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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 46 73 it is the complementary color RGB 48 209 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 46 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 46 73 shade: RGB 212 46 68, RGB 229 64 87, RGB 246 82 106, RGB 255 100 125 and RGB 255 118 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 46 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 46 73 shade: RGB 207 46 73, RGB 190 28 54, RGB 173 10 35, RGB 156 0 16 and RGB 139 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 46 73 shade: RGB 209 45 73 and RGB 209 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 46 73 shade: RGB 209 45 73, RGB 209 45 117, RGB 209 45 161, RGB 209 45 205 and RGB 168 45 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 46 73 shade matches the following richer shades: RGB 209 45 73, RGB 229 25 59 and RGB 250 4 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 46 73 shade: RGB 209 45 73, RGB 188 66 86, RGB 167 87 100, RGB 147 107 114 and RGB 126 128 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 46 73 shade: RGB 209 45 162, RGB 209 45 119, RGB 209 45 75, RGB 209 59 45 and RGB 209 103 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 46 73 shade: RGB 141 31 49, RGB 175 38 61, RGB 209 45 73, RGB 216 79 102 and RGB 223 113 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 46 73 shade: RGB 207 46 73, RGB 206 209 45 and RGB 45 141 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 46 73 shade: RGB 207 46 73, RGB 75 209 45 and RGB 45 75 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 46 73 shade: RGB 207 46 73, RGB 206 209 45, RGB 45 209 179 and RGB 48 45 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 46 73 shade: RGB 207 46 73, RGB 157 209 45, RGB 45 209 179 and RGB 97 45 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 65 / 19

HEX #CF2E49

RGB 207 46 73

HSL 349.94, 0.64%, 0.5%

LAB 46.58, 62.61, 24.61

 

Complementary color

CMYK 77 / 0 / 13 / 18

HEX #30D1B6

RGB 48 209 182

HSL 169.94, 0.64%, 0.5%

LAB 75.83, -46.3, 1.87

 

CMYK 0 / 78 / 68 / 17

HEX #D42E44

RGB 212 46 68

HSL 352.05, 0.66%, 0.51%

LAB 47.45, 63.76, 28.94

 

CMYK 0 / 72 / 62 / 10

HEX #E54057

RGB 229 64 87

HSL 351.64, 0.76%, 0.57%

LAB 52.96, 64.06, 25.24

 

CMYK 0 / 67 / 57 / 4

HEX #F6526A

RGB 246 82 106

HSL 351.22, 0.9%, 0.64%

LAB 58.67, 63.85, 22.14

 

CMYK 0 / 61 / 51 / 0

HEX #FF647D

RGB 255 100 125

HSL 350.32, 1%, 0.7%

LAB 63.22, 60.8, 17.58

 

CMYK 0 / 54 / 44 / 0

HEX #FF7690

RGB 255 118 144

HSL 348.61, 1%, 0.73%

LAB 66.7, 54.46, 11.58

 

CMYK 0 / 78 / 65 / 19

HEX #CF2E49

RGB 207 46 73

HSL 349.94, 0.64%, 0.5%

LAB 46.58, 62.61, 24.61

 

CMYK 0 / 85 / 72 / 25

HEX #BE1C36

RGB 190 28 54

HSL 350.37, 0.74%, 0.43%

LAB 41.29, 61.54, 28.92

 

CMYK 0 / 94 / 80 / 32

HEX #AD0A23

RGB 173 10 35

HSL 350.8, 0.89%, 0.36%

LAB 36.41, 59.33, 33.97

 

CMYK 0 / 100 / 90 / 39

HEX #9C0010

RGB 156 0 16

HSL 353.85, 1%, 0.31%

LAB 32.05, 55.73, 39.16

 

CMYK 0 / 100 / 100 / 45

HEX #8B0000

RGB 139 0 0

HSL 0, 1%, 0.27%

LAB 28.08, 51.01, 41.29

 

