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Color name
RGB 208 145 224

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 145 224 it is the complementary color RGB 47 110 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 145 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 145 224 shade: RGB 213 145 219, RGB 230 163 238, RGB 247 181 255, RGB 255 199 255 and RGB 255 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 145 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 145 224 shade: RGB 208 145 224, RGB 191 127 205, RGB 174 109 186, RGB 157 91 167 and RGB 140 73 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 145 224 shade: RGB 207 143 223, RGB 223 143 218, RGB 223 143 196, RGB 223 143 175 and RGB 223 143 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 145 224 shade: RGB 207 143 223, RGB 185 143 223, RGB 164 143 223 and RGB 143 143 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 145 224 shade matches the following richer shades: RGB 207 143 223, RGB 214 132 235 and RGB 221 120 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 145 224 shade: RGB 207 143 223, RGB 200 155 212, RGB 193 166 200, RGB 186 178 188 and RGB 179 189 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 145 224 shade: RGB 163 143 223, RGB 184 143 223, RGB 206 143 223, RGB 223 143 219 and RGB 223 143 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 145 224 shade: RGB 179 79 205, RGB 193 111 214, RGB 207 143 223, RGB 221 175 232 and RGB 234 207 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 145 224 shade: RGB 208 145 224, RGB 223 143 144 and RGB 143 223 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 145 224 shade: RGB 208 145 224, RGB 223 206 143 and RGB 143 223 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 145 224 shade: RGB 208 145 224, RGB 223 143 144, RGB 160 223 143 and RGB 143 223 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 145 224 shade: RGB 208 145 224, RGB 223 166 143, RGB 160 223 143 and RGB 143 200 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 35 / 0 / 12

HEX #D091E0

RGB 208 145 224

HSL 287.85, 0.56%, 0.72%

LAB 68.78, 37.09, -30.8

 

Complementary color

CMYK 57 / 0 / 72 / 57

HEX #2F6E1F

RGB 47 110 31

HSL 107.85, 0.56%, 0.28%

LAB 40.98, -36.09, 36.43

 

CMYK 3 / 34 / 0 / 14

HEX #D591DB

RGB 213 145 219

HSL 295.14, 0.51%, 0.71%

LAB 69.12, 37.68, -27.48

 

CMYK 3 / 32 / 0 / 7

HEX #E6A3EE

RGB 230 163 238

HSL 293.6, 0.69%, 0.79%

LAB 75.57, 36.97, -27.82

 

CMYK 3 / 29 / 0 / 0

HEX #F7B5FF

RGB 247 181 255

HSL 293.51, 1%, 0.85%

LAB 81.86, 35.94, -27.19

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 7 / 35 / 0 / 12

HEX #D091E0

RGB 208 145 224

HSL 287.85, 0.56%, 0.72%

LAB 68.78, 37.09, -30.8

 

CMYK 7 / 38 / 0 / 20

HEX #BF7FCD

RGB 191 127 205

HSL 289.23, 0.44%, 0.65%

LAB 62.22, 37.83, -30.51

 

CMYK 6 / 41 / 0 / 27

HEX #AE6DBA

RGB 174 109 186

HSL 290.65, 0.36%, 0.58%

LAB 55.56, 38.59, -30.2

 

CMYK 6 / 46 / 0 / 35

HEX #9D5BA7

RGB 157 91 167

HSL 292.11, 0.3%, 0.51%

LAB 48.81, 39.38, -29.84

 

CMYK 5 / 51 / 0 / 42

HEX #8C4994

RGB 140 73 148

HSL 293.6, 0.34%, 0.43%

LAB 41.97, 40.13, -29.4

 

CMYK 7 / 36 / 0 / 13

HEX #CF8FDF

RGB 207 143 223

HSL 288, 0.56%, 0.72%

LAB 68.2, 37.66, -31.16

 

CMYK 0 / 36 / 2 / 13

HEX #DF8FDA

RGB 223 143 218

HSL 303.75, 0.56%, 0.72%

LAB 69.75, 41.7, -25.86

 

