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Color name
RGB 207 94 46

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 94 46 it is the complementary color RGB 48 161 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 94 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 94 46 shade: RGB 212 94 41, RGB 229 112 60, RGB 246 130 79, RGB 255 148 98 and RGB 255 166 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 94 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 94 46 shade: RGB 207 94 46, RGB 190 76 27, RGB 173 58 8, RGB 156 40 0 and RGB 139 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 94 46 shade: RGB 209 94 45, RGB 209 50 45 and RGB 209 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 94 46 shade: RGB 209 94 45, RGB 209 138 45, RGB 209 182 45, RGB 191 209 45 and RGB 147 209 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 94 46 shade matches the following richer shades: RGB 209 94 45, RGB 229 86 25 and RGB 250 77 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 94 46 shade: RGB 209 94 45, RGB 188 102 66, RGB 167 111 87, RGB 147 119 107 and RGB 126 127 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 94 46 shade: RGB 209 45 86, RGB 209 48 45, RGB 209 92 45, RGB 209 135 45 and RGB 209 179 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 94 46 shade: RGB 141 63 31, RGB 175 79 38, RGB 209 94 45, RGB 216 120 79 and RGB 223 146 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 94 46 shade: RGB 207 94 46, RGB 130 209 45 and RGB 45 64 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 94 46 shade: RGB 207 94 46, RGB 45 209 92 and RGB 92 45 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 94 46 shade: RGB 207 94 46, RGB 130 209 45, RGB 45 162 209 and RGB 124 45 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 94 46 shade: RGB 207 94 46, RGB 81 209 45, RGB 45 162 209 and RGB 173 45 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 78 / 19

HEX #CF5E2E

RGB 207 94 46

HSL 17.89, 0.64%, 0.5%

LAB 53.46, 41.9, 47.49

 

Complementary color

CMYK 77 / 23 / 0 / 18

HEX #30A1D1

RGB 48 161 209

HSL 197.89, 0.64%, 0.5%

LAB 62.27, -15.01, -33.37

 

CMYK 0 / 56 / 81 / 17

HEX #D45E29

RGB 212 94 41

HSL 18.6, 0.68%, 0.5%

LAB 54.2, 43.63, 50.81

 

CMYK 0 / 51 / 74 / 10

HEX #E5703C

RGB 229 112 60

HSL 18.46, 0.76%, 0.57%

LAB 60.4, 41.98, 48.88

 

CMYK 0 / 47 / 68 / 4

HEX #F6824F

RGB 246 130 79

HSL 18.32, 0.9%, 0.64%

LAB 66.61, 40.41, 46.89

 

CMYK 0 / 42 / 62 / 0

HEX #FF9462

RGB 255 148 98

HSL 19.11, 1%, 0.69%

LAB 71.77, 35.87, 43.49

 

CMYK 0 / 35 / 54 / 0

HEX #FFA675

RGB 255 166 117

HSL 21.3, 1%, 0.73%

LAB 75.96, 27.95, 38.78

 

CMYK 0 / 55 / 78 / 19

HEX #CF5E2E

RGB 207 94 46

HSL 17.89, 0.64%, 0.5%

LAB 53.46, 41.9, 47.49

 

CMYK 0 / 60 / 86 / 25

HEX #BE4C1B

RGB 190 76 27

HSL 18.04, 0.75%, 0.43%

LAB 47.23, 43.57, 49.31

 

CMYK 0 / 66 / 95 / 32

HEX #AD3A08

RGB 173 58 8

HSL 18.18, 0.91%, 0.35%

LAB 41.1, 45.15, 50.07

 

CMYK 0 / 74 / 100 / 39

HEX #9C2800

RGB 156 40 0

HSL 15.38, 1%, 0.31%

LAB 35.17, 46.4, 47.85

 

CMYK 0 / 84 / 100 / 45

HEX #8B1600

RGB 139 22 0

HSL 9.5, 1%, 0.27%

LAB 29.57, 46.75, 42.49

 

