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Color name
RGB 208 20 177

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 208 20 177 it is the complementary color RGB 47 235 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 208 20 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 208 20 177 shade: RGB 213 20 172, RGB 230 38 191, RGB 247 56 210, RGB 255 74 229 and RGB 255 92 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 208 20 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 191 2 158, RGB 174 0 139, RGB 157 0 120 and RGB 140 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 208 20 127, RGB 208 20 76, RGB 208 20 25 and RGB 208 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 189 20 208, RGB 138 20 208, RGB 87 20 208 and RGB 36 20 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 208 20 177 shade matches the following richer shades: RGB 208 20 177 and RGB 227 2 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 190 39 165, RGB 171 57 152, RGB 153 76 140 and RGB 134 94 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 208 20 177 shade: RGB 136 20 208, RGB 186 20 208, RGB 208 20 180, RGB 208 20 130 and RGB 208 20 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 208 20 177 shade: RGB 133 13 113, RGB 171 16 145, RGB 208 20 177, RGB 233 37 201 and RGB 237 74 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 208 86 20 and RGB 20 208 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 180 208 20 and RGB 20 180 208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 208 86 20, RGB 20 208 48 and RGB 20 142 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 208 20 177 shade: RGB 208 20 177, RGB 208 142 20, RGB 20 208 48 and RGB 20 86 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

Complementary color

CMYK 80 / 0 / 67 / 8

HEX #2FEB4E

RGB 47 235 78

HSL 129.89, 0.82%, 0.55%

LAB 82.15, -74.29, 61.11

 

CMYK 0 / 91 / 19 / 16

HEX #D514AC

RGB 213 20 172

HSL 312.75, 0.83%, 0.46%

LAB 49.04, 78.51, -31.79

 

CMYK 0 / 83 / 17 / 10

HEX #E626BF

RGB 230 38 191

HSL 312.19, 0.79%, 0.53%

LAB 54, 81.33, -34.92

 

CMYK 0 / 77 / 15 / 3

HEX #F738D2

RGB 247 56 210

HSL 311.62, 0.92%, 0.59%

LAB 59.21, 83.19, -37.45

 

CMYK 0 / 71 / 10 / 0

HEX #FF4AE5

RGB 255 74 229

HSL 308.62, 1%, 0.65%

LAB 63.19, 82.35, -41.82

 

CMYK 0 / 64 / 3 / 0

HEX #FF5CF8

RGB 255 92 248

HSL 302.58, 1%, 0.68%

LAB 66.28, 78.99, -47.5

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 99 / 17 / 25

HEX #BF029E

RGB 191 2 158

HSL 310.48, 0.98%, 0.38%

LAB 43.64, 74.36, -32.21

 

CMYK 0 / 100 / 20 / 32

HEX #AE008B

RGB 174 0 139

HSL 312.07, 1%, 0.34%

LAB 39.35, 68.96, -27.62

 

CMYK 0 / 100 / 24 / 38

HEX #9D0078

RGB 157 0 120

HSL 314.14, 1%, 0.31%

LAB 35.05, 63.28, -22.76

 

CMYK 0 / 100 / 28 / 45

HEX #8C0065

RGB 140 0 101

HSL 316.71, 1%, 0.27%

LAB 30.68, 57.5, -17.69

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 90 / 39 / 18

HEX #D0147F

RGB 208 20 127

HSL 325.85, 0.82%, 0.45%

LAB 46.23, 72.53, -9.11

 

CMYK 0 / 90 / 63 / 18

HEX #D0144C

RGB 208 20 76

HSL 342.13, 0.82%, 0.45%

LAB 44.85, 68.7, 20.55

 

CMYK 0 / 90 / 88 / 18

HEX #D01419

RGB 208 20 25

HSL 358.4, 0.82%, 0.45%

LAB 44.2, 66.88, 49.12

 

CMYK 0 / 90 / 90 / 18

HEX #D01414

RGB 208 20 20

HSL 0, 0.82%, 0.45%

LAB 44.18, 66.8, 51.29

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 9 / 90 / 0 / 18

HEX #BD14D0

RGB 189 20 208

HSL 293.94, 0.82%, 0.45%

LAB 46.81, 79.35, -56.6

 

CMYK 34 / 90 / 0 / 18

HEX #8A14D0

RGB 138 20 208

HSL 277.66, 0.82%, 0.45%

LAB 38.65, 71.97, -70.22

 

CMYK 58 / 90 / 0 / 18

HEX #5714D0

RGB 87 20 208

HSL 261.38, 0.82%, 0.45%

LAB 31.99, 66.7, -81.43

 

