB 93.85, -31.16, 71.38

 

CMYK 9 / 0 / 48 / 12

HEX #CBE074

RGB 203 224 116

HSL 71.67, 0.64%, 0.67%

LAB 85.64, -22.87, 50.15

 

CMYK 8 / 0 / 38 / 17

HEX #C3D382

RGB 195 211 130

HSL 71.85, 0.48%, 0.67%

LAB 81.73, -18.09, 38.31

 

CMYK 5 / 0 / 27 / 23

HEX #BBC590

RGB 187 197 144

HSL 71.32, 0.31%, 0.67%

LAB 77.59, -12.27, 25.5

 

CMYK 3 / 0 / 14 / 28

HEX #B2B79D

RGB 178 183 157

HSL 71.54, 0.15%, 0.67%

LAB 73.39, -6.36, 12.64

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 0 / 17 / 48 / 12

HEX #E0BB74

RGB 224 187 116

HSL 39.44, 0.64%, 0.67%

LAB 77.67, 4.32, 40.75

 

CMYK 0 / 4 / 48 / 12

HEX #E0D774

RGB 224 215 116

HSL 55, 0.64%, 0.67%

LAB 84.85, -10.12, 49.58

 

CMYK 9 / 0 / 48 / 12

HEX #CCE074

RGB 204 224 116

HSL 71.11, 0.64%, 0.67%

LAB 85.71, -22.48, 50.26

 

CMYK 21 / 0 / 48 / 12

HEX #B0E074

RGB 176 224 116

HSL 86.67, 0.64%, 0.67%

LAB 83.86, -33.07, 47.59

 

CMYK 34 / 0 / 48 / 12

HEX #93E074

RGB 147 224 116

HSL 102.78, 0.64%, 0.67%

LAB 82.26, -43.17, 45.25

 

CMYK 15 / 0 / 77 / 18

HEX #B2D131

RGB 178 209 49

HSL 71.63, 0.63%, 0.51%

LAB 79.21, -30.4, 69.94

 

CMYK 12 / 0 / 62 / 15

HEX #BFD953

RGB 191 217 83

HSL 71.64, 0.64%, 0.59%

LAB 82.55, -27.02, 61.18

 

CMYK 9 / 0 / 48 / 12

HEX #CBE074

RGB 203 224 116

HSL 71.67, 0.64%, 0.67%

LAB 85.64, -22.87, 50.15

 

CMYK 7 / 0 / 35 / 9

HEX #D8E896

RGB 216 232 150

HSL 71.71, 0.64%, 0.75%

LAB 89.16, -18.08, 38.16

 

CMYK 5 / 0 / 23 / 6

HEX #E4EFB8

RGB 228 239 184

HSL 72, 0.63%, 0.83%

LAB 92.44, -12.64, 25.45

 

CMYK 9 / 0 / 48 / 12

HEX #CCE175

RGB 204 225 117

HSL 71.67, 0.64%, 0.67%

LAB 85.99, -22.87, 50.12

 

CMYK 48 / 0 / 29 / 12

HEX #74E09E

RGB 116 224 158

HSL 143.33, 0.64%, 0.67%

LAB 81.56, -45.74, 22.94

 

CMYK 10 / 48 / 0 / 12

HEX #C974E0

RGB 201 116 224

HSL 287.22, 0.64%, 0.67%

LAB 61.9, 50.37, -41.57

 

CMYK 9 / 0 / 48 / 12

HEX #CCE175

RGB 204 225 117

HSL 71.67, 0.64%, 0.67%

LAB 85.99, -22.87, 50.12

 

CMYK 48 / 9 / 0 / 12

HEX #74CCE0

RGB 116 204 224

HSL 191.11, 0.64%, 0.67%

LAB 77.45, -21.2, -18.13

 

CMYK 0 / 48 / 9 / 12

HEX #E074CC

RGB 224 116 204

HSL 311.11, 0.64%, 0.67%

LAB 63.92, 53.39, -27.01

 

CMYK 9 / 0 / 48 / 12

HEX #CCE175

RGB 204 225 117

HSL 71.67, 0.64%, 0.67%

LAB 85.99, -22.87, 50.12

 

CMYK 48 / 0 / 29 / 12

HEX #74E09E

RGB 116 224 158

HSL 143.33, 0.64%, 0.67%

LAB 81.56, -45.74, 22.94

 

CMYK 39 / 48 / 0 / 12

HEX #8874E0

RGB 136 116 224

HSL 251.11, 0.64%, 0.67%

LAB 55.18, 33.06, -52.64

 

CMYK 0 / 48 / 18 / 12

HEX #E074B7

RGB 224 116 183

HSL 322.78, 0.64%, 0.67%

LAB 63.14, 50.1, -16.32

 

CMYK 9 / 0 / 48 / 12

HEX #CCE175

RGB 204 225 117

HSL 71.67, 0.64%, 0.67%

LAB 85.99, -22.87, 50.12

 

CMYK 48 / 0 / 15 / 12

HEX #74E0BE

RGB 116 224 190

HSL 161.11, 0.64%, 0.67%

LAB 82.24, -39.16, 7.1

 

CMYK 39 / 48 / 0 / 12

HEX #8874E0

RGB 136 116 224

HSL 251.11, 0.64%, 0.67%

LAB 55.18, 33.06, -52.64

 

CMYK 0 / 48 / 33 / 12

HEX #E07497

RGB 224 116 151

HSL 340.56, 0.64%, 0.67%

LAB 62.15, 45.73, 0.48

 

Description

Color code: RGB 204 225 117 | qconv.com Color code: RGB 204 225 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 225 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 225 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 48% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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