CMYK 0 / 78 / 65 / 18

HEX #D12D49

RGB 209 45 73

HSL 349.76, 0.65%, 0.5%

LAB 46.86, 63.46, 25.05

 

CMYK 0 / 78 / 78 / 18

HEX #D12D2D

RGB 209 45 45

HSL 0, 0.65%, 0.5%

LAB 46.47, 62.24, 41.02

 

CMYK 0 / 78 / 65 / 18

HEX #D12D49

RGB 209 45 73

HSL 349.76, 0.65%, 0.5%

LAB 46.86, 63.46, 25.05

 

CMYK 0 / 78 / 44 / 18

HEX #D12D75

RGB 209 45 117

HSL 333.66, 0.65%, 0.5%

LAB 47.9, 66.67, -0.5

 

CMYK 0 / 78 / 23 / 18

HEX #D12DA1

RGB 209 45 161

HSL 317.56, 0.65%, 0.5%

LAB 49.5, 71.43, -24.61

 

CMYK 0 / 78 / 2 / 18

HEX #D12DCD

RGB 209 45 205

HSL 301.46, 0.65%, 0.5%

LAB 51.66, 77.54, -46.93

 

CMYK 20 / 78 / 0 / 18

HEX #A82DD1

RGB 168 45 209

HSL 285, 0.65%, 0.5%

LAB 45.37, 70.53, -59.67

 

CMYK 0 / 78 / 65 / 18

HEX #D12D49

RGB 209 45 73

HSL 349.76, 0.65%, 0.5%

LAB 46.86, 63.46, 25.05

 

CMYK 0 / 89 / 74 / 10

HEX #E5193B

RGB 229 25 59

HSL 350, 0.8%, 0.5%

LAB 49.09, 72.44, 37.04

 

CMYK 0 / 98 / 82 / 2

HEX #FA042D

RGB 250 4 45

HSL 350, 0.97%, 0.5%

LAB 52.51, 79.21, 49.73

 

CMYK 0 / 78 / 65 / 18

HEX #D12D49

RGB 209 45 73

HSL 349.76, 0.65%, 0.5%

LAB 46.86, 63.46, 25.05

 

CMYK 0 / 65 / 54 / 26

HEX #BC4256

RGB 188 66 86

HSL 350.16, 0.48%, 0.5%

LAB 45.99, 50.44, 15.26

 

CMYK 0 / 48 / 40 / 35

HEX #A75764

RGB 167 87 100

HSL 350.25, 0.31%, 0.5%

LAB 46.91, 34.16, 7.54

 

CMYK 0 / 27 / 22 / 42

HEX #936B72

RGB 147 107 114

HSL 349.5, 0.16%, 0.5%

LAB 49.42, 17.05, 2.39

 

CMYK 2 / 0 / 0 / 50

HEX #7E8080

RGB 126 128 128

HSL 180, 0.01%, 0.5%

LAB 53.42, -0.74, -0.27

 

CMYK 0 / 78 / 22 / 18

HEX #D12DA2

RGB 209 45 162

HSL 317.2, 0.65%, 0.5%

LAB 49.55, 71.56, -25.14

 

CMYK 0 / 78 / 43 / 18

HEX #D12D77

RGB 209 45 119

HSL 332.93, 0.65%, 0.5%

LAB 47.96, 66.85, -1.64

 

CMYK 0 / 78 / 64 / 18

HEX #D12D4B

RGB 209 45 75

HSL 349.02, 0.65%, 0.5%

LAB 46.9, 63.57, 23.88

 

CMYK 0 / 72 / 78 / 18

HEX #D13B2D

RGB 209 59 45

HSL 5.12, 0.65%, 0.5%

LAB 48.1, 57.71, 42.69

 

CMYK 0 / 51 / 78 / 18

HEX #D1672D

RGB 209 103 45

HSL 21.22, 0.65%, 0.5%

LAB 55.53, 38.14, 50.11

 

