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Color name
RGB 206 145 188

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 145 188 it is the complementary color RGB 49 110 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 145 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 145 188 shade: RGB 211 145 183, RGB 228 163 202, RGB 245 181 221, RGB 255 199 240 and RGB 255 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 145 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 145 188 shade: RGB 206 145 188, RGB 189 127 169, RGB 172 109 150, RGB 155 91 131 and RGB 138 73 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 145 188 shade: RGB 205 145 188, RGB 205 145 172, RGB 205 145 155 and RGB 205 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 145 188 shade: RGB 205 145 188, RGB 205 145 204, RGB 191 145 205, RGB 175 145 205 and RGB 158 145 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 145 188 shade matches the following richer shades: RGB 205 145 188, RGB 218 133 193, RGB 231 120 198 and RGB 244 107 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 145 188 shade: RGB 205 145 188, RGB 193 158 183, RGB 180 171 177, RGB 167 184 172 and RGB 154 197 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 145 188 shade: RGB 190 145 205, RGB 205 145 204, RGB 205 145 188, RGB 205 145 172 and RGB 205 145 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 145 188 shade: RGB 180 88 153, RGB 193 117 170, RGB 205 145 188, RGB 218 174 205 and RGB 231 202 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 145 188 shade: RGB 206 145 188, RGB 205 174 145 and RGB 145 205 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 145 188 shade: RGB 206 145 188, RGB 188 205 145 and RGB 145 188 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 145 188 shade: RGB 206 145 188, RGB 205 174 145, RGB 145 205 162 and RGB 145 176 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 145 188 shade: RGB 206 145 188, RGB 205 192 145, RGB 145 205 162 and RGB 145 158 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 9 / 19

HEX #CE91BC

RGB 206 145 188

HSL 317.7, 0.38%, 0.69%

LAB 67.28, 29.74, -13.11

 

Complementary color

CMYK 55 / 0 / 39 / 57

HEX #316E43

RGB 49 110 67

HSL 137.7, 0.38%, 0.31%

LAB 41.55, -30.26, 18.15

 

CMYK 0 / 31 / 13 / 17

HEX #D391B7

RGB 211 145 183

HSL 325.45, 0.43%, 0.7%

LAB 67.66, 30.62, -9.68

 

CMYK 0 / 29 / 11 / 11

HEX #E4A3CA

RGB 228 163 202

HSL 324, 0.55%, 0.77%

LAB 74.16, 29.93, -10.32

 

CMYK 0 / 26 / 10 / 4

HEX #F5B5DD

RGB 245 181 221

HSL 322.5, 0.76%, 0.84%

LAB 80.56, 29.29, -10.92

 

CMYK 0 / 22 / 6 / 0

HEX #FFC7F0

RGB 255 199 240

HSL 316.07, 1%, 0.89%

LAB 86.21, 26.36, -12.56

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 30 / 9 / 19

HEX #CE91BC

RGB 206 145 188

HSL 317.7, 0.38%, 0.69%

LAB 67.28, 29.74, -13.11

 

CMYK 0 / 33 / 11 / 26

HEX #BD7FA9

RGB 189 127 169

HSL 319.35, 0.32%, 0.62%

LAB 60.66, 30.45, -12.51

 

CMYK 0 / 37 / 13 / 33

HEX #AC6D96

RGB 172 109 150

HSL 320.95, 0.28%, 0.55%

LAB 53.93, 31.21, -11.86

 

CMYK 0 / 41 / 15 / 39

HEX #9B5B83

RGB 155 91 131

HSL 322.5, 0.26%, 0.48%

LAB 47.09, 32.02, -11.11

 

CMYK 0 / 47 / 19 / 46

HEX #8A4970

RGB 138 73 112

HSL 324, 0.31%, 0.41%

LAB 40.14, 32.85, -10.23

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BC

RGB 205 145 188

HSL 317, 0.38%, 0.69%

LAB 67.17, 29.4, -13.28

 

