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Color name
RGB 204 243 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 243 108 it is the complementary color RGB 51 12 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 243 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 204 243 108 shade: RGB 209 243 103, RGB 226 255 122, RGB 243 255 141, RGB 255 255 160 and RGB 255 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 243 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 187 225 89, RGB 170 207 70, RGB 153 189 51 and RGB 136 171 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 240 243 108, RGB 243 209 108, RGB 243 173 108 and RGB 243 137 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 168 243 108, RGB 131 243 108, RGB 108 243 121 and RGB 108 243 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 204 243 108 shade matches the following richer shades: RGB 204 243 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 198 230 121, RGB 193 217 134, RGB 188 204 147 and RGB 182 191 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 204 243 108 shade: RGB 243 209 108, RGB 240 243 108, RGB 205 243 108, RGB 169 243 108 and RGB 133 243 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 204 243 108 shade: RGB 177 236 32, RGB 191 240 70, RGB 204 243 108, RGB 217 246 146 and RGB 230 249 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 108 243 173 and RGB 227 108 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 108 205 243 and RGB 243 108 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 108 243 173, RGB 146 108 243 and RGB 243 108 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 204 243 108 shade: RGB 204 243 108, RGB 108 243 214, RGB 146 108 243 and RGB 243 108 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

Complementary color

CMYK 65 / 92 / 0 / 42

HEX #330C93

RGB 51 12 147

HSL 257.33, 0.85%, 0.31%

LAB 20.34, 50.58, -64.29

 

CMYK 14 / 0 / 58 / 5

HEX #D1F367

RGB 209 243 103

HSL 74.57, 0.85%, 0.68%

LAB 91.07, -30.71, 62.45

 

CMYK 11 / 0 / 52 / 0

HEX #E2FF7A

RGB 226 255 122

HSL 73.08, 1%, 0.74%

LAB 95.62, -28.22, 59.63

 

CMYK 5 / 0 / 45 / 0

HEX #F3FF8D

RGB 243 255 141

HSL 66.32, 1%, 0.78%

LAB 97.02, -19.99, 52.87

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 17 / 0 / 60 / 12

HEX #BBE159

RGB 187 225 89

HSL 76.76, 0.69%, 0.62%

LAB 84.55, -31.9, 60.77

 

CMYK 18 / 0 / 66 / 19

HEX #AACF46

RGB 170 207 70

HSL 76.2, 0.59%, 0.54%

LAB 78.24, -31.51, 61.45

 

CMYK 19 / 0 / 73 / 26

HEX #99BD33

RGB 153 189 51

HSL 75.65, 0.58%, 0.47%

LAB 71.83, -30.99, 61.72

 

CMYK 20 / 0 / 81 / 33

HEX #88AB20

RGB 136 171 32

HSL 75.11, 0.68%, 0.4%

LAB 65.33, -30.3, 61.25

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 1 / 0 / 56 / 5

HEX #F0F36C

RGB 240 243 108

HSL 61.33, 0.85%, 0.69%

LAB 93.32, -18.21, 63.43

 

CMYK 0 / 14 / 56 / 5

HEX #F3D16C

RGB 243 209 108

HSL 44.89, 0.85%, 0.69%

LAB 84.86, -0.03, 53.79

 

CMYK 0 / 29 / 56 / 5

HEX #F3AD6C

RGB 243 173 108

HSL 28.89, 0.85%, 0.69%

LAB 76.08, 18.76, 43.28

 

CMYK 0 / 44 / 56 / 5

HEX #F3896C

RGB 243 137 108

HSL 12.89, 0.85%, 0.69%

LAB 68.04, 37.62, 33.21

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 31 / 0 / 56 / 5

HEX #A8F36C

RGB 168 243 108

HSL 93.33, 0.85%, 0.69%

LAB 88.69, -45.2, 56.91

 

CMYK 46 / 0 / 56 / 5

HEX #83F36C

RGB 131 243 108

HSL 109.78, 0.85%, 0.69%

LAB 87, -56.84, 54.51

 

CMYK 56 / 0 / 50 / 5

HEX #6CF379

RGB 108 243 121

HSL 125.78, 0.85%, 0.69%

LAB 86.34, -61.23, 47.55

 

CMYK 56 / 0 / 35 / 5

HEX #6CF39E

RGB 108 243 158

HSL 142.22, 0.85%, 0.69%

LAB 86.88, -55.46, 30.11

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 14 / 0 / 47 / 10

HEX #C6E679

RGB 198 230 121

HSL 77.61, 0.69%, 0.69%

LAB 86.99, -27.16, 49.34

 