CMYK 0 / 55 / 78 / 18

HEX #D15E2D

RGB 209 94 45

HSL 17.93, 0.65%, 0.5%

LAB 53.76, 42.63, 48.38

 

CMYK 0 / 76 / 78 / 18

HEX #D1322D

RGB 209 50 45

HSL 1.83, 0.65%, 0.5%

LAB 47.01, 60.74, 41.57

 

CMYK 0 / 78 / 78 / 18

HEX #D12D2D

RGB 209 45 45

HSL 0, 0.65%, 0.5%

LAB 46.47, 62.24, 41.02

 

CMYK 0 / 55 / 78 / 18

HEX #D15E2D

RGB 209 94 45

HSL 17.93, 0.65%, 0.5%

LAB 53.76, 42.63, 48.38

 

CMYK 0 / 34 / 78 / 18

HEX #D18A2D

RGB 209 138 45

HSL 34.02, 0.65%, 0.5%

LAB 63.28, 19.57, 57.51

 

CMYK 0 / 13 / 78 / 18

HEX #D1B62D

RGB 209 182 45

HSL 50.12, 0.65%, 0.5%

LAB 74.32, -3.99, 67.64

 

CMYK 9 / 0 / 78 / 18

HEX #BFD12D

RGB 191 209 45

HSL 66.59, 0.65%, 0.5%

LAB 80.1, -25.24, 72.27

 

CMYK 30 / 0 / 78 / 18

HEX #93D12D

RGB 147 209 45

HSL 82.68, 0.65%, 0.5%

LAB 77.28, -42.63, 68.65

 

CMYK 0 / 55 / 78 / 18

HEX #D15E2D

RGB 209 94 45

HSL 17.93, 0.65%, 0.5%

LAB 53.76, 42.63, 48.38

 

CMYK 0 / 62 / 89 / 10

HEX #E55619

RGB 229 86 25

HSL 17.94, 0.8%, 0.5%

LAB 55.47, 53.11, 59.35

 

CMYK 0 / 69 / 98 / 2

HEX #FA4D04

RGB 250 77 4

HSL 17.8, 0.97%, 0.5%

LAB 57.69, 63.49, 67.71

 

CMYK 0 / 55 / 78 / 18

HEX #D15E2D

RGB 209 94 45

HSL 17.93, 0.65%, 0.5%

LAB 53.76, 42.63, 48.38

 

CMYK 0 / 46 / 65 / 26

HEX #BC6642

RGB 188 102 66

HSL 17.7, 0.48%, 0.5%

LAB 52.5, 31.3, 35.27

 

CMYK 0 / 34 / 48 / 35

HEX #A76F57

RGB 167 111 87

HSL 18, 0.31%, 0.5%

LAB 52.14, 19.39, 22.41

 

CMYK 0 / 19 / 27 / 42

HEX #93776B

RGB 147 119 107

HSL 18, 0.16%, 0.5%

LAB 52.35, 9.01, 10.71

 

CMYK 2 / 1 / 0 / 50

HEX #7E7F80

RGB 126 127 128

HSL 210, 0.01%, 0.5%

LAB 53.14, -0.17, -0.68

 

CMYK 0 / 78 / 59 / 18

HEX #D12D56

RGB 209 45 86

HSL 345, 0.65%, 0.5%

LAB 47.11, 64.24, 17.42

 

CMYK 0 / 77 / 78 / 18

HEX #D1302D

RGB 209 48 45

HSL 1.1, 0.65%, 0.5%

LAB 46.79, 61.36, 41.35

 

CMYK 0 / 56 / 78 / 18

HEX #D15C2D

RGB 209 92 45

HSL 17.2, 0.65%, 0.5%

LAB 53.38, 43.6, 48

 

CMYK 0 / 35 / 78 / 18

HEX #D1872D

RGB 209 135 45

HSL 32.93, 0.65%, 0.5%

LAB 62.57, 21.19, 56.85

 

CMYK 0 / 14 / 78 / 18

HEX #D1B32D

RGB 209 179 45

HSL 49.02, 0.65%, 0.5%

LAB 73.54, -2.43, 66.94

 