CMYK 0 / 29 / 16 / 20

HEX #CD91AC

RGB 205 145 172

HSL 333, 0.38%, 0.69%

LAB 66.68, 26.71, -5.05

 

CMYK 0 / 29 / 24 / 20

HEX #CD919B

RGB 205 145 155

HSL 350, 0.38%, 0.69%

LAB 66.21, 24.11, 3.82

 

CMYK 0 / 29 / 29 / 20

HEX #CD9191

RGB 205 145 145

HSL 0, 0.38%, 0.69%

LAB 65.96, 22.7, 9.08

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BC

RGB 205 145 188

HSL 317, 0.38%, 0.69%

LAB 67.17, 29.4, -13.28

 

CMYK 0 / 29 / 0 / 20

HEX #CD91CC

RGB 205 145 204

HSL 301, 0.38%, 0.69%

LAB 67.72, 32.29, -21.38

 

CMYK 7 / 29 / 0 / 20

HEX #BF91CD

RGB 191 145 205

HSL 286, 0.38%, 0.69%

LAB 66.32, 27.92, -24.21

 

CMYK 15 / 29 / 0 / 20

HEX #AF91CD

RGB 175 145 205

HSL 270, 0.38%, 0.69%

LAB 64.78, 22.79, -26.7

 

CMYK 23 / 29 / 0 / 20

HEX #9E91CD

RGB 158 145 205

HSL 253, 0.38%, 0.69%

LAB 63.28, 17.48, -29.13

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BC

RGB 205 145 188

HSL 317, 0.38%, 0.69%

LAB 67.17, 29.4, -13.28

 

CMYK 0 / 39 / 11 / 15

HEX #DA85C1

RGB 218 133 193

HSL 317.65, 0.53%, 0.69%

LAB 66.16, 41.04, -17.47

 

CMYK 0 / 48 / 14 / 9

HEX #E778C6

RGB 231 120 198

HSL 317.84, 0.7%, 0.69%

LAB 65.36, 52.59, -21.35

 

CMYK 0 / 56 / 17 / 4

HEX #F46BCB

RGB 244 107 203

HSL 317.96, 0.86%, 0.69%

LAB 65.01, 63.25, -24.53

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BC

RGB 205 145 188

HSL 317, 0.38%, 0.69%

LAB 67.17, 29.4, -13.28

 

CMYK 0 / 18 / 5 / 24

HEX #C19EB7

RGB 193 158 183

HSL 317.14, 0.22%, 0.69%

LAB 68.9, 17.18, -8.03

 

CMYK 0 / 5 / 2 / 29

HEX #B4ABB1

RGB 180 171 177

HSL 320, 0.06%, 0.69%

LAB 70.87, 4.32, -1.93

 

CMYK 9 / 0 / 7 / 28

HEX #A7B8AC

RGB 167 184 172

HSL 137.65, 0.11%, 0.69%

LAB 73.2, -8.18, 4.09

 

CMYK 22 / 0 / 15 / 23

HEX #9AC5A7

RGB 154 197 167

HSL 138.14, 0.27%, 0.69%

LAB 75.82, -20.24, 10.43

 

CMYK 7 / 29 / 0 / 20

HEX #BE91CD

RGB 190 145 205

HSL 285, 0.38%, 0.69%

LAB 66.22, 27.6, -24.37

 

CMYK 0 / 29 / 0 / 20

HEX #CD91CC

RGB 205 145 204

HSL 301, 0.38%, 0.69%

LAB 67.72, 32.29, -21.38

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BC

RGB 205 145 188

HSL 317, 0.38%, 0.69%

LAB 67.17, 29.4, -13.28

 

CMYK 0 / 29 / 16 / 20

HEX #CD91AC

RGB 205 145 172

HSL 333, 0.38%, 0.69%

LAB 66.68, 26.71, -5.05

 

CMYK 0 / 29 / 24 / 20

HEX #CD919C

RGB 205 145 156

HSL 349, 0.38%, 0.69%

LAB 66.24, 24.25, 3.3

 