CMYK 0 / 78 / 65 / 45

HEX #8D1F31

RGB 141 31 49

HSL 350.18, 0.64%, 0.34%

LAB 31.5, 46.31, 17.72

 

CMYK 0 / 78 / 65 / 31

HEX #AF263D

RGB 175 38 61

HSL 349.93, 0.64%, 0.42%

LAB 39.3, 55.07, 21.45

 

CMYK 0 / 78 / 65 / 18

HEX #D12D49

RGB 209 45 73

HSL 349.76, 0.65%, 0.5%

LAB 46.86, 63.46, 25.05

 

CMYK 0 / 63 / 53 / 15

HEX #D84F66

RGB 216 79 102

HSL 349.93, 0.64%, 0.58%

LAB 53.11, 55.33, 16.13

 

CMYK 0 / 49 / 41 / 13

HEX #DF7184

RGB 223 113 132

HSL 349.64, 0.63%, 0.66%

LAB 60.93, 44.67, 9.64

 

CMYK 0 / 78 / 65 / 19

HEX #CF2E49

RGB 207 46 73

HSL 349.94, 0.64%, 0.5%

LAB 46.58, 62.61, 24.61

 

CMYK 1 / 0 / 78 / 18

HEX #CED12D

RGB 206 209 45

HSL 61.1, 0.65%, 0.5%

LAB 81.24, -18.98, 73.71

 

CMYK 78 / 33 / 0 / 18

HEX #2D8DD1

RGB 45 141 209

HSL 204.88, 0.65%, 0.5%

LAB 56.3, -4.1, -42.73

 

CMYK 0 / 78 / 65 / 19

HEX #CF2E49

RGB 207 46 73

HSL 349.94, 0.64%, 0.5%

LAB 46.58, 62.61, 24.61

 

CMYK 64 / 0 / 78 / 18

HEX #4BD12D

RGB 75 209 45

HSL 109.02, 0.65%, 0.5%

LAB 74.37, -64.23, 64.89

 

CMYK 78 / 64 / 0 / 18

HEX #2D4BD1

RGB 45 75 209

HSL 229.02, 0.65%, 0.5%

LAB 38.19, 37.27, -71.89

 

CMYK 0 / 78 / 65 / 19

HEX #CF2E49

RGB 207 46 73

HSL 349.94, 0.64%, 0.5%

LAB 46.58, 62.61, 24.61

 

CMYK 1 / 0 / 78 / 18

HEX #CED12D

RGB 206 209 45

HSL 61.1, 0.65%, 0.5%

LAB 81.24, -18.98, 73.71

 

CMYK 78 / 0 / 14 / 18

HEX #2DD1B3

RGB 45 209 179

HSL 169.02, 0.65%, 0.5%

LAB 75.71, -47.39, 3.31

 

CMYK 77 / 78 / 0 / 18

HEX #302DD1

RGB 48 45 209

HSL 241.1, 0.65%, 0.5%

LAB 32.05, 54.82, -82

 

CMYK 0 / 78 / 65 / 19

HEX #CF2E49

RGB 207 46 73

HSL 349.94, 0.64%, 0.5%

LAB 46.58, 62.61, 24.61

 

CMYK 25 / 0 / 78 / 18

HEX #9DD12D

RGB 157 209 45

HSL 79.02, 0.65%, 0.5%

LAB 77.85, -38.86, 69.39

 

CMYK 78 / 0 / 14 / 18

HEX #2DD1B3

RGB 45 209 179

HSL 169.02, 0.65%, 0.5%

LAB 75.71, -47.39, 3.31

 

CMYK 54 / 78 / 0 / 18

HEX #612DD1

RGB 97 45 209

HSL 259.02, 0.65%, 0.5%

LAB 36.03, 59.53, -75.31

 

Description

Color code: RGB 207 46 73 | qconv.com Color code: RGB 207 46 73 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 46 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 46 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 65 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 65% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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