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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205 152 250 it is the complementary color RGB 50 103 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205 152 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205 152 250 shade: RGB 210 152 245, RGB 227 170 255, RGB 244 188 255, RGB 255 206 255 and RGB 255 224 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205 152 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 188 134 231, RGB 171 116 212, RGB 154 98 193 and RGB 137 80 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 231 152 250, RGB 250 152 242, RGB 250 152 216 and RGB 250 152 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 179 152 250, RGB 152 152 250 and RGB 152 152 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205 152 250 shade matches the following richer shades: RGB 205 152 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 204 161 241, RGB 204 170 232, RGB 203 178 224 and RGB 202 187 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205 152 250 shade: RGB 152 152 250, RGB 178 152 250, RGB 204 152 250, RGB 230 152 250 and RGB 250 152 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205 152 250 shade: RGB 167 73 246, RGB 186 113 248, RGB 205 152 250, RGB 224 192 252 and RGB 243 231 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 250 152 178 and RGB 152 250 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 250 204 152 and RGB 152 250 204

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 250 152 178, RGB 198 250 152 and RGB 152 250 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205 152 250 shade: RGB 205 152 250, RGB 250 155 152, RGB 198 250 152 and RGB 152 246 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

Complementary color

CMYK 51 / 0 / 95 / 60

HEX #326705

RGB 50 103 5

HSL 92.45, 0.91%, 0.21%

LAB 38.53, -33.86, 42.86

 

CMYK 14 / 38 / 0 / 4

HEX #D298F5

RGB 210 152 245

HSL 277.42, 0.82%, 0.78%

LAB 71.39, 38.19, -38.26

 

CMYK 11 / 33 / 0 / 0

HEX #E3AAFF

RGB 227 170 255

HSL 280.24, 1%, 0.83%

LAB 77.46, 35.64, -34.12

 

CMYK 4 / 26 / 0 / 0

HEX #F4BCFF

RGB 244 188 255

HSL 290.15, 1%, 0.87%

LAB 83.14, 31.3, -25.27

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 19 / 42 / 0 / 9

HEX #BC86E7

RGB 188 134 231

HSL 273.4, 0.67%, 0.72%

LAB 64.57, 38.58, -41.38

 

CMYK 19 / 45 / 0 / 17

HEX #AB74D4

RGB 171 116 212

HSL 274.38, 0.53%, 0.64%

LAB 57.94, 39.4, -41.3

 

CMYK 20 / 49 / 0 / 24

HEX #9A62C1

RGB 154 98 193

HSL 275.37, 0.43%, 0.57%

LAB 51.22, 40.25, -41.21

 

CMYK 21 / 54 / 0 / 32

HEX #8950AE

RGB 137 80 174

HSL 276.38, 0.37%, 0.5%

LAB 44.39, 41.12, -41.08

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 8 / 39 / 0 / 2

HEX #E798FA

RGB 231 152 250

HSL 288.37, 0.91%, 0.79%

LAB 73.77, 45.38, -37.1

 

CMYK 0 / 39 / 3 / 2

HEX #FA98F2

RGB 250 152 242

HSL 304.9, 0.91%, 0.79%

LAB 75.57, 49.58, -29.81

 

CMYK 0 / 39 / 14 / 2

HEX #FA98D8

RGB 250 152 216

HSL 320.82, 0.91%, 0.79%

LAB 74.66, 45.29, -17.01

 

CMYK 0 / 39 / 24 / 2

HEX #FA98BD

RGB 250 152 189

HSL 337.35, 0.91%, 0.79%

LAB 73.84, 41.29, -3.37

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 28 / 39 / 0 / 2

HEX #B398FA

RGB 179 152 250

HSL 256.53, 0.91%, 0.79%

LAB 68.71, 30.47, -45.38

 

CMYK 39 / 39 / 0 / 2

HEX #9898FA

RGB 152 152 250

HSL 240, 0.91%, 0.79%

LAB 66.55, 23.31, -48.93

 

CMYK 39 / 39 / 0 / 2

HEX #9898FA

RGB 152 152 250

HSL 240, 0.91%, 0.79%

LAB 66.55, 23.31, -48.93

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 15 / 33 / 0 / 5

HEX #CCA1F1

RGB 204 161 241

HSL 272.25, 0.74%, 0.79%

LAB 72.68, 30.66, -34.12

 

CMYK 12 / 27 / 0 / 9

HEX #CCAAE8

RGB 204 170 232

HSL 272.9, 0.57%, 0.79%

LAB 74.45, 23.83, -26.49

 

