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Color name
RGB 206 82 86

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 82 86 it is the complementary color RGB 49 173 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 82 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 82 86 shade: RGB 211 82 81, RGB 228 100 100, RGB 245 118 119, RGB 255 136 138 and RGB 255 154 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 82 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 82 86 shade: RGB 206 82 86, RGB 189 64 67, RGB 172 46 48, RGB 155 28 29 and RGB 138 10 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 82 86 shade: RGB 205 79 84 and RGB 205 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 82 86 shade: RGB 205 79 84, RGB 205 79 117, RGB 205 79 151, RGB 205 79 185 and RGB 191 79 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 82 86 shade matches the following richer shades: RGB 205 79 84, RGB 223 61 67 and RGB 241 43 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 82 86 shade: RGB 205 79 84, RGB 187 98 101, RGB 169 116 117, RGB 151 134 134 and RGB 133 152 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 82 86 shade: RGB 205 79 151, RGB 205 79 117, RGB 205 79 84, RGB 205 109 79 and RGB 205 142 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 82 86 shade: RGB 158 44 48, RGB 190 53 58, RGB 205 79 84, RGB 214 112 115 and RGB 223 144 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 82 86 shade: RGB 206 82 86, RGB 184 205 79 and RGB 79 134 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 82 86 shade: RGB 206 82 86, RGB 84 205 79 and RGB 79 84 205

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 82 86 shade: RGB 206 82 86, RGB 184 205 79, RGB 79 205 201 and RGB 100 79 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 82 86 shade: RGB 206 82 86, RGB 146 205 79, RGB 79 205 201 and RGB 138 79 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 58 / 19

HEX #CE5256

RGB 206 82 86

HSL 358.06, 0.56%, 0.56%

LAB 51.64, 49.44, 23.36

 

Complementary color

CMYK 72 / 0 / 2 / 32

HEX #31ADA9

RGB 49 173 169

HSL 178.06, 0.56%, 0.44%

LAB 64.49, -33.68, -7.68

 

CMYK 0 / 61 / 62 / 17

HEX #D35251

RGB 211 82 81

HSL 0.46, 0.6%, 0.57%

LAB 52.37, 50.81, 27.4

 

CMYK 0 / 56 / 56 / 11

HEX #E46464

RGB 228 100 100

HSL 0, 0.7%, 0.64%

LAB 58.54, 49.8, 24.92

 

CMYK 0 / 52 / 51 / 4

HEX #F57677

RGB 245 118 119

HSL 359.53, 0.86%, 0.71%

LAB 64.72, 48.73, 22.8

 

CMYK 0 / 47 / 46 / 0

HEX #FF888A

RGB 255 136 138

HSL 358.99, 1%, 0.77%

LAB 69.97, 45.17, 19.51

 

CMYK 0 / 40 / 38 / 0

HEX #FF9A9D

RGB 255 154 157

HSL 358.22, 1%, 0.8%

LAB 74.07, 38.02, 14.68

 

CMYK 0 / 60 / 58 / 19

HEX #CE5256

RGB 206 82 86

HSL 358.06, 0.56%, 0.56%

LAB 51.64, 49.44, 23.36

 

CMYK 0 / 66 / 65 / 26

HEX #BD4043

RGB 189 64 67

HSL 358.56, 0.49%, 0.5%

LAB 45.48, 50.28, 26.16

 

CMYK 0 / 73 / 72 / 33

HEX #AC2E30

RGB 172 46 48

HSL 359.05, 0.58%, 0.43%

LAB 39.48, 50.77, 29.55

 

CMYK 0 / 82 / 81 / 39

HEX #9B1C1D

RGB 155 28 29

HSL 359.53, 0.69%, 0.36%

LAB 33.75, 50.6, 33.55

 

CMYK 0 / 93 / 93 / 46

HEX #8A0A0A

RGB 138 10 10

HSL 0, 0.86%, 0.29%

LAB 28.49, 49.24, 37.46

 

CMYK 0 / 61 / 59 / 20

HEX #CD4F54

RGB 205 79 84

HSL 357.62, 0.56%, 0.56%

LAB 50.93, 50.3, 23.58

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 61 / 59 / 20

HEX #CD4F54

RGB 205 79 84

HSL 357.62, 0.56%, 0.56%

LAB 50.93, 50.3, 23.58

 

CMYK 0 / 61 / 43 / 20

HEX #CD4F75

RGB 205 79 117

HSL 341.9, 0.56%, 0.56%

LAB 51.67, 53.16, 4.88

 

CMYK 0 / 61 / 26 / 20

HEX #CD4F97

RGB 205 79 151

HSL 325.71, 0.56%, 0.56%

LAB 52.74, 57.12, -13.8

 

CMYK 0 / 61 / 10 / 20

HEX #CD4FB9

RGB 205 79 185

HSL 309.52, 0.56%, 0.56%

LAB 54.11, 62.01, -31.58

 

CMYK 7 / 61 / 0 / 20

HEX #BF4FCD

RGB 191 79 205

HSL 293.33, 0.56%, 0.56%

LAB 53.03, 61.85, -44.91

 

CMYK 0 / 61 / 59 / 20

HEX #CD4F54

RGB 205 79 84

HSL 357.62, 0.56%, 0.56%

LAB 50.93, 50.3, 23.58

 

CMYK 0 / 73 / 70 / 13

HEX #DF3D43

RGB 223 61 67

HSL 357.78, 0.72%, 0.56%

LAB 51.19, 62.22, 34.53

 

CMYK 0 / 82 / 79 / 5

HEX #F12B32

RGB 241 43 50

HSL 357.88, 0.88%, 0.56%

LAB 52.57, 71.84, 46.53

 

