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Color name
RGB 208 187 230

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 187 230 it is the complementary color RGB 47 68 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 187 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 187 230 shade: RGB 213 187 225, RGB 230 205 244, RGB 247 223 255 and RGB 255 241 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 187 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 191 169 211, RGB 174 151 192, RGB 157 133 173 and RGB 140 115 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 219 187 230, RGB 230 187 229, RGB 230 187 217 and RGB 230 187 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 197 187 230 and RGB 187 187 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 187 230 shade matches the following richer shades: RGB 208 187 230, RGB 208 180 237, RGB 208 173 245 and RGB 208 165 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 208 195 222, RGB 208 202 215, RGB 209 210 207 and RGB 209 217 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 187 230 shade: RGB 187 190 230, RGB 197 187 230, RGB 208 187 230, RGB 219 187 230 and RGB 230 187 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 187 230 shade: RGB 166 127 207, RGB 187 157 219, RGB 208 187 230, RGB 229 218 241 and RGB 250 248 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 230 187 201 and RGB 187 230 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 230 208 187 and RGB 187 230 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 230 187 201, RGB 209 230 187 and RGB 187 230 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 187 230 shade: RGB 208 187 230, RGB 230 187 188, RGB 209 230 187 and RGB 187 230 229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

Complementary color

CMYK 31 / 0 / 63 / 73

HEX #2F4419

RGB 47 68 25

HSL 89.3, 0.46%, 0.18%

LAB 26.18, -16.84, 23.06

 

CMYK 5 / 17 / 0 / 12

HEX #D5BBE1

RGB 213 187 225

HSL 281.05, 0.39%, 0.81%

LAB 79.11, 16.08, -15.56

 

CMYK 6 / 16 / 0 / 4

HEX #E6CDF4

RGB 230 205 244

HSL 278.46, 0.64%, 0.88%

LAB 85.51, 15.68, -15.95

 

CMYK 3 / 13 / 0 / 0

HEX #F7DFFF

RGB 247 223 255

HSL 285, 1%, 0.94%

LAB 91.58, 13.81, -12.51

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 9 / 20 / 0 / 17

HEX #BFA9D3

RGB 191 169 211

HSL 271.43, 0.32%, 0.75%

LAB 72.33, 15.85, -18.36

 

CMYK 9 / 21 / 0 / 25

HEX #AE97C0

RGB 174 151 192

HSL 273.66, 0.25%, 0.67%

LAB 65.7, 16.31, -18.04

 

CMYK 9 / 23 / 0 / 32

HEX #9D85AD

RGB 157 133 173

HSL 276, 0.2%, 0.6%

LAB 58.94, 16.8, -17.72

 

CMYK 9 / 25 / 0 / 40

HEX #8C739A

RGB 140 115 154

HSL 278.46, 0.16%, 0.53%

LAB 52.03, 17.35, -17.41

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 5 / 19 / 0 / 10

HEX #DBBBE6

RGB 219 187 230

HSL 284.65, 0.46%, 0.82%

LAB 79.79, 19.02, -17.18

 

CMYK 0 / 19 / 0 / 10

HEX #E6BBE5

RGB 230 187 229

HSL 301.4, 0.46%, 0.82%

LAB 80.75, 22.46, -15.1

 

CMYK 0 / 19 / 6 / 10

HEX #E6BBD9

RGB 230 187 217

HSL 318.14, 0.46%, 0.82%

LAB 80.39, 20.31, -9.18

 

CMYK 0 / 19 / 10 / 10

HEX #E6BBCE

RGB 230 187 206

HSL 333.49, 0.46%, 0.82%

LAB 80.08, 18.44, -3.71

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 14 / 19 / 0 / 10

HEX #C5BBE6

RGB 197 187 230

HSL 253.95, 0.46%, 0.82%

LAB 77.95, 11.91, -20.14

 

CMYK 19 / 19 / 0 / 10

HEX #BBBBE6

RGB 187 187 230

HSL 240, 0.46%, 0.82%

LAB 77.17, 8.76, -21.39

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 12 / 24 / 0 / 7

HEX #D0B4ED

RGB 208 180 237

HSL 269.47, 0.61%, 0.82%

LAB 77.38, 20.67, -24.7

 

CMYK 15 / 29 / 0 / 4

HEX #D0ADF5

RGB 208 173 245

HSL 269.17, 0.78%, 0.82%

LAB 76, 26.16, -31.13

 

CMYK 17 / 35 / 0 / 1

HEX #D0A5FC

RGB 208 165 252

HSL 269.66, 0.94%, 0.82%

LAB 74.41, 32.03, -37.37

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 6 / 12 / 0 / 13

HEX #D0C3DE

RGB 208 195 222

HSL 268.89, 0.29%, 0.82%

LAB 80.58, 9.54, -11.79

 