CMYK 0 / 55 / 78 / 45

HEX #8D3F1F

RGB 141 63 31

HSL 17.45, 0.64%, 0.34%

LAB 36.59, 31.01, 34.52

 

CMYK 0 / 55 / 78 / 31

HEX #AF4F26

RGB 175 79 38

HSL 17.96, 0.64%, 0.42%

LAB 45.42, 36.68, 41.7

 

CMYK 0 / 55 / 78 / 18

HEX #D15E2D

RGB 209 94 45

HSL 17.93, 0.65%, 0.5%

LAB 53.76, 42.63, 48.38

 

CMYK 0 / 44 / 63 / 15

HEX #D8784F

RGB 216 120 79

HSL 17.96, 0.64%, 0.58%

LAB 60.42, 33.84, 38.63

 

CMYK 0 / 35 / 49 / 13

HEX #DF9271

RGB 223 146 113

HSL 18, 0.63%, 0.66%

LAB 67.6, 25.52, 29.43

 

CMYK 0 / 55 / 78 / 19

HEX #CF5E2E

RGB 207 94 46

HSL 17.89, 0.64%, 0.5%

LAB 53.46, 41.9, 47.49

 

CMYK 38 / 0 / 78 / 18

HEX #82D12D

RGB 130 209 45

HSL 88.9, 0.65%, 0.5%

LAB 76.4, -48.7, 67.52

 

CMYK 78 / 69 / 0 / 18

HEX #2D40D1

RGB 45 64 209

HSL 233.05, 0.65%, 0.5%

LAB 35.65, 44.06, -76.06

 

CMYK 0 / 55 / 78 / 19

HEX #CF5E2E

RGB 207 94 46

HSL 17.89, 0.64%, 0.5%

LAB 53.46, 41.9, 47.49

 

CMYK 78 / 0 / 56 / 18

HEX #2DD15C

RGB 45 209 92

HSL 137.2, 0.65%, 0.5%

LAB 74.15, -64.76, 46.02

 

CMYK 56 / 78 / 0 / 18

HEX #5C2DD1

RGB 92 45 209

HSL 257.2, 0.65%, 0.5%

LAB 35.51, 58.92, -76.18

 

CMYK 0 / 55 / 78 / 19

HEX #CF5E2E

RGB 207 94 46

HSL 17.89, 0.64%, 0.5%

LAB 53.46, 41.9, 47.49

 

CMYK 38 / 0 / 78 / 18

HEX #82D12D

RGB 130 209 45

HSL 88.9, 0.65%, 0.5%

LAB 76.4, -48.7, 67.52

 

CMYK 78 / 22 / 0 / 18

HEX #2DA2D1

RGB 45 162 209

HSL 197.2, 0.65%, 0.5%

LAB 62.51, -15.87, -33.01

 

CMYK 41 / 78 / 0 / 18

HEX #7C2DD1

RGB 124 45 209

HSL 268.9, 0.65%, 0.5%

LAB 39.18, 63.26, -70.01

 

CMYK 0 / 55 / 78 / 19

HEX #CF5E2E

RGB 207 94 46

HSL 17.89, 0.64%, 0.5%

LAB 53.46, 41.9, 47.49

 

CMYK 61 / 0 / 78 / 18

HEX #51D12D

RGB 81 209 45

HSL 106.83, 0.65%, 0.5%

LAB 74.53, -62.9, 65.1

 

CMYK 78 / 22 / 0 / 18

HEX #2DA2D1

RGB 45 162 209

HSL 197.2, 0.65%, 0.5%

LAB 62.51, -15.87, -33.01

 

CMYK 17 / 78 / 0 / 18

HEX #AD2DD1

RGB 173 45 209

HSL 286.83, 0.65%, 0.5%

LAB 46.13, 71.42, -58.4

 

Description

Color code: RGB 207 94 46 | qconv.com Color code: RGB 207 94 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 94 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 94 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 78 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 78% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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