CMYK 0 / 36 / 12 / 13

HEX #DF8FC4

RGB 223 143 196

HSL 320.25, 0.56%, 0.72%

LAB 68.98, 37.91, -14.83

 

CMYK 0 / 36 / 22 / 13

HEX #DF8FAF

RGB 223 143 175

HSL 336, 0.56%, 0.72%

LAB 68.33, 34.64, -4.06

 

CMYK 0 / 36 / 31 / 13

HEX #DF8F99

RGB 223 143 153

HSL 352.5, 0.56%, 0.72%

LAB 67.75, 31.59, 7.42

 

CMYK 7 / 36 / 0 / 13

HEX #CF8FDF

RGB 207 143 223

HSL 288, 0.56%, 0.72%

LAB 68.2, 37.66, -31.16

 

CMYK 17 / 36 / 0 / 13

HEX #B98FDF

RGB 185 143 223

HSL 271.5, 0.56%, 0.72%

LAB 65.97, 30.96, -34.79

 

CMYK 26 / 36 / 0 / 13

HEX #A48FDF

RGB 164 143 223

HSL 255.75, 0.56%, 0.72%

LAB 64.05, 24.75, -37.92

 

CMYK 36 / 36 / 0 / 13

HEX #8F8FDF

RGB 143 143 223

HSL 240, 0.56%, 0.72%

LAB 62.35, 18.85, -40.71

 

CMYK 7 / 36 / 0 / 13

HEX #CF8FDF

RGB 207 143 223

HSL 288, 0.56%, 0.72%

LAB 68.2, 37.66, -31.16

 

CMYK 9 / 44 / 0 / 8

HEX #D684EB

RGB 214 132 235

HSL 287.77, 0.72%, 0.72%

LAB 67.12, 47.95, -39.39

 

CMYK 10 / 51 / 0 / 4

HEX #DD78F6

RGB 221 120 246

HSL 288.1, 0.88%, 0.72%

LAB 66.1, 58.08, -46.99

 

CMYK 7 / 36 / 0 / 13

HEX #CF8FDF

RGB 207 143 223

HSL 288, 0.56%, 0.72%

LAB 68.2, 37.66, -31.16

 

CMYK 6 / 27 / 0 / 17

HEX #C89BD4

RGB 200 155 212

HSL 287.37, 0.4%, 0.72%

LAB 69.81, 26.72, -22.68

 

CMYK 4 / 17 / 0 / 22

HEX #C1A6C8

RGB 193 166 200

HSL 287.65, 0.24%, 0.72%

LAB 71.41, 15.97, -13.7

 

CMYK 1 / 5 / 0 / 26

HEX #BAB2BC

RGB 186 178 188

HSL 288, 0.07%, 0.72%

LAB 73.49, 4.69, -4.07

 

CMYK 5 / 0 / 6 / 26

HEX #B3BDB1

RGB 179 189 177

HSL 110, 0.08%, 0.72%

LAB 75.55, -5.7, 4.86

 

CMYK 27 / 36 / 0 / 13

HEX #A38FDF

RGB 163 143 223

HSL 255, 0.56%, 0.72%

LAB 63.97, 24.46, -38.06

 

CMYK 17 / 36 / 0 / 13

HEX #B88FDF

RGB 184 143 223

HSL 270.75, 0.56%, 0.72%

LAB 65.88, 30.65, -34.94

 

CMYK 8 / 36 / 0 / 13

HEX #CE8FDF

RGB 206 143 223

HSL 287.25, 0.56%, 0.72%

LAB 68.09, 37.35, -31.34

 

CMYK 0 / 36 / 2 / 13

HEX #DF8FDB

RGB 223 143 219

HSL 303, 0.56%, 0.72%

LAB 69.79, 41.88, -26.36

 

CMYK 0 / 36 / 11 / 13

HEX #DF8FC6

RGB 223 143 198

HSL 318.75, 0.56%, 0.72%

LAB 69.05, 38.24, -15.84

 