CMYK 11 / 0 / 38 / 15

HEX #C1D986

RGB 193 217 134

HSL 77.35, 0.52%, 0.69%

LAB 83.28, -21.33, 38.25

 

CMYK 8 / 0 / 28 / 20

HEX #BCCC93

RGB 188 204 147

HSL 76.84, 0.36%, 0.69%

LAB 79.6, -15.03, 26.67

 

CMYK 5 / 0 / 17 / 25

HEX #B6BF9F

RGB 182 191 159

HSL 76.88, 0.2%, 0.69%

LAB 75.89, -8.76, 15.11

 

CMYK 0 / 14 / 56 / 5

HEX #F3D16C

RGB 243 209 108

HSL 44.89, 0.85%, 0.69%

LAB 84.86, -0.03, 53.79

 

CMYK 1 / 0 / 56 / 5

HEX #F0F36C

RGB 240 243 108

HSL 61.33, 0.85%, 0.69%

LAB 93.32, -18.21, 63.43

 

CMYK 16 / 0 / 56 / 5

HEX #CDF36C

RGB 205 243 108

HSL 76.89, 0.85%, 0.69%

LAB 90.85, -31.82, 59.97

 

CMYK 30 / 0 / 56 / 5

HEX #A9F36C

RGB 169 243 108

HSL 92.89, 0.85%, 0.69%

LAB 88.74, -44.86, 56.98

 

CMYK 45 / 0 / 56 / 5

HEX #85F36C

RGB 133 243 108

HSL 108.89, 0.85%, 0.69%

LAB 87.08, -56.27, 54.62

 

CMYK 25 / 0 / 86 / 7

HEX #B1EC20

RGB 177 236 32

HSL 77.35, 0.84%, 0.53%

LAB 86.72, -43.53, 80.64

 

CMYK 20 / 0 / 71 / 6

HEX #BFF046

RGB 191 240 70

HSL 77.29, 0.85%, 0.61%

LAB 88.85, -38.44, 72.63

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 12 / 0 / 41 / 4

HEX #D9F692

RGB 217 246 146

HSL 77.4, 0.85%, 0.77%

LAB 92.9, -24.94, 44.94

 

CMYK 8 / 0 / 26 / 2

HEX #E6F9B9

RGB 230 249 185

HSL 77.81, 0.84%, 0.85%

LAB 95.19, -16.7, 28.72

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 56 / 0 / 29 / 5

HEX #6CF3AD

RGB 108 243 173

HSL 148.89, 0.85%, 0.69%

LAB 87.15, -52.67, 22.83

 

CMYK 7 / 56 / 0 / 5

HEX #E36CF3

RGB 227 108 243

HSL 292.89, 0.85%, 0.69%

LAB 64.59, 64.76, -47.68

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 56 / 16 / 0 / 5

HEX #6CCDF3

RGB 108 205 243

HSL 196.89, 0.85%, 0.69%

LAB 78.06, -18.1, -27.41

 

CMYK 0 / 56 / 16 / 5

HEX #F36CCD

RGB 243 108 205

HSL 316.89, 0.85%, 0.69%

LAB 65.11, 62.82, -25.52

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 56 / 0 / 29 / 5

HEX #6CF3AD

RGB 108 243 173

HSL 148.89, 0.85%, 0.69%

LAB 87.15, -52.67, 22.83

 

CMYK 40 / 56 / 0 / 5

HEX #926CF3

RGB 146 108 243

HSL 256.89, 0.85%, 0.69%

LAB 55.39, 45.11, -62.88

 

CMYK 0 / 56 / 27 / 5

HEX #F36CB2

RGB 243 108 178

HSL 328.89, 0.85%, 0.69%

LAB 64.16, 59.09, -11.69

 

CMYK 16 / 0 / 56 / 5

HEX #CCF36C

RGB 204 243 108

HSL 77.33, 0.85%, 0.69%

LAB 90.79, -32.2, 59.88

 

CMYK 56 / 0 / 12 / 5

HEX #6CF3D6

RGB 108 243 214

HSL 167.11, 0.85%, 0.69%

LAB 88.04, -43.81, 2.83

 

CMYK 40 / 56 / 0 / 5

HEX #926CF3

RGB 146 108 243

HSL 256.89, 0.85%, 0.69%

LAB 55.39, 45.11, -62.88

 

CMYK 0 / 56 / 44 / 5

HEX #F36C89

RGB 243 108 137

HSL 347.11, 0.85%, 0.69%

LAB 63, 54.42, 10.1

 

Description

Color code: RGB 204 243 108 | qconv.com Color code: RGB 204 243 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 243 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 243 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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