CMYK 83 / 90 / 0 / 18

HEX #2414D0

RGB 36 20 208

HSL 245.11, 0.82%, 0.45%

LAB 27.92, 64.01, -88.3

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 79 / 13 / 25

HEX #BE27A5

RGB 190 39 165

HSL 309.93, 0.66%, 0.45%

LAB 45.79, 69.31, -33.03

 

CMYK 0 / 67 / 11 / 33

HEX #AB3998

RGB 171 57 152

HSL 310, 0.5%, 0.45%

LAB 44.02, 57, -28.26

 

CMYK 0 / 50 / 8 / 40

HEX #994C8C

RGB 153 76 140

HSL 310.13, 0.34%, 0.45%

LAB 43.99, 41.03, -21.28

 

CMYK 0 / 30 / 4 / 47

HEX #865E80

RGB 134 94 128

HSL 309, 0.18%, 0.45%

LAB 45.13, 22.22, -12.52

 

CMYK 35 / 90 / 0 / 18

HEX #8814D0

RGB 136 20 208

HSL 277.02, 0.82%, 0.45%

LAB 38.36, 71.72, -70.72

 

CMYK 11 / 90 / 0 / 18

HEX #BA14D0

RGB 186 20 208

HSL 292.98, 0.82%, 0.45%

LAB 46.3, 78.87, -57.44

 

CMYK 0 / 90 / 13 / 18

HEX #D014B4

RGB 208 20 180

HSL 308.94, 0.82%, 0.45%

LAB 48.52, 78.58, -37.39

 

CMYK 0 / 90 / 38 / 18

HEX #D01482

RGB 208 20 130

HSL 324.89, 0.82%, 0.45%

LAB 46.34, 72.82, -10.79

 

CMYK 0 / 90 / 62 / 18

HEX #D01450

RGB 208 20 80

HSL 340.85, 0.82%, 0.45%

LAB 44.93, 68.93, 18.17

 

CMYK 0 / 90 / 15 / 48

HEX #850D71

RGB 133 13 113

HSL 310, 0.82%, 0.29%

LAB 30.56, 55.58, -25.69

 

CMYK 0 / 91 / 15 / 33

HEX #AB1091

RGB 171 16 145

HSL 310.06, 0.83%, 0.37%

LAB 39.7, 67.32, -30.78

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 84 / 14 / 9

HEX #E925C9

RGB 233 37 201

HSL 309.8, 0.82%, 0.53%

LAB 54.93, 83.4, -39.18

 

CMYK 0 / 69 / 11 / 7

HEX #ED4AD2

RGB 237 74 210

HSL 309.94, 0.82%, 0.61%

LAB 59.48, 75.57, -37.13

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 59 / 90 / 18

HEX #D05614

RGB 208 86 20

HSL 21.06, 0.82%, 0.45%

LAB 51.97, 45.44, 56.84

 

CMYK 90 / 0 / 23 / 18

HEX #14D0A1

RGB 20 208 161

HSL 165, 0.82%, 0.45%

LAB 74.72, -53.36, 11.51

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 13 / 0 / 90 / 18

HEX #B4D014

RGB 180 208 20

HSL 68.94, 0.82%, 0.45%

LAB 78.96, -29.99, 76.4

 

CMYK 90 / 13 / 0 / 18

HEX #14B4D0

RGB 20 180 208

HSL 188.94, 0.82%, 0.45%

LAB 67.54, -27.39, -24.73

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 59 / 90 / 18

HEX #D05614

RGB 208 86 20

HSL 21.06, 0.82%, 0.45%

LAB 51.97, 45.44, 56.84

 

CMYK 90 / 0 / 77 / 18

HEX #14D030

RGB 20 208 48

HSL 128.94, 0.82%, 0.45%

LAB 73.2, -71.22, 62.55

 

CMYK 90 / 32 / 0 / 18

HEX #148ED0

RGB 20 142 208

HSL 201.06, 0.82%, 0.45%

LAB 56.14, -7.01, -42.45

 

CMYK 0 / 90 / 15 / 18

HEX #D014B1

RGB 208 20 177

HSL 309.89, 0.82%, 0.45%

LAB 48.37, 78.18, -35.86

 

CMYK 0 / 32 / 90 / 18

HEX #D08E14

RGB 208 142 20

HSL 38.94, 0.82%, 0.45%

LAB 64, 16.29, 65.81

 

CMYK 90 / 0 / 77 / 18

HEX #14D030

RGB 20 208 48

HSL 128.94, 0.82%, 0.45%

LAB 73.2, -71.22, 62.55

 

CMYK 90 / 59 / 0 / 18

HEX #1456D0

RGB 20 86 208

HSL 218.94, 0.82%, 0.45%

LAB 40.18, 28.07, -68.09

 

Description

Color code: RGB 208 20 177 | qconv.com Color code: RGB 208 20 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 20 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 20 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 15% 18% C M Y K

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