CMYK 9 / 21 / 0 / 12

HEX #CBB2E0

RGB 203 178 224

HSL 272.61, 0.43%, 0.79%

LAB 76.02, 17.49, -19.77

 

CMYK 6 / 13 / 0 / 16

HEX #CABBD7

RGB 202 187 215

HSL 272.14, 0.26%, 0.79%

LAB 77.88, 10.48, -12.11

 

CMYK 39 / 39 / 0 / 2

HEX #9898FA

RGB 152 152 250

HSL 240, 0.91%, 0.79%

LAB 66.55, 23.31, -48.93

 

CMYK 29 / 39 / 0 / 2

HEX #B298FA

RGB 178 152 250

HSL 255.92, 0.91%, 0.79%

LAB 68.62, 30.19, -45.52

 

CMYK 18 / 39 / 0 / 2

HEX #CC98FA

RGB 204 152 250

HSL 271.84, 0.91%, 0.79%

LAB 71.01, 37.51, -41.62

 

CMYK 8 / 39 / 0 / 2

HEX #E698FA

RGB 230 152 250

HSL 287.76, 0.91%, 0.79%

LAB 73.66, 45.08, -37.28

 

CMYK 0 / 39 / 3 / 2

HEX #FA98F3

RGB 250 152 243

HSL 304.29, 0.91%, 0.79%

LAB 75.61, 49.75, -30.29

 

CMYK 32 / 70 / 0 / 4

HEX #A749F6

RGB 167 73 246

HSL 272.6, 0.91%, 0.63%

LAB 51.42, 67.61, -70.85

 

CMYK 25 / 54 / 0 / 3

HEX #BA71F8

RGB 186 113 248

HSL 272.44, 0.91%, 0.71%

LAB 60.81, 53.07, -56.75

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 11 / 24 / 0 / 1

HEX #E0C0FC

RGB 224 192 252

HSL 272, 0.91%, 0.87%

LAB 82.15, 22.29, -25.34

 

CMYK 4 / 9 / 0 / 1

HEX #F3E7FD

RGB 243 231 253

HSL 272.73, 0.85%, 0.95%

LAB 93.14, 7.98, -9.17

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 0 / 39 / 29 / 2

HEX #FA98B2

RGB 250 152 178

HSL 344.08, 0.91%, 0.79%

LAB 73.54, 39.81, 2.27

 

CMYK 39 / 0 / 34 / 2

HEX #98FAA5

RGB 152 250 165

HSL 127.96, 0.91%, 0.79%

LAB 90.67, -45.87, 31.95

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 0 / 18 / 39 / 2

HEX #FACC98

RGB 250 204 152

HSL 31.84, 0.91%, 0.79%

LAB 84.88, 9.45, 32.04

 

CMYK 39 / 0 / 18 / 2

HEX #98FACC

RGB 152 250 204

HSL 151.84, 0.91%, 0.79%

LAB 91.42, -38.83, 13.09

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 0 / 39 / 29 / 2

HEX #FA98B2

RGB 250 152 178

HSL 344.08, 0.91%, 0.79%

LAB 73.54, 39.81, 2.27

 

CMYK 21 / 0 / 39 / 2

HEX #C6FA98

RGB 198 250 152

HSL 91.84, 0.91%, 0.79%

LAB 92.86, -32.94, 41.72

 

CMYK 39 / 0 / 10 / 2

HEX #98FAE0

RGB 152 250 224

HSL 164.08, 0.91%, 0.79%

LAB 91.88, -34.67, 3.4

 

CMYK 18 / 39 / 0 / 2

HEX #CD98FA

RGB 205 152 250

HSL 272.45, 0.91%, 0.79%

LAB 71.1, 37.8, -41.46

 

CMYK 0 / 38 / 39 / 2

HEX #FA9B98

RGB 250 155 152

HSL 1.84, 0.91%, 0.79%

LAB 73.57, 35.12, 16.65

 

CMYK 21 / 0 / 39 / 2

HEX #C6FA98

RGB 198 250 152

HSL 91.84, 0.91%, 0.79%

LAB 92.86, -32.94, 41.72

 

CMYK 39 / 2 / 0 / 2

HEX #98F6FA

RGB 152 246 250

HSL 182.45, 0.91%, 0.79%

LAB 91.46, -26.85, -10.72

 

Description

Color code: RGB 205 152 250 | qconv.com Color code: RGB 205 152 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 152 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 152 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 39 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 39% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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