CMYK 3 / 6 / 0 / 16

HEX #D0CAD7

RGB 208 202 215

HSL 267.69, 0.14%, 0.82%

LAB 82.14, 4.46, -5.72

 

CMYK 0 / 0 / 1 / 18

HEX #D1D2CF

RGB 209 210 207

HSL 80, 0.03%, 0.82%

LAB 84.05, -0.88, 1.35

 

CMYK 4 / 0 / 8 / 15

HEX #D1D9C8

RGB 209 217 200

HSL 88.24, 0.18%, 0.82%

LAB 85.68, -5.74, 7.43

 

CMYK 19 / 17 / 0 / 10

HEX #BBBEE6

RGB 187 190 230

HSL 235.81, 0.46%, 0.82%

LAB 77.94, 7.13, -20.23

 

CMYK 14 / 19 / 0 / 10

HEX #C5BBE6

RGB 197 187 230

HSL 253.95, 0.46%, 0.82%

LAB 77.95, 11.91, -20.14

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 5 / 19 / 0 / 10

HEX #DBBBE6

RGB 219 187 230

HSL 284.65, 0.46%, 0.82%

LAB 79.79, 19.02, -17.18

 

CMYK 0 / 19 / 0 / 10

HEX #E6BBE5

RGB 230 187 229

HSL 301.4, 0.46%, 0.82%

LAB 80.75, 22.46, -15.1

 

CMYK 20 / 39 / 0 / 19

HEX #A67FCF

RGB 166 127 207

HSL 269.25, 0.45%, 0.65%

LAB 59.7, 30.65, -35.76

 

CMYK 15 / 28 / 0 / 14

HEX #BB9DDB

RGB 187 157 219

HSL 269.03, 0.46%, 0.74%

LAB 69.32, 22.9, -27.38

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 5 / 10 / 0 / 5

HEX #E5DAF1

RGB 229 218 241

HSL 268.7, 0.45%, 0.9%

LAB 88.52, 7.92, -9.88

 

CMYK 1 / 2 / 0 / 1

HEX #FAF8FC

RGB 250 248 252

HSL 270, 0.4%, 0.98%

LAB 97.83, 1.37, -1.69

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 0 / 19 / 13 / 10

HEX #E6BBC9

RGB 230 187 201

HSL 340.47, 0.46%, 0.82%

LAB 79.94, 17.61, -1.21

 

CMYK 19 / 0 / 17 / 10

HEX #BBE6BF

RGB 187 230 191

HSL 125.58, 0.46%, 0.82%

LAB 87.45, -21.32, 14.47

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 0 / 10 / 19 / 10

HEX #E6D0BB

RGB 230 208 187

HSL 29.3, 0.46%, 0.82%

LAB 84.75, 4.33, 13.2

 

CMYK 19 / 0 / 10 / 10

HEX #BBE6D0

RGB 187 230 208

HSL 149.3, 0.46%, 0.82%

LAB 87.83, -18.21, 6.12

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 0 / 19 / 13 / 10

HEX #E6BBC9

RGB 230 187 201

HSL 340.47, 0.46%, 0.82%

LAB 79.94, 17.61, -1.21

 

CMYK 9 / 0 / 19 / 10

HEX #D1E6BB

RGB 209 230 187

HSL 89.3, 0.46%, 0.82%

LAB 88.8, -14.47, 18.66

 

CMYK 19 / 0 / 6 / 10

HEX #BBE6D8

RGB 187 230 216

HSL 160.47, 0.46%, 0.82%

LAB 88.02, -16.66, 2.21

 

CMYK 10 / 19 / 0 / 10

HEX #D0BBE6

RGB 208 187 230

HSL 269.3, 0.46%, 0.82%

LAB 78.85, 15.43, -18.69

 

CMYK 0 / 19 / 18 / 10

HEX #E6BBBC

RGB 230 187 188

HSL 358.6, 0.46%, 0.82%

LAB 79.61, 15.56, 5.32

 

CMYK 9 / 0 / 19 / 10

HEX #D1E6BB

RGB 209 230 187

HSL 89.3, 0.46%, 0.82%

LAB 88.8, -14.47, 18.66

 

CMYK 19 / 0 / 0 / 10

HEX #BBE6E5

RGB 187 230 229

HSL 178.6, 0.46%, 0.82%

LAB 88.36, -14.03, -4.13

 

Description

Color code: RGB 208 187 230 | qconv.com Color code: RGB 208 187 230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 187 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 187 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 19 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 19% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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