CMYK 13 / 61 / 0 / 20

HEX #B34FCD

RGB 179 79 205

HSL 287.62, 0.56%, 0.56%

LAB 51.36, 58.94, -47.67

 

CMYK 10 / 48 / 0 / 16

HEX #C16FD6

RGB 193 111 214

HSL 287.77, 0.56%, 0.64%

LAB 59.49, 48.72, -39.82

 

CMYK 7 / 36 / 0 / 13

HEX #CF8FDF

RGB 207 143 223

HSL 288, 0.56%, 0.72%

LAB 68.2, 37.66, -31.16

 

CMYK 5 / 25 / 0 / 9

HEX #DDAFE8

RGB 221 175 232

HSL 288.42, 0.55%, 0.8%

LAB 77.2, 26.53, -22.17

 

CMYK 3 / 14 / 0 / 5

HEX #EACFF1

RGB 234 207 241

HSL 287.65, 0.55%, 0.88%

LAB 86.24, 15.36, -13.23

 

CMYK 7 / 35 / 0 / 12

HEX #D091E0

RGB 208 145 224

HSL 287.85, 0.56%, 0.72%

LAB 68.78, 37.09, -30.8

 

CMYK 0 / 36 / 35 / 13

HEX #DF8F90

RGB 223 143 144

HSL 359.25, 0.56%, 0.72%

LAB 67.54, 30.46, 12.16

 

CMYK 36 / 0 / 22 / 13

HEX #8FDFAE

RGB 143 223 174

HSL 143.25, 0.56%, 0.72%

LAB 82.74, -34.87, 16.39

 

CMYK 7 / 35 / 0 / 12

HEX #D091E0

RGB 208 145 224

HSL 287.85, 0.56%, 0.72%

LAB 68.78, 37.09, -30.8

 

CMYK 0 / 8 / 36 / 13

HEX #DFCE8F

RGB 223 206 143

HSL 47.25, 0.56%, 0.72%

LAB 82.81, -3.14, 33.51

 

CMYK 36 / 0 / 8 / 13

HEX #8FDFCE

RGB 143 223 206

HSL 167.25, 0.56%, 0.72%

LAB 83.48, -28.27, 0.57

 

CMYK 7 / 35 / 0 / 12

HEX #D091E0

RGB 208 145 224

HSL 287.85, 0.56%, 0.72%

LAB 68.78, 37.09, -30.8

 

CMYK 0 / 36 / 35 / 13

HEX #DF8F90

RGB 223 143 144

HSL 359.25, 0.56%, 0.72%

LAB 67.54, 30.46, 12.16

 

CMYK 28 / 0 / 36 / 13

HEX #A0DF8F

RGB 160 223 143

HSL 107.25, 0.56%, 0.72%

LAB 83.04, -34.77, 32.99

 

CMYK 36 / 0 / 0 / 13

HEX #8FDFDE

RGB 143 223 222

HSL 179.25, 0.56%, 0.72%

LAB 83.91, -24.6, -7.28

 

CMYK 7 / 35 / 0 / 12

HEX #D091E0

RGB 208 145 224

HSL 287.85, 0.56%, 0.72%

LAB 68.78, 37.09, -30.8

 

CMYK 0 / 26 / 36 / 13

HEX #DFA68F

RGB 223 166 143

HSL 17.25, 0.56%, 0.72%

LAB 72.85, 17.99, 20.12

 

CMYK 28 / 0 / 36 / 13

HEX #A0DF8F

RGB 160 223 143

HSL 107.25, 0.56%, 0.72%

LAB 83.04, -34.77, 32.99

 

CMYK 36 / 10 / 0 / 13

HEX #8FC8DF

RGB 143 200 223

HSL 197.25, 0.56%, 0.72%

LAB 77.56, -12.73, -17.29

 

Description

Color code: RGB 208 145 224 | qconv.com Color code: RGB 208 145 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 145 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 145 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 35 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 35% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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