CMYK 0 / 61 / 59 / 20

HEX #CD4F54

RGB 205 79 84

HSL 357.62, 0.56%, 0.56%

LAB 50.93, 50.3, 23.58

 

CMYK 0 / 48 / 46 / 27

HEX #BB6265

RGB 187 98 101

HSL 357.98, 0.4%, 0.56%

LAB 52.11, 35.97, 14.63

 

CMYK 0 / 31 / 31 / 34

HEX #A97475

RGB 169 116 117

HSL 358.87, 0.24%, 0.56%

LAB 54.25, 21.02, 7.89

 

CMYK 0 / 11 / 11 / 41

HEX #978686

RGB 151 134 134

HSL 0, 0.08%, 0.56%

LAB 57.42, 6.42, 2.34

 

CMYK 13 / 0 / 1 / 40

HEX #859897

RGB 133 152 151

HSL 176.84, 0.08%, 0.56%

LAB 61.37, -6.92, -1.76

 

CMYK 0 / 61 / 26 / 20

HEX #CD4F97

RGB 205 79 151

HSL 325.71, 0.56%, 0.56%

LAB 52.74, 57.12, -13.8

 

CMYK 0 / 61 / 43 / 20

HEX #CD4F75

RGB 205 79 117

HSL 341.9, 0.56%, 0.56%

LAB 51.67, 53.16, 4.88

 

CMYK 0 / 61 / 59 / 20

HEX #CD4F54

RGB 205 79 84

HSL 357.62, 0.56%, 0.56%

LAB 50.93, 50.3, 23.58

 

CMYK 0 / 47 / 61 / 20

HEX #CD6D4F

RGB 205 109 79

HSL 14.29, 0.56%, 0.56%

LAB 56.57, 35.26, 33.6

 

CMYK 0 / 31 / 61 / 20

HEX #CD8E4F

RGB 205 142 79

HSL 30, 0.56%, 0.56%

LAB 64.07, 17.5, 42.61

 

CMYK 0 / 72 / 70 / 38

HEX #9E2C30

RGB 158 44 48

HSL 357.89, 0.56%, 0.4%

LAB 36.53, 46.97, 25.38

 

CMYK 0 / 72 / 69 / 25

HEX #BE353A

RGB 190 53 58

HSL 357.81, 0.56%, 0.48%

LAB 43.94, 54.43, 29.69

 

CMYK 0 / 61 / 59 / 20

HEX #CD4F54

RGB 205 79 84

HSL 357.62, 0.56%, 0.56%

LAB 50.93, 50.3, 23.58

 

CMYK 0 / 48 / 46 / 16

HEX #D67073

RGB 214 112 115

HSL 358.24, 0.55%, 0.64%

LAB 59.09, 40.18, 16.68

 

CMYK 0 / 35 / 35 / 13

HEX #DF9092

RGB 223 144 146

HSL 358.48, 0.55%, 0.72%

LAB 67.81, 30.17, 11.42

 

CMYK 0 / 60 / 58 / 19

HEX #CE5256

RGB 206 82 86

HSL 358.06, 0.56%, 0.56%

LAB 51.64, 49.44, 23.36

 

CMYK 10 / 0 / 61 / 20

HEX #B8CD4F

RGB 184 205 79

HSL 70, 0.56%, 0.56%

LAB 78.7, -24.34, 58.55

 

CMYK 61 / 35 / 0 / 20

HEX #4F86CD

RGB 79 134 205

HSL 213.81, 0.56%, 0.56%

LAB 55.2, 3.65, -42.14

 

CMYK 0 / 60 / 58 / 19

HEX #CE5256

RGB 206 82 86

HSL 358.06, 0.56%, 0.56%

LAB 51.64, 49.44, 23.36

 

CMYK 59 / 0 / 61 / 20

HEX #54CD4F

RGB 84 205 79

HSL 117.62, 0.56%, 0.56%

LAB 73.62, -58.01, 51.5

 

CMYK 61 / 59 / 0 / 20

HEX #4F54CD

RGB 79 84 205

HSL 237.62, 0.56%, 0.56%

LAB 41.86, 34.58, -63.51

 

CMYK 0 / 60 / 58 / 19

HEX #CE5256

RGB 206 82 86

HSL 358.06, 0.56%, 0.56%

LAB 51.64, 49.44, 23.36

 

CMYK 10 / 0 / 61 / 20

HEX #B8CD4F

RGB 184 205 79

HSL 70, 0.56%, 0.56%

LAB 78.7, -24.34, 58.55

 

CMYK 61 / 0 / 2 / 20

HEX #4FCDC9

RGB 79 205 201

HSL 178.1, 0.56%, 0.56%

LAB 75.79, -35.22, -8.35

 

CMYK 51 / 61 / 0 / 20

HEX #644FCD

RGB 100 79 205

HSL 250, 0.56%, 0.56%

LAB 42.32, 41.33, -62.69

 

CMYK 0 / 60 / 58 / 19

HEX #CE5256

RGB 206 82 86

HSL 358.06, 0.56%, 0.56%

LAB 51.64, 49.44, 23.36

 

CMYK 29 / 0 / 61 / 20

HEX #92CD4F

RGB 146 205 79

HSL 88.1, 0.56%, 0.56%

LAB 76.28, -39.03, 55.2

 

CMYK 61 / 0 / 2 / 20

HEX #4FCDC9

RGB 79 205 201

HSL 178.1, 0.56%, 0.56%

LAB 75.79, -35.22, -8.35

 

CMYK 33 / 61 / 0 / 20

HEX #8A4FCD

RGB 138 79 205

HSL 268.1, 0.56%, 0.56%

LAB 46.18, 49.3, -56.26

 

Description

Color code: RGB 206 82 86 | qconv.com Color code: RGB 206 82 86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 82 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 82 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 58 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 58% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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