CMYK 0 / 51 / 15 / 29

HEX #B45899

RGB 180 88 153

HSL 317.61, 0.38%, 0.53%

LAB 50.67, 45.58, -18.47

 

CMYK 0 / 39 / 12 / 24

HEX #C175AA

RGB 193 117 170

HSL 318.16, 0.38%, 0.61%

LAB 58.94, 37.44, -15.64

 

CMYK 0 / 29 / 8 / 20

HEX #CD91BC

RGB 205 145 188

HSL 317, 0.38%, 0.69%

LAB 67.17, 29.4, -13.28

 

CMYK 0 / 20 / 6 / 15

HEX #DAAECD

RGB 218 174 205

HSL 317.73, 0.37%, 0.77%

LAB 75.81, 21.08, -9.61

 

CMYK 0 / 13 / 3 / 9

HEX #E7CADF

RGB 231 202 223

HSL 316.55, 0.38%, 0.85%

LAB 84.26, 13.73, -6.65

 

CMYK 0 / 30 / 9 / 19

HEX #CE91BC

RGB 206 145 188

HSL 317.7, 0.38%, 0.69%

LAB 67.28, 29.74, -13.11

 

CMYK 0 / 15 / 29 / 20

HEX #CDAE91

RGB 205 174 145

HSL 29, 0.38%, 0.69%

LAB 73.09, 6.93, 19.07

 

CMYK 29 / 0 / 3 / 20

HEX #91CDC6

RGB 145 205 198

HSL 173, 0.38%, 0.69%

LAB 78.32, -20.64, -2.7

 

CMYK 0 / 30 / 9 / 19

HEX #CE91BC

RGB 206 145 188

HSL 317.7, 0.38%, 0.69%

LAB 67.28, 29.74, -13.11

 

CMYK 8 / 0 / 29 / 20

HEX #BCCD91

RGB 188 205 145

HSL 77, 0.38%, 0.69%

LAB 79.84, -15.81, 28.03

 

CMYK 29 / 8 / 0 / 20

HEX #91BCCD

RGB 145 188 205

HSL 197, 0.38%, 0.69%

LAB 73.8, -10.27, -13.2

 

CMYK 0 / 30 / 9 / 19

HEX #CE91BC

RGB 206 145 188

HSL 317.7, 0.38%, 0.69%

LAB 67.28, 29.74, -13.11

 

CMYK 0 / 15 / 29 / 20

HEX #CDAE91

RGB 205 174 145

HSL 29, 0.38%, 0.69%

LAB 73.09, 6.93, 19.07

 

CMYK 29 / 0 / 21 / 20

HEX #91CDA2

RGB 145 205 162

HSL 137, 0.38%, 0.69%

LAB 77.45, -28.03, 15.35

 

CMYK 29 / 14 / 0 / 20

HEX #91B0CD

RGB 145 176 205

HSL 209, 0.38%, 0.69%

LAB 70.51, -3.83, -18.16

 

CMYK 0 / 30 / 9 / 19

HEX #CE91BC

RGB 206 145 188

HSL 317.7, 0.38%, 0.69%

LAB 67.28, 29.74, -13.11

 

CMYK 0 / 6 / 29 / 20

HEX #CDC091

RGB 205 192 145

HSL 47, 0.38%, 0.69%

LAB 77.71, -2.63, 25.39

 

CMYK 29 / 0 / 21 / 20

HEX #91CDA2

RGB 145 205 162

HSL 137, 0.38%, 0.69%

LAB 77.45, -28.03, 15.35

 

CMYK 29 / 23 / 0 / 20

HEX #919ECD

RGB 145 158 205

HSL 227, 0.38%, 0.69%

LAB 65.66, 6.15, -25.56

 

Description

Color code: RGB 206 145 188 | qconv.com Color code: RGB 206 145 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 145 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 145 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 